{"product_id":"curating-italian-fashion-9781350230774","title":"Curating Italian Fashion","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eItaly is a major player in the global fashion industry, yet little has been written about its contribution to fashion curation. This book explores the management, display and curation of Italian fashion heritage, highlighting the role played by companies and industry associations.By contextualising fashion curation within Italy's economy, culture and art-historical tradition, \u003ci\u003eCurating Italian Fashion\u003c\/i\u003e unfolds the ties between the preservation of fashion heritage and corporate policies. It traces the shift of companies from sponsors to cultural producers and discusses the different uses of archives and exhibitions. Through the critical analysis of key examples such as Salvatore Ferragamo and Pitti Immagine, this book illustrates how the inevitable commercial interests underlying fashion curation can exist alongside the scholarly contribution of corporate initiatives. Most importantly, it defines the curatorial approaches developed by the involvement of the industry in fashion cura\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eAn insightful history of Italian fashion curation, marketing and heritage, essential to understanding Italian fashion today. * Lucia Savi, Design Museum, UK *\u003cbr\u003eAn important contribution to the opening of the anglo-saxon focus in the discipline of fashion curating. Matteo Augello highlights and shows the uniqueness of some key cases in the history of fashion exhibitions and museums in Italy. * Marco Pecorari, Parsons Paris, France *\u003cbr\u003eA rigorous critical analysis based upon extensive research. Matteo Augello takes the reader on a fascinating journey that explores the evolution of fashion studies and curatorship, and their relationship with industry, in Italy. * Amy de la Haye, London College of Fashion, UK *\u003cbr\u003eA much needed summary in English of fashion curation in Italy. I would recommend this book for fashion historians, curators, Italian studies specialists and all those interested in the complex dynamics of how fashion is consumed in our time. * Sonnet Stanfill, V\u0026amp;A, UK *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eList of Figures Preface Acknowledgements  \u003cb\u003eIntroduction\u003c\/b\u003e a. Situating Italian fashion curation b. Defining terminology c. Structuring the book  \u003cb\u003eChapter 1: Constructing Italian fashion heritage\u003c\/b\u003e 1.1 Renaissance as Italianness 1.2 The strategic use of the past 1.3 Fashion, heritage and artification 1.4 Fashion as Renaissance legacy  \u003cb\u003eChapter 2: Industry and corporate heritage in Italy\u003c\/b\u003e 2.1 Corporate heritage: an Italian perspective 2.2 Investing in corporate heritage 2.3 Corporate cultural policies 2.3.1 Patronage 2.3.2 Sponsorship 2.3.3 Partnership 2.3.4 Investment 2.4 Industry and scholarship  \u003cb\u003eChapter 3: Corporate heritage and institutions\u003c\/b\u003e 3.1 Corporate foundations 3.2 Collecting corporate heritage 3.2.1 Corporate archives 3.2.2 Corporate collections 3.3 Corporate museums 3.4 Exhibiting corporate heritage 3.5 Researching corporate heritage 3.6 Interpreting corporate heritage  \u003cb\u003eChapter 4: A history of fashion curation in Italy\u003c\/b\u003e 4.1 The beginnings (1900s-1940s) 4.2 The study of historical textiles and fashion (1950s-1970s) 4.2.1 CIAC, the International Centre of the Arts and Costume 4.2.2 Textiles and fashion at CIAC 4.2.3 CIAC in the 1960s 4.2.4 Fashion studies in Milan in the 1970s 4.3 Moving towards contemporary fashion (1980s-1990s) 4.3.1 CISST, the Italian Centre for the Study of the History of Textiles 4.3.2 The 1981 exhibition at the Museo Poldi Pezzoli in Milan 4.3.3 The 1985 retrospective on Salvatore Ferragamo 4.3.4 The 1990 conference on ready-to-wear history 4.3.5 The relaunch of Florence as a fashion capital 4.3.6 The 1996 Biennale di Firenze 4.4 The lead of corporate institutions (2000s-2010s) 4.4.1 The Fondazione Pitti Immagine Discovery 4.4.2 Exhibitions as promotional tools 4.4.3 The increasing importance of fashion heritage 4.4.4 Online archives 4.4.5 Recent developments  \u003cb\u003eChapter 5: Industry and curation: a critical commentary\u003c\/b\u003e 5.1 Companies as sponsors 5.2 Companies as cultural producers 5.3 Curating corporate heritage 5.4 Managing corporate and civic needs  Concluding remarks  Notes Reference list Index","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":49529219252567,"sku":"9781350230774","price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350230774.jpg?v=1731874765","url":"https:\/\/bookcurl.com\/products\/curating-italian-fashion-9781350230774","provider":"Book Curl","version":"1.0","type":"link"}