{"product_id":"cultural-studies-9781405145770","title":"Cultural Studies","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eCULTURAL STUDIES\u003c\/b\u003e \u003cp\u003eThis comprehensive anthology brings together classic and contemporary essays in the diverse field of Cultural Studies. It is designed for classroom use in a variety of settings and departments, from Communications and Film Studies to Literature and Anthropology. With an international scope and interdisciplinary approach, this book represents the diversity, depth, and leading scholarship of this complex field. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eThis important new anthology:\u003c\/b\u003e \u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eProvides an overview of the history of the discipline, and argues for better placement of Cultural Studies within the academy\u003c\/li\u003e \u003cli\u003eOffers a range of important perspectives on key topics, including policy, gender, sexuality, ethnicity, identity, visual culture, and diaspora\u003c\/li\u003e \u003cli\u003eHas an advisory board composed of leading scholars, and an internationally renowned general editor.\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003e\u003ci\u003eCultural Studies: An Anthology\u003c\/i\u003e is an indispensable scholarly and pedagogical tool, which fills a longstan\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\"The book includes excellent writing from both foundational figures such as Louis Althusser and Stuart Hall.\" (\u003ci\u003eChoice\u003c\/i\u003e, November 2008)\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003ePreface.  \u003c\/p\u003e\u003cp\u003eAcknowledgements to Sources.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart I: Policy \u0026amp; Industry.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1. Battle of the Global Paradigms (\u003ci\u003eMichele Hilmes\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e2. Ownership, Organisation, and Cultural Work (\u003ci\u003eDavid Hesmondhalgh\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e3. The World Wide Web and the Corporate Media System (\u003ci\u003eRobert McChesney\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e4. Identifying a Policy Hierarchy: Communication Policy, Media Industries, and Globalization (\u003ci\u003eAlison Beale\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e5. The Rhetoric of Culture: Some Notes on Magazines, Canadian Culture, and Globalization (\u003ci\u003eImre Szeman\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart II: Place, Space, Geography.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e6. Metaphors to Live by: Landscapes as Systems of Reproduction (\u003ci\u003eDon Mitchell\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e7. Hegemony, Ideology, Pleasure: Blackpool (\u003ci\u003eTony Bennett\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e8. City of Quartz: Excavating the Future in Los Angeles (\u003ci\u003eMike Davis\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e9. Grids of Difference: Place and Identity Formation (\u003ci\u003eGeraldine Pratt\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e10. Cosmopolitan De-scriptions: Shanghai and Hong Kong (\u003ci\u003eAckbar Abbas\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e11. An Occupied Place (\u003ci\u003eKathleen C. Stewart\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart III: Gender \u0026amp; Sexuality.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e12. Bodily Inscriptions, Performative Subversions (\u003ci\u003eJudith Butler\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e13. Missing Subjects: Gender, Power, and Sexuality in Merchant Banking (\u003ci\u003eLinda McDowell and Gillian Court\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e14. Horror and the Monstrous Feminine: An Imaginary Abjection (\u003ci\u003eBarbara Creed\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e15. Japanese Queerscapes: Global\/Local Intersections on the Internet (\u003ci\u003eMark McClelland\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e16. Get Real! Cultural Relevance and Resistance to the Mediated Feminine Ideal (\u003ci\u003eLisa Duke\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart IV: Ideologies.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e17. The German Ideology (\u003ci\u003eKarl Marx and Friedriech Engels\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e18. Ideology (\u003ci\u003eLouis Althusser\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e19. Interpellation (\u003ci\u003eJohn Fiske\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e20. Becoming Dagongmei: Politics of Identities and Differences (\u003ci\u003ePun Ngai\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e21. The Ideology and Discourse of Modern Racism (\u003ci\u003eTeun van Dijk\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e22. 9\/11 and the Jihad Tradition (\u003ci\u003eSohail H. Hashmi\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e23. The Ontology of Everyday Distraction: The Freeway, the Mall, and Television (\u003ci\u003eMargaret Morse\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e24. Nichemarketing the Apocalypse: Violence as Hard-Sell (\u003ci\u003eAnn Burlein\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart V: Rhetoric \u0026amp; Discourse.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e25. The Rhetoric of Hitler's \"Battle\" (\u003ci\u003eKenneth Burke\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e26. Public Speech, Dance, Jokes, and Song (\u003ci\u003eJohn D.H. Downing\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e27. Thinking About the End of the World with Conservative Protestants (\u003ci\u003eMark Hulsether\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e28. The Rumor Bomb: American Mediated Politics as Pure War (\u003ci\u003eJayson Harsin\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e29. Talkin' Tupac: Speech Genres and the Mediation of Cultural Knowledge (\u003ci\u003eGeorge Kamberelis and Greg Dimitriadis\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart VI: Ethnicity.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e30. What is Race? (\u003ci\u003eRichard Lewontin, Steven Rose and Leon Kamin\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e31. The Crisis of \"Race\" and Raciology (\u003ci\u003ePaul Gilroy\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e32. What is to be Gained by Looking White People in the Eye? Culture, Race, and Gender in Cases of Sexual Violence (\u003ci\u003eSherene Razack\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e33. Fiaca and Veron-ismo (\u003ci\u003eGrant Farred\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart VII: Identity, Lifestyle, Subculture.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e34. Subculture: The Meaning of Style (\u003ci\u003eDick Hebdige\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e35. The Goth Scene and (Sub) Cultural Substance (\u003ci\u003ePaul Hodkinson\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e36. \"Why Don't You Act Your Color?\": Preteen Girls, Identity, and Popular Music (\u003ci\u003ePamela J. Tracy\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e37. Elements of Vogue (\u003ci\u003eMarcos Becquer and José Gatti\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e38. In Our Angelhood: Rave as Counterculture and Spiritual Revolution (\u003ci\u003eSimon Reynolds\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e39. Lowrider Style: Cultural Politics and the Poetics of Scale (\u003ci\u003eBen Chappell\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e40. Purity and Danger (\u003ci\u003eStephen Duncombe\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart VIII: Consumer Culture \u0026amp; Fashion Studies.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e41. Theories of Consumer Culture (\u003ci\u003eMike Featherstone\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e42. Mythologies (\u003ci\u003eRoland Barthes\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e43. Fashion, Culture and the Construction of Identity (\u003ci\u003eElizabeth Niederer and Rainer Winter\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e44. …And Then There Was Shopping (\u003ci\u003eSze Tsung Leong\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e45. Does Cultural Capital Structure American Consumption? (\u003ci\u003eDouglas B. Holt\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e46. Julia Learns to Shop (\u003ci\u003eSharon Zukin\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e47. Fashion as a Culture Industry (\u003ci\u003eAngela McRobbie\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e48. Tommy Hilfiger and the Age of Mass Customization (\u003ci\u003ePaul Smith\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e49. Constructing Purity: Bottled Water and the Commodification of Nature (\u003ci\u003eAndy Opel\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart IX: Music.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e50. Just a Girl? Rock Music, Feminism, and the Cultural Construction of Female Youth (\u003ci\u003eGayle Wald\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e51. Some Anti-Hegemonic Aspects of African Popular Music (\u003ci\u003eJohn Collins\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e52. Desert Dreams, Media, and Interventions in Reality: Australian Aboriginal Music (\u003ci\u003eMarcus Breen\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e53. Ubiquitous Listening (\u003ci\u003eAnahid Kassabian\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e54. The Nature\/Technology Binary Opposition Dismantled in the Music of Madonna and Björk (\u003ci\u003eCharity Marsh and Melissa West\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e55. Characterizing Rock Music Culture: The Case of Heavy Metal (\u003ci\u003eWill Straw\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e56. \"Represent\": Race, Space, and Place in Rap Music (\u003ci\u003eMurray Forman\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart X: Media Studies.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e57. Encoding, Decoding (\u003ci\u003eStuart Hall\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e58. Heliography: Journalism and the Visualization of Truth (\u003ci\u003eJohn Hartley\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e59. The Cultural Politics of News Discourse (\u003ci\u003eStuart Allan\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e60. Images of Citizenship on Television News: Constructing a Passive Public (\u003ci\u003eJustin Lewis, Karin Wahl-Jorgensen, and Sanna Inthorn\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e61. Unhemleich Maneuver: Self-Image and Identificatory Practice in Virtual Reality Environments (\u003ci\u003eAlice Crawford\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e62. The Phenomenon of Lara Croft (\u003ci\u003eAstrid Deuber-Mankowsky\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart XI: Visual Culture.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e63. From Missile Gap to the Culture Gap: Modernism in the Fallout from Sputnik (\u003ci\u003eDavid Howard\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e64. Nostalgia, Myth, and Ideology: Visions of Superman at the End of the \"American Century\" (\u003ci\u003eIan Gordon\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e65. Camera and Eye (\u003ci\u003eKaja Silverman\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e66. Re-Writing \"Reality\": Reading the Matrix (\u003ci\u003eRussell J.A. Kilbourn\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e67. Jackie Chan and the Black Connection (\u003ci\u003eGina Marchetti\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e68. Stories and Meanings (\u003ci\u003eSue Thornham and Tony Purvis\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e69. Teaching Us to Fake It: The Ritualized Norms of Television's \"Reality\" Games (\u003ci\u003eNick Couldry\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart XII: Audience, Performance, Celebrity.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e70. Theories of Consumption in Media Studies (\u003ci\u003eDavid Morley\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e71. Reading the Romance (\u003ci\u003eJanice Radway\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e72. The Cinematic Apparatus and the Construction of the Film Celebrity (\u003ci\u003eP. David Marshall\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e73. Fan Cultures: Between 'Fantasy' and 'Reality' (\u003ci\u003eMatt Hills\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e74. Is Elvis a God? Cult, Culture, and Questions of Method (\u003ci\u003eJohn Frow\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e75. Serial Killing for Beginners (\u003ci\u003eMark Seltzer\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart XIII: Transnationality, Diaspora, Post-Coloniality.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e76. The Riot of Englishness: Migrancy, Nomadism, and the Redemption of the Nation (\u003ci\u003eIan Baucom\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e77. The Economy of Appearances (\u003ci\u003eAnna Lowenhaupt Tsing\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e78. Francophonie and the National Airwaves: A History of Television in Senegal (\u003ci\u003eJo Ellen Fair\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e79. Discrepant Intimacies: Popular Cultural Flows in East Asia (\u003ci\u003eKoichi Iwabuchi)\u003c\/i\u003e.\u003c\/p\u003e \u003cp\u003e80. Contemporary Approaches to the Arts (\u003ci\u003eGreg Dimitradis and Cameron McCarthy\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e81. Conceptualizing East Asian Popular Culture (\u003ci\u003eChua Beng Huat\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e82. Introduction to the Study of Popular Cultures (\u003ci\u003eNéstor García Canclini\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003e83. Brazilian Culture: Nationalism by Elimination (\u003ci\u003eRoberto Schwarz\u003c\/i\u003e).\u003c\/p\u003e \u003cp\u003eIndex.\u003c\/p\u003e","brand":"John Wiley and Sons Ltd","offers":[{"title":"Default Title","offer_id":51039413797207,"sku":"9781405145770","price":37.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781405145770.jpg?v=1750943618","url":"https:\/\/bookcurl.com\/products\/cultural-studies-9781405145770","provider":"Book Curl","version":"1.0","type":"link"}