{"product_id":"crafting-mexico-9780822346944","title":"Crafting Mexico","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eExamines the role of the vernacular arts in Mexicos transformation from a regionally and culturally fragmented country into a modern nation-state with an inclusive and compelling national identity.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e“\u003ci\u003eCrafting Mexico\u003c\/i\u003e is an important and original contribution to the literature on\u003cbr\u003evisual arts in national ideologies. The detailed history, sophisticated analyses, intriguing case studies, and wonderful black and white and color photographs make this book essential to the library of anyone interested in Mexican popular art. “ - Michael Chibnik, \u003ci\u003eJournal of Latin American and Caribbean Anthropology\u003c\/i\u003e\u003cbr\u003e“\u003ci\u003eCrafting México\u003c\/i\u003e is a major contribution to the growing literature on nation, revolution, and indigenismo in postrevolutionary Mexico. . . . This fascinating and richly illustrated book is a fitting testimony to over a decade of exhaustive research and careful writing. It will surely serve as a model for future work.” - Stephen E. Lewis, \u003ci\u003eThe Americas\u003c\/i\u003e\u003cbr\u003e“\u003ci\u003eCrafting Mexico\u003c\/i\u003e is an impressive work of cultural and intellectual history\u003cbr\u003ethat is unique in analyzing the intersection of grassroots practices with\u003cbr\u003eintellectual currents. It should gain an audience among scholars of state\u003cbr\u003eformation beyond Mexico or Latin America.” - Robert F. Alegre, \u003ci\u003eHistory: Reviews of New Books\u003c\/i\u003e\u003cbr\u003e“Rick A. López tells the fascinating story of how folk art produced by anonymous potters, weavers, and wood carvers became a ‘proud symbol of Mexico’s authentic national identity’ (p. 2). His excellent monograph advances our understanding of Mexico’s cultural revolution—the state policies, artistic movements, and commercial developments that transformed a regionally fragmented postwar society into a unified nationstate with an ethnically inclusive national identity.” - Michael Snodgrass, \u003ci\u003eAmerican Historical Review\u003c\/i\u003e\u003cbr\u003e“\u003ci\u003eCrafting Mexico\u003c\/i\u003e reminds us that quality scholarship does not resort to sweeping generalizations but rather assesses what is often a complex situation case by case. It is an impressive interdisciplinary study that adds much to our appreciation of modern Mexican culture and society.” - Andrew Grant Wood, Hispanic \u003ci\u003eAmerican Historical Review\u003c\/i\u003e\u003cbr\u003e“\u003ci\u003eCrafting Mexico\u003c\/i\u003e covers much new territory. Its linkage of local, national, and transnational history is exemplary.”—\u003cb\u003eMary Kay Vaughan\u003c\/b\u003e, co-editor of \u003ci\u003eThe Eagle and the Virgin: Nation and Cultural Revolution in Mexico, 1920–1940\u003c\/i\u003e\u003cbr\u003e“In recent decades, historians of twentieth-century Mexico have reshaped the way we understand state and nation formation—particularly popular constructions of the national—and the role that foreign actors have played in brokering Mexico’s distinctive, transnational process of becoming modern. \u003ci\u003eCrafting Mexico\u003c\/i\u003e represents a culminating moment in these inquiries. Better than any study I know, it wrestles with the complex process whereby Mexico transformed itself from a fragmented society, driven by regional loyalties, linguistic and cultural particularism, and caudillo politics, into one of the hemisphere’s most unified nations. Part of the answer, Rick A. López argues masterfully, lies in a surprisingly contingent aesthetic and political process that embraced foreign and local actors, cosmopolitan intellectuals and indigenous crafts producers, and a panoply of state and private initiatives. Deftly integrating analytical and spatial dimensions, and bridging temporal boundaries, \u003ci\u003eCrafting Mexico\u003c\/i\u003e is a substantial achievement.”—\u003cb\u003eGilbert M. Joseph\u003c\/b\u003e, co-editor of \u003ci\u003eFragments of a Golden Age: The Politics of Culture in Mexico since 1940\u003c\/i\u003e\u003cbr\u003e“\u003ci\u003eCrafting México\u003c\/i\u003e is a major contribution to the growing literature on nation, revolution, and indigenismo in postrevolutionary Mexico. . . . This fascinating and richly illustrated book is a fitting testimony to over a decade of exhaustive research and careful writing. It will surely serve as a model for future work.” -- Stephen E. Lewis * The Americas *\u003cbr\u003e“\u003ci\u003eCrafting Mexico\u003c\/i\u003e is an important and original contribution to the literature on\u003cbr\u003evisual arts in national ideologies. The detailed history, sophisticated analyses, intriguing case studies, and wonderful black and white and color photographs make this book essential to the library of anyone interested in Mexican popular art. “ -- Michael Chibnik * Journal of Latin American and Caribbean Anthropology *\u003cbr\u003e“\u003ci\u003eCrafting Mexico\u003c\/i\u003e is an impressive work of cultural and intellectual history\u003cbr\u003ethat is unique in analyzing the intersection of grassroots practices with\u003cbr\u003eintellectual currents. It should gain an audience among scholars of state\u003cbr\u003eformation beyond Mexico or Latin America.” -- Robert F. Alegre * History: Reviews of New Books *\u003cbr\u003e“\u003ci\u003eCrafting Mexico\u003c\/i\u003e reminds us that quality scholarship does not resort to sweeping generalizations but rather assesses what is often a complex situation case by case. It is an impressive interdisciplinary study that adds much to our appreciation of modern Mexican culture and society.” -- Andrew Grant Wood Hispanic * American Historical Review *\u003cbr\u003e“Rick A. López tells the fascinating story of how folk art produced by anonymous potters, weavers, and wood carvers became a ‘proud symbol of Mexico’s authentic national identity’ (p. 2). His excellent monograph advances our understanding of Mexico’s cultural revolution—the state policies, artistic movements, and commercial developments that transformed a regionally fragmented postwar society into a unified nationstate with an ethnically inclusive national identity.” -- Michael Snodgrass * American Historical Review *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eList of Illustrations vii\u003cbr\u003e Acknowledgments ix\u003cbr\u003e Introduction: Nation Formation, Popular Art, and the Search for a Mexican Aesthetic 1\u003cbr\u003e Part I. Indianness and the Postrevolutionary Mexican Nation 27\u003cbr\u003e 1. Ethnicizing the Nation: The India Bonita Contest of 1921 29\u003cbr\u003e 2. Popular Art and the Staging of Indianness 65\u003cbr\u003e 3. Foreign-Mexican Collaboration, 1920–1940 95\u003cbr\u003e 4. The Postrevolutionary Cultural Project, 1916–1938 127\u003cbr\u003e 5. The Museum and the Market, 1929–1948 151\u003cbr\u003e 6. Formulating a State Policy toward Popular Art, 1937–1974 175\u003cbr\u003e Part II. Alternative Narratives of Metropolitan Intervention: The Artisans of Olinalá, Guerrero 195\u003cbr\u003e 7. The \"Unbroken Tradition\" of Olinalá from the Aztecs through the Revolution 201\u003cbr\u003e 8. Transnational Renaissance and Local Power Struggles, 1920s to 1950s 229\u003cbr\u003e 9. The Road to Olinalá, 1935–1972 263\u003cbr\u003e Conclusions 289\u003cbr\u003e Notes 299\u003cbr\u003e Bibliography 349\u003cbr\u003e Index 381","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":51138191491415,"sku":"9780822346944","price":119.89,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780822346944.jpg?v=1751918376","url":"https:\/\/bookcurl.com\/products\/crafting-mexico-9780822346944","provider":"Book Curl","version":"1.0","type":"link"}