{"product_id":"cosmopolitan-film-cultures-in-latin-america-18961960-9780253026460","title":"Cosmopolitan Film Cultures in Latin America","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003ci\u003eCosmopolitan Film Cultures \u003c\/i\u003eis a timely revision of current debates in theeld of Film Studies. It offers a new understanding of moving images in Latin America as the result of negotiations of national agendas, cosmopolitan impulses and transnationalows of cultural commodities and capital.\u003c\/p\u003e * Bulletin of Spanish Visual Studies *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eAcknowledgments\u003cbr\u003eIntroduction\u003c\/p\u003e\u003cp\u003ePart I: The Silent Era: Between Global Capitalism and National Modernization\u003cbr\u003e\u003ci\u003ePrimary text:\u003c\/i\u003e \"The Lumière Cinematograph,\" \u003ci\u003eEl Monitor Republicano\u003c\/i\u003e (Mexico City), August 16, 1896 \u003cbr\u003e1. Gabriel Veyre and Fernand Bon Bernard, Representatives of the Lumière Brothers in Mexico \/ Aurelio de los Reyes \u003cbr\u003e\u003ci\u003ePrimary text:\u003c\/i\u003e Tic Tac (Carlos Villafañe), \"The Show on June 15th,\" \u003ci\u003ePelículas \u003c\/i\u003e(Bogotá), June 1919\u003cbr\u003e2. Films on Paper: Early Colombian Cinema Periodicals, 1916-1920 \/ Juan Sebastián Ospina León \u003cbr\u003e\u003ci\u003ePrimary text:\u003c\/i\u003e Enrique Méndez Calzada, \"The Lover of Rudolph Valentino\" from \u003ci\u003eAnd Christ Returned to Buenos Aires\u003c\/i\u003e (1926)\u003cbr\u003e3. Manipulation and Authenticity: The Unassimilable Valentino in 1920s Argentina \/ Giorgio Bertellini \u003c\/p\u003e\u003cp\u003ePart II: The Interwar Period: Between Hollywood and the Avant-Garde\u003cbr\u003e\u003ci\u003ePrimary text:\u003c\/i\u003e Felipe de Leiva, \"Memoirs of an Extra,\" \u003ci\u003eCinelandia\u003c\/i\u003e, (Hollywood) November\/December 1927\u003cbr\u003e4. Mediating the 'Conquering and Cosmopolitan Cinema:' Latin American Audiences and U.S. Film Magazines in Spanish, 1916-1948 \/ Rielle Navitski\u003cbr\u003e\u003ci\u003ePrimary text:\u003c\/i\u003e Octávio de Faria, \"Russian Cinema and Brazilian Cinema,\" \u003ci\u003eO Fan \u003c\/i\u003e(Rio de Janeiro), October 2, 1928\u003cbr\u003e5. Parallel Modernities: the First Reception of Soviet Cinema in Latin America \/ Sarah Ann Wells\u003cbr\u003e\u003ci\u003ePrimary text:\u003c\/i\u003e Guillermo de Torre, \"The Cineclub of Buenos Aires,\" \u003ci\u003eLa Gaceta Literaria\u003c\/i\u003e (Madrid), April 1, 1930 \u003cbr\u003e6. A Gaze Turned Towards Europe: Modernity and Tradition in the Work of Horacio Coppola \/ Andrea Cuarterolo\u003c\/p\u003e\u003cp\u003ePart III: The Golden Age of Latin American Film Industries: Negotiating the Popular and the Cosmopolitan\u003cbr\u003e\u003ci\u003ePrimary text:\u003c\/i\u003e John Alton, \"Motion Picture Production in South America,\" \u003ci\u003eInternational Photographer\u003c\/i\u003e (Hollywood), May 1934\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e7. John Alton in Argentina, 1932-1939 \/ Nicolas Poppe\u003cbr\u003e8. The Golden Age Otherwise: Mexican Cinema and the Mediations of Capitalist Modernity in the 1940s and 1950s \/ Ignacio M. Sánchez Prado\u003cbr\u003e\u003ci\u003ePrimary text:\u003c\/i\u003e Gabriel García Márquez, \"The Mambo\" \u003ci\u003eEl Heraldo\u003c\/i\u003e (Barranquilla), January 12, 1951\u003cbr\u003e9. Bad Neighbors: Pérez Prado, Cinema and the Politics of Mambo \/ Jason Borge \u003c\/p\u003e\u003cp\u003ePart IV:\u003ci\u003e \u003c\/i\u003eThe Afterlives of Moving Images: Cinephilia and Cult Spectatorship\u003cbr\u003e\u003ci\u003ePrimary text:\u003c\/i\u003e Thomas E. Sibert, \"Fox Film de Cuba, S.A.'s Continuing Competition for Scholarships to Summer School at the Universidad de la Habana\" (1956)\u003cbr\u003e10. Film Culture and Education in Republican Cuba: The Legacy of José Manuel Valdés-Rodríguez \/ Irene Rozsa \u003cbr\u003e11. The Secret History of Aztlán: Transnational Exploitation Film, Chicano Art and Unexpected Cultural Flows \/ Colin Gunckel\u003cbr\u003eIndex\u003c\/p\u003e","brand":"Indiana University Press","offers":[{"title":"Default Title","offer_id":49400568512855,"sku":"9780253026460","price":28.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780253026460.jpg?v=1730471003","url":"https:\/\/bookcurl.com\/products\/cosmopolitan-film-cultures-in-latin-america-18961960-9780253026460","provider":"Book Curl","version":"1.0","type":"link"}