{"product_id":"constructions-of-the-real-intersections-of-documentary-based-film-practice-and-theory-9781789387438","title":"Constructions of the Real: Intersections of","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cem\u003eConstructions of the Real\u003c\/em\u003e features a wide range of writing from non-fiction and documentary filmmakers who undertake theoretically informed practice and think through making. These global filmmakers and writers straddle the divide between the academy and industry and they reflect on, interrogate and explicate their filmmaking practices in relationship to questions of form, content, and process.\u003c\/p\u003e  \u003cp\u003eThe book is in four sections. The first is on intimate, first-person works where memory and identity are explored. The second features responses to and interventions in historical and dominant relationships to place. The third explores multivarious forms of essay films. In the final section, filmmakers discuss the precarity of non-fiction filmmaking in its form and financial rewards. This book is anti-colonial, in that it offers diverse new voices and new practices promoting hybridity and experimentation and makes claims for knowledges that fall outside of traditional scholarship. This book presents the silenced and the marginalized.\u003c\/p\u003e  \u003cp\u003eIt engages with current debates about the role of creative scholarship and makes a claim for non-fiction filmmaking as a knowledge-making practice for revealing, critiquing, and interpreting the world.\u003c\/p\u003e  \u003cp\u003eContributors include Kaveh Abbasian, Judith Aston, Nicholas Andueza, Elisabeth Brun, Joanna Callaghan, Gerda Cammaer, Philip Cartelli, Lorena Cervera, Jill Daniels, Kath Dooley, Aggie Ebrahimi Bazaz, Andréa França, Catherine Gough-Brady, Robert Hardcastle, Alex Johnston, Elizabeth Miller, Ros Mortimer, Kim Munro, Minou Norouzi, Stefano Odorico, Rebecca Ora, Sheersha Perera, Christine Rogers, Isabel Seguí, Jeni Thornley and Masha Vlasova.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eList of Figures \u003cbr\u003e Foreword\u003cbr\u003e \u003cem\u003eJudith Aston and Stefano Odorico\u003c\/em\u003e\u003cbr\u003e Thinking through Making in Non-Fiction Film\u003cbr\u003e \u003cem\u003eChristine Rogers, Kim Munro, Liz Burke and Catherine Gough-Brady\u003c\/em\u003e\u003c\/p\u003e  \u003cp\u003e\u003cbr\u003e PART 1: THIS LENS MY EYE: FIRST PERSON, ETHNOGRAPHIC AND AUTOBIOGRAPHICAL FILMMAKING\u003cbr\u003e \u003cem\u003eChristine Rogers\u003c\/em\u003e\u003cbr\u003e 1. The Enigma of Film – ‘Memory Film: A Filmmaker’s Diary’\u003cbr\u003e \u003cem\u003eJeni Thornley\u003c\/em\u003e\u003cbr\u003e 2. Psychogeographical Choreography: On Filming Hand-Held\u003cbr\u003e \u003cem\u003eMasha Vlasova\u003c\/em\u003e\u003cbr\u003e 3. Remaking Absurd Pictures\u003cbr\u003e \u003cem\u003eRebecca\u003c\/em\u003e \u003cem\u003eOra\u003c\/em\u003e\/\u003cem\u003erora\u003c\/em\u003e\u003cbr\u003e 4. Creating\/Recreating Memory: Cultural Menstruation Rituals through the Making of the Hybrid Documentary \u003cem\u003eBig Girl\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eSheersha Perera\u003c\/em\u003e\u003cbr\u003e 5. Phantom Limbs and Failed Messages: A Phenomenological Provocation of First Person Film\u003cbr\u003e \u003cem\u003eJoanna\u003c\/em\u003e \u003cem\u003eCallaghan\u003c\/em\u003e\u003cbr\u003e 6. Korimako and Macrocarpa Trees: Exploring Māori Experiences of Place through a Lens\u003cbr\u003e \u003cem\u003eChristine Rogers\u003c\/em\u003e\u003c\/p\u003e  \u003cp\u003ePART 2: CONTESTED PLACES: FROM COLONIZATION TO CO-CREATION\u003cbr\u003e \u003cem\u003eKim\u003c\/em\u003e \u003cem\u003eMunro\u003c\/em\u003e\u003cbr\u003e 7. Interrogating Power and Unsettling Relations to Place in Documentary \u003cbr\u003e \u003cem\u003eElizabeth Miller and Aggie Ebrahimi Bazaz\u003c\/em\u003e\u003cbr\u003e 8. Acclimations: Speculations on Making Documentary in the Climate Emergency\u003cbr\u003e \u003cem\u003eKim Munro\u003c\/em\u003e\u003cbr\u003e 9. In Search of Ambiguity\u003cbr\u003e \u003cem\u003ePhilip Cartelli\u003c\/em\u003e\u003cbr\u003e 10. Can Sound Be Used to Challenge the Colonial Legacies of Silent Archival Film?\u003cbr\u003e \u003cem\u003eRobert Hardcastle\u003c\/em\u003e\u003cbr\u003e 11. Fraught Narratives, Archival Traces: Documentary Experiments in Carceral History\u003cbr\u003e \u003cem\u003eAlexander Johnston\u003c\/em\u003e\u003c\/p\u003e  \u003cp\u003e\u003cbr\u003e PART 3: THE EXPANDED ESSAY FILM: THINKING WITH IMAGES AND SOUNDS\u003cbr\u003e \u003cem\u003eLiz Burke\u003c\/em\u003e\u003cbr\u003e 12. Cinematic Aesthetics of Resistance: Reframing the Non-fiction Oppositional Film\u003cbr\u003e \u003cem\u003eJill Daniels\u003c\/em\u003e\u003cbr\u003e 13. Flaunting Artifice: Restaging History as Critical Fabulation in \u003cem\u003eThe Deathless Woman\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eRoz Mortimer\u003c\/em\u003e\u003cbr\u003e 14. Tracing Yugoslavia: The Use of Narrative Time and Narrative Space to Re-Vision a Disappeared \u003cem\u003elieux de memoire\u003c\/em\u003e (Memory-Site)\u003cbr\u003e \u003cem\u003eMila Turajlic\u003c\/em\u003e\u003cbr\u003e 15. The Creative Ti(d)es of \u003cem\u003eSea-Changes\u003c\/em\u003e: Musings on the Making of an Eco-Avant-Doc\u003cbr\u003e \u003cem\u003eGerda Cammaer\u003cbr\u003e \u003c\/em\u003e16. Weaving Fragments Together: Narrative and the Korsakow-Based Film\u003cbr\u003e \u003cem\u003eLiz Burke\u003c\/em\u003e\u003cbr\u003e 17. The Expanded Essay Film: The Researcher-Filmmaker as a Topographical Thinker\u003cbr\u003e \u003cem\u003eElisabeth Brun\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e PART 4: NOTICING THE FRAME AND THE FORM\u003cbr\u003e \u003cem\u003eCatherine Gough-Brady\u003c\/em\u003e\u003cbr\u003e 18. Refugee Filmmaking: Finding Agency through the Lens\u003cbr\u003e \u003cem\u003eKaveh Abbasian\u003c\/em\u003e\u003cbr\u003e 19. Passeio Público: The Life of Images and the Irresistible Fascination of Archival Film\u003cbr\u003e \u003cem\u003eAndréa\u003c\/em\u003e \u003cem\u003eFrança\u003c\/em\u003e \u003cem\u003eand\u003c\/em\u003e \u003cem\u003eNicholas\u003c\/em\u003e \u003cem\u003eAndueza\u003c\/em\u003e\u003cbr\u003e 20. #PrecarityStory: Academic Casualization and Feminist Filmmaking\u003c\/p\u003e  \u003cp\u003e\u003cem\u003eLorena Cervera and Isabel Seguí\u003c\/em\u003e\u003c\/p\u003e  \u003cp\u003e21. Exploring Viewer Positioning and Attention Cues in a Cinematic Virtual Reality Documentary: A Creative Research Project\u003cbr\u003e \u003cem\u003eKath Dooley\u003c\/em\u003e\u003cbr\u003e 22. Not Another Moment of Your Salvation: Documentary, Art Practice and Their Empathic Misadventures\u003cbr\u003e \u003cem\u003eMinou Norouzi\u003c\/em\u003e\u003cbr\u003e 23. Three Questions: A Practitioner’s Approach to the Documentary Form\u003cbr\u003e \u003cem\u003eCatherine Gough-Brady\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e Notes on Contributors\u003c\/p\u003e","brand":"Intellect Books","offers":[{"title":"Default Title","offer_id":51042578694487,"sku":"9781789387438","price":89.96,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781789387438.jpg?v=1750954719","url":"https:\/\/bookcurl.com\/products\/constructions-of-the-real-intersections-of-documentary-based-film-practice-and-theory-9781789387438","provider":"Book Curl","version":"1.0","type":"link"}