{"product_id":"conflict-commerce-and-an-aesthetic-of-appropriation-in-the-italian-maritime-cities-1000-1150-9789004335653","title":"Conflict, Commerce, and an Aesthetic of Appropriation in the Italian Maritime Cities, 1000-1150","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eIn Conflict, Commerce, and an Aesthetic of Appropriation in the Italian Maritime Cities, 1000-1150, Karen Rose Mathews analyzes the relationship between war, trade, and the use of spolia (appropriated objects from past and foreign cultures) as architectural decoration in the public monuments of the Italian maritime republics in the eleventh and twelfth centuries.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\"As its title suggests, Karen Rose Mathews’s book argues that the use of spolia in the maritime  cities was the result of two main factors: conflict and commerce. After an introduction,  the book presents case studies of Salerno, Venice, Pisa, and Genoa, followed by a very short conclusion and an ample bibliography.[...] The comparing and contrasting of the selected cities is a fruitful one: rather than a general  exposition of reuse in medieval Italy, the choice of salient examples within a limited period is methodologically sound. Mathews bolsters her claims with both material and written sources. She demonstrates how the appropriated objects are employed to different effect and in different manner. [...] this informative and well-documented book makes accessible  a complex subject matter (which, except for Venice, has been discussed mainly by Italian authors) and highlights the multivalence of spolia with useful insights into their rich cultural associations\". Bente Kilerich, in Speculum 95\/3, July 2020.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eAcknowledgments List of Illustrations Introduction: Visualizing Commerce and Conflict in the Maritime Cities of Medieval Italy   Conflict and Commerce in the Medieval Mediterranean   Visualizing the Relationship between Trade and Conflict Through an Aesthetic of Appropriation   1 Local Traditions and Norman Innovations in the Artistic Culture of Southern Italy   Introduction    Local Traders and Norman Warriors in Southern Italy    Forging an Amalfitan International Style: The Art Patronage of the Local Elite    Norman Architectural Patronage and the Spolia Aesthetic  2 Emulation of and Appropriation from Byzantium in Venetian Visual Culture    Introduction    Conflict, Trade, and the Venetian Presence in the Eastern Mediterranean    Appropriated Relics from Byzantium    Relics, Spoils, and Spolia in Venetian Art and Architecture  3 The Interplay of Islamic and Ancient Roman Spolia on Pisan Churches    Introduction    Commerce and Conflict in Eleventh and Twelfth-century Pisa    The Signification of Ancient and Contemporary Muslim Spoils onPisan Churches  4 Rivalry with Pisa and Spolia as Plunder of War in Medieval Genoa    Introduction    Crusade Campaigns and Commercial Compensation    Spolia as Plunder in the Art and Architecture of Genoa    The Aesthetic of Appropriation and Competition with Pisa  Conclusion: Shifting Significations of the Spolia Aesthetic  Select Bibliography    Primary Sources    Secondary Sources","brand":"Brill","offers":[{"title":"Default Title","offer_id":53210696548695,"sku":"9789004335653","price":95.2,"currency_code":"GBP","in_stock":false}],"url":"https:\/\/bookcurl.com\/products\/conflict-commerce-and-an-aesthetic-of-appropriation-in-the-italian-maritime-cities-1000-1150-9789004335653","provider":"Book Curl","version":"1.0","type":"link"}