{"product_id":"color-the-film-reader-9780415324427","title":"Color The Film Reader","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eThis is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology.\u003c\/p\u003e\u003cp\u003eSet out in thematic sections, the book addresses key issues in the field including:\u003c\/p\u003e\u003cul\u003e \u003cp\u003e \u003c\/p\u003e \u003cli\u003ethe development of colour technology\u003c\/li\u003e \u003cli\u003ehow visual stule was affected by the shift from black and white to colour\u003c\/li\u003e \u003cli\u003ecolour in film theory and the writings of authors such as Bresson, Eisenstein and Oshima\u003c\/li\u003e \u003cli\u003ecolour in the films of Godard, Hitchcock, Almodovar and many more.\u003c\/li\u003e \u003c\/ul\u003e\u003cp\u003eIncluding case studies too, this is the perfect introductory guide to a key element in film form and theory. A must for any student starting a film studies course. \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003e'[This book] remains an important stepping-stone in film studies... [and] can be considered an accomplishment'.\u003c\/strong\u003e\u003cem\u003e - Film International\u003c\/em\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eAcknowledgments General Introduction \u003cem\u003eBrian Price \u003c\/em\u003e\u003cstrong\u003ePART ONE: COLOR TECHNOLOGY AND VISUAL STYLE \u003c\/strong\u003eIntroduction 1. Technicolor \u003cem\u003eSteve Neale \u003c\/em\u003e2. Color Consciousness \u003cem\u003eNatalie Kalmus \u003c\/em\u003e3. Minor Hazards: Disney and the Color Adventure \u003cem\u003eJ.P. Telotte \u003c\/em\u003e4. The Post-War Struggle for Color \u003cem\u003eDudley Andrew \u003c\/em\u003ePART TWO: COLOR THEORY Introduction 5. Remarks on Color Film \u003cem\u003eRudolf Arnheim \u003c\/em\u003e6. A Bergsonian Film: The Picasso Mystery \u003cem\u003eAndré Bazin \u003c\/em\u003e7. from \u003cem\u003eChromophobia David Batchelor \u003c\/em\u003e8. Color, the Formless and Cinematic Eros \u003cem\u003eBrian Price \u003c\/em\u003e9. The Colours of Haptic Space: Black and White in Moving Images \u003cem\u003eTrond Lundemo \u003c\/em\u003ePART THREE: THE FILMMAKER AS COLOR THEORIST Introduction 10. On Colour \u003cem\u003eSergei Eisenstein \u003c\/em\u003e11. Banishing Green \u003cem\u003eNagisa Oshima \u003c\/em\u003e12. Reflections on Color \u003cem\u003eEric Rohmer \u003c\/em\u003e13. Of Taste and Colors \u003cem\u003eEric Rohmer \u003c\/em\u003e14. Painting Film \u003cem\u003eStan Brakhage \u003c\/em\u003ePART FOUR: CASE STUDIES Introduction 15. Hitchcock’s Color Designs \u003cem\u003eRichard Allen \u003c\/em\u003e16. All that Heaven Allows: Color, Narrative Space, Melodrama \u003cem\u003eMary Beth Haralovich \u003c\/em\u003e17. Demonstrating Three-Strip Technicolor: \u003cem\u003eBecky Sharp Scott Higgins\u003c\/em\u003e 18. Costuming and the Color System: \u003cem\u003eLeave Her to Heaven Marshall Deutelbaum \u003c\/em\u003e19. The Articulation of Color in a Filmic System: \u003cem\u003eDeux ou trois chosesque je sais d’elle Edward Branigan \u003c\/em\u003e20. Michelangelo Antonioni’s Red Desert: Painting as Ventriloquism and Color as Movement (Architecture and Painting) \u003cem\u003eAngela Dalle Vacche \u003c\/em\u003e21. Blue \u003cem\u003ePeter Wollen \u003c\/em\u003eSelect bibliography, compiled by Angela Dalle Vacche Index\u003c\/p\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":51018131636567,"sku":"9780415324427","price":37.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780415324427.jpg?v=1750775741","url":"https:\/\/bookcurl.com\/products\/color-the-film-reader-9780415324427","provider":"Book Curl","version":"1.0","type":"link"}