{"product_id":"collective-memory-and-oral-text-9783631808009","title":"Collective Memory and Oral Text","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eThe aim of this monograph is an attempt to examine the relationship between collective memory and oral texts. The material basis for this presentation consists of folklore oral texts, both prosaic and poetic, different as regards their genres (fairy tales, fables, recollections, traditions, legends, proverbs, and songs) as well as texts that are fragments of spontaneous interviews. \u003c\/p\u003e \u003cp\u003eThe monograph consists of five main parts devoted to the following themes: theoretical considerations, the relation between memory and language, text memory, genre memory, and the relation between memory and the folk artistic style.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eAbbreviations ....................................................................................................... 17\u003c\/p\u003e\u003cb\u003e \u003c\/b\u003e\u003cp\u003e\u003cb\u003ePart I: Theoretical issues\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eI Collective memory: definitions, types, functions \u003c\/b\u003e................... 21\u003c\/p\u003e \u003cp\u003e1 Memory: collective or social? .............................................................. 21\u003c\/p\u003e \u003cp\u003e2 Collective memory: literal or metaphorical? ..................................... 23\u003c\/p\u003e \u003cp\u003e3 Collective memory: a sum total of individual memories, or a\u003c\/p\u003e \u003cp\u003esupraindividual construct? ................................................................... 25\u003c\/p\u003e \u003cp\u003e4 Memory \u003ci\u003evs\u003c\/i\u003e. history: relational possibilities ....................................... 26\u003c\/p\u003e \u003cp\u003e4.1 Memory \u003ci\u003eversus \u003c\/i\u003ehistory: disintegrating approaches ................... 27\u003c\/p\u003e \u003cp\u003e4.2 Memory \u003ci\u003eversus \u003c\/i\u003ehistory: integrating approaches ........................ 32\u003c\/p\u003e \u003cp\u003e5 Collective memory: definitions and attributes .................................. 35\u003c\/p\u003e \u003cp\u003e6 Collective memory: typological attempts .......................................... 40\u003c\/p\u003e \u003cp\u003e7 Collective memory: functions ............................................................. 54\u003c\/p\u003e\u003cb\u003e \u003c\/b\u003e\u003cp\u003e\u003cb\u003eII Cultural heritage – memory – texts of culture \u003c\/b\u003e.......................... 57\u003c\/p\u003e \u003cp\u003e1 Memory as a carrier \u003ci\u003evs. \u003c\/i\u003ememory carriers: preliminary remarks ........ 57\u003c\/p\u003e \u003cp\u003e2 UNESCO’s Convention for the Safeguarding of the Intangible\u003c\/p\u003e \u003cp\u003eCultural Heritage: definition and scope ............................................. 58\u003c\/p\u003e \u003cp\u003e3 Cultural heritage as a building material of memory ......................... 59\u003c\/p\u003e \u003cp\u003e4 Memory as a carrier of cultural heritage ............................................ 60\u003c\/p\u003e \u003cp\u003e5 Text of culture as a manifestation of cultural heritage ..................... 63\u003c\/p\u003e \u003cp\u003e5.1 Text of culture: what is it? ............................................................. 63\u003c\/p\u003e \u003cp\u003e5.2 Text of culture: a survey of definitions ........................................ 64\u003c\/p\u003e \u003cp\u003e5.3 Text of culture as a structure ........................................................ 65\u003c\/p\u003e \u003cp\u003e5.4 Text of culture as a process ........................................................... 66\u003cbr\u003e5.5 Linguistic (oral) text as a prototypical text of culture ............... 69\u003c\/p\u003e \u003cp\u003e5.5.1 Texts of culture: an analogy to natural language ......... 72\u003c\/p\u003e \u003cp\u003e5.5.2 Texts of culture as an amalgam of codes ....................... 72\u003c\/p\u003e \u003cp\u003e5.5.3 Intersemiotic translation of texts of culture into\u003c\/p\u003e \u003cp\u003enatural language: selected issues .................................... 73\u003c\/p\u003e \u003cp\u003e6 Cultural heritage ・ memory ・ texts of culture: research and\u003c\/p\u003e \u003cp\u003eanalytical perspectives .......................................................................... 75\u003c\/p\u003e\u003cb\u003e \u003c\/b\u003e\u003cp\u003e\u003cb\u003ePart II: Memory in language – language-embedded\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eIII Memory depicted in linguistic metaphors \u003c\/b\u003e.................................. 83\u003c\/p\u003e \u003cp\u003e1 ‘Metaphor bridges reason and imagination’ ...................................... 83\u003c\/p\u003e \u003cp\u003e2 Memory in linguistic metaphors: a state of research ........................ 85\u003c\/p\u003e \u003cp\u003e3 Memory as a structure and a process: specific elaborations ............ 86\u003c\/p\u003e \u003cp\u003e4 Is memory a language-like entity? ...................................................... 98\u003c\/p\u003e\u003cb\u003e \u003c\/b\u003e\u003cp\u003e\u003cb\u003eIV Proper names as carriers of collective memory \u003c\/b\u003e..................... 103\u003c\/p\u003e \u003cp\u003e1 Cooking as language and memory .................................................... 104\u003c\/p\u003e \u003cp\u003e2 Names of dishes as carriers of declarative memory ........................ 106\u003c\/p\u003e \u003cp\u003e3 Functions of dish names ..................................................................... 113\u003c\/p\u003e\u003cb\u003e \u003c\/b\u003e\u003cp\u003e\u003cb\u003ePart III: Memory and text – text memory\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eV Oral text structure as a reflection of memory structure \u003c\/b\u003e..... 119\u003c\/p\u003e \u003cp\u003e1 Oral text \u003ci\u003evis-a-vis \u003c\/i\u003eoral memory ......................................................... 119\u003c\/p\u003e \u003cp\u003e2 Text as a memory aid: recalling a text from memory ..................... 123\u003c\/p\u003e \u003cp\u003e3 Text as a memory mirror: textual ways of expressing memory .... 125\u003c\/p\u003e \u003cp\u003e3.1 Text structure based on intertextual memory .......................... 127\u003c\/p\u003e \u003cp\u003e3.1.1 Intertextual memory: procedural dimension ............. 127\u003c\/p\u003e \u003cp\u003e3.1.2 Intertextual memory: the structural dimension ........ 130\u003cbr\u003e3.2 Text structure based on associative memory (keywords) ...... 131\u003c\/p\u003e \u003cp\u003e3.3 Text structure based on intertextuality-cum-association\u003c\/p\u003e \u003cp\u003ememory ......................................................................................... 139\u003c\/p\u003e\u003cb\u003e \u003c\/b\u003e\u003cp\u003e\u003cb\u003eVI Text variation as information about the collective\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ememory functioning of a text \u003c\/b\u003e......................................................... 149\u003c\/p\u003e \u003cp\u003e1 The double nature of a folklore text as collective memory\u003c\/p\u003e \u003cp\u003einformation .......................................................................................... 149\u003c\/p\u003e \u003cp\u003e2 Folklore text variation: from structure of a text to picture of\u003c\/p\u003e \u003cp\u003ean object ................................................................................................ 150\u003c\/p\u003e \u003cp\u003e3 Morphological analysis as an examination of an oral text\u003c\/p\u003e \u003cp\u003ecirculation in collective memory ....................................................... 154\u003c\/p\u003e \u003cp\u003e4 Text in a social group’s memory: circulation of an oral text .......... 155\u003c\/p\u003e \u003cp\u003e5 Folklorism: from cultural to intercultural memory or\u003c\/p\u003e \u003cp\u003edialogue with tradition and traditional ways of apprehending\u003c\/p\u003e \u003cp\u003efolklore .................................................................................................. 174\u003c\/p\u003e\u003cb\u003e \u003c\/b\u003e\u003cp\u003e\u003cb\u003eVII Memory figures \u003ci\u003eversus \u003c\/i\u003ememory aspects in oral texts \u003c\/b\u003e.......... 199\u003c\/p\u003e \u003cp\u003e1 Memory figures in a research perspective ........................................ 199\u003c\/p\u003e \u003cp\u003e2 Memory in a functional perspective ................................................. 200\u003c\/p\u003e \u003cp\u003e2.1 Time ・ narration ・ memory ....................................................... 200\u003c\/p\u003e \u003cp\u003e2.1.1 Time \u003ci\u003evis-a-vis \u003c\/i\u003eorder of discourse ................................. 202\u003c\/p\u003e \u003cp\u003e2.1.2 Time \u003ci\u003evis-a-vis \u003c\/i\u003eorder of events ...................................... 205\u003c\/p\u003e \u003cp\u003e2.1.2.1 Creating the world of a narrative ................ 211\u003c\/p\u003e \u003cp\u003e2.1.2.2 Time in creating a protagonist .................... 213\u003c\/p\u003e \u003cp\u003e2.2 Space ・ narrative ・ memory ....................................................... 216\u003c\/p\u003e \u003cp\u003e2.2.1 Space \u003ci\u003evis-a-vis \u003c\/i\u003eorder of discourse ................................ 217\u003c\/p\u003e \u003cp\u003e2.2.2 Space \u003ci\u003evis-a-vis \u003c\/i\u003eorder of events ..................................... 218\u003c\/p\u003e \u003cp\u003e3 Reconstructivism as an objective aspect of memory ...................... 231\u003c\/p\u003e \u003cp\u003e3.1 Mythological reconstructivism .................................................. 232\u003c\/p\u003e \u003cp\u003e3.2 Belief-oriented reconstructivism ............................................... 244\u003c\/p\u003e \u003cp\u003e3.3 Apocryphal reconstructivism ..................................................... 247\u003c\/p\u003e \u003cp\u003e3.4 Historical reconstructivism ........................................................ 251\u003c\/p\u003e \u003cp\u003e3.5 Family-personal reconstructivism ............................................. 259\u003c\/p\u003e \u003cp\u003e3.6 Ritual reconstructivism ............................................................... 261\u003c\/p\u003e \u003cp\u003e4 Subjective aspect of memory: reference to a social group ............. 270\u003c\/p\u003e \u003cp\u003e4.1 The addresser of a text ................................................................. 270\u003c\/p\u003e \u003cp\u003e4.2 The addressee ............................................................................... 294\u003c\/p\u003e \u003cp\u003e5 Functions of memory figures ............................................................. 298\u003c\/p\u003e\u003cb\u003e \u003c\/b\u003e\u003cp\u003e\u003cb\u003ePart IV: Memory and text genre – genre memory and genre\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003enon-memory\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVIII Memory types \u003ci\u003eversus \u003c\/i\u003egenre differentiation in folklore\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003etexts \u003c\/b\u003e............................................................................................................. 305\u003c\/p\u003e \u003cp\u003e1 Genres of collective memory and non-memory ............................. 305\u003c\/p\u003e \u003cp\u003e2 Folklore genre as a factor of collective memory and\u003c\/p\u003e \u003cp\u003enon-memory ........................................................................................ 306\u003c\/p\u003e \u003cp\u003e3 Memory as a criterion of typologising folklore\u003c\/p\u003e \u003cp\u003egenres: mnemonic typology of texts of folklore .............................. 309\u003c\/p\u003e \u003cp\u003e3.1 The Criteria of folklore genre differentiation ........................... 309\u003c\/p\u003e \u003cp\u003e3.2 The memorates-fabulates distinction \u003ci\u003eversus \u003c\/i\u003emnemonic\u003c\/p\u003e \u003cp\u003etypology of folklore genres ......................................................... 312\u003c\/p\u003e \u003cp\u003e3.3 Features of memory figures versus genre differentiation\u003c\/p\u003e \u003cp\u003eof folklore texts ............................................................................. 313\u003c\/p\u003e \u003cp\u003e3.4 Traditional and modern folklore genres in a memory\u003c\/p\u003e \u003cp\u003etheory perspective ........................................................................ 314\u003c\/p\u003e \u003cp\u003e4. Transformations of folklore text genres: from communicative\u003c\/p\u003e \u003cp\u003eto cultural memories ........................................................................... 322\u003cbr\u003e\u003cb\u003ePart V: Memory and linguistic style – style memory\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eIX Memory as a distinguishing value of folk artistic style \u003c\/b\u003e....... 331\u003c\/p\u003e \u003cp\u003e1 Collective memory style ..................................................................... 331\u003c\/p\u003e \u003cp\u003e2 Folk artistic style in a folklorist perspective .................................... 332\u003c\/p\u003e \u003cp\u003e3 Memory as a worldview category ...................................................... 333\u003c\/p\u003e \u003cp\u003e3.1 Memory as a source of collectivity ............................................ 335\u003c\/p\u003e \u003cp\u003e3.2 Memory as support of orality ..................................................... 337\u003c\/p\u003e \u003cp\u003e4 Formula as a main exponent of memory ......................................... 338\u003c\/p\u003e \u003cp\u003e5 Memory as a treasure of folklore, folklore as a narrative about\u003c\/p\u003e \u003cp\u003ememory ................................................................................................ 340\u003c\/p\u003e\u003cb\u003e \u003c\/b\u003e\u003cp\u003e\u003cb\u003eBibliography \u003c\/b\u003e....................................................................................................... 343\u003c\/p\u003e\u003cb\u003e \u003c\/b\u003e\u003cp\u003e\u003cb\u003eSources \u003c\/b\u003e.................................................................................................................. 367\u003c\/p\u003e\u003cb\u003e \u003c\/b\u003e\u003cp\u003e\u003cb\u003eList of Diagrams \u003c\/b\u003e............................................................................................... 369\u003c\/p\u003e\u003cb\u003e \u003c\/b\u003e\u003cp\u003e\u003cb\u003eList of Tables \u003c\/b\u003e....................................................................................................... 371\u003c\/p\u003e","brand":"Peter Lang AG","offers":[{"title":"Default Title","offer_id":51044481139031,"sku":"9783631808009","price":49.18,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9783631808009.jpg?v=1750961757","url":"https:\/\/bookcurl.com\/products\/collective-memory-and-oral-text-9783631808009","provider":"Book Curl","version":"1.0","type":"link"}