{"product_id":"collaborative-intimacies-in-music-and-dance-anthropologies-of-sound-and-movement-9781785334535","title":"Collaborative Intimacies in Music and Dance:","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e \tAcross spatial, bodily, and ethical domains, music and dance both emerge from and give rise to intimate collaboration. This theoretically rich collection takes an ethnographic approach to understanding the collective dimension of sound and movement in everyday life, drawing on genres and practices in contexts as diverse as Japanese shakuhachi playing, Peruvian huayno, and the Greek goth scene. Highlighting the sheer physicality of the ethnographic encounter, as well as the forms of sociality that gradually emerge between self and other, each contribution demonstrates how dance and music open up pathways and give shape to life trajectories that are neither predetermined nor teleological, but generative.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e \t\u003cem\u003e“The book chapters demonstrate rich ethnographic and disciplinary diversity.”\u003c\/em\u003e \u003cstrong\u003e• Social Anthropology\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cem\u003e“\u003c\/em\u003eCollaborative Intimacies in Music and Dance \u003cem\u003eis an innovative collection of sound and movement anthropologies. These interdisciplinary texts employ the timely and sharp lens of critical studies while engaging with post-colonial cultural studies. A vital, exemplary collection of ethnographic writing.”\u003c\/em\u003e \u003cstrong\u003e• Dena Davida\u003c\/strong\u003e, Université du Québec à Montréal\u003c\/p\u003e \u003cp\u003e \t\u003cem\u003e“An absolutely fascinating collection. The diverse case studies in this book wonderfully explore the contrasts between different cultural attitudes toward the practices of music-making and dance.”\u003c\/em\u003e \u003cstrong\u003e• Yvon Bonenfant\u003c\/strong\u003e, University of Winchester\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e \tPreface\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eIntroduction:\u003c\/strong\u003e Collaborative Intimacies\u003cbr\u003e \t\u003cem\u003e Evangelos Chrysagis and Panas Karampampas\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003ePART I: SOUND, MEANING AND SELF-AWARENESS\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 1.\u003c\/strong\u003e Being in Sound: Reflections on Recording while Practicing Aikido and Shakuhachi\u003cbr\u003e \t\u003cem\u003eTamara Kohn and Richard Chenhall\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 2.\u003c\/strong\u003e Performing and Narrating Selves in and through Classical Music: Being ‘Japanese’ and Being a Professional Musician in London\u003cbr\u003e \t\u003cem\u003eYuki Imoto\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003ePART II: PEDAGOGIES OF BODILY MOVEMENT\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 3.\u003c\/strong\u003e Kinaesthetic Intimacy in a Choreographic Practice\u003cbr\u003e \t\u003cem\u003e Brenda Farnell and Robert N. Wood\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 4.\u003c\/strong\u003e The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman\u003cbr\u003e \t\u003cem\u003eBethany Whiteside\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003ePART III: MUSIC PRACTICES AND ETHICAL SELFHOOD\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 5.\u003c\/strong\u003e The \u003cem\u003eAnimador\u003c\/em\u003e as Ethical Mediator:  Stage Talk and Subject Formation at Peruvian \u003cem\u003eHuayno\u003c\/em\u003e Music Spectacles\u003cbr\u003e \t\u003cem\u003eJames Butterworth\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 6.\u003c\/strong\u003e A Sense of Togetherness: Music Promotion and Ethics in Glasgow\u003cbr\u003e \t\u003cem\u003eEvangelos Chrysagis\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003ePART IV: BODIES DANCING IN TIME AND ACROSS SPACE\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 7.\u003c\/strong\u003e Rumba: Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience\u003cbr\u003e \t\u003cem\u003eRuxandra Ana\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 8.\u003c\/strong\u003e Cinematic Dance as a Local Critical Commentary on the ‘Economic Crisis’: Exploring Dance in Korydallos, Attica, Greece\u003cbr\u003e \t\u003cem\u003e Mimina Pateraki\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003ePART V: MOTION, IRONY AND THE MAKING OF LIFEWORLDS\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 9.\u003c\/strong\u003e Performing Irony on the Dance Floor: The Many Faces of Goth Irony in the Athenian Goth Scene\u003cbr\u003e \t\u003cem\u003ePanas Karampampas\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 10.\u003c\/strong\u003e The Intoxicating Intimacy of Drum Strokes, Sung Verses and Dancing Steps in the All-Night Ceremonies of Ambonwari (Papua New Guinea)\u003cbr\u003e \t\u003cem\u003eBorut Telban\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \tIndex\u003c\/p\u003e","brand":"Berghahn Books","offers":[{"title":"Default Title","offer_id":51042393293143,"sku":"9781785334535","price":89.1,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781785334535.jpg?v=1750954021","url":"https:\/\/bookcurl.com\/products\/collaborative-intimacies-in-music-and-dance-anthropologies-of-sound-and-movement-9781785334535","provider":"Book Curl","version":"1.0","type":"link"}