{"product_id":"cinepaternity-9780253221872","title":"Cinepaternity","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eRussian cinema's portrayal of the father\/son dynamic\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\"A valuable contribution to the literature on Soviet\/Russian film.... Recommended.\" —Choice, September 2010, Vol. 48 No. 1\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\"Helena Goscilo and Yana Hashamova's collection of essays is a most welcome addition to the existing literature on Russian cinema.... The volume will no doubt find wide application in university courses.\" —Slavic Review, Summer 2011, Vol. 70, no. 2\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\"[This] volume is a must-read for film and cultural studies scholars for two reasons: first, the collection addresses a major, vexed sociocultural issue over time; second, this basket of articles—all solid, some exceptional—provides new approaches to a number of important Soviet and Russian films.\" —The Russian Review\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\"The eleven articles in this anthology provide insightful studies of the Oedipal dynamics dramatized in diverse films beginning in the immediate post-Stalin period.\" —SEER\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\"A solid contribution to the fields of Soviet and post-Soviet studies, bringing to light a new understanding of post-Stalinist cinema.\" —Lilya Kaganovsky, University of Illinois, Urbana-Champaign\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\"This volume truly offers a feast of intellectual delights and many of its essays lend themselves excellently to incorporation in reading lists for a wide range of courses on Soviet and post-Soviet cinema, and culture more broadly.\" —Studies in Russian and Soviet Cinema, 12\/7\/10\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eContents\u003cbr\u003ePreface\u003c\/p\u003e\u003cp\u003eIntroduction: Cinepaternity: The Psyche and Its Heritage\u003c\/p\u003e\u003cp\u003ePart 1. Thaw, Stagnation, Perestroika\u003cbr\u003e 1. The Myth of the \"Great Family\" in Marlen Khutsiev's Lenin's Guard and Mark Osep'ian's Three Days of Viktor Chernyshev \/ Alexander Prokhorov\u003cbr\u003e 2. Mending the Rupture: The War Trope and the Return of the Imperial Father in 1970s Cinema \/ Elena Prokhorova\u003cbr\u003e 3. Models of Male Kinship in Perestroika Cinema \/ Seth Graham\u003c\/p\u003e\u003cp\u003ePart 2. War in the Post-Soviet Dialogue with Paternity\u003cbr\u003e 4. The Fathers' War through the Sons' Lens \/ Tatiana Smorodinskaya\u003cbr\u003e 5. War as the Family Value: Failing Fathers and Monstrous Sons in My Stepbrother Frankenstein \/ Mark Lipovetsky\u003cbr\u003e 6. A Surplus of Surrogates: Mashkov's Fathers \/ Helena Goscilo\u003c\/p\u003e\u003cp\u003ePart 3. Reconceiving Filial Bonds\u003cbr\u003e 7. Resurrected Fathers and Resuscitated Sons: Homosocial Fantasies in The Return and Koktebel \/ Yana Hashamova\u003cbr\u003e 8. The Forces of Kinship: Timur Bekmambetov's Night Watch Cinematic Trilogy \/ Vlad Strukov\u003cbr\u003e 9. Fathers, Sons, and Brothers: Redeeming Patriarchal Authority in The Brigade \/ Brian James Baer\u003c\/p\u003e\u003cp\u003ePart 4. Auteurs and the Psychological\/Philosophical\u003cbr\u003e 10. Fraught Filiation: Andrei Tarkovsky's Transformations of Personal Trauma \/ Helena Goscilo\u003cbr\u003e 11. Vision and Blindness in Sokurov's Father and Son \/ José Alaniz\u003c\/p\u003e\u003cp\u003eContributors\u003cbr\u003eIndex\u003c\/p\u003e","brand":"Indiana University Press","offers":[{"title":"Default Title","offer_id":49400663834967,"sku":"9780253221872","price":19.79,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780253221872.jpg?v=1730471239","url":"https:\/\/bookcurl.com\/products\/cinepaternity-9780253221872","provider":"Book Curl","version":"1.0","type":"link"}