{"product_id":"cinematography-theory-and-practice-9780367373450","title":"Cinematography Theory and Practice","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eThis book covers both the artistry and craftsmanship of cinematography and visual storytelling. Few art forms are as tied to their tools and technology as is cinematography. Take your mastery of these new tools, techniques, and roles to the next level with this cutting-edge roadmap from author and filmmaker Blain Brown.\u003c\/p\u003e\u003cp\u003eThis 4th edition has been thoroughly updated throughout to include detailed information on the latest lighting and camera equipment, as well as expanded and updated discussion on the following areas: shooting on a budget, color spaces with emphasis on the new UHD standards, the decision-making process in choosing what lights and equipment to use, considerations concerning power issues, safety and what electrical supply is needed for various types of lights, an examination of the cinematographerâs role in preproduction, and much more. \u003c\/p\u003e\u003cp\u003eTopics Include:\u003c\/p\u003e\u003cp\u003eâ Visual storytelling\u003c\/p\u003e\u003cp\u003eâ Continuity and coverage\u003c\/p\u003e\u003cp\u003eâ Cameras and digital sensors\u003c\/p\u003e\u003cp\u003eâ The tools and basics of film lighting\u003c\/p\u003e\u003cp\u003eâ Methods of shooting a scene\u003c\/p\u003e\u003cp\u003eâ Continuity and coverage\u003c\/p\u003e\u003cp\u003eâ Exposure\u003c\/p\u003e\u003cp\u003eâ Color\u003c\/p\u003e\u003cp\u003eâ Understanding digital images\u003c\/p\u003e\u003cp\u003eâ Using linear, gamma, and log video\u003c\/p\u003e\u003cp\u003eâ Image control and grading on the set\u003c\/p\u003e\u003cp\u003eâ Data management and the DIT\u003c\/p\u003e\u003cp\u003eâ Optics and focus\u003c\/p\u003e\u003cp\u003eâ Camera movement\u003c\/p\u003e\u003cp\u003eâ Set operations\u003c\/p\u003e\u003cp\u003eâ Green screen, high speed, and other topics.\u003cbr\u003e\u003cbr\u003eWhether you are a student of filmmaking, someone just breaking into the business, working in the field and looking to move up the ladder, or an experienced filmmaker updating your knowledge of tools and techniques, this book provides both the artistic background of visual language and also the craft of shooting for continuity, lighting tools and methods, and the technical side of capturing images on digital or on film.\u003c\/p\u003e\u003cp\u003eThe companion website (www.routledge.com\/cw\/brown) features additional material, including lighting demonstrations, basic methods of lighting, methods of shooting a scene, using diffusion, and other topics.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e'It’s been a painful transition from film to digital for many cinematographers. Brown takes the mystery out of it and presents the technical aspects of this change seamlessly. It is, after all, about art!'\u003cbr\u003e\u003cstrong\u003eJudy Irola,\u003c\/strong\u003e ASC, Conrad Hall Chair in Cinematography and Color Timing, USC School of Cinematic Arts\u003c\/p\u003e\u003cp\u003e'As a practicing cinematographer who also teaches, I consider \u003cem\u003eThe Filmmaker’s Guide to Digital Imaging\u003c\/em\u003e essential reading for my students. Blain Brown demystifies the technical processes of digital cinematography from the most basic to the more complex. Given the recent rapid development in this field, working professionals too will find this is a must-have guide. I’m one of them.\u003cbr\u003e\u003cstrong\u003eAnthony Jannelli,\u003c\/strong\u003e Head of Graduate Cinematography, Tisch School of the Arts, New York University\u003cbr\u003e\u003cbr\u003e‘Just when you think a textbook can’t get any better, Brown comes up with this. Explanatory diagrams and illustrations from films give insight into the thought process and methods of the cinematographer. Brown illuminates both the large gestures and the finer points of the art and craft of cinematography.’\u003cbr\u003e\u003cb\u003eJames Henderson,\u003c\/b\u003e Filmmaker\/photographer\/educator\u003c\/p\u003e\u003cp\u003e‘This is a welcome updated version of \u003ci\u003eCinematography\u003c\/i\u003e: \u003ci\u003eTheory and Practice\u003c\/i\u003e, which keeps the traditional approaches to camerawork, and includes additional chapters on technological developments, such as Cameras, Image Control including a section on LUTs, and DIT \u0026amp; Workflow. This is an essential book for teaching camera techniques to students in the changing world of cinematography technologies.’\u003cbr\u003e\u003cb\u003eJeremy Bubb,\u003c\/b\u003e Chair of NAHEMI. Filmmaker, and Academic.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e'It’s been a painful transition from film to digital for many cinematographers. Brown takes the mystery out of it and presents the technical aspects of this change seamlessly. It is, after all, about art!'\u003cbr\u003e\u003cstrong\u003eJudy Irola,\u003c\/strong\u003e \u003cem\u003eASC, Conrad Hall Chair in Cinematography and Color Timing, USC School of Cinematic Arts\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e'As a practicing cinematographer who also teaches, I consider \u003cem\u003eThe Filmmaker’s Guide to Digital Imaging\u003c\/em\u003e essential reading for my students. Blain Brown demystifies the technical processes of digital cinematography from the most basic to the more complex. Given the recent rapid development in this field, working professionals too will find this is a must-have guide. I’m one of them.\u003cbr\u003e\u003cstrong\u003eAnthony Jannelli,\u003c\/strong\u003e \u003cem\u003eHead of Graduate Cinematography, Tisch School of the Arts, New York University\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e‘Just when you think a textbook can’t get any better, Brown comes up with this. Explanatory diagrams and illustrations from films give insight into the thought process and methods of the cinematographer. Brown illuminates both the large gestures and the finer points of the art and craft of cinematography.’\u003cbr\u003e\u003cb\u003eJames Henderson,\u003c\/b\u003e \u003cem\u003eFilmmaker\/photographer\/educator\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e‘This is a welcome updated version of \u003ci\u003eCinematography\u003c\/i\u003e: \u003ci\u003eTheory and Practice\u003c\/i\u003e, which keeps the traditional approaches to camerawork, and includes additional chapters on technological developments, such as Cameras, Image Control including a section on LUTs, and DIT \u0026amp; Workflow. This is an essential book for teaching camera techniques to students in the changing world of cinematography technologies.’\u003cbr\u003e\u003cb\u003eJeremy Bubb,\u003c\/b\u003e \u003cem\u003eChair of NAHEMI; Filmmaker, and Academic\u003c\/em\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e'It’s been a painful transition from film to digital for many cinematographers. Brown takes the mystery out of it and presents the technical aspects of this change seamlessly. It is, after all, about art!'\u003cbr\u003e\u003cstrong\u003eJudy Irola,\u003c\/strong\u003e \u003cem\u003eASC, Conrad Hall Chair in Cinematography and Color Timing, USC School of Cinematic Arts\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e'As a practicing cinematographer who also teaches, I consider \u003cem\u003eThe Filmmaker’s Guide to Digital Imaging\u003c\/em\u003e essential reading for my students. Blain Brown demystifies the technical processes of digital cinematography from the most basic to the more complex. Given the recent rapid development in this field, working professionals too will find this is a must-have guide. I’m one of them.'\u003cbr\u003e\u003cstrong\u003eAnthony Jannelli,\u003c\/strong\u003e \u003cem\u003eHead of Graduate Cinematography, Tisch School of the Arts, New York University\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e‘Just when you think a textbook can’t get any better, Brown comes up with this. Explanatory diagrams and illustrations from films give insight into the thought process and methods of the cinematographer. Brown illuminates both the large gestures and the finer points of the art and craft of cinematography.’\u003cbr\u003e\u003cb\u003eJames Henderson,\u003c\/b\u003e \u003cem\u003eFilmmaker\/photographer\/educator\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e‘This is a welcome updated version of \u003ci\u003eCinematography\u003c\/i\u003e: \u003ci\u003eTheory and Practice\u003c\/i\u003e, which keeps the traditional approaches to camerawork, and includes additional chapters on technological developments, such as Cameras and Image Control including a section on LUTs, and DIT \u0026amp; Workflow. This is an essential book for teaching camera techniques to students in the changing world of cinematography technologies.’\u003cbr\u003e\u003cb\u003eJeremy Bubb,\u003c\/b\u003e \u003cem\u003eChair of NAHEMI; Filmmaker, and Academic\u003c\/em\u003e\u003c\/p\u003e","brand":"Taylor \u0026 Francis Ltd","offers":[{"title":"Default Title","offer_id":48864498680151,"sku":"9780367373450","price":58.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780367373450.jpg?v=1722272208","url":"https:\/\/bookcurl.com\/products\/cinematography-theory-and-practice-9780367373450","provider":"Book Curl","version":"1.0","type":"link"}