{"product_id":"cinema-of-actuality-9780822354901","title":"Cinema of Actuality","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eCinema of Actuality\u003c\/i\u003e analyzes Japanese avant-garde filmmakers' struggle to radicalize cinema in light of the intensifying politics of spectacle and a rapidly changing media environment, one that was increasingly dominated by television.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\"\u003ci\u003eCinema of Actuality\u003c\/i\u003e demonstrates that—despite the copious scholarship on Japanese films of the 1960s and 1970s—we know less about this period than we think. Yuriko Furuhata provides crucial new insights, deftly placing the films in the context of the era's media mix, while introducing us to the theoretical writings underpinning the filmmakers' creative practices. The result is a vital contribution to the history of film theory.\"—\u003cb\u003eAbé Mark Nornes\u003c\/b\u003e, author of \u003ci\u003eForest of Pressure: Ogawa Shinsuke and Postwar Japanese Documentary\u003c\/i\u003e\u003cbr\u003e\"\u003ci\u003eCinema of Actuality\u003c\/i\u003e is a tour de force, a potentially field-changing intervention in Japanese film studies, TV and media theory, and the study of postwar world film culture. Yuriko Furuhata shows that during the 1960s and 1970s, major political events and their portrayal in the media formed the basis for an entire Japanese cinema. At the same time, she poses vital questions about media theory and representation more broadly. This is a singularly important work.\"—\u003cb\u003eAkira Mizuta Lippit\u003c\/b\u003e, author of \u003ci\u003eEx-Cinema: From a Theory of Experimental Film and Video\u003c\/i\u003e\u003cbr\u003e\"At last there's a book that reads the Japanese cinema of the 1960s and 1970s in a cross-media context and with a rigorous historical and theoretical eye. Elegantly and precisely argued, this is a book that is both exemplary and surprising. From manga to militant cinema, from landscape theory to pink film, Yuriko Furuhata gives readers the discursive and political history that allows a new understanding of the Japanese film and media of this era.\"\u003cb\u003e—Miryam Sas\u003c\/b\u003e, author of \u003ci\u003eExperimental Arts in Postwar Japan: Moments of Encounter, Engagement, and Imagined Return\u003c\/i\u003e\u003cbr\u003e\"Artists often make great sociological commentators, and Furuhata’s book sheds new light on the insights of these filmmakers.... [a] compelling and necessary addition to cinema scholarship.\" -- Lyle Sylvander * JQ Magazine *\u003cbr\u003e“Studies that grapple with the complexities of cross-cultural analysis are few… the author is well qualified to achieve an excellent addition to the literature.” -- Mike Leggett * Leonardo Reviews *\u003cbr\u003e“[A] remarkably researched and argued case for Japan's complex theoretical contributions to the field of cinema studies…. The totality of Furuhata's work is a benchmark of attained, wide-reaching scope that any serious academic work should ascribe to achieve.” -- Clayton Dillard * Slant Magazine *\u003cbr\u003e“Furuhata convincingly sketches the intellectual and social environment that gave birth to some of Japan’s most distinctive films.” -- Alexander Jacoby * TLS *\u003cbr\u003e\"Adds significant depth, nuance and context to a topic that has, for good reason, long captivated an audience of cinephiles, activists and researchers.\" -- Steven Ridgely * Pacific Affairs *\u003cbr\u003e\"Furuhata … brilliantly analyses a radical movement whose effects can be traced in contemporary film, anime, manga, and television representations. \u003ci\u003eCinema of actuality\u003c\/i\u003e sets a new standard of scholarly excellence in Japanese film studies and is a book to go on all our reading lists.\" -- Dolores P. Martinez * Anthro Forum *\u003cbr\u003e“\u003ci\u003eCinema of Actuality\u003c\/i\u003e highlights the many ways the cinematic avant-garde was deeply concerned with the rise of the broadcast political spectacle. This attention to the contemporaneous gives the book itself a strong feeling of ‘actuality,’ and the richly detailed contexts it offers will have a profound impact on our understanding of this ‘season of image politics.’” -- Paul Roquet * Japan Forum *\u003cbr\u003e\"Fascination with actuality is alive and well, in social media and on the streets, where we find old vanguards among the fresh faces of counter-politics. Although the media platforms have changed, this continuity suggests that the reach of Furuhata’s insightful analysis in this book may be far greater than the period it covers.\" -- Mariko Shigeta Schimmel * Monumenta Nipponica *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eAcknowledgments  vii\u003cbr\u003e Introduction  1\u003cbr\u003e 1. Intermedial Experiments and the Rise of the Eizo Discourse  13\u003cbr\u003e 2. Cinema, Event, and Artifactuality  53\u003cbr\u003e 3. Remediating Journalism: Politics and the Media Event  88\u003cbr\u003e 4. Diagramming the Landscape: Power and the Fukeiron Discourse  115\u003cbr\u003e 5. Hijacking Television: News and Militant Cinema  149\u003cbr\u003e Conclusion  183\u003cbr\u003e Notes  203\u003cbr\u003e Bibliography  239\u003cbr\u003e Index  255","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":49406076191063,"sku":"9780822354901","price":98.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780822354901.jpg?v=1730494445","url":"https:\/\/bookcurl.com\/products\/cinema-of-actuality-9780822354901","provider":"Book Curl","version":"1.0","type":"link"}