{"product_id":"beyond-scenography-9781138785069","title":"Beyond Scenography","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eFocused on the contemporary Anglophone adoption from the 1960s onwards, \u003ci\u003eBeyond Scenography\u003c\/i\u003e explores the porous state of contemporary theatre-making to argue a critical distinction between scenography (as a crafting of place orientation) and scenographics (that which orientate acts of worlding, of staging). \u003c\/p\u003e\u003cp\u003eWith sections on installation art and gardening as well as marketing and placemaking, this book is an argument for what scenography does: how assemblages of scenographic traits orientate, situate, and shape staged events. Established stage orthodoxies are revisited - including the symbiosis of stage and scene and the aesthetic ideology of ''the scenic'' - to propose how scenographics are formative to all staged events. Consequently, one of the conclusions of this book is that there is no theatre practice without scenography, no stages without scenographics. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eBeyond Scenography\u003c\/i\u003e offers a manifesto for a renewed theory of scenographic practice for\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"[\u003ci\u003eBeyond Scenography\u003c\/i\u003e] remains a thought-provoking and much-needed theoretical contribution to the sprawling domain of scenography studies and related performance disciplines. The book’s hugely relevant and historically underpinned theoretical take on such diverse topics as installation art, interior design, gardening and marketing renders it essential reading for a much broader academic audience. […] I recommend \u003ci\u003eBeyond Scenography\u003c\/i\u003e as necessary reading for scholars, students and practitioners engaged in cross-disciplinary studies of art and performing arts history and practice, architecture, urban sociology and beyond.\"\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAstrid von Rosen\u003c\/strong\u003e, \u003cem\u003eUniversity of Gothenburg\u003c\/em\u003e, Theatre and Performance Design, 7:3-4, 240-241, DOI: 10.1080\/23322551.2021.2003155\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eAcknowledgments\u003c\/p\u003e\u003cp\u003eIntroduction\u003c\/p\u003e\u003cp\u003eScenography as theatre-making\u003c\/p\u003e\u003cp\u003eTheatre after cinema\u003c\/p\u003e\u003cp\u003eScenography after performance\u003c\/p\u003e\u003cp\u003eChapter outline\u003c\/p\u003e\u003cp\u003eChapter 1: Place Orientation, Scenic Politics and Scenographics\u003c\/p\u003e\u003cp\u003eScenes and Scenic Politics\u003c\/p\u003e\u003cp\u003eScenographics\u003c\/p\u003e\u003cp\u003eOthering Tactics\u003c\/p\u003e\u003cp\u003eChapter 2: Scenography and the Anglophone theatres\u003c\/p\u003e\u003cp\u003eThe first adoption of scenography\u003c\/p\u003e\u003cp\u003eContinental differences pre-1960\u003c\/p\u003e\u003cp\u003eThe second adoption of scenography\u003c\/p\u003e\u003cp\u003eSound and costume as scenography\u003c\/p\u003e\u003cp\u003eChapter 3: Scenography beyond scenographers\u003c\/p\u003e\u003cp\u003eMise en scène and scenography\u003c\/p\u003e\u003cp\u003eWhose scenography? \u003c\/p\u003e\u003cp\u003eBeyond dramaturgy and choreography\u003c\/p\u003e\u003cp\u003eExpanded scene design? \u003c\/p\u003e\u003cp\u003eChapter 4: Scenography Happens\u003c\/p\u003e\u003cp\u003eThe time of scenography\u003c\/p\u003e\u003cp\u003eScenography is not set\u003c\/p\u003e\u003cp\u003eGecko’s \u003ci\u003eMISSING \u003c\/i\u003eset\u003c\/p\u003e\u003cp\u003eChapter 5: Scenographic Worlding\u003c\/p\u003e\u003cp\u003eStage Geographies\u003c\/p\u003e\u003cp\u003eStage Ideologies\u003c\/p\u003e\u003cp\u003eScenography beyond stages?\u003c\/p\u003e\u003cp\u003eStage-Scenes beyond vision\u003c\/p\u003e\u003cp\u003eChapter 6: Scenographic Cultures\u003c\/p\u003e\u003cp\u003eInstallation Art and Scenographic Scale\u003c\/p\u003e\u003cp\u003eInterior Design and Scenographic Behaviours\u003c\/p\u003e\u003cp\u003eMarketing and Scenographic Seduction\u003c\/p\u003e\u003cp\u003eGardening and Scenographic Curation\u003c\/p\u003e\u003cp\u003eProtest and Scenographic Activism\u003c\/p\u003e\u003cp\u003eChapter 7: Scenographic Architecture\u003c\/p\u003e\u003cp\u003eFast Architecture\u003c\/p\u003e\u003cp\u003eTrompe l'oeil and Scenographic Propaganda\u003c\/p\u003e\u003cp\u003ePotemkin Villages and Scenographic Placemaking\u003c\/p\u003e\u003cp\u003eConclusion\u003c\/p\u003e","brand":"Taylor \u0026 Francis Ltd","offers":[{"title":"Default Title","offer_id":51019524505943,"sku":"9781138785069","price":35.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781138785069.jpg?v=1750780524","url":"https:\/\/bookcurl.com\/products\/beyond-scenography-9781138785069","provider":"Book Curl","version":"1.0","type":"link"}