{"product_id":"beijing-film-academy-yearbook-2017-9781783209316","title":"Beijing Film Academy Yearbook 2017","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eThe annual \u003cem\u003eBeijing Film Academy Yearbook\u003c\/em\u003e showcases the best academic debates, discussions and research from the previous year, as previously published in the highly prestigious \u003cem\u003eJournal of Beijing Film Academy\u003c\/em\u003e. This volume brings together specially selected articles, appearing for the first time in English, in order to bridge the gap in cross-cultural research in cinema and media studies.\u003c\/p\u003e  \u003cp\u003eThe book is the latest in the Intellect China Library series to produce work by Chinese scholars that have not previously been available to English language academia. Covering the subjects of film studies, visual arts, performing arts, media and cultural studies, the series aims to foster intellectual debate and to promote closer cross-cultural intellectual exchanges by introducing important works of Chinese scholarship to readers.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eNotes on Translation\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePreface\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 1: Discussion Panel on the Survival of Film Festivals and Arthouse Cinema Exhibitions in China\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eWu Guanping, Zhang Xianmin, Sha Dan and Yang Cheng\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 2: A Series of Essays on the Historical Experience of Chinese Film Criticism and Its Ongoing Challenges\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eDai Jinhua, Wang Yichuan, Rao Shuguang, Zhang Yiwu, Zhang Wei, Chen Xuguang and Chen Xiaoyun\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 3: The Ambitious Position of Subjectivity in \u003cem\u003eMr Six \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eZhang Huiyu\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 4: Political Pedagogy, Entertainment and Religious Doctrine: The Triple Identity of Cinema in Republican Era China\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eLui Dishan\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 5: The Awkward Spectator and Dormant Subjectivity: The Reconfiguration and Reconceptualisation of Subjectivity in Film Spectatorship According to the 'Bullet Curtain' Phenomenon\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eZhao Yue\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 6: The Generic Discourse of Taiwanese Social Realist Crime Films (1979–83): An On-Screen Reflection of Taiwan in the 1970s\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eLi Ying\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 7: The 'Suffering Narrative' and New Crude Stage Play\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eHe Liang\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eChapter 8: Revisit and Re-review: Producing Yan Ruisheng and Rethinking Its Significance in Chinese Film History\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eZhang JuanJuan\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eNotes on Contributors\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eJournal of BFA Advisory and Editorial Board\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eNotes on Intellect China Library Series\u003c\/strong\u003e\u003c\/p\u003e","brand":"Intellect Books","offers":[{"title":"Default Title","offer_id":51042269430103,"sku":"9781783209316","price":84.56,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781783209316.jpg?v=1750953705","url":"https:\/\/bookcurl.com\/products\/beijing-film-academy-yearbook-2017-9781783209316","provider":"Book Curl","version":"1.0","type":"link"}