{"product_id":"audiences-of-nazism-using-media-in-the-third-reich-9781805390992","title":"Audiences of Nazism: Using Media in the Third","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e \tThrough its focus on audiences and their reception of media in Nazi Germany, \u003cem\u003eAudiences of Nazism\u003c\/em\u003e inverts the typical top-down perspective employed in studies that concentrate on the regime’s regulation of media and propaganda. It thereby sheds new light on the complex character of the period’s media, their uses, and the scope for audience interpretation. Contributors investigate how consumers either appropriated or ignored certain messages of Nazi propaganda, and how some even participated in its production. The authors ground their studies on novel historical sources, including private diaries and letters, photographs and films, and concert programs, which demonstrate, amongst other things, how audiences interpreted and responded to regulated news, Nazi Party rallies, and the regime’s denunciation of modern works of art as ‘degenerate.’\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e \t\u003cem\u003e“This is an excellent collection. Its clearly stated project is to revisit and revise existing historical accounts of media audiences and media consumption in Nazi Germany. The book presents a range of high calibre contributions, with much new and original research, and all offering innovative perspectives on the relation between media consumption, National Socialist political culture, and social and cultural life in Nazi Germany.”\u003c\/em\u003e \u003cstrong\u003e• Erica Carter\u003c\/strong\u003e, Kings College London\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e \tList of Figures and Tables\u003cbr\u003e \tAcknowledgements\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eIntroduction:\u003c\/strong\u003e Media and Their Users in Nazi Germany\u003cbr\u003e \t\u003cem\u003eUlrike Weckel\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 1.\u003c\/strong\u003e “To Constantly Swim against the Tide Is Suicide”: The Liberal Press and Its Audience, 1928–1933\u003cbr\u003e \t\u003cem\u003eJochen Hung\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 2.\u003c\/strong\u003e Active Audiences: \u003cem\u003eStürmerkästen \u003c\/em\u003eand the Rise of \u003cem\u003eDer Stürmer\u003c\/em\u003e’s Activist Readership\u003cbr\u003e \t\u003cem\u003eHannah Ahlheim\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 3.\u003c\/strong\u003e Reading Fake News: The “Röhm Putsch,”: The Hitler Myth and the Consumption of Political News under the Nazis\u003cbr\u003e \t\u003cem\u003eJanosch Steuwer\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 4. \u003c\/strong\u003eBeyond Approved Reactions: Assessments of the NSDAP’s Nuremberg Party Rallies in Diaries and Letters, 1933–1938\u003cbr\u003e \t\u003cem\u003eAnnina Hofferberth\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 5.\u003c\/strong\u003e Call and Response: The Creation of the National Socialist Public\u003cbr\u003e \t\u003cem\u003ePeter Fritzsche\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 6. \u003c\/strong\u003eAdvertising and Its Audiences in Weimar and Nazi Germany\u003cbr\u003e \t\u003cem\u003ePamela Swett\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 7.\u003c\/strong\u003e Concert Programs, Ideology, and the Search for Subjectivity in National Socialist Germany\u003cbr\u003e \t\u003cem\u003eNeil Gregor\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 8.\u003c\/strong\u003e The “\u003cem\u003eEntartete Kunst\u003c\/em\u003e”: Exhibitions and Their Audiences\u003cbr\u003e \t\u003cem\u003eBernhard Fulda\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 9.\u003c\/strong\u003e Amateur Films from National Socialist Austria as Visual Responses to Nazi Propaganda\u003cbr\u003e \t\u003cem\u003eMichaela Scharf \u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 10.\u003c\/strong\u003e The Media of Occupation: German Books and Photographs in France, 1940–1944\u003cbr\u003e \t\u003cem\u003eJulia Torrie\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 11.\u003c\/strong\u003e The Migration of Topoi from Atrocity Films to Their Heirs: Modes of Addressing the Audience in German Post-War Cinema\u003cbr\u003e \t\u003cem\u003eBernhard Gross\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eChapter 12.\u003c\/strong\u003e Finding an Unintended Audience: An SS Photo Album and Its Post-War Editions\u003cbr\u003e \t\u003cem\u003eUlrike Koppermann\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e \t\u003cstrong\u003eAfterword\u003c\/strong\u003e\u003cbr\u003e \t\u003cem\u003eJane Caplan\u003c\/em\u003e\u003c\/p\u003e","brand":"Berghahn Books","offers":[{"title":"Default Title","offer_id":51042814394711,"sku":"9781805390992","price":96.3,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781805390992.jpg?v=1750955758","url":"https:\/\/bookcurl.com\/products\/audiences-of-nazism-using-media-in-the-third-reich-9781805390992","provider":"Book Curl","version":"1.0","type":"link"}