{"product_id":"artists-in-the-archive-9781138929784","title":"Artists in the Archive","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cem\u003eArtists in the Archive\u003c\/em\u003e explores the agency and materiality of the archival document through a stunning collection of critical writings and original artworks. It examines the politics and philosophy behind re-using remains, historicising this artistic practice and considering the breadth of ways in which archival materials inform, inflect and influence new works.\u003c\/p\u003e\u003cp\u003eTaking a fresh look at the relationships between insider know-how and outsider knowledge, \u003ci\u003eArtists in the Archive\u003c\/i\u003e opens a vital dialogue between a global range of artists and scholars. It seeks to trouble the distinction between artistic practice and scholarly research, offering disciplinary perspectives from experimental theatre, performance art, choreography and dance, to visual art making, archiving and curating.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003ePaul Clarke, Simon Jones, Nick Kaye and Johanna Linsley, \u003ci\u003eIntroduction: inside and outside the archive \u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eNick Kaye, \u003ci\u003eLiveness and the entanglement with things\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003e1. REMAKE \u003c\/p\u003e\u003cp\u003e1a Janez Janša, \u003ci\u003eMonument G as a call for reconstruction\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e1b Tim Etchells, \u003ci\u003eUntitled (After Violent Incident)\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003e1c Robin Deacon\u003ci\u003e, Stuart Sherman's Hamlet: a careful misreading \u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e1d Rosemary Butcher and Stefanie Sachsenmaier, \u003ci\u003eRosemary Butcher: After Kaprow–a visual journey\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003e1e Zhang Huan, \u003ci\u003eSix Questions\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e1f Adrian Heathfield, \u003ci\u003eThe ghost time of transformation.\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003e2. RETURN\u003c\/p\u003e\u003cp\u003e2a Blast Theory\/John Hunter, \u003ci\u003eJog Shuttler\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e2b Lin Hixson and Matthew Goulish, \u003ci\u003eOur 18 Beginnings\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e2c Paul Clarke\/Performance Re-enactment Society, \u003ci\u003ePerforming art history: non-linear, synchronous and syncopated times in Performance Re-enactment Society’s \u003c\/i\u003eGroup Show (Arnolfini, Bristol 2012) \u003c\/p\u003e\u003cp\u003e2d Pil and Galia Kollectiv, \u003ci\u003eRe-enacting the archive: untimely meditations on the use and abuse of repetition\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003e2e Amelia Jones, \u003ci\u003eArchive, repertoire and embodied histories in Não Bustamente’s performative practice\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003e2f Andrew Quick, \u003ci\u003eThe patina of performance: documentary practice and the search for origins in The Wooster Group’s\u003c\/i\u003e Fish Story \u003c\/p\u003e\u003cp\u003e3. REVIEW \u003c\/p\u003e\u003cp\u003e3a Mike Pearson, \u003ci\u003eThe lesson of anatomy\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003e3b Fiona Templeton, \u003ci\u003eAuthority, authorship and authoring in the Theatre of Mistakes\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003e3c Bodies in Flight, \u003ci\u003eDo the Wild Thing! Redux\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003e3d Felix Gmelin, \u003ci\u003eUnderstanding negative dialectics\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003e3e Johanna Linsley, \u003ci\u003e9 beginnings: sonic theatrical possibilities and potentialities in the performance archive\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e3f Maaike Bleeker, \u003ci\u003eResistance to representation and the fabrication of truth: performance as thought-apparatus\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003e4. ARCHIVE \u003c\/p\u003e\u003cp\u003e4a Giles Bailey, \u003ci\u003eTalker Catalogue\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003e4b Terry O’Connor, \u003ci\u003eNothing goes to waste \u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e4c Koh Nguang How, \u003ci\u003eThe Singapore Art Archive Project\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003e4d Richard Hancock and Traci Kelly, \u003ci\u003ePlaying with shadows and speaking in echoes \u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e4e Claire MacDonald, \u003ci\u003ePerforming with ghosts: a talk remembered\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e4f Simon Jones, \u003ci\u003eThe future perfect of the archive: re-thinking performance in the age of third nature\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eList of contributors\u003c\/p\u003e\u003cp\u003eAcknowledgements\u003c\/p\u003e\u003cp\u003eIndex\u003c\/p\u003e","brand":"Taylor \u0026 Francis Ltd","offers":[{"title":"Default Title","offer_id":49407235359063,"sku":"9781138929784","price":42.99,"currency_code":"GBP","in_stock":true}],"url":"https:\/\/bookcurl.com\/products\/artists-in-the-archive-9781138929784","provider":"Book Curl","version":"1.0","type":"link"}