{"product_id":"art-in-theory-9781444336313","title":"Art in Theory","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eA ground-breaking new anthology in the \u003ci\u003eArt in Theory\u003c\/i\u003eseries, offering an examination of the changing relationships between the West and the wider world in the field of art and material culture\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eArt in Theory: The West in the World\u003c\/i\u003eis a ground-breaking anthology that comprehensively examines the relationship of Western art to the art and material culture of the wider world. EditorsPaul Wood and Leon Wainwright have included 370 texts, some of which appear in English for the first time.\u003c\/p\u003e \u003cp\u003eThe anthologized texts are presented in eight chronological parts, which are then subdivided into key themes appropriate to each historical era. The majority of the texts are representations of changing ideas about the cultures of the world by European artists and intellectuals, but increasingly, as the modern period develops, and especially as colonialism is challenged, a variety of dissenting voices begin to claim their space, and a counter narrative to western hegemon\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eAcknowledgements xxvii\u003c\/p\u003e \u003cp\u003eA Note on the Presentation and Editing of Texts xxviii\u003c\/p\u003e \u003cp\u003eGeneral Introduction xxxi\u003c\/p\u003e \u003cp\u003e\u003cb\u003eI Encountering the World 1\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction 1\u003c\/p\u003e \u003cp\u003e\u003cb\u003eIA Figures of Wealth and Power 9\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 Robert of Clari\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe Conquest of Constantinople \u003c\/i\u003e1204\/1216 9\u003c\/p\u003e \u003cp\u003e2 Giovanni di Pian de Carpini (‘John of Carpini’)\u003c\/p\u003e \u003cp\u003efrom his \u003ci\u003eJourney to the Court of Kuyuk Khan \u003c\/i\u003e1245–7 11\u003c\/p\u003e \u003cp\u003e3 Marco Polo\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe Travels c\u003c\/i\u003e.1299 13\u003c\/p\u003e \u003cp\u003e4 ‘Sir John Mandeville’\u003c\/p\u003e \u003cp\u003efrom his \u003ci\u003eTravels c\u003c\/i\u003e.1356 16\u003c\/p\u003e \u003cp\u003e5 Various authors on artistic and cultural relations between Italian city states and the Ottoman and Mamluk empires during the late fifteenth and early sixteenth centuries 18\u003c\/p\u003e \u003cp\u003e5 (i) Sigismondo Malatesta of Rimini\u003c\/p\u003e \u003cp\u003eLetter of introduction for Matteo de’ Pasti to Mehmed II 1461 19\u003c\/p\u003e \u003cp\u003e5 (ii) Marin Sanudo\u003c\/p\u003e \u003cp\u003efrom his diary for 1 August 1479 20\u003c\/p\u003e \u003cp\u003e5 (iii) Mehmed II\u003c\/p\u003e \u003cp\u003eto the Venetian Senate 1480 20\u003c\/p\u003e \u003cp\u003e5 (iv) The Venetian Senate\u003c\/p\u003e \u003cp\u003eLetter to Mehmed II 1480 21\u003c\/p\u003e \u003cp\u003e5 (v) Luca Landucci\u003c\/p\u003e \u003cp\u003efrom his Florentine diary 1487 21\u003c\/p\u003e \u003cp\u003e5 (vi) Leonardo da Vinci\u003c\/p\u003e \u003cp\u003efrom a letter to Sultan Bayezid II before 1512 22\u003c\/p\u003e \u003cp\u003e5 (vii) Tommaso di Tolfo\u003c\/p\u003e \u003cp\u003efrom a letter to Michelangelo 1519 22\u003c\/p\u003e \u003cp\u003e6 Giovanni da Empoli\u003c\/p\u003e \u003cp\u003eOn India, Ceylon and the Spice Islands 1514 23\u003c\/p\u003e \u003cp\u003e7 João de Castro\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eRoteiro de Goa até Dio \u003c\/i\u003e1540s 24\u003c\/p\u003e \u003cp\u003e8 Simão de Melo\u003c\/p\u003e \u003cp\u003efrom an inventory of his goods 1570s 26\u003c\/p\u003e \u003cp\u003e9 Johann Huyghen van Linschoten\u003c\/p\u003e \u003cp\u003eOn Indian religious art 1596 29\u003c\/p\u003e \u003cp\u003e10 Duarte de Sande\u003c\/p\u003e \u003cp\u003efrom ‘An Excellent Treatise of the Kingdom of China’ \u003ci\u003ec\u003c\/i\u003e.1590 32\u003c\/p\u003e \u003cp\u003e11 Matteo Ricci\u003c\/p\u003e \u003cp\u003efrom his journal \u003ci\u003ec\u003c\/i\u003e.1582–1610\/1615 34\u003c\/p\u003e \u003cp\u003e12 Jean‐Baptiste Tavernier\u003c\/p\u003e \u003cp\u003eOn the Peacock Throne 38\u003c\/p\u003e \u003cp\u003e\u003cb\u003eIB Across the Ocean Sea 40\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 Christopher Columbus\u003c\/p\u003e \u003cp\u003eTwo texts from his first voyage to America 1492 40\u003c\/p\u003e \u003cp\u003e2 Amerigo Vespucci\u003c\/p\u003e \u003cp\u003eLetter to Lorenzo Pietro Franco de Medici 1503 43\u003c\/p\u003e \u003cp\u003e3 Hernán Cortés\u003c\/p\u003e \u003cp\u003eTwo letters from Mexico 1519 and 1520 45\u003c\/p\u003e \u003cp\u003e4 Bartolomé de Las Casas\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eApologetic History of the Indies c\u003c\/i\u003e.1542–52 48\u003c\/p\u003e \u003cp\u003e5 Toribio de Benavente (‘Motolinía’)\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eHistory of the Indians of New Spain \u003c\/i\u003e1536 51\u003c\/p\u003e \u003cp\u003e6 First Provincial Council in Lima 1551–2\u003c\/p\u003e \u003cp\u003eOn the destruction of Indian sacred sites 52\u003c\/p\u003e \u003cp\u003e7 Jean de Léry\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eHistory of a Voyage to the Land of Brazil c\u003c\/i\u003e.1563–80 53\u003c\/p\u003e \u003cp\u003e8 Thomas Harriot\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eA Briefe and True Report of the New Found Land of Virginia \u003c\/i\u003e1590 54\u003c\/p\u003e \u003cp\u003e9 Bernardo de Balbuena\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eGrandeza Mexicana \u003c\/i\u003e1604 57\u003c\/p\u003e \u003cp\u003e10 Juan Rodriguez Freile\u003c\/p\u003e \u003cp\u003eOn the legend of \u003ci\u003eEl Dorado \u003c\/i\u003e1636 60\u003c\/p\u003e \u003cp\u003e11 John Lok\u003c\/p\u003e \u003cp\u003e\u003ci\u003eA Voyage to Guinea in the year 1554 \u003c\/i\u003e61\u003c\/p\u003e \u003cp\u003e12 Olfert Dapper\u003c\/p\u003e \u003cp\u003eOn the city of Benin 1668 62\u003c\/p\u003e \u003cp\u003e13 William Dampier\u003c\/p\u003e \u003cp\u003eThe first encounter with Indigenous Australian people \u003ci\u003ec\u003c\/i\u003e.1688\/99 64\u003c\/p\u003e \u003cp\u003e\u003cb\u003eIC Scholarly Responses 66\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 Anon.\u003c\/p\u003e \u003cp\u003efrom the Inventory of the Palazzo Medici 1492 66\u003c\/p\u003e \u003cp\u003e2 Albrecht Dürer\u003c\/p\u003e \u003cp\u003efrom his diary of his journey to the Netherlands 1520 70\u003c\/p\u003e \u003cp\u003e3 Thomas Platter\u003c\/p\u003e \u003cp\u003eOn Mr Cope’s cabinet of curiosities 1599 71\u003c\/p\u003e \u003cp\u003e4 Michel de Montaigne\u003c\/p\u003e \u003cp\u003e‘On the Cannibals’ \u003ci\u003ec\u003c\/i\u003e.1580s 74\u003c\/p\u003e \u003cp\u003e5 Christopher Marlowe\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eTamburlaine the Great c\u003c\/i\u003e.1590 76\u003c\/p\u003e \u003cp\u003e6 Francis Bacon\u003c\/p\u003e \u003cp\u003e‘Of Plantations’ \u003ci\u003ec\u003c\/i\u003e.1597–1625 77\u003c\/p\u003e \u003cp\u003e7 Francis Bacon\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eNew Atlantis c\u003c\/i\u003e.1620–5 79\u003c\/p\u003e \u003cp\u003e8 Martin de Charmois\u003c\/p\u003e \u003cp\u003efrom his Petition to the King and to the Lords of his Council 1648 81\u003c\/p\u003e \u003cp\u003e9 Dorothy Osborne\u003c\/p\u003e \u003cp\u003efrom letters to Sir William Temple 1653 82\u003c\/p\u003e \u003cp\u003e10 Thomas Hobbes\u003c\/p\u003e \u003cp\u003e‘Of the Naturall Condition of Mankind’ 1651 83\u003c\/p\u003e \u003cp\u003e11 John Tradescant\u003c\/p\u003e \u003cp\u003efrom the \u003ci\u003eMuseum Tradescantianum\u003c\/i\u003e, or \u003ci\u003eA Collection of Rarities \u003c\/i\u003e1656 83\u003c\/p\u003e \u003cp\u003e12 John Dryden\u003c\/p\u003e \u003cp\u003eon the ‘Noble Savage’ 1670–2 91\u003c\/p\u003e \u003cp\u003e13 Aphra Behn\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eOroonoko, or The Royal Slave c.\u003c\/i\u003e1663–4\/1688 91\u003c\/p\u003e \u003cp\u003e14 Charles Perrault\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eParallel of the Ancients and Moderns \u003c\/i\u003e1688 93\u003c\/p\u003e \u003cp\u003e15 William Temple\u003c\/p\u003e \u003cp\u003eOn the distinctiveness of Chinese gardens 1690 94\u003c\/p\u003e \u003cp\u003e16 Gottfried Wilhelm Leibniz\u003c\/p\u003e \u003cp\u003efrom ‘Preface’ to \u003ci\u003eNovissima Sinica c\u003c\/i\u003e.1690 96\u003c\/p\u003e \u003cp\u003e17 John Locke\u003c\/p\u003e \u003cp\u003e‘Of Property’, from \u003ci\u003eTwo Treatises of Government c\u003c\/i\u003e.1690 98\u003c\/p\u003e \u003cp\u003e\u003cb\u003eII Enlightenment and Expansion 101\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction 101\u003c\/p\u003e \u003cp\u003e\u003cb\u003eIIA The Orient in Fact and Fancy 109\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 Antoine Galland\u003c\/p\u003e \u003cp\u003ePreface to d’Herbelot’s \u003ci\u003eBibliothèque Orientale \u003c\/i\u003e1697 109\u003c\/p\u003e \u003cp\u003e2 Anon.\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe Arabian Nights Entertainments \u003c\/i\u003e1713 111\u003c\/p\u003e \u003cp\u003e3 Lady Mary Wortley Montagu\u003c\/p\u003e \u003cp\u003eLetters from the Turkish Empire \u003ci\u003ec\u003c\/i\u003e.1716–18 114\u003c\/p\u003e \u003cp\u003e4 Charles‐Louis de Secondat, Baron de Montesquieu\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003ePersian Letters \u003c\/i\u003e1721 119\u003c\/p\u003e \u003cp\u003e5 Joseph Addison\u003c\/p\u003e \u003cp\u003efrom ‘The Pleasures of the Imagination’ 1712 120\u003c\/p\u003e \u003cp\u003e6 John Shebbeare\u003c\/p\u003e \u003cp\u003e‘The taste of England at present …’ 1756 121\u003c\/p\u003e \u003cp\u003e7 Oliver Goldsmith\u003c\/p\u003e \u003cp\u003efrom The \u003ci\u003eCitizen of the World \u003c\/i\u003e1765 122\u003c\/p\u003e \u003cp\u003e8 Sir William Chambers\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eA Dissertation on Oriental Gardening \u003c\/i\u003e1772 124\u003c\/p\u003e \u003cp\u003e9 Sir William Jones\u003c\/p\u003e \u003cp\u003efrom his \u003ci\u003eDiscourses \u003c\/i\u003eto the Asiatick Society of Bengal 1784 and 1785 127\u003c\/p\u003e \u003cp\u003e10 William Beckford of Fonthill\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eVathek \u003c\/i\u003e1786 130\u003c\/p\u003e \u003cp\u003e11 Sir George Staunton\u003c\/p\u003e \u003cp\u003efrom his account of the Macartney embassy to China 1797 133\u003c\/p\u003e \u003cp\u003e\u003cb\u003eIIB Curiosities and Colonies 137\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 Hans Sloane\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe Natural History of Jamaica c.\u003c\/i\u003e1690\/1707 137\u003c\/p\u003e \u003cp\u003e2 Jonathan Swift\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eGulliver’s Travels \u003c\/i\u003e1726 138\u003c\/p\u003e \u003cp\u003e3 Louis Antoine de Bougainville\u003c\/p\u003e \u003cp\u003eOn Tahiti 1768\/72 140\u003c\/p\u003e \u003cp\u003e4 A selection of texts from the Cook voyages to the Pacific 1768–80 143\u003c\/p\u003e \u003cp\u003e4 (i) Joseph Banks\u003c\/p\u003e \u003cp\u003eOn two figures and a \u003ci\u003eMarae\u003c\/i\u003e, or temple precinct, in Tahiti June 1769 145\u003c\/p\u003e \u003cp\u003e4 (ii) James Cook\u003c\/p\u003e \u003cp\u003eTwo accounts of the practice of tattooing 147\u003c\/p\u003e \u003cp\u003e(a) in Tahiti July 1769\u003c\/p\u003e \u003cp\u003e(b) in New Zealand March 1770\u003c\/p\u003e \u003cp\u003e4 (iii) James Cook\u003c\/p\u003e \u003cp\u003eOn the people of Australia April to August 1770 148\u003c\/p\u003e \u003cp\u003e4 (iv) William Wales\u003c\/p\u003e \u003cp\u003eAn account of music and dancing in Tahiti 1773 150\u003c\/p\u003e \u003cp\u003e4 (v) George Forster\u003c\/p\u003e \u003cp\u003eAn account of artefacts at Tonga October 1773 152\u003c\/p\u003e \u003cp\u003e4 (vi) George Forster\u003c\/p\u003e \u003cp\u003eOn the stone statues and wood carvings of Easter Island March 1774 153\u003c\/p\u003e \u003cp\u003e5 Ignatius Sancho and Laurence Sterne\u003c\/p\u003e \u003cp\u003eAn exchange of letters 1766 155\u003c\/p\u003e \u003cp\u003e6 Manuel Amat y Junyent, Viceroy of Peru\u003c\/p\u003e \u003cp\u003eLetter on ‘Casta’ paintings 1770 157\u003c\/p\u003e \u003cp\u003e7 Ignatius Sancho\u003c\/p\u003e \u003cp\u003eLetter to Jack Wingrave 1778 158\u003c\/p\u003e \u003cp\u003e8 William Hodges\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eTravels in India \u003c\/i\u003e1780–3\/1794 159\u003c\/p\u003e \u003cp\u003e9 Thomas Jefferson\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eNotes on the State of Virginia \u003c\/i\u003e1787 162\u003c\/p\u003e \u003cp\u003e10 Olaudah Equiano\u003c\/p\u003e \u003cp\u003eOn the Middle Passage 1789 164\u003c\/p\u003e \u003cp\u003e11 William Beckford of Somerley\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eA Descriptive Account of the Island of Jamaica \u003c\/i\u003e1790 167\u003c\/p\u003e \u003cp\u003e12 Erasmus Darwin (1731–1802)\u003c\/p\u003e \u003cp\u003eOn revolution, slavery and the Wedgwood medallion 1791 170\u003c\/p\u003e \u003cp\u003e\u003cb\u003eIIC Changing Ideas and Values 172\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 David Hume\u003c\/p\u003e \u003cp\u003efrom ‘Of National Characters’ 1748 172\u003c\/p\u003e \u003cp\u003e2 Jean‐Jacques Rousseau\u003c\/p\u003e \u003cp\u003efrom ‘A Discourse on the Moral Effects of the Arts and Sciences’ 1750 174\u003c\/p\u003e \u003cp\u003e3 Comte de Caylus\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eA Collection of the Antiquities of Egypt \u003c\/i\u003e1752 177\u003c\/p\u003e \u003cp\u003e4 Voltaire (François‐Marie Arouet)\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eEssay on the Manners and Spirit of Nations \u003c\/i\u003e1756\/9 180\u003c\/p\u003e \u003cp\u003e5 Voltaire (François‐Marie Arouet)\u003c\/p\u003e \u003cp\u003efrom ‘Essay on Taste’ 1759 184\u003c\/p\u003e \u003cp\u003e6 Immanuel Kant\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eObservations on the Feeling of the Beautiful and the Sublime \u003c\/i\u003e1763 185\u003c\/p\u003e \u003cp\u003e7 Johann Joachim Winckelmann\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe History of Ancient Art \u003c\/i\u003e1764 188\u003c\/p\u003e \u003cp\u003e8 John Millar\u003c\/p\u003e \u003cp\u003eNotes on the ‘Four Stages’ theory of human development 1760s 190\u003c\/p\u003e \u003cp\u003e9 Denis Diderot\u003c\/p\u003e \u003cp\u003e‘Supplement to the Voyage of Bougainville’ 1772 191\u003c\/p\u003e \u003cp\u003e10 Johann Gottfried Herder\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eA Monument to Johann Winckelmann \u003c\/i\u003e1778 194\u003c\/p\u003e \u003cp\u003e11 Samuel Johnson\u003c\/p\u003e \u003cp\u003eOn the state of nature 1766–84 197\u003c\/p\u003e \u003cp\u003e12 Antoine Quatremère de Quincy\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eEgyptian Architecture \u003c\/i\u003e1785 199\u003c\/p\u003e \u003cp\u003e13 Joshua Reynolds\u003c\/p\u003e \u003cp\u003efrom his \u003ci\u003eDiscourses \u003c\/i\u003e1776 and 1786 202\u003c\/p\u003e \u003cp\u003e14 Edward Gibbon\u003c\/p\u003e \u003cp\u003eReflections on civilization and barbarism 1788 205\u003c\/p\u003e \u003cp\u003e\u003cb\u003eIII Revolution, Romanticism, Reaction 209\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction 209\u003c\/p\u003e \u003cp\u003e\u003cb\u003eIIIA History: Between Spirit and Science 215\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 Johann Gottfried Herder\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eOutlines of a Philosophy of the History of Man \u003c\/i\u003e1790 215\u003c\/p\u003e \u003cp\u003e2 Charles Bell\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eEssays on the Anatomy of Expression in Painting \u003c\/i\u003e1806 218\u003c\/p\u003e \u003cp\u003e3 Friedrich Schlegel\u003c\/p\u003e \u003cp\u003e‘On the Language and Philosophy of the Indians’ 1808 221\u003c\/p\u003e \u003cp\u003e4 Joseph Fourier\u003c\/p\u003e \u003cp\u003efrom ‘Historical Preface’ to the \u003ci\u003eDescription of Egypt \u003c\/i\u003e1809 224\u003c\/p\u003e \u003cp\u003e5 Edward Moor\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe Hindu Pantheon \u003c\/i\u003e1810 226\u003c\/p\u003e \u003cp\u003e6 Richard Payne Knight\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eAn Inquiry into the Symbolical Language of Ancient Art and Mythology \u003c\/i\u003e1818 230\u003c\/p\u003e \u003cp\u003e7 John Flaxman\u003c\/p\u003e \u003cp\u003e‘Style’ \u003ci\u003ec\u003c\/i\u003e.1810–26 233\u003c\/p\u003e \u003cp\u003e8 Georg Wilhelm Friedrich Hegel\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eAesthetics: Lectures on Fine Art \u003c\/i\u003e1823–9 235\u003c\/p\u003e \u003cp\u003e9 Georg Wilhelm Friedrich Hegel\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eLectures on the Philosophy of World History \u003c\/i\u003e1830–1 241\u003c\/p\u003e \u003cp\u003e10 John L. Stephens\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eIncidents of Travel in Yucatan \u003c\/i\u003e1843 244\u003c\/p\u003e \u003cp\u003e11 Arthur Schopenhauer\u003c\/p\u003e \u003cp\u003e‘On Human Nature’ \u003ci\u003ec\u003c\/i\u003e.1845–50 247\u003c\/p\u003e \u003cp\u003e12 Gottfried Semper\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe Four Elements of Architecture \u003c\/i\u003e1851 249\u003c\/p\u003e \u003cp\u003e\u003cb\u003eIIIB Visions of the Exotic 253\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 Samuel Taylor Coleridge\u003c\/p\u003e \u003cp\u003e‘Kubla Khan’ 1798 253\u003c\/p\u003e \u003cp\u003e2 Maria Edgeworth\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe Absentee \u003c\/i\u003e1812 255\u003c\/p\u003e \u003cp\u003e3 George Gordon, Lord Byron\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe Giaour \u003c\/i\u003e1813 256\u003c\/p\u003e \u003cp\u003e4 Thomas De Quincey\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eConfessions of an English Opium‐Eater \u003c\/i\u003e1821 261\u003c\/p\u003e \u003cp\u003e5 Johann Wolfgang Goethe\u003c\/p\u003e \u003cp\u003efrom the \u003ci\u003eWest‐Eastern Divan c\u003c\/i\u003e.1814–19 264\u003c\/p\u003e \u003cp\u003e6 Giacomo Leopardi\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eZibaldone \u003c\/i\u003e1820–3 268\u003c\/p\u003e \u003cp\u003e7 Alfred, Lord Tennyson\u003c\/p\u003e \u003cp\u003efrom ‘Timbuctoo’ 1829 271\u003c\/p\u003e \u003cp\u003e8 Eugène Delacroix\u003c\/p\u003e \u003cp\u003eLetters and notes on his journey to North Africa 1832 274\u003c\/p\u003e \u003cp\u003e9 George Catlin\u003c\/p\u003e \u003cp\u003e‘Letter from the Mouth of the Yellowstone River’ 1832 279\u003c\/p\u003e \u003cp\u003e10 John Constable\u003c\/p\u003e \u003cp\u003efrom ‘Discourses’ 1836 281\u003c\/p\u003e \u003cp\u003e11 David Roberts\u003c\/p\u003e \u003cp\u003eFrom his travels to Egypt and the Middle East 1838–9 282\u003c\/p\u003e \u003cp\u003e12 Jean Auguste Dominique Ingres\u003c\/p\u003e \u003cp\u003eNotes on the Turkish Baths n.d. 285\u003c\/p\u003e \u003cp\u003e\u003cb\u003eIIIC Missionaries, Managers and Resistance 289\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 Thomas Paine\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eRights of Man \u003c\/i\u003e1792 289\u003c\/p\u003e \u003cp\u003e2 William Blake\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eAmerica, a Prophecy \u003c\/i\u003e1793 292\u003c\/p\u003e \u003cp\u003e3 Mirza Abu Talib (or Taleb) Khan\u003c\/p\u003e \u003cp\u003efrom his \u003ci\u003eTravels \u003c\/i\u003e1799\/1800 293\u003c\/p\u003e \u003cp\u003e4 Lady Maria Nugent\u003c\/p\u003e \u003cp\u003efrom her journal 1801–5 297\u003c\/p\u003e \u003cp\u003e5 William Wordsworth\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTo Toussaint L’Ouverture \u003c\/i\u003e1802 299\u003c\/p\u003e \u003cp\u003e6 James Mill\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe History of British India \u003c\/i\u003e1817 300\u003c\/p\u003e \u003cp\u003e7 Percy Bysshe Shelley\u003c\/p\u003e \u003cp\u003e‘Ozymandias’ 1817 305\u003c\/p\u003e \u003cp\u003e8 Henry Salt and Joseph Banks\u003c\/p\u003e \u003cp\u003eTwo letters 1818–19 306\u003c\/p\u003e \u003cp\u003e9 John Davy\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eAn Account of the Interior of Ceylon \u003c\/i\u003e1821 307\u003c\/p\u003e \u003cp\u003e10 William Ellis\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003ePolynesian Researches \u003c\/i\u003e1829 309\u003c\/p\u003e \u003cp\u003e11 Ram Raz\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eEssay on the Architecture of the Hindús \u003c\/i\u003e1834 313\u003c\/p\u003e \u003cp\u003e12 Thomas Babington Macaulay, Lord Macaulay\u003c\/p\u003e \u003cp\u003eMinute on Indian Education 1835 317\u003c\/p\u003e \u003cp\u003e13 James Mallord William Turner, William Makepeace Thackeray and John Ruskin\u003c\/p\u003e \u003cp\u003eThree texts relating to J. M. W. Turner’s \u003ci\u003eSlave Ship \u003c\/i\u003e1840 and 1843 320\u003c\/p\u003e \u003cp\u003e\u003cb\u003eIV Modernity and Empire 325\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction 325\u003c\/p\u003e \u003cp\u003e\u003cb\u003eIVA Enduring Fictions and Transformed Spaces 329\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 Théophile Gautier\u003c\/p\u003e \u003cp\u003efrom ‘Art in 1848’ 1848 329\u003c\/p\u003e \u003cp\u003e2 Théophile Gautier\u003c\/p\u003e \u003cp\u003eOn Gérôme and Artistic Orientalism 1856 330\u003c\/p\u003e \u003cp\u003e3 Théophile Thoré, writing as William Bürger,\u003c\/p\u003e \u003cp\u003efrom ‘New Tendencies in Art’ 1857 332\u003c\/p\u003e \u003cp\u003e4 Edmond and Jules de Goncourt\u003c\/p\u003e \u003cp\u003eon Japanese art 1861–4 334\u003c\/p\u003e \u003cp\u003e5 Various authors on Japanese art and the ‘painting of modern life’ 336\u003c\/p\u003e \u003cp\u003e5 (i) Charles Baudelaire\u003c\/p\u003e \u003cp\u003efrom a letter to Arsène Houssaye 1861 336\u003c\/p\u003e \u003cp\u003e5 (ii) Émile Zola\u003c\/p\u003e \u003cp\u003eOn Manet 1867 337\u003c\/p\u003e \u003cp\u003e5 (iii) Edmond Duranty\u003c\/p\u003e \u003cp\u003eOn ‘the new painting’ 1876 338\u003c\/p\u003e \u003cp\u003e5 (iv) Stéphane Mallarmé\u003c\/p\u003e \u003cp\u003efrom ‘The Impressionists and Edouard Manet’ 1876 339\u003c\/p\u003e \u003cp\u003e5 (v) Théodore Duret\u003c\/p\u003e \u003cp\u003eOn Japan 1878 340\u003c\/p\u003e \u003cp\u003e5 (vi) Félix Fénéon\u003c\/p\u003e \u003cp\u003efrom ‘The Impressionists in 1886’ 1886 340\u003c\/p\u003e \u003cp\u003e5 (vii) Vincent Van Gogh\u003c\/p\u003e \u003cp\u003eOn Japan 1888 341\u003c\/p\u003e \u003cp\u003e6 Philippe Burty\u003c\/p\u003e \u003cp\u003e‘Ancient Japan and Modern Japan’ 1878 342\u003c\/p\u003e \u003cp\u003e7 Joris-Karl Huysmans\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eA Rebours \u003c\/i\u003e1884 345\u003c\/p\u003e \u003cp\u003e8 Pierre Loti\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe Marriage of Loti \u003c\/i\u003e1872\/1878–9 345\u003c\/p\u003e \u003cp\u003e9 A cluster of texts on Gauguin and Oceania 347\u003c\/p\u003e \u003cp\u003e9 (i) Paul Gauguin\u003c\/p\u003e \u003cp\u003efrom three letters written before leaving for Polynesia 1890 348\u003c\/p\u003e \u003cp\u003e9 (ii) Paul Gauguin\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eNoa Noa c\u003c\/i\u003e.1894 349\u003c\/p\u003e \u003cp\u003e9 (iii) August Strindberg and Paul Gauguin\u003c\/p\u003e \u003cp\u003efrom an exchange of letters 1895 352\u003c\/p\u003e \u003cp\u003e9 (iv) Paul Gauguin\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eAvant et après\u003c\/i\u003e, Atuona, Hiva‐Oa 1903 353\u003c\/p\u003e \u003cp\u003e10 Hermann Bahr\u003c\/p\u003e \u003cp\u003eReview of the Japanese exhibition at the sixth exhibition of the Vienna secession 1900 354\u003c\/p\u003e \u003cp\u003e\u003cb\u003eIVB Society, Evolution and the Idea of ‘Race’ 357\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 Robert Knox\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe Races of Men \u003c\/i\u003e1850 357\u003c\/p\u003e \u003cp\u003e2 Joseph‐Arthur, Comte de Gobineau\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe Inequality of Human Races \u003c\/i\u003e1853–5 361\u003c\/p\u003e \u003cp\u003e3 Solomon Northup\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eTwelve Years a Slave \u003c\/i\u003e1854 364\u003c\/p\u003e \u003cp\u003e4 John Ruskin\u003c\/p\u003e \u003cp\u003efrom The \u003ci\u003eTwo Paths \u003c\/i\u003e1858–9 366\u003c\/p\u003e \u003cp\u003e5 Ernest Renan\u003c\/p\u003e \u003cp\u003efrom ‘The Position of the Shemitic Nations in the History of Civilization’ 1862 369\u003c\/p\u003e \u003cp\u003e6 Karl Marx and Friedrich Engels\u003c\/p\u003e \u003cp\u003eOn the emergence of the world system 1848 372\u003c\/p\u003e \u003cp\u003e7 Karl Marx\u003c\/p\u003e \u003cp\u003eOn the ‘Asiatic mode of production’ and modern capitalism 1853 373\u003c\/p\u003e \u003cp\u003e8 The First International\u003c\/p\u003e \u003cp\u003eAddress to the people of the United States of America 1865 376\u003c\/p\u003e \u003cp\u003e9 Edmond de Goncourt\u003c\/p\u003e \u003cp\u003efrom the \u003ci\u003eGoncourt Journal \u003c\/i\u003e1871 377\u003c\/p\u003e \u003cp\u003e10 Charles Darwin\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe Descent of Man \u003c\/i\u003e1871\/1874 378\u003c\/p\u003e \u003cp\u003e11 Friedrich Nietzsche\u003c\/p\u003e \u003cp\u003e‘Signs of Higher and Lower Culture’ 1878 381\u003c\/p\u003e \u003cp\u003e12 \u003ci\u003eEncyclopaedia Britannica\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eNinth edition: ‘Negro’ 1884 384\u003c\/p\u003e \u003cp\u003e13 W. T. Stead\u003c\/p\u003e \u003cp\u003e‘To All English‐speaking Folk’ 1891 387\u003c\/p\u003e \u003cp\u003e14 R. H. Bacon\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eBenin: The City of Blood \u003c\/i\u003e1897 388\u003c\/p\u003e \u003cp\u003e15 Rudyard Kipling\u003c\/p\u003e \u003cp\u003e‘The White Man’s Burden’ 1899 390\u003c\/p\u003e \u003cp\u003e\u003cb\u003eIVC Anthropology, Museums and the Origins of Art 393\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 Owen Jones\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe Grammar of Ornament \u003c\/i\u003e1856 393\u003c\/p\u003e \u003cp\u003e2 Edward Tylor\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003ePrimitive Culture \u003c\/i\u003e1871 398\u003c\/p\u003e \u003cp\u003e3 Augustus Lane‐Fox Pitt‐Rivers\u003c\/p\u003e \u003cp\u003e‘Principles of Classification’ 1874 401\u003c\/p\u003e \u003cp\u003e4 J. G. Frazer\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe Golden Bough \u003c\/i\u003e1890 404\u003c\/p\u003e \u003cp\u003e5 Ernst Grosse\u003c\/p\u003e \u003cp\u003e‘Ethnology and Aesthetics’ 1891 407\u003c\/p\u003e \u003cp\u003e6 Henry Balfour\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe Evolution of Decorative Art \u003c\/i\u003e1893 410\u003c\/p\u003e \u003cp\u003e7 Alfred Haddon\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eEvolution in Art \u003c\/i\u003e1895 414\u003c\/p\u003e \u003cp\u003e8 Alois Riegl\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eProblems of Style \u003c\/i\u003e1893 417\u003c\/p\u003e \u003cp\u003e9 Alois Riegl\u003c\/p\u003e \u003cp\u003e‘The Place of the Vapheio Cups in the History of Art’ 1900 423\u003c\/p\u003e \u003cp\u003e10 George Birdwood\u003c\/p\u003e \u003cp\u003e‘Conventionalism in Primitive Art’ 1903 425\u003c\/p\u003e \u003cp\u003e\u003cb\u003eIVD The World in View: Travellers and Teachers 428\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 Gérard de Nerval\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eScenes of Life in the Orient \u003c\/i\u003e1843\/6–7 428\u003c\/p\u003e \u003cp\u003e2 Gustave Flaubert\u003c\/p\u003e \u003cp\u003eOn the pyramids 1850 430\u003c\/p\u003e \u003cp\u003e3 Hiram Bingham\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eA Residence of Twenty‐One Years in the Sandwich Islands \u003c\/i\u003e1847 431\u003c\/p\u003e \u003cp\u003e4 Sir Colin Campbell\u003c\/p\u003e \u003cp\u003eLetter to Lord Stanley 1846 434\u003c\/p\u003e \u003cp\u003e5 Andrew Nicoll\u003c\/p\u003e \u003cp\u003e‘A Sketching Tour of Five Weeks in the Forests of Ceylon’ 1848\/52 436\u003c\/p\u003e \u003cp\u003e6 Robert Fortune\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eA Residence Among the Chinese \u003c\/i\u003e1857 438\u003c\/p\u003e \u003cp\u003e7 James Fergusson\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eHistory of Indian Architecture \u003c\/i\u003e1876 442\u003c\/p\u003e \u003cp\u003e8 Rajendralal Mitra\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eIndo‐Aryans \u003c\/i\u003e1881 447\u003c\/p\u003e \u003cp\u003e9 Robert Louis Stevenson\u003c\/p\u003e \u003cp\u003eOn the South Seas 1889–90 451\u003c\/p\u003e \u003cp\u003e10 C. H. Read and O. M. Dalton\u003c\/p\u003e \u003cp\u003e‘Works of Art from Benin City’ 1898 452\u003c\/p\u003e \u003cp\u003e11 Henry Ling Roth\u003c\/p\u003e \u003cp\u003e‘Primitive Art from Benin’ 1899 456\u003c\/p\u003e \u003cp\u003e12 Mary Kingsley\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eWest African Studies \u003c\/i\u003e1899\/1901 458\u003c\/p\u003e \u003cp\u003e\u003cb\u003eV The Significance of the ‘Primitive’ 463\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction 463\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVA Authenticity, Form and Feeling 467\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 A cluster of short texts on the initial encounter of the European\u003c\/p\u003e \u003cp\u003eavant‐garde with African art in 1906–7 467\u003c\/p\u003e \u003cp\u003e1 (i) André Derain\u003c\/p\u003e \u003cp\u003eLetter to Maurice de Vlaminck, March 1906 468\u003c\/p\u003e \u003cp\u003e1 (ii) Maurice de Vlaminck\u003c\/p\u003e \u003cp\u003eOn his ‘discovery’ of African art in 1906 469\u003c\/p\u003e \u003cp\u003e1 (iii) Henri Matisse\u003c\/p\u003e \u003cp\u003eOn his encounter with African Art in 1906 470\u003c\/p\u003e \u003cp\u003e1 (iv) Pablo Picasso\u003c\/p\u003e \u003cp\u003eOn his visit to the Trocadero museum in 1907 471\u003c\/p\u003e \u003cp\u003e2 Wilhelm Worringer\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eAbstraction and Empathy \u003c\/i\u003e1908 473\u003c\/p\u003e \u003cp\u003e3 Roger Fry\u003c\/p\u003e \u003cp\u003e‘The Art of the Bushmen’ 1910 476\u003c\/p\u003e \u003cp\u003e4 Guillaume Apollinaire\u003c\/p\u003e \u003cp\u003e‘Exoticism and Ethnography’ 1912 480\u003c\/p\u003e \u003cp\u003e5 Franz Marc\u003c\/p\u003e \u003cp\u003eLetter to August Macke 1911 482\u003c\/p\u003e \u003cp\u003e6 Franz Marc\u003c\/p\u003e \u003cp\u003e‘The \u003ci\u003eSavages \u003c\/i\u003eof Germany’ 1912 483\u003c\/p\u003e \u003cp\u003e7 August Macke\u003c\/p\u003e \u003cp\u003e‘Masks’ 1912 484\u003c\/p\u003e \u003cp\u003e8 Emil Nolde\u003c\/p\u003e \u003cp\u003e‘On Primitive Art’ 1912 485\u003c\/p\u003e \u003cp\u003e9 Alexander Shevchenko\u003c\/p\u003e \u003cp\u003e‘Neo‐Primitivism’ 1913 486\u003c\/p\u003e \u003cp\u003e10 Henri Matisse\u003c\/p\u003e \u003cp\u003eOn his visits to North Africa 1913 489\u003c\/p\u003e \u003cp\u003e11 Paul Klee\u003c\/p\u003e \u003cp\u003eOn his visit to Tunisia 1914 491\u003c\/p\u003e \u003cp\u003e12 Hermann Bahr\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eExpressionism \u003c\/i\u003e1916 492\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVB The Reach of Empire 494\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 James A. Hobson\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eImperialism \u003c\/i\u003e1902 494\u003c\/p\u003e \u003cp\u003e2 Charles Augustus Stoddard\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eCruising Among the Caribbees \u003c\/i\u003e1895\/1903 496\u003c\/p\u003e \u003cp\u003e3 Edward Wilmot Blyden\u003c\/p\u003e \u003cp\u003e‘West Africa Before Europe’ 1903 499\u003c\/p\u003e \u003cp\u003e4 Kakuso Okakura\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe Ideals of the East \u003c\/i\u003e1903 502\u003c\/p\u003e \u003cp\u003e5 Sister Nivedita\u003c\/p\u003e \u003cp\u003e‘Introduction’ to Okakura’s \u003ci\u003eThe Ideals of the East \u003c\/i\u003e1903 504\u003c\/p\u003e \u003cp\u003e6 W. E. B. Du Bois\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe Souls of Black Folk \u003c\/i\u003e1903 505\u003c\/p\u003e \u003cp\u003e7 from the Harmsworth \u003ci\u003eHistory of the World\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eOn the ‘degeneration’ of indigenous Australians 1908 508\u003c\/p\u003e \u003cp\u003e8 Ananda Coomaraswamy\u003c\/p\u003e \u003cp\u003e‘The Aims of Indian Art’ 1908 509\u003c\/p\u003e \u003cp\u003e9 E. B. Havell\u003c\/p\u003e \u003cp\u003e‘The New Indian School of Painting’ 1908 512\u003c\/p\u003e \u003cp\u003e10 Lucien Lévy‐Bruhl\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eHow Natives Think \u003c\/i\u003e1910\/26 514\u003c\/p\u003e \u003cp\u003e11 Leo Frobenius\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe Voice of Africa \u003c\/i\u003e1913 519\u003c\/p\u003e \u003cp\u003e12 Sigmund Freud\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eTotem and Taboo \u003c\/i\u003e1913 523\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVI In a World of Colonies 529\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction 529\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVIA Modern, Primitive, Universal 535\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 Guillaume Apollinaire\u003c\/p\u003e \u003cp\u003e‘On the Art of the Blacks’ 1917 535\u003c\/p\u003e \u003cp\u003e2 Guillaume Apollinaire\u003c\/p\u003e \u003cp\u003eOn African and Oceanic sculptures 1918 537\u003c\/p\u003e \u003cp\u003e3 Roger Fry\u003c\/p\u003e \u003cp\u003e‘Negro Sculpture’ 1920 538\u003c\/p\u003e \u003cp\u003e4 Florent Fels et al.\u003c\/p\u003e \u003cp\u003e‘Opinions on Negro Art’ 1920 541\u003c\/p\u003e \u003cp\u003e5 Herbert Read\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eArt Now \u003c\/i\u003e1933 544\u003c\/p\u003e \u003cp\u003e6 James Johnson Sweeney\u003c\/p\u003e \u003cp\u003e‘The Art of Negro Africa’ 1935 545\u003c\/p\u003e \u003cp\u003e7 Alain Locke\u003c\/p\u003e \u003cp\u003e‘African Art: Classic Style’ 1935 549\u003c\/p\u003e \u003cp\u003e8 Robert Goldwater\u003c\/p\u003e \u003cp\u003e‘A Definition of Primitivism’ 1938 551\u003c\/p\u003e \u003cp\u003e9 Margaret Preston\u003c\/p\u003e \u003cp\u003e‘Paintings in Arnhem Land’ 1940 554\u003c\/p\u003e \u003cp\u003e10 Henry Moore\u003c\/p\u003e \u003cp\u003e‘Primitive Art’ 1941 556\u003c\/p\u003e \u003cp\u003e11 A cluster of short texts by American painters of the 1940s\u003c\/p\u003e \u003cp\u003eon primitive art and myth 557\u003c\/p\u003e \u003cp\u003e11 (i) Adolph Gottlieb and Mark Rothko\u003c\/p\u003e \u003cp\u003eStatement 1943 558\u003c\/p\u003e \u003cp\u003e11 (ii) Adolph Gottlieb and Mark Rothko\u003c\/p\u003e \u003cp\u003efrom ‘The Portrait and the Modern Artist’ 1943 559\u003c\/p\u003e \u003cp\u003e11 (iii) Jackson Pollock\u003c\/p\u003e \u003cp\u003eAnswers to a questionnaire 1944 560\u003c\/p\u003e \u003cp\u003e11 (iv) Barnett Newman\u003c\/p\u003e \u003cp\u003e‘Pre‐Columbian Stone Sculpture’ 1944 560\u003c\/p\u003e \u003cp\u003e11 (v) Barnett Newman\u003c\/p\u003e \u003cp\u003e‘Art of the South Seas’ 1946 561\u003c\/p\u003e \u003cp\u003e11 (vi) Barnett Newman\u003c\/p\u003e \u003cp\u003e‘Northwest Coast Indian Painting’ 1946 562\u003c\/p\u003e \u003cp\u003e11 (vii) Jackson Pollock\u003c\/p\u003e \u003cp\u003eStatement 1947\/8 563\u003c\/p\u003e \u003cp\u003e11 (viii) Mark Rothko\u003c\/p\u003e \u003cp\u003efrom ‘The Romantics were prompted …’ 1947\/8 563\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVIB Western Civilization: For and Against 565\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 Rosa Luxemburg\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe Accumulation of Capital – an Anti‐Critique \u003c\/i\u003e1915 565\u003c\/p\u003e \u003cp\u003e2 Hermann Hesse\u003c\/p\u003e \u003cp\u003e‘The European’ 1918 566\u003c\/p\u003e \u003cp\u003e3 Ezra Pound\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eHugh Selwyn Mauberley \u003c\/i\u003e1919 569\u003c\/p\u003e \u003cp\u003e4 Oswald Spengler\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe Decline of the West \u003c\/i\u003e1918 571\u003c\/p\u003e \u003cp\u003e5 Rabindranath Tagore\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eCreative Unity \u003c\/i\u003e1922 574\u003c\/p\u003e \u003cp\u003e6 The Third International\u003c\/p\u003e \u003cp\u003e‘The Black Question’ 1922 577\u003c\/p\u003e \u003cp\u003e7 W. E. B. Du Bois\u003c\/p\u003e \u003cp\u003e‘Criteria of Negro Art’ 1926 579\u003c\/p\u003e \u003cp\u003e8 Franz Boas\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003ePrimitive Art \u003c\/i\u003e1927 581\u003c\/p\u003e \u003cp\u003e9 Alain Locke\u003c\/p\u003e \u003cp\u003e‘Art or Propaganda’ 1928 584\u003c\/p\u003e \u003cp\u003e10 Sigmund Freud\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eCivilization and Its Discontents \u003c\/i\u003e1930 586\u003c\/p\u003e \u003cp\u003e11 Alfred Rosenberg\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe Myth of the Twentieth Century \u003c\/i\u003e1930 589\u003c\/p\u003e \u003cp\u003e12 Leo Frobenius\u003c\/p\u003e \u003cp\u003e‘Reflections on African Art’ 1931 591\u003c\/p\u003e \u003cp\u003e13 Walter Benjamin\u003c\/p\u003e \u003cp\u003e‘Experience and Poverty’ 1933 595\u003c\/p\u003e \u003cp\u003e14 Narranyeri (attributed to David Unaipon)\u003c\/p\u003e \u003cp\u003e‘A Blackfellow’s Appeal to White Australia’ 1934 597\u003c\/p\u003e \u003cp\u003e15 Edmund Husserl\u003c\/p\u003e \u003cp\u003efrom ‘The Vienna Lecture’ 1935 599\u003c\/p\u003e \u003cp\u003e16 Julius Lips\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe Savage Hits Back \u003c\/i\u003e1937 603\u003c\/p\u003e \u003cp\u003e17 Fernando Ortiz\u003c\/p\u003e \u003cp\u003e‘The Social Phenomenon of “Transculturation”’ 1940 606\u003c\/p\u003e \u003cp\u003e18 Eric Williams\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eCapitalism and Slavery \u003c\/i\u003e1944 609\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVIC The Challenge of the Avant‐Garde 612\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 Voldemārs Matvejas\/‘Vladimir Markov’\u003c\/p\u003e \u003cp\u003e‘Negro Art’ 1912–14\/19 612\u003c\/p\u003e \u003cp\u003e2 Carl Einstein\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eNegerplastik \u003c\/i\u003e1915 615\u003c\/p\u003e \u003cp\u003eContents xxi\u003c\/p\u003e \u003cp\u003e3 Tristan Tzara\u003c\/p\u003e \u003cp\u003e‘Chanson du serpent’\/‘Song of the Snake’ 1917 619\u003c\/p\u003e \u003cp\u003e4 Oswald de Andrade\u003c\/p\u003e \u003cp\u003e‘Cannibalist Manifesto’ 1928 621\u003c\/p\u003e \u003cp\u003e5 Sergei Eisenstein\u003c\/p\u003e \u003cp\u003e‘The Cinematographic Principle and the Ideogram’ 1929 624\u003c\/p\u003e \u003cp\u003e6 Len Lye\u003c\/p\u003e \u003cp\u003eTwo letters 1929\/30 629\u003c\/p\u003e \u003cp\u003e7 The Surrealist group in Paris\u003c\/p\u003e \u003cp\u003e‘Don’t Visit the Colonial Exhibition’ 1931 631\u003c\/p\u003e \u003cp\u003e8 The Surrealist group at the Sorbonne\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eLegitimate Defence \u003c\/i\u003e1932 633\u003c\/p\u003e \u003cp\u003e9 The Surrealist group in Paris\u003c\/p\u003e \u003cp\u003e‘Murderous Humanitarianism’ 1934 635\u003c\/p\u003e \u003cp\u003e10 Michel Leiris\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eL’Afrique fantôme\/Phantom Africa \u003c\/i\u003e1934 637\u003c\/p\u003e \u003cp\u003e11 Antonin Artaud\u003c\/p\u003e \u003cp\u003e‘What I Came to Mexico to Do’ 1936 641\u003c\/p\u003e \u003cp\u003e12 Josef Albers\u003c\/p\u003e \u003cp\u003e‘Truthfulness in Art’ 1937 643\u003c\/p\u003e \u003cp\u003e13 \u003ci\u003eArt et Liberté \u003c\/i\u003egroup, Cairo\u003c\/p\u003e \u003cp\u003e‘Long Live Degenerate Art’ 1938 647\u003c\/p\u003e \u003cp\u003e14 Aimé Césaire\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eNotebook of a Return to My Native Land \u003c\/i\u003e1939 648\u003c\/p\u003e \u003cp\u003e15 Claude Lévi‐Strauss\u003c\/p\u003e \u003cp\u003e‘The Art of the Northwest Coast’ 1943 653\u003c\/p\u003e \u003cp\u003e16 Pierre Mabille\u003c\/p\u003e \u003cp\u003e‘\u003ci\u003eThe Jungle\u003c\/i\u003e’ 1945 656\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVII Independence and the Post-colonial 661\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction 661\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVIIA Resituating Theory and Politics 667\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 Jean‐Paul Sartre\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eBlack Orpheus \u003c\/i\u003e1948 667\u003c\/p\u003e \u003cp\u003e2 Aimé Césaire\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eDiscourse on Colonialism \u003c\/i\u003e1950\/5 670\u003c\/p\u003e \u003cp\u003e3 Claude Lévi‐Strauss\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eTristes Tropiques \u003c\/i\u003e1955 675\u003c\/p\u003e \u003cp\u003e4 Roland Barthes\u003c\/p\u003e \u003cp\u003e‘African Grammar’ 1955\/7 679\u003c\/p\u003e \u003cp\u003e5 Frantz Fanon\u003c\/p\u003e \u003cp\u003efrom ‘On National Culture’ 1959 683\u003c\/p\u003e \u003cp\u003e6 George Kubler\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe Shape of Time \u003c\/i\u003e1962 686\u003c\/p\u003e \u003cp\u003e7 Michel Foucault\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe Order of Things \u003c\/i\u003e1966 690\u003c\/p\u003e \u003cp\u003e8 Edward Said\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eOrientalism \u003c\/i\u003e1978 694\u003c\/p\u003e \u003cp\u003e9 Gilles Deleuze and Félix Guattari\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eMille plateaux \u003c\/i\u003e1980 698\u003c\/p\u003e \u003cp\u003e10 Johannes Fabian\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eTime and the Other \u003c\/i\u003e1983 702\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVIIB Exhibitions, Museums and Histories Reimagined 706\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 André Malraux\u003c\/p\u003e \u003cp\u003efrom ‘Museum Without Walls’ 1954 706\u003c\/p\u003e \u003cp\u003e2 Aimé Césaire\u003c\/p\u003e \u003cp\u003eOn the institution of the museum 1955 709\u003c\/p\u003e \u003cp\u003e3 Carl Sandburg and Edward Steichen\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe Family of Man \u003c\/i\u003e1955 710\u003c\/p\u003e \u003cp\u003e4 Roland Barthes\u003c\/p\u003e \u003cp\u003e‘The Great Family of Man’ 1956\/7 713\u003c\/p\u003e \u003cp\u003e5 Georges Bataille\u003c\/p\u003e \u003cp\u003e‘The Cradle of Humanity’ 1959 715\u003c\/p\u003e \u003cp\u003e6 Léopold Sédar Senghor\u003c\/p\u003e \u003cp\u003efrom the First World Festival of Black Arts 1966 719\u003c\/p\u003e \u003cp\u003e7 Robert Farris Thompson\u003c\/p\u003e \u003cp\u003e‘Yoruba Artistic Criticism’ 1973 722\u003c\/p\u003e \u003cp\u003e8 Ian Burn\u003c\/p\u003e \u003cp\u003e‘Art is what we do, culture is what we do to other artists’ 1973 725\u003c\/p\u003e \u003cp\u003e9 Linda Nochlin\u003c\/p\u003e \u003cp\u003efrom ‘The Imaginary Orient’ 1982 729\u003c\/p\u003e \u003cp\u003e10 Luis Camnitzer\u003c\/p\u003e \u003cp\u003e‘Report from Havana: The First Biennial of Latin American Art’ 1984 731\u003c\/p\u003e \u003cp\u003e11 William Rubin\u003c\/p\u003e \u003cp\u003efrom ‘\u003ci\u003ePrimitivism’ in 20th Century Art \u003c\/i\u003e1984 734\u003c\/p\u003e \u003cp\u003e12 James Clifford\u003c\/p\u003e \u003cp\u003e‘Histories of the Tribal and the Modern’ 1985 738\u003c\/p\u003e \u003cp\u003e13 Martin Bernal\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eBlack Athena \u003c\/i\u003e1987 742\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVIIC Beyond Modernism 746\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 David A. Siqueiros\u003c\/p\u003e \u003cp\u003e‘Towards a New Integral Art’ 1948 746\u003c\/p\u003e \u003cp\u003e2 Kazuo Shiraga\u003c\/p\u003e \u003cp\u003e‘The Shaping of the Individual’ 1956 748\u003c\/p\u003e \u003cp\u003e3 Ad Reinhardt\u003c\/p\u003e \u003cp\u003e‘Timeless in Asia’ 1960 750\u003c\/p\u003e \u003cp\u003e4 George Maciunas\u003c\/p\u003e \u003cp\u003eFluxus Manifesto 1962 751\u003c\/p\u003e \u003cp\u003e5 Anni Albers\u003c\/p\u003e \u003cp\u003e‘Tapestry’ 1965 752\u003c\/p\u003e \u003cp\u003e6 Hélio Oiticica\u003c\/p\u003e \u003cp\u003efrom ‘General Scheme of the New Objectivity’ 1967 and ‘Tropicália’ 1968 754\u003c\/p\u003e \u003cp\u003e7 María Teresa Gramuglio and Nicolás Rosa\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTucumán Burns \u003c\/i\u003e1968 758\u003c\/p\u003e \u003cp\u003e8 Marshall McLuhan and Quentin Fiore\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eWar and Peace in the Global Village \u003c\/i\u003e1968 761\u003c\/p\u003e \u003cp\u003e9 Robert Smithson\u003c\/p\u003e \u003cp\u003e‘Incidents of Mirror‐Travel in the Yucatan’ 1969 764\u003c\/p\u003e \u003cp\u003e10 Nam June Paik\u003c\/p\u003e \u003cp\u003e‘\u003ci\u003eGlobal Groove \u003c\/i\u003eand the Video Common Market’ 1970 767\u003c\/p\u003e \u003cp\u003e11 Joseph Beuys\u003c\/p\u003e \u003cp\u003e‘Manifesto on the Foundation of a “Free International School\u003c\/p\u003e \u003cp\u003efor Creativity and Interdisciplinary Research”’ 1973 770\u003c\/p\u003e \u003cp\u003e12 Terry Smith\u003c\/p\u003e \u003cp\u003e‘The Provincialism Problem’ 1974 773\u003c\/p\u003e \u003cp\u003e13 Robert Morris\u003c\/p\u003e \u003cp\u003e‘Aligned with Nazca’ 1975 776\u003c\/p\u003e \u003cp\u003e14 Lothar Baumgarten\u003c\/p\u003e \u003cp\u003efrom ‘Conquering the Southern Continent in the Haze of a Sixpenny Cigar’ 1978\/2010 780\u003c\/p\u003e \u003cp\u003e15 Alfredo Jaar\u003c\/p\u003e \u003cp\u003eStatement 1984 783\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVIID Asserting Identity 785\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 F. N. Souza\u003c\/p\u003e \u003cp\u003e‘Nirvana of a Maggot’ 1955 785\u003c\/p\u003e \u003cp\u003e2 James Baldwin\u003c\/p\u003e \u003cp\u003e‘Princes and Powers’ 1957 788\u003c\/p\u003e \u003cp\u003e3 Uche Okeke\u003c\/p\u003e \u003cp\u003e‘Growth of an Idea’ 1959 and ‘Natural Synthesis’ 1960 792\u003c\/p\u003e \u003cp\u003e4 Aubrey Williams\u003c\/p\u003e \u003cp\u003e‘The Predicament Of The Artist In The Caribbean’ 1968 794\u003c\/p\u003e \u003cp\u003e5 Larry Neal\u003c\/p\u003e \u003cp\u003efrom ‘The Black Arts Movement’ 1968 796\u003c\/p\u003e \u003cp\u003e6 Frank Bowling\u003c\/p\u003e \u003cp\u003e‘It’s Not Enough to Say \u003ci\u003eBlack is Beautiful\u003c\/i\u003e’ 1971 798\u003c\/p\u003e \u003cp\u003e7 Faith Ringgold\u003c\/p\u003e \u003cp\u003eInterview on For \u003ci\u003eThe Women’s House \u003c\/i\u003e1972 802\u003c\/p\u003e \u003cp\u003e8 Papa Ibra Tall\u003c\/p\u003e \u003cp\u003e‘Negritude and Contemporary Plastic Art’ 1972 806\u003c\/p\u003e \u003cp\u003e9 Edward ‘Kamau’ Brathwaite\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eContradictory Omens \u003c\/i\u003e1974 808\u003c\/p\u003e \u003cp\u003e10 Rasheed Araeen\u003c\/p\u003e \u003cp\u003e‘Preliminary Notes for a Black Manifesto’ 1978 813\u003c\/p\u003e \u003cp\u003e11 Ana Mendieta\u003c\/p\u003e \u003cp\u003e‘Introduction’ to \u003ci\u003eDialectics of Isolation \u003c\/i\u003e1980 816\u003c\/p\u003e \u003cp\u003e12 Isaac Julien and Kobena Mercer\u003c\/p\u003e \u003cp\u003e‘De Margin and De Centre’ 1988 817\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVIII The Global Turn 821\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction 821\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVIIIA Critical Revisions: Theory and History 827\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 Rasheed Araeen\u003c\/p\u003e \u003cp\u003e‘Why Third Text?’ 1987 827\u003c\/p\u003e \u003cp\u003e2 Peter Wollen\u003c\/p\u003e \u003cp\u003e‘Tourism, Language and Art’ 1990 830\u003c\/p\u003e \u003cp\u003e3 Homi K. Bhabha\u003c\/p\u003e \u003cp\u003e‘The Postcolonial and the Postmodern’ 1992\/4 833\u003c\/p\u003e \u003cp\u003e4 Arjun Appadurai\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eModernity at Large \u003c\/i\u003e1996 836\u003c\/p\u003e \u003cp\u003e5 Michael Hardt and Antonio Negri\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eEmpire \u003c\/i\u003e2000 840\u003c\/p\u003e \u003cp\u003e6 Irit Rogoff\u003c\/p\u003e \u003cp\u003eOn visual culture 2000 844\u003c\/p\u003e \u003cp\u003e7 Richard Bell\u003c\/p\u003e \u003cp\u003e‘Bell’s Theorem: Aboriginal Art – It’s a White Thing’ 2003 847\u003c\/p\u003e \u003cp\u003e8 Dipesh Chakrabarty\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eProvincializing Europe \u003c\/i\u003e2000 852\u003c\/p\u003e \u003cp\u003e9 Immanuel Wallerstein\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eWorld‐Systems Analysis \u003c\/i\u003e2004 855\u003c\/p\u003e \u003cp\u003e10 James Elkins\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eis Art History Global? \u003c\/i\u003e2007 858\u003c\/p\u003e \u003cp\u003e11 Partha Mitter\u003c\/p\u003e \u003cp\u003e‘Decentering Modernism’ 2008 862\u003c\/p\u003e \u003cp\u003e12 Fredric Jameson\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eA Singular Modernity \u003c\/i\u003e2012 865\u003c\/p\u003e \u003cp\u003e13 Aruna D’Souza\u003c\/p\u003e \u003cp\u003eIntroduction to \u003ci\u003eIn the Wake of the Global Turn \u003c\/i\u003e2014 869\u003c\/p\u003e \u003cp\u003e14 Peter Weibel\u003c\/p\u003e \u003cp\u003e‘Modernity Reset: Renaissance 2.0’ 2016 872\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVIIIB Diversity, Translation, Creolization and Identity 876\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 Stuart Hall\u003c\/p\u003e \u003cp\u003e‘New Ethnicities’ 1988 876\u003c\/p\u003e \u003cp\u003e2 Édouard Glissant\u003c\/p\u003e \u003cp\u003e‘Creolisation and the Americas’ 1992 880\u003c\/p\u003e \u003cp\u003e3 Sonia Boyce and Manthia Diawara\u003c\/p\u003e \u003cp\u003e‘The Art of Identity: A Conversation’ 1996 883\u003c\/p\u003e \u003cp\u003e4 Paul Gilroy\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe Black Atlantic \u003c\/i\u003e1993 888\u003c\/p\u003e \u003cp\u003e5 Coco Fusco and Guillermo Gómez‐Peña\u003c\/p\u003e \u003cp\u003eInterview with Anna Johnson 1993 891\u003c\/p\u003e \u003cp\u003e6 Sarat Maharaj\u003c\/p\u003e \u003cp\u003e‘Perfidious Fidelity; the Untranslatability of the Other’ 1994 894\u003c\/p\u003e \u003cp\u003e7 Gordon Bennett\u003c\/p\u003e \u003cp\u003eLetter to Jean‐Michel Basquiat 1998 897\u003c\/p\u003e \u003cp\u003e8 Antonio Benítez‐Rojo\u003c\/p\u003e \u003cp\u003e‘Three Words toward Creolization’ 1998 899\u003c\/p\u003e \u003cp\u003e9 Edward Said\u003c\/p\u003e \u003cp\u003e‘The Art of Displacement’ 2000 902\u003c\/p\u003e \u003cp\u003e10 Fred Wilson and Kwame Anthony Appiah\u003c\/p\u003e \u003cp\u003e‘Fragments of a Conversation’ 2006 905\u003c\/p\u003e \u003cp\u003e11 Homi K. Bhabha\u003c\/p\u003e \u003cp\u003e‘Another Country’ 2006 909\u003c\/p\u003e \u003cp\u003e12 Yinka Shonibare\u003c\/p\u003e \u003cp\u003eInterview with Bernard Müller 2007 913\u003c\/p\u003e \u003cp\u003e13 Fiona Tan\u003c\/p\u003e \u003cp\u003e‘Other Facets of the Same Globe’ 2009 916\u003c\/p\u003e \u003cp\u003e14 Lubaina Himid\u003c\/p\u003e \u003cp\u003e‘We are Us not Other’ 2012 919\u003c\/p\u003e \u003cp\u003e15 Kara Walker\u003c\/p\u003e \u003cp\u003e‘A Sonorous Subtlety’: an interview with Kara Rooney 2014 922\u003c\/p\u003e \u003cp\u003e16 Fred Moten\u003c\/p\u003e \u003cp\u003eOn the art of Chris Ofili, from ‘Blue Vespers’ 2017 925\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVIIIC Global Art and the Museum 930\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 Jean‐Hubert Martin\u003c\/p\u003e \u003cp\u003ePreface to \u003ci\u003eMagiciens de la terre \u003c\/i\u003e1989 930\u003c\/p\u003e \u003cp\u003e2 Rasheed Araeen\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eThe Other Story \u003c\/i\u003e1989 933\u003c\/p\u003e \u003cp\u003e3 Llilian Llanes Godoy\u003c\/p\u003e \u003cp\u003e‘Introduction’ to the Third Havana Biennial 1989 937\u003c\/p\u003e \u003cp\u003e4 Luis Camnitzer, Jane Farver and Rachel Weiss\u003c\/p\u003e \u003cp\u003e‘Foreword’ to \u003ci\u003eGlobal Conceptualism \u003c\/i\u003e1999 941\u003c\/p\u003e \u003cp\u003e5 Salah M. Hassan and Olu Oguibe\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eAuthentic\/Ex‐Centric \u003c\/i\u003e2002 945\u003c\/p\u003e \u003cp\u003e6 Okwui Enwezor\u003c\/p\u003e \u003cp\u003e‘The Black Box’ 2002 948\u003c\/p\u003e \u003cp\u003e7 \u003ci\u003eArtforum\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eRoundtable discussion on ‘Global Tendencies’ 2003 953\u003c\/p\u003e \u003cp\u003e8 Kwame Anthony Appiah\u003c\/p\u003e \u003cp\u003e‘Whose Culture is It Anyway?’ 2006 957\u003c\/p\u003e \u003cp\u003e9 Chin‐Tao Wu\u003c\/p\u003e \u003cp\u003e‘Biennials Without Borders?’ 2009 961\u003c\/p\u003e \u003cp\u003e10 Gayatri Chakravorty Spivak 2012\u003c\/p\u003e \u003cp\u003e‘Sign and Trace’ 965\u003c\/p\u003e \u003cp\u003e11 Hans Belting and Andrea Buddensieg\u003c\/p\u003e \u003cp\u003e‘From Art World to Art Worlds’ 2013 969\u003c\/p\u003e \u003cp\u003e12 Clémentine Deliss\u003c\/p\u003e \u003cp\u003e‘Stored Code’ and ‘Foreign Exchange’ 2012\/14 972\u003c\/p\u003e \u003cp\u003e\u003cb\u003eVIIID Concerning the Contemporary 976\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 Geeta Kapur\u003c\/p\u003e \u003cp\u003e‘Contemporary Cultural Practice: Some Polemical Categories’ 1990 976\u003c\/p\u003e \u003cp\u003e2 Slavoj Žižek\u003c\/p\u003e \u003cp\u003e‘Multiculturalism, or, the Cultural Logic of Multinational Capitalism’ 1997 979\u003c\/p\u003e \u003cp\u003e3 Nicolas Bourriaud\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eRelational Aesthetics \u003c\/i\u003e1998\/2002 982\u003c\/p\u003e \u003cp\u003e4 William Kentridge\u003c\/p\u003e \u003cp\u003eInterview with Dan Cameron 2000\/1 987\u003c\/p\u003e \u003cp\u003e5 Grant Kester\u003c\/p\u003e \u003cp\u003e‘A Critical Framework for Dialogical Practice’ 2004 990\u003c\/p\u003e \u003cp\u003e6 Terry Smith\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eWhat is Contemporary Art? \u003c\/i\u003e2009 994\u003c\/p\u003e \u003cp\u003e7 Hal Foster, Miwon Kwon, Chika Okeke‐Agulu, Alexander Alberro, Christopher P. Heuer, Matthew Jesse Jackson and Andrew Perchuk,\u003c\/p\u003e \u003cp\u003eResponses to a questionnaire on ‘The Contemporary’ 2009 998\u003c\/p\u003e \u003cp\u003e8 Ai Weiwei\u003c\/p\u003e \u003cp\u003e‘Epilogue’ to his blog 2006–9 1005\u003c\/p\u003e \u003cp\u003e9 Francis Alÿs\u003c\/p\u003e \u003cp\u003e‘Francis Alÿs: A to Z’ 2010 1008\u003c\/p\u003e \u003cp\u003e10 Romuald Hazoumè\u003c\/p\u003e \u003cp\u003e\u003ci\u003eCargoland \u003c\/i\u003e2012 1011\u003c\/p\u003e \u003cp\u003e11 Gerardo Mosquera\u003c\/p\u003e \u003cp\u003e‘Beyond Anthropophagy’ 2013 1013\u003c\/p\u003e \u003cp\u003e12 Xu Bing\u003c\/p\u003e \u003cp\u003e‘On Holding a Retrospective’ 2014 1017\u003c\/p\u003e \u003cp\u003e13 Doris Salcedo\u003c\/p\u003e \u003cp\u003e‘A Work in Mourning’ 2014\/15 1018\u003c\/p\u003e \u003cp\u003e14 Hito Steyerl\u003c\/p\u003e \u003cp\u003e‘If You Don’t Have Bread, Eat Art!’ 2017 1021\u003c\/p\u003e \u003cp\u003e15 Art \u0026amp; Language\u003c\/p\u003e \u003cp\u003efrom \u003ci\u003eFlags for Organisations \u003c\/i\u003e2018 1025\u003c\/p\u003e \u003cp\u003eBibliography 1028\u003c\/p\u003e \u003cp\u003eCopyright Acknowledgements 1058\u003c\/p\u003e \u003cp\u003eIndex 1086\u003c\/p\u003e","brand":"John Wiley and Sons Ltd","offers":[{"title":"Default Title","offer_id":49408389906775,"sku":"9781444336313","price":33.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781444336313.jpg?v=1730502725","url":"https:\/\/bookcurl.com\/products\/art-in-theory-9781444336313","provider":"Book Curl","version":"1.0","type":"link"}