{"product_id":"art-in-theory-18151900-9780631200666","title":"Art in Theory 18151900","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e* Provides an indispensable companion to Harrison and Wooda s classic volume Art in Theory 1900--1990.   * Extends to a startling degree the canon of nineteenth--century art theory.  * Offers for the first time English translations of material from foreign sources, comprising a third of the entire volume.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e‘… an enormous contribution to the field and a triumph of editorial endeavour.’ \u003ci\u003eJournal of Art \u0026amp; Design Education\u003c\/i\u003e \u003cbr\u003e \u003cp\u003e\"The volume provides the most wide-ranging and comprehensive collection of documents ever assembled on nineteenth-century theories of art. Like its highly successful companion volume \u003ci\u003eArt in Theory 1900-1990\u003c\/i\u003e, it is edited by Charles Harrison and Paul Wood, this time with an additional editor, Jason Gaiger. Its primary aim is to provide students and teachers with the documentary material for informed and up-to-date study. Its two hundred and sixty texts, clear organisation and considerable editorial content combine to provide a vivid and indispensable introduction to the history of the art of the period. The \u003ci\u003eAnthology\u003c\/i\u003e is also invaluable to anyone interested in the wider cultural debates of the nineteenth century, and in the development of modern aesthetic theories.\" \u003ci\u003eBollettino Del Publications\u003c\/i\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eAcknowledgements. \u003cp\u003eA Note on the Presentation and Editing of Texts.\u003c\/p\u003e \u003cp\u003eGeneral Introduction.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart I: Feeling and Nature:\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e1. Originality and Genius.\u003c\/p\u003e \u003cp\u003e2. Responses to Nature.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart II: The Demands of the Present:\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e3. Utility and Revolution.\u003c\/p\u003e \u003cp\u003e4. Art and Nature Moralised.\u003c\/p\u003e \u003cp\u003e5. Systems and Techniques.\u003c\/p\u003e \u003cp\u003e6. The Individual in the Present.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart III: Modernity and Bourgeois Life:\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e7. Modern Conditions.\u003c\/p\u003e \u003cp\u003e8. Realism and Naturalism.\u003c\/p\u003e \u003cp\u003e9. Morals and Standards.\u003c\/p\u003e \u003cp\u003e10. The Conditions of Art.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart IV: Temperaments and Techniques:\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e11. Effects and Impressions.\u003c\/p\u003e \u003cp\u003e12. Photography as an Art.\u003c\/p\u003e \u003cp\u003e13. Science and Method.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart V: Aesthetics and Historical Awareness:\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e14. Empathy and the Problem of Form.\u003c\/p\u003e \u003cp\u003e15. Cultural Criticism.\u003c\/p\u003e \u003cp\u003e16. The Independence of Art.\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart VI: The Idea of Modern Art:\u003c\/b\u003e.\u003c\/p\u003e \u003cp\u003e17. Modernist Themes: Paris and Beyond.\u003c\/p\u003e \u003cp\u003e18. Expression and Colour.\u003c\/p\u003e \u003cp\u003e19. Symbolism.\u003c\/p\u003e \u003cp\u003eBibliography.\u003c\/p\u003e \u003cp\u003eCopyright Acknowledgements.\u003c\/p\u003e \u003cp\u003eIndex.\u003c\/p\u003e","brand":"John Wiley and Sons Ltd","offers":[{"title":"Default Title","offer_id":48865438794071,"sku":"9780631200666","price":31.3,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780631200666.jpg?v=1722274052","url":"https:\/\/bookcurl.com\/products\/art-in-theory-18151900-9780631200666","provider":"Book Curl","version":"1.0","type":"link"}