{"product_id":"architecture-filmmaking-9781783209941","title":"Architecture Filmmaking","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eUnlike other books on architecture and film, \u003cem\u003eArchitecture Filmmaking\u003c\/em\u003e investigates how the now-expanded field of architecture utilizes the practice of filmmaking (feature\/short film, stop motion animation and documentary) or video\/moving image in research, teaching and practice, and what the consequences of this interdisciplinary exchange are. While architecture and filmmaking have clearly distinct disciplinary outputs and filmmaking is a much younger art than architecture, the intersection between them is less defined. This book investigates the ways in which architectural researchers, teachers of architecture, their students and practising architects, filmmakers and artists are using filmmaking uniquely in their practice.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eIntroduction \u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePart I: Architecture Filmmaking Technique \u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eArchitectural Codes in the works of Dan Graham, Bernard Tschumi and Diller and Scofidio – Sarah Breen Lovett\u003c\/p\u003e  \u003cp\u003eThe Depth Between Frames: Architectural Representation in Two Films by Elizabeth Price and Rut Blees Luxemburg – Alexandra Stara\u003c\/p\u003e  \u003cp\u003eMysteries of the Visible: Filmic Operations and Their Value for the Representation of Place – Artistic Research in the Moving Image – Fred Truniger\u003c\/p\u003e  \u003cp\u003eParis Plays Itself: Widescreen and the City in Tati, Godard and Melville – Douglas Smith\u003c\/p\u003e  \u003cp\u003eTracking Spatial Continuity in the Urban Realm – Igea Troiani and Hugh Campbell\u003c\/p\u003e  \u003cp\u003eInside History: Filmic Space-time and an Electronics Archaeology – Christine McCarthy\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePart II: Architecture Filmmakers\u003c\/strong\u003e \u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eSection I \u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eReimagining Domesticity in 03-FLATS: Single Women and Singapore Public Housing – Lilian Chee\u003c\/p\u003e  \u003cp\u003eFilming Architecture and the Architecture of Film: A Reading of the Maison de Verre – Mary Vaughan Johnson\u003c\/p\u003e  \u003cp\u003eLight Matter: The Transdisciplinary Practice of the Architectural Moving Drawing – Eleanor Suess\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eSection II \u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eHammer to Bell: A Poetic Documentary about Limerick – Jan Frohburg and Christina Gangos\u003c\/p\u003e  \u003cp\u003eInvented Memories: Notes on Filming Industrial Ruins in Eleonas, Athens – Ektoras Arkomanis\u003c\/p\u003e  \u003cp\u003eErrant Bodies: A Critical Essay on the Film More Out of Curiosity – Ronnie Close\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eSection III \u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eFight Club: Whether to Make PoMo Architecture or Blow It Up! – Dik Jarman\u003c\/p\u003e  \u003cp\u003eHis House, Our House and Her House: A Filmic Place for Women – Igea Troiani\u003c\/p\u003e  \u003cp\u003eStylist as Auteur: Hierarchy, Reputation and Creative Control – Philip Clarke\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePart III: Architecture Filmmaking Pedagogy \u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eUn-framing Reality: Sets of Intensities as Smallest Common Denominator in Film and Architecture – Marc Boumeester\u003c\/p\u003e  \u003cp\u003eFrom Blockbuster to Any Space: A Pedagogy of the Filmic Imaginary – Randall Teal\u003c\/p\u003e  \u003cp\u003eDeeper into Projection: Spatiotemporal Design Inquiry through Digital and Computational Methods – Thomas Forget\u003c\/p\u003e  \u003cp\u003eResonance and Transcendence of a Bodily Presence: How a Filmic Mapping of Non-visual, Aural and Bodily Relations in Space Can Strengthen the Sensory Dimension in Architectural Design – Rikke Munck Petersen and Mads Farsø\u003c\/p\u003e  \u003cp\u003eCinematic Collage as Architectural Design Research – Igea Troiani and Tonia Carless\u003c\/p\u003e  \u003cp\u003eCinematics in Architectural Practice and Culture: The Cambridge Project –François Penz and Maureen Thomas\u003c\/p\u003e  \u003cp\u003eA Postgraduate Student’s Pursuit for the Future of Architecture Filmmaking in Cuba’s Cinematic Heart: No Hay CINE – Edward Gillibrand\u003c\/p\u003e","brand":"Intellect Books","offers":[{"title":"Default Title","offer_id":51042269954391,"sku":"9781783209941","price":89.06,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781783209941.jpg?v=1750953708","url":"https:\/\/bookcurl.com\/products\/architecture-filmmaking-9781783209941","provider":"Book Curl","version":"1.0","type":"link"}