{"product_id":"anthology-of-posttonal-music-9780367355388","title":"Anthology of PostTonal Music","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eThis anthology of over 40 scores and excerpts represents a wide range of music from across the twentieth century and into the twenty-first century, from pieces by Debussy, Stravinsky, and Bartok to works by Arvo Pärt, Thomas Adès, and Kaija Saariaho. Showcasing the vast range of compositional styles encompassed in the post-tonal era, this volume offers a convenient compendium including hard-to-find scores. Designed for use with \u003ci\u003eUnderstanding Post-Tonal Music\u003c\/i\u003e by Miguel A. Roig-Francolí, which includes extensive analyses of the scores provided here, this anthology can also stand alone for study and analysis in other courses on the history and analysis of post-tonal music.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e1. Claude Debussy (1862-1918), \"La cathédrale engloutie,\" no. 10 from \u003ci\u003ePreludes\u003c\/i\u003e, Book 1 (1910)\u003c\/p\u003e\u003cp\u003e2. Claude Debussy, \"Canope,\" no. 10 from \u003ci\u003ePreludes\u003c\/i\u003e, Book II (1910-13)\u003c\/p\u003e\u003cp\u003e3. Claude Debussy, \"Sarabande,\" from \u003ci\u003ePour le piano\u003c\/i\u003e (1894-1901)\u003c\/p\u003e\u003cp\u003e4. Igor Stravinsky (1882-1971), Introduction to Part I, from \u003ci\u003eThe Rite of Spring\u003c\/i\u003e (1913)\u003c\/p\u003e\u003cp\u003e5. Béla Bartók (1881-1945), \"Song of the Harvest,\" no. 33 from \u003ci\u003eForty-four Violin Duets\u003c\/i\u003e (1931)\u003c\/p\u003e\u003cp\u003e6. Béla Bartók, \"Whole-tone Scale,\" no. 136 from \u003ci\u003eMikrokosmos\u003c\/i\u003e, vol. 5 (1932-39)\u003c\/p\u003e\u003cp\u003e7. Béla Bartók, \"Diminished Fifth,\" no. 101 from \u003ci\u003eMikrokosmos\u003c\/i\u003e, vol. 4 (1932-39)\u003c\/p\u003e\u003cp\u003e8. Béla Bartók, \"From the Island of Bali,\" no. 109 from \u003ci\u003eMikrokosmos\u003c\/i\u003e, vol. 4 (1932-39)\u003c\/p\u003e\u003cp\u003e9. Anton Webern (1883-1945), Five Movements for String Quartet, op. 5, II (1909)\u003c\/p\u003e\u003cp\u003e10. Anton Webern, Five Movements for String Quartet, op. 5, III (1909)\u003c\/p\u003e\u003cp\u003e11. Arnold Schoenberg (1874-1951), \"Angst und Hoffen,\" no. 7 from \u003ci\u003eBook of the Hanging Gardens\u003c\/i\u003e, op. 15 (1909)\u003c\/p\u003e\u003cp\u003e12. Alban Berg (1885-1935), \"Schlafend trägt man mich,\" no. 2 from \u003ci\u003eFour Songs\u003c\/i\u003e, op. 2 (1908-1909)\u003c\/p\u003e\u003cp\u003e13. Igor Stravinsky (1882-1971), \u003ci\u003eAgnus Dei\u003c\/i\u003e, from Mass (194-48)\u003c\/p\u003e\u003cp\u003e14. Paul Hindemith (1895-1963), Interlude in G, from \u003ci\u003eLudus tonalis\u003c\/i\u003e (1942)\u003c\/p\u003e\u003cp\u003e15. Paul Hindemith, \"Vom Tode Mariä I,\" from \u003ci\u003eDas Marienleben\u003c\/i\u003e (1923)\u003c\/p\u003e\u003cp\u003e16. Charles Ives, \"The Cage,\" from \u003ci\u003e114 Songs\u003c\/i\u003e (1906)\u003c\/p\u003e\u003cp\u003e17. Ruth Crawford Seeger (1901-1953), \u003ci\u003eDiaphonic Suite\u003c\/i\u003e no. 4, III (1930)\u003c\/p\u003e\u003cp\u003e18. Luigi Dallapiccola (1904-1975), \"Contrapunctus secundus,\" no. 5 from \u003ci\u003eQuaderno musicale di Annalibera\u003c\/i\u003e (1952-53)\u003c\/p\u003e\u003cp\u003e19. Anton Webern (1883-1945), \"Wie bin ich froh,\" no. 1 from \u003ci\u003eDrei Lieder\u003c\/i\u003e, op. 25 (1935)\u003c\/p\u003e\u003cp\u003e20. Anton Webern, Piano Variations, op. 27, II (1935-36)\u003c\/p\u003e\u003cp\u003e21. Arnold Schoenberg (1874-1951), \u003ci\u003eKlavierstück\u003c\/i\u003e, op. 33a (1929)\u003c\/p\u003e\u003cp\u003e22. Igor Sravinsky (1882-1971), \"Lacrimosa,\" from \u003ci\u003eRequiem Canticles \u003c\/i\u003e(1966)\u003c\/p\u003e\u003cp\u003e23. Pierre Boulez (b. 1925), \u003ci\u003eStructures Ia\u003c\/i\u003e, mm. 1-39 (1952)\u003c\/p\u003e\u003cp\u003e24. Olivier Messiaen (1908-1992), \u003ci\u003eTurangalîa Symphony\u003c\/i\u003e, Introduction, reh. 12-22 (1946-48)\u003c\/p\u003e\u003cp\u003e25. Karlheinz Stockhausen (1928-2007), \u003ci\u003eStimmung\u003c\/i\u003e (three pages: \u003ci\u003eFormschema\u003c\/i\u003e, one sample page of \u003ci\u003eModelle\u003c\/i\u003e, and one sample page of \u003ci\u003eMagische Namen\u003c\/i\u003e) (1968)\u003c\/p\u003e\u003cp\u003e26. Witold Lutosłowski (1913-1994), \u003ci\u003eJeux vénitiens\u003c\/i\u003e, I (1960-61)\u003c\/p\u003e\u003cp\u003e27. Krzysztof Penderecki (1933-2020), \u003ci\u003eSt. Luke Passion\u003c\/i\u003e, no. 13, \"Et Surgens Omnis Multitudo\" (1965)\u003c\/p\u003e\u003cp\u003e28. Sofia Gubaidulina (b. 1931), String Quartet no.2, reh. 1-21 (1987)\u003c\/p\u003e\u003cp\u003e29. Karlheinz Stockhausen, Telemusik, Sections 1-5 (1966)\u003c\/p\u003e\u003cp\u003e30. Barry Truax (b. 1947), \u003ci\u003eRiverrun\u003c\/i\u003e, 0:00-8:48 (1986)\u003c\/p\u003e\u003cp\u003e31. Luciano Berio (1925-2003), \u003ci\u003eSinfonia\u003c\/i\u003e, III (\"In ruhig fliessender Bewegung\"), mm. 1-96 (to reh. E) (1968)\u003c\/p\u003e\u003cp\u003e32. György Ligeti (1923-2006), \u003ci\u003eRamifications\u003c\/i\u003e, mm. 1-44 (1968-69)\u003c\/p\u003e\u003cp\u003e33. George Crumb (b. 1929), \"Primeval Sounds,\" no. 1 from \u003ci\u003eMakrokosmos\u003c\/i\u003e, vol. 1 (1972-73)\u003c\/p\u003e\u003cp\u003e34. George Crumb, \"Dream Images (Love-Death Music),\" no. 11 from \u003ci\u003eMakrokosmos\u003c\/i\u003e, vol. 1 (1972-73)\u003c\/p\u003e\u003cp\u003e35. Steve Reich (b. 1936), \u003ci\u003eViolin Phase\u003c\/i\u003e (1967)\u003c\/p\u003e\u003cp\u003e36. John Adams (b. 1947), \u003ci\u003eNixon in China\u003c\/i\u003e, Act I, \"News\" Aria, mm. 374-542 (1987)\u003c\/p\u003e\u003cp\u003e37. Arvo Pärt (b. 1935), \u003ci\u003eCantus\u003c\/i\u003e (1977)\u003c\/p\u003e\u003cp\u003e38. Michael Torke (b. 1961), \u003ci\u003eAdjustable Wrench\u003c\/i\u003e, mm. 1-72 (1987)\u003c\/p\u003e\u003cp\u003e39. Augusta Read Thomas (b. 1964), \u003ci\u003eSpring Song\u003c\/i\u003e, mm. 1-41 (1995)\u003c\/p\u003e\u003cp\u003e40. Thomas Adès (b. 1971), \u003ci\u003eAslya\u003c\/i\u003e, II, mm. 1-43 (1997)\u003c\/p\u003e\u003cp\u003e41. Kaija Saariaho (b. 1952), \u003ci\u003eAriel’s Hail \u003c\/i\u003e(2000)\u003c\/p\u003e","brand":"Taylor \u0026 Francis Ltd","offers":[{"title":"Default Title","offer_id":48884066124119,"sku":"9780367355388","price":47.49,"currency_code":"GBP","in_stock":true}],"url":"https:\/\/bookcurl.com\/products\/anthology-of-posttonal-music-9780367355388","provider":"Book Curl","version":"1.0","type":"link"}