{"product_id":"anthology-for-hearing-form-9780367703882","title":"Anthology for Hearing Form","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cem\u003eHearing Form: Musical Analysis With and Without the Score,\u003c\/em\u003e Third Edition is a complete course package for undergraduate courses on musical forms, with comprehensive coverage from the Baroque to the Romantic. Placing emphasis on listening, it teaches students to analyze music both with and without the use of a score, covering phrase endings and cadences, harmonic sequence types, modulations, formal sections, and musical forms.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eHearing Form \u003c\/i\u003eis supported by an integrated workbook section, its own full-score anthology, and a companion website containing an instructorâs manual, test bank, and audio streaming and downloads of recordings for the pieces in the anthology.\u003c\/p\u003e\u003cp\u003eKey updates in the third edition include: \u003c\/p\u003e\u003cul\u003e \u003cli\u003eTreatment of phrases and cadences now allows the book to be used by both instructors who teach that all phrases end with cadences, and those teach that some phrases do not\u003c\/li\u003e \u003cli\u003eNew pieces added to the anthology widen the range of composers represented\u003c\/li\u003e \u003c\/ul\u003e\u003cp\u003eWith an engaging and practical approach informed by recent scholarship, \u003ci\u003eHearing Form \u003c\/i\u003eenables students to recognize musical elements both by sight and by ear.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThis is the \u003cem\u003eHearing Form\u003c\/em\u003e anthology only. For the \u003cem\u003eHearing Form \u003c\/em\u003etextbook, see ISBN 978-0-367-70380-6. For the textbook and anthology package, see ISBN 978-0-367-70391-2.\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003col\u003e\n\u003cli\u003eJ. S. Bach, Goldberg Variations, Aria \u003c\/li\u003e\n\u003cli\u003eJ. S. Bach, Two-Part Inventions, No. 1 in C Major \u003c\/li\u003e\n\u003cli\u003eJ. S. Bach, Two-Part Inventions, No. 13 in A Minor \u003c\/li\u003e\n\u003cli\u003eJ. S. Bach, The Well-Tempered Clavier, Book I, Prelude in C Major \u003c\/li\u003e\n\u003cli\u003eJ. S. Bach, The Well-Tempered Clavier, Book I, Fugue in F Major \u003c\/li\u003e\n\u003cli\u003eJ. S. Bach, The Well-Tempered Clavier, Book I, Fugue in B Major \u003c\/li\u003e\n\u003cli\u003eJ. S. Bach, The Well-Tempered Clavier, Book II, Fugue in E Minor \u003c\/li\u003e\n\u003cli\u003eJ. S. Bach, Partita No. 3 in E for Solo Violin, Gavotte en Rondeau \u003c\/li\u003e\n\u003cli\u003eJ. S. Bach, Orchestral Suite No. 2, Badinerie \u003c\/li\u003e\n\u003cli\u003eJ. S. Bach, Orchestral Suite No. 3, Air \u003c\/li\u003e\n\u003cli\u003eJ. S. Bach, Orchestral Suite No. 3, Gavotte I \u003c\/li\u003e\n\u003cli\u003eJ. S. Bach, Orchestral Suite No. 3, Gavotte II \u003c\/li\u003e\n\u003cli\u003eJ. S. Bach, Mass in B Minor, \"Crucifixus\" \u003c\/li\u003e\n\u003cli\u003eLudwig van Beethoven, Piano Sonata F Minor, Op. 2, No. 1, I \u003c\/li\u003e\n\u003cli\u003eLudwig van Beethoven, Piano Sonata in C Minor, Op. 13, III \u003c\/li\u003e\n\u003cli\u003eLudwig van Beethoven, Symphony No. 2 in D Major, IV \u003c\/li\u003e\n\u003cli\u003eLudwig van Beethoven, Symphony No. 3 in E-flat Major, I \u003c\/li\u003e\n\u003cli\u003eLudwig van Beethoven, Symphony No. 5 in C Minor, I \u003c\/li\u003e\n\u003cli\u003eLudwig van Beethoven, String Quartet in C-Sharp Minor, Op. 131, I \u003c\/li\u003e\n\u003cli\u003eJohannes Brahms, Variations on a Theme by Haydn, Op. 56a \u003c\/li\u003e\n\u003cli\u003eJohannes Brahms, Symphony No. 4 in E Minor, IV \u003c\/li\u003e\n\u003cli\u003eJohannes Brahms, Violin Concerto in D Major, Op. 77, I \u003c\/li\u003e\n\u003cli\u003eFrederic Chopin, Prelude in E Minor \u003c\/li\u003e\n\u003cli\u003eSamuel Coleridge-Taylor, \"When I Am Dead, My Dearest\" \u003c\/li\u003e\n\u003cli\u003eClaude Debussy, Preludes, Book I, No. 10, \"La Cathédrale engloutie\" \u003c\/li\u003e\n\u003cli\u003eG. F. Handel, Giulio Cesare, I\/5, \"Non Disperar\" \u003c\/li\u003e\n\u003cli\u003eG. F. Handel, Giulio Cesare, I\/6, \"L’empio, sleale, indegno\" \u003c\/li\u003e\n\u003cli\u003eEnglish translations of the Handel arias \u003c\/li\u003e\n\u003cli\u003eG. F. Handel, Messiah, Part I, Overture \u003c\/li\u003e\n\u003cli\u003eF. J. Haydn, Piano Sonata in C minor, Hob. XVI: 20, I \u003c\/li\u003e\n\u003cli\u003eF. J. Haydn, Piano Sonata in D Major, Hob. XVI: 37, III \u003c\/li\u003e\n\u003cli\u003eF. J. Haydn, Symphony No. 101 in D Major, IV \u003c\/li\u003e\n\u003cli\u003eF. J. Haydn, Symphony No. 103 in E-flat Major, I \u003c\/li\u003e\n\u003cli\u003eFanny Mendelssohn Hensel, \"Schwanenlied\" \u003c\/li\u003e\n\u003cli\u003eFanny Mendelssohn Hensel, \"Mayenlied\" \u003c\/li\u003e\n\u003cli\u003eEnglish translations of the Hensel Lieder \u003c\/li\u003e\n\u003cli\u003ePaul Hindemith, Ludus Tonalis, Fugue No. 9 in B-Flat \u003c\/li\u003e\n\u003cli\u003eSott Joplin, \"Maple Leaf Rag\" \u003c\/li\u003e\n\u003cli\u003eJosephine Lang, \"Den Abschied schnell genommen\" \u003c\/li\u003e\n\u003cli\u003eJosephine Lang, \"Ob ich manchmal Dein gedenke\" \u003c\/li\u003e\n\u003cli\u003eEnglish translations of the Lang Lieder \u003c\/li\u003e\n\u003cli\u003eFranz Liszt, \"Nuages Gris\" \u003c\/li\u003e\n\u003cli\u003eW. A. Mozart, Piano Sonata in A Major, K. 331, I \u003c\/li\u003e\n\u003cli\u003eW. A. Mozart, Piano Sonata in B-Flat Major, K. 333, III \u003c\/li\u003e\n\u003cli\u003eW. A. Mozart, Eine kleine Nachtmusik (all four movements) \u003c\/li\u003e\n\u003cli\u003eW. A. Mozart, Symphony No. 35 in D Major, IV \u003c\/li\u003e\n\u003cli\u003eW. A. Mozart, Symphony No. 40 in G Minor, I \u003c\/li\u003e\n\u003cli\u003eW. A. Mozart, Symphony No. 40 in G Minor, III, Menuetto \u003c\/li\u003e\n\u003cli\u003eW. A. Mozart, Piano Concerto in D Major, K. 107, I \u003c\/li\u003e\n\u003cli\u003eW. A. Mozart, Piano Concerto in E-flat Major, K. 271, I \u003c\/li\u003e\n\u003cli\u003eJohann Pachelbel, Canon in D \u003c\/li\u003e\n\u003cli\u003eHenry Purcell, Dido and Anaeas, \"When I Am Laid in Earth\" \u003c\/li\u003e\n\u003cli\u003eGeorge Rochberg, String Quartet No. 6, III. Variations \u003c\/li\u003e\n\u003cli\u003eAlessandro Scarlatti, L’honestà negli amori, \"Già il sole dal Gange\" \u003c\/li\u003e\n\u003cli\u003eArnold Schoenberg, Suite for Piano, Op. 25, Minuet and Trio \u003c\/li\u003e\n\u003cli\u003eFranz Schubert, \"Heidenröslein\" \u003c\/li\u003e\n\u003cli\u003eFranz Schubert, Mignon, D. 321, \"Kennst du das Land?\" \u003c\/li\u003e\n\u003cli\u003eEnglish translations of the Schubert Lieder \u003c\/li\u003e\n\u003cli\u003eRobert Schumann, Carnival, \"Eusebius\" \u003c\/li\u003e\n\u003cli\u003eRobert Schumann, Novelletten, Op. 21, No. 7 \u003c\/li\u003e\n\u003cli\u003eRichard Strauss, \"Morgen\" \u003c\/li\u003e\n\u003cli\u003eEnglish translations of the Strauss and Wolf Lieder \u003c\/li\u003e\n\u003cli\u003eGiuseppi Verdi, La Traviata, \"È strano! … Ah, fors’è lui … Sempre libera\" \u003c\/li\u003e\n\u003cli\u003eEnglish translation of \"È strano! … Ah, fors’è lui … Sempre libera\" \u003c\/li\u003e\n\u003cli\u003eAntonio Vivaldi, The Four Seasons, Concerto No. 2 (\"Summer\"), I \u003c\/li\u003e\n\u003cli\u003eAntonio Vivaldi, The Four Seasons, Concerto No. 4 (\"Winter\"), I \u003c\/li\u003e\n\u003cli\u003eHugo Wolf, \"Verborgenheit\"\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Taylor \u0026 Francis Ltd","offers":[{"title":"Default Title","offer_id":49525016133975,"sku":"9780367703882","price":52.24,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780367703882.jpg?v=1731858946","url":"https:\/\/bookcurl.com\/products\/anthology-for-hearing-form-9780367703882","provider":"Book Curl","version":"1.0","type":"link"}