{"product_id":"aesthetics-and-the-philosophy-of-art-9781119222446","title":"Aesthetics and the Philosophy of Art","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eAcknowledgments x\u003c\/p\u003e \u003cp\u003eExtracts from the General Introduction to the First Edition (2004) xiii\u003c\/p\u003e \u003cp\u003eGeneral Introduction to the Second Edition xvii\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart I Identifying Art 1\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction 3\u003c\/p\u003e \u003cp\u003e1 The Artworld 7\u003cbr\u003e\u003ci\u003eArthur C. Danto\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e2 The New Institutional Theory of Art 15\u003cbr\u003e\u003ci\u003eGeorge Dickie\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e3 An Aesthetic Definition of Art 22\u003cbr\u003e\u003ci\u003eMonroe C. Beardsley\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e4 “But They Don’t Have Our Concept of Art” 30\u003cbr\u003e\u003ci\u003eDenis Dutton\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e5 Nobody Needs a Theory of Art 43\u003cbr\u003e\u003ci\u003eDominic McIver Lopes\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e6 Art: What it Is and Why it Matters 54\u003cbr\u003e\u003ci\u003eCatharine Abell\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart II Ontology of Art 67\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction 69\u003c\/p\u003e \u003cp\u003e7 What a Musical Work Is 71\u003cbr\u003e\u003ci\u003eJerrold Levinson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e8 Defending Musical Platonism 84\u003cbr\u003e\u003ci\u003eJulian Dodd\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e9 Against Musical Ontology 98\u003cbr\u003e\u003ci\u003eAaron Ridley\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e10 The Ontology of Art and Knowledge in Aesthetics 108\u003cbr\u003e\u003ci\u003eAmie L. Thomasson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart III Aesthetic Properties and Aesthetic Experience 117\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction 119\u003c\/p\u003e \u003cp\u003e11 Aesthetic Concepts 121\u003cbr\u003e\u003ci\u003eFrank Sibley\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e12 Categories of Art 134\u003cbr\u003e\u003ci\u003eKendall L. Walton\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e13 In Defence of Moderate Aesthetic Formalism 149\u003cbr\u003e\u003ci\u003eNick Zangwill\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e14 How to Be a Pessimist about Aesthetic Testimony 159\u003cbr\u003e\u003ci\u003eRobert Hopkins\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e15 Recent Approaches to Aesthetic Experience 170\u003cbr\u003e\u003ci\u003eNoël Carroll\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart IV Intention and Interpretation 183\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction 185\u003c\/p\u003e \u003cp\u003e16 Intentions and Interpretations: A Fallacy Revived 187\u003cbr\u003e\u003ci\u003eMonroe C. Beardsley\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e17 The Literary Work as a Pliable Entity: Combining Realism and Pluralism 197\u003cbr\u003e\u003ci\u003eTorsten Pettersson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e18 Authors’ Intentions, Literary Interpretation, and Literary Value 208\u003cbr\u003e\u003ci\u003eStephen Davies\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart V Values of Art 223\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction 225\u003c\/p\u003e \u003cp\u003e19 Originals, Copies, and Aesthetic Value 229\u003cbr\u003e\u003ci\u003eJack W. Meiland\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e20 Artistic Value 236\u003cbr\u003e\u003ci\u003eMalcolm Budd\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e21 The Ethical Criticism of Art 247\u003cbr\u003e\u003ci\u003eBerys Gaut\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e22 Artistic Value and Opportunistic Moralism 258\u003cbr\u003e\u003ci\u003eEileen John\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e23 What’s Wrong with the (Female) Nude? A Feminist Perspective on Art and Pornography 266\u003cbr\u003e\u003ci\u003eA.W. Eaton\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart VI Art and Knowledge 283\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction 285\u003c\/p\u003e \u003cp\u003e24 On the Cognitive Triviality of Art 289\u003cbr\u003e\u003ci\u003eJerome Stolnitz\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e25 Art and Moral Knowledge 295\u003cbr\u003e\u003ci\u003eCynthia A. Freeland\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e26 Reading Fiction and Conceptual Knowledge: Philosophical Thought in Literary Context 310\u003cbr\u003e\u003ci\u003eEileen John\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e27 Cognitive Values in the Arts: Marking the Boundaries 326\u003cbr\u003e\u003ci\u003ePeter Lamarque\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart VII Fictionality and Imagination 337\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction 339\u003c\/p\u003e \u003cp\u003e28 Fearing Fictions 343\u003cbr\u003e\u003ci\u003eKendall L. Walton\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e29 The Logical Status of Fictional Discourse 355\u003cbr\u003e\u003ci\u003eJohn Searle\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e30 The Expression of Feeling in Imagination 363\u003cbr\u003e\u003ci\u003eRichard Moran\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e31 The Puzzle of Imaginative Resistance 378\u003cbr\u003e\u003ci\u003eTamar Szabó Gendler\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e32 Anne Brontë and the Uses of Imagination 393\u003cbr\u003e\u003ci\u003eGregory Currie\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e33 Fiction as a Genre 402\u003cbr\u003e\u003ci\u003eStacie Friend\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart VIII Pictorial Art 417\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction 419\u003c\/p\u003e \u003cp\u003e34 On Pictorial Representation 421\u003cbr\u003e\u003ci\u003eRichard Wollheim\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e35 Pictorial Realism 431\u003cbr\u003e\u003ci\u003eCatharine Abell\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e36 Telling Pictures: The Place of Narrative in Late Modern ‘Visual Art’ 441\u003cbr\u003e\u003ci\u003eDavid Davies\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart IX Photography and Film 451\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction 453\u003c\/p\u003e \u003cp\u003e37 Photography and Representation 457\u003cbr\u003e\u003ci\u003eRoger Scruton\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e38 Photography and Causation: Responding to Scruton’s Scepticism 472\u003cbr\u003e\u003ci\u003eDawn M. Phillips\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e39 Cinematic Art 483\u003cbr\u003e\u003ci\u003eBerys Gaut\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e40 Theses on Cinema as Philosophy 496\u003cbr\u003e\u003ci\u003ePaisley Livingston\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e41 Narration in Motion 503\u003cbr\u003e\u003ci\u003eKatherine J. Thomson‐Jones\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart X Literature 511\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction 513\u003c\/p\u003e \u003cp\u003e42 Style and Personality in the Literary Work 517\u003cbr\u003e\u003ci\u003eJenefer M. Robinson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e43 Literary Aesthetics and Literary Practice 527\u003cbr\u003e\u003ci\u003eStein Haugom Olsen\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e44 Fictional Characters and Literary Practices 537\u003cbr\u003e\u003ci\u003eAmie L. Thomasson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e45 The Elusiveness of Poetic Meaning 549\u003cbr\u003e\u003ci\u003ePeter Lamarque\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart XI Music 561\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction 563\u003c\/p\u003e \u003cp\u003e46 The Profundity of Music 567\u003cbr\u003e\u003ci\u003ePeter Kivy\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e47 Against Emotion: Hanslick Was Right about Music 574\u003cbr\u003e\u003ci\u003eNick Zangwill\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e48 Listening with Emotion: How Our Emotions Help Us to Understand Music 583\u003cbr\u003e\u003ci\u003eJenefer Robinson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart XII Popular Arts 601\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIntroduction 603\u003c\/p\u003e \u003cp\u003e49 Defining Mass Art 607\u003cbr\u003e\u003ci\u003eNoël Carroll\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e50 Just a Song? Exploring the Aesthetics of Popular Song Performance 623\u003cbr\u003e\u003ci\u003eJeanette Bicknell\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e51 Comics as Literature? 632\u003cbr\u003e\u003ci\u003eAaron Meskin\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e52 The Vice of Snobbery: Aesthetic Knowledge, Justification and Virtue in Art Appreciation 647\u003cbr\u003e\u003ci\u003eMatthew Kieran\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart XIII Aesthetics of Nature and Everyday Aesthetics 659\u003c\/b\u003e\u003c\/p\u003e Introduction 661 \u003cp\u003e53 Appreciation and the Natural Environment 665\u003cbr\u003e\u003ci\u003eAllen Carlson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e54 Scientific Knowledge and the Aesthetic Appreciation of Nature 673\u003cbr\u003e\u003ci\u003ePatricia Matthews\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e55 Aesthetic Character and Aesthetic Integrity in Environmental Conservation 684\u003cbr\u003e\u003ci\u003eEmily Brady\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e56 Everyday Aesthetics 695\u003cbr\u003e\u003ci\u003eYuriko Saito\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e57 The Pervasiveness of the Aesthetic in Ordinary Experience 700\u003cbr\u003e\u003ci\u003eSherri Irvin\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eIndex 710\u003c\/p\u003e","brand":"John Wiley and Sons Ltd","offers":[{"title":"Default Title","offer_id":49407010341207,"sku":"9781119222446","price":56.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781119222446.jpg?v=1730497875","url":"https:\/\/bookcurl.com\/products\/aesthetics-and-the-philosophy-of-art-9781119222446","provider":"Book Curl","version":"1.0","type":"link"}