{"product_id":"aesthetics-9781118948323","title":"Aesthetics","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003ePreface ix\u003c\/p\u003e \u003cp\u003eAcknowledgements xi\u003c\/p\u003e \u003cp\u003eSources xiii\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart I: Classic Sources\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 The Modern System of the Arts 3\u003cbr\u003e\u003ci\u003ePaul Oskar Kristeller\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e2 The Ancient and Modern System of the Arts 17\u003cbr\u003e\u003ci\u003eJames O. Young\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e3 Ion 31\u003cbr\u003e\u003ci\u003ePlato\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e4 The Republic 39\u003cbr\u003e\u003ci\u003ePlato\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e5 Symposium 49\u003cbr\u003e\u003ci\u003ePlato\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e6 Poetics 57\u003cbr\u003e\u003ci\u003eAristotle\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e7 Ennead I, vi 73\u003cbr\u003e\u003ci\u003ePlotinus\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e8 De Musica 81\u003cbr\u003e\u003ci\u003eSt. Augustine\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e9 On the Reduction of the Arts to Theology 89\u003cbr\u003e\u003ci\u003eSt. Bonaventure\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e10 Characteristics of Men, Manners, Opinions, Times 95\u003cbr\u003e\u003ci\u003eThird Earl of Shaftesbury\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e11 An Inquiry into the Original of Our Ideas of Beauty and Virtue 105\u003cbr\u003e\u003ci\u003eFrancis Hutcheson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e12 Of the Standard of Taste 121\u003cbr\u003e\u003ci\u003eDavid Hume\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e13 Of Tragedy 131\u003cbr\u003e\u003ci\u003eDavid Hume\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e14 A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful 137\u003cbr\u003e\u003ci\u003eEdmund Burke\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e15 Laocoon 147\u003cbr\u003e\u003ci\u003eGotthold Lessing\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e16 Critique of the Power of Judgment 155\u003cbr\u003e\u003ci\u003eImmanuel Kant\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart II: Modern Theories\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e17 Introduction 199\u003cbr\u003e\u003ci\u003eChristopher Janaway and Sandra Shapshay\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e18 Letters on the Aesthetic Education of Man 205\u003cbr\u003e\u003ci\u003eFriedrich Schiller\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e19 Letter to M. d’Alembert on the Theatre 209\u003cbr\u003e\u003ci\u003eJ.-J. Rousseau\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e20 Introductory Lectures on Aesthetics 217\u003cbr\u003e\u003ci\u003eG.W.F. Hegel\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e21 The World as Will and Representation 241\u003cbr\u003e\u003ci\u003eArthur Schopenhauer\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e22 The Beautiful in Music 281\u003cbr\u003e\u003ci\u003eEduard Hanslick\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e23 The Birth of Tragedy 287\u003cbr\u003e\u003ci\u003eFriedrich Nietzsche\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e24 What is Art? 299\u003cbr\u003e\u003ci\u003eLeo Tolstoy\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e25 “Psychical Distance” as a Factor in Art and as an Aesthetic Principle 313\u003cbr\u003e\u003ci\u003eEdward Bullough\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e26 Art 331\u003cbr\u003e\u003ci\u003eClive Bell\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e27 The Principles of Art 341\u003cbr\u003e\u003ci\u003eR.G. Collingwood\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e28 Art as Experience 357\u003cbr\u003e\u003ci\u003eJohn Dewey\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e29 The Work of Art in the Age of Mechanical Reproduction 379\u003cbr\u003e\u003ci\u003eWalter Benjamin\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e30 The Origin of the Work of Art 397\u003cbr\u003e\u003ci\u003eMartin Heidegger\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e31 Aesthetic Theory 411\u003cbr\u003e\u003ci\u003eTheodor Adorno\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e32 Criteria of Negro Art 423\u003cbr\u003e\u003ci\u003eW.E.B. Du Bois\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e33 Art or Propaganda? 429\u003cbr\u003e\u003ci\u003eAlain Locke\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart III: Contemporary Aesthetics and Philosophy of Art\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e34 Introduction 433\u003cbr\u003e\u003ci\u003eStephanie Ross\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e35 The Artworld 439\u003cbr\u003e\u003ci\u003eArthur Danto\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e36 What is Art? An Institutional Analysis 449\u003cbr\u003e\u003ci\u003eGeorge Dickie\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e37 “Art” as a Cluster Concept 461\u003cbr\u003e\u003ci\u003eBerys Gaut\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e38 When is Art? 475\u003cbr\u003e\u003ci\u003eNelson Goodman\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e39 Art and Its Objects 483\u003cbr\u003e\u003ci\u003eRichard Wollheim\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e40 Varieties of Art 497\u003cbr\u003e\u003ci\u003eStephen Davies\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e41 What a Musical Work Is 513\u003cbr\u003e\u003ci\u003eJerrold Levinson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e42 Fictional Characters as Abstract Artifacts 529\u003cbr\u003e\u003ci\u003eAmie L. Thomasson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e43 Aesthetic Concepts 535\u003cbr\u003e\u003ci\u003eFrank Sibley\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e44 Categories of Art 551\u003cbr\u003e\u003ci\u003eKendall L. Walton\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e45 The Myth of the Aesthetic Attitude 569\u003cbr\u003e\u003ci\u003eGeorge Dickie\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e46 What is Aesthetic Experience? 581\u003cbr\u003e\u003ci\u003eAlan H. Goldman\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e47 Artistic Value 589\u003cbr\u003e\u003ci\u003eMalcolm Budd\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e48 Beauty Restored 597\u003cbr\u003e\u003ci\u003eMary Mothersill\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e49 Artistic Worth and Personal Taste 609\u003cbr\u003e\u003ci\u003eJerrold Levinson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e50 Style and Personality in the Literary Work 619\u003cbr\u003e\u003ci\u003eJenefer Robinson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e51 Criticism and Interpretation 631\u003cbr\u003e\u003ci\u003eNoël Carroll\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e52 The Postulated Author: Critical Monism as a Regulative Ideal 641\u003cbr\u003e\u003ci\u003eAlexander Nehamas\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e53 Artistic Value and Opportunistic Moralism 653\u003cbr\u003e\u003ci\u003eEileen John\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e54 Emotions in the Music 663\u003cbr\u003e\u003ci\u003ePeter Kivy\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e55 Music and Emotions 673\u003cbr\u003e\u003ci\u003eJenefer Robinson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e56 Fearing Fictions 691\u003cbr\u003e\u003ci\u003eKendall L. Walton\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e57 Transparent Pictures: On the Nature of Photographic Realism 705\u003cbr\u003e\u003ci\u003eKendall L. Walton\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e58 The Power of Movies 723\u003cbr\u003e\u003ci\u003eNoël Carroll\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e59 Oppressive Texts, Resisting Readers, and the Gendered Spectator: The “New” Aesthetics 737\u003cbr\u003e\u003ci\u003eMary Devereaux\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e60 Feminist Philosophy of Art 751\u003cbr\u003e\u003ci\u003eA.W. Eaton\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e61 Appreciation and the Natural Environment 767\u003cbr\u003e\u003ci\u003eAllen Carlson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e62 Everyday Aesthetics 777\u003cbr\u003e\u003ci\u003eYuriko Saito\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e63 Aesthetic Value, Art, and Food 783\u003cbr\u003e\u003ci\u003eCarolyn Korsmeyer\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e64 Art and Aesthetic Behaviors as Possible Expressions of our Biologically Evolved Human Nature 791\u003cbr\u003e\u003ci\u003eStephen Davies\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eIndex 797\u003c\/p\u003e","brand":"John Wiley and Sons Ltd","offers":[{"title":"Default Title","offer_id":49406953652567,"sku":"9781118948323","price":36.05,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781118948323.jpg?v=1730497675","url":"https:\/\/bookcurl.com\/products\/aesthetics-9781118948323","provider":"Book Curl","version":"1.0","type":"link"}