{"product_id":"a-companion-to-nineteenthcentury-art-9781118856369","title":"A Companion to NineteenthCentury Art","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eA comprehensive review of art in the first truly modern century\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eA Companion to Nineteenth-Century Art\u003c\/i\u003e contains contributions from an international panel of noted experts to offer a broad overview of both national and transnational developments, as well as new and innovative investigations of individual art works, artists, and issues. The text puts to rest the skewed perception of nineteenth-century art as primarily Paris-centric by including major developments beyond the French borders. The contributors present a more holistic and nuanced understanding of the art world during this first modern century.\u003c\/p\u003e \u003cp\u003eIn addition to highlighting particular national identities of artists, \u003ci\u003eA Companion to Nineteenth-Century Art\u003c\/i\u003e also puts the focus on other aspects of identity including individual, ethnic, gender, and religious. The text explores a wealth of relevant topics such as: the challenges the artists faced; how artists learned their craft and how they met cli\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eList of Figures ix\u003c\/p\u003e \u003cp\u003eAbout the Editor xiii\u003c\/p\u003e \u003cp\u003eNotes on Contributors xv\u003c\/p\u003e \u003cp\u003eSeries Editor’s Preface xxi\u003c\/p\u003e \u003cp\u003eAcknowledgments xxiii\u003c\/p\u003e \u003cp\u003eIntroduction xxv\u003cbr\u003e\u003ci\u003eMichelle Facos\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e1 Moses Jacob Ezekiel’s Religious Liberty (1876) and the Nineteenth‐Century Jewish American Experience 1\u003cbr\u003e\u003ci\u003eSamantha Baskind\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e2 The Lure of “Magick Land”: British Artists and Italy in the Eighteenth Century 17\u003cbr\u003e\u003ci\u003eBrendan Cassidy\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e3 Mining the Dutch Golden Age: The Avant‐Garde Enterprise 35\u003cbr\u003e\u003ci\u003eJohanna Ruth Epstein\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e4 “The Revenge of Art on Life”: Beauty, Modernity, and Edward Burne‐Jones’s King Cophetua and the Beggar Maid 51\u003cbr\u003e\u003ci\u003eAndrea Wolk Rager\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e5 Show and Tell: Exhibition Practice in the Nineteenth Century 69\u003cbr\u003e\u003ci\u003ePatricia Mainardi\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e6 Networked: The Art Market in the Nineteenth Century 83\u003cbr\u003e\u003ci\u003ePamela Fletcher and Anne Helmreich\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e7 German Art Academies and their Impact on Artistic Style 103\u003cbr\u003e\u003ci\u003eSabine Wieber\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e8 “Orientalism” in Art: The Case of John Frederick Lewis 121\u003cbr\u003e\u003ci\u003eJulie Codell\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e9 Wall to Wall: Zones of Artistic Engagement in Late Nineteenth‐Century America 139\u003cbr\u003e\u003ci\u003eMelody Barnett Deusner\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e10 “Like a Dog, Just Looking”: Cézanne, Innocence, and Early Phenomenological Thought in Nineteenth‐Century France 159\u003cbr\u003e\u003ci\u003eNina Athanassoglou‐Kallmyer\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e11 Aesthetic Religion, Religious Aesthetics, and the Romantic Quest for Epiphany 175\u003cbr\u003e\u003ci\u003eCordula Grewe\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e12 The Wanderers and Realism in Tsarist Russia 193\u003cbr\u003e\u003ci\u003eJosephine Karg\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e13 Thomas Cole and the Domestic Landscape of the Hudson River School 209\u003cbr\u003e\u003ci\u003eWilliam L. Coleman\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e14 Sculpture and the Public Imagination: Nineteenth‐Century Site‐Specific Art of the Cemetery, the Garden, and the Street 225\u003cbr\u003e\u003ci\u003eCaterina Y. Pierre\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e15 Capturing Unconsciousness: The New Psychology, Hypnosis, and the Culture of Hysteria 243\u003cbr\u003e\u003ci\u003eFae Brauer\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e16 Impressionism and the Mirror Image 263\u003cbr\u003e\u003ci\u003eMartha Lucy\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e17 Roots: Landscapes of Nationalism in the Long Nineteenth Century 281\u003cbr\u003e\u003ci\u003eNeil McWilliam\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e18 Australian Art in the Nineteenth‐Century: Forging a National Style 299\u003cbr\u003e\u003ci\u003eCatherine Speck\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e19 Tradition and Modernity in Nineteenth‐Century Catalan Art: From Romanticism to Picasso 315\u003cbr\u003e\u003ci\u003eM. Lluïsa Faxedas Brujats\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e20 Principle and Practice in Nineteenth‐Century Danish Landscape Painting 335\u003cbr\u003e\u003ci\u003eThor J. Mednick\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e21 Art and Multiculturalism in Estonia and Latvia, circa 1900 353\u003cbr\u003e\u003ci\u003eBart Pushaw\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e22 Nationalism and the Myth of Hungarian Origin: Attila and Árpád 371\u003cbr\u003e\u003ci\u003eTerri Switzer\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e23 In the Service of the Nation: Forging the Identity of Polish Art in the Nineteenth Century 391\u003cbr\u003e\u003ci\u003eAgnieszka Rosales Rodriguez\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e24 Facing Modernism: Jean‐Antoine Houdon and the Politics of the Portrait Bust in Eighteenth‐Century France 413\u003cbr\u003e\u003ci\u003eRonit Milano\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e25 Identity Tourism: Studio Stagings in Nineteenth‐Century Photography 431\u003cbr\u003e\u003ci\u003ePatricia G. Berman\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e26 The Meaning of the Verb “To Be” in Painting: Manet’s Olympia 451\u003cbr\u003e\u003ci\u003eAndrei Molotiu\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e27 Cassatt’s Singular Women: Reading Le Figaro and the Older New Woman 467\u003cbr\u003e\u003ci\u003eRuth E. Iskin\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e28 Fashion, Lithography, and Gender Instability in Romantic‐Era Paris: A Case Study 485\u003cbr\u003e\u003ci\u003eAndrew Carrington Shelton\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e29 Racist or Hero of Social Art?: Degas, the Birth of Sociology, and the Biopolitical Gaze 499\u003cbr\u003e\u003ci\u003eMichael F. Zimmermann\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eIndex 519\u003c\/p\u003e","brand":"John Wiley and Sons Ltd","offers":[{"title":"Default Title","offer_id":49406935826775,"sku":"9781118856369","price":157.45,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781118856369.jpg?v=1730497612","url":"https:\/\/bookcurl.com\/products\/a-companion-to-nineteenthcentury-art-9781118856369","provider":"Book Curl","version":"1.0","type":"link"}