{"product_id":"a-companion-to-medieval-art-9781119077725","title":"A Companion to Medieval Art","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eA fully updated and comprehensive companion to Romanesque and Gothic art history\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThis definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives.\u003c\/p\u003e \u003cp\u003ePart of the Blackwell Companions to Art History, \u003ci\u003eA Companion to Medieval Art, Second Edition\u003c\/i\u003e features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eNewly revised edition of a high\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eNotes on Contributors ix\u003c\/p\u003e \u003cp\u003eSeries Editor’s Preface xvii\u003c\/p\u003e \u003cp\u003ePreface to the First Edition xix\u003c\/p\u003e \u003cp\u003ePreface to the Second Edition xxiii\u003c\/p\u003e \u003cp\u003e1 Introduction: A Sense of Loss: An Overview of the Historiography of Romanesque and Gothic Art 1\u003cbr\u003e\u003ci\u003eConrad Rudolph\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e2 \u003ci\u003eArtifex \u003c\/i\u003eand \u003ci\u003eOpifex \u003c\/i\u003e– The Medieval Artist 45\u003cbr\u003e\u003ci\u003eBeate Fricke\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e3 Vision 71\u003cbr\u003e\u003ci\u003eCynthia Hahn\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e4 Materials, Materia, “Materiality” 95\u003cbr\u003e\u003ci\u003eAden Kumler\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e5 Reception of Images by Medieval Viewers 119\u003cbr\u003e\u003ci\u003eMadeline Harrison Caviness\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e6 Narrative, Narratology, and Meaning 147\u003cbr\u003e\u003ci\u003eSuzanne Lewis\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e7 Formalism 171\u003cbr\u003e\u003ci\u003eLinda Seidel\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e8 Gender and Medieval Art 195\u003cbr\u003e\u003ci\u003eBrigitte Kurmann‐Schwarz\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e9 Gregory the Great and Image Theory in Northern Europe During the Twelfth and Thirteenth Centuries 221\u003cbr\u003e\u003ci\u003eHerbert L. Kessler\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e10 Iconography 245\u003cbr\u003e\u003ci\u003eShirin Fozi\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e11 Art and Exegesis 267\u003cbr\u003e\u003ci\u003eChristopher G. Hughes\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e12 Whodunnit? Patronage, the Canon, and the Problematics of Agency in Romanesque and Gothic Art 287\u003cbr\u003e\u003ci\u003eJill Caskey\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e13 Collecting (and Display) 309\u003cbr\u003e\u003ci\u003ePierre Alain Mariaux\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e14 The Concept of \u003ci\u003eSpolia \u003c\/i\u003e331\u003cbr\u003e\u003ci\u003eDale Kinney\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e15 The Monstrous 357\u003cbr\u003e\u003ci\u003eThomas E.A. Dale\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e16 Making Sense of Marginalized Images in Manuscripts and Religious Architecture 383\u003cbr\u003e\u003ci\u003eLaura Kendrick\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e17 Definitions and Explanations of the Romanesque Style in Architecture from the 1960s to the Present Day 407\u003cbr\u003e\u003ci\u003eEric Fernie\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e18 Romanesque Sculpture in Northern Europe 417\u003cbr\u003e\u003ci\u003eColum Hourihane\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e19 Modern Origins of Romanesque Sculpture 439\u003cbr\u003e\u003ci\u003eRobert A. Maxwell\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e20 The Historiography of Romanesque Manuscript Illumination 463\u003cbr\u003e\u003ci\u003eAdam S. Cohen\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e21 The Study of Gothic Architecture 489\u003cbr\u003e\u003ci\u003eStephen Murray\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e22 France, Germany, and the Historiography of Gothic Sculpture 513\u003cbr\u003e\u003ci\u003eJacqueline E. Jung\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e23 Gothic Manuscript Illustration: The Case of France 547\u003cbr\u003e\u003ci\u003eAnne D. Hedeman\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e24 “‘Specially English’: Gothic Illumination c.1190 to the Early Fourteenth Century” 569\u003cbr\u003e\u003ci\u003eKathryn A. Smith\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e25 From Institutional to Private and from Latin to the Vernacular: German Manuscript Illumination in the Thirteenth Century 601\u003cbr\u003e\u003ci\u003eMichael Curschmann\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e26 Glazing Medieval Buildings 627\u003cbr\u003e\u003ci\u003eElizabeth Carson Pastan\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e27 Toward a Historiography of the Sumptuous Arts 657\u003cbr\u003e\u003ci\u003eBrigitte Buettner\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e28 Reliquaries 681\u003cbr\u003e\u003ci\u003eCynthia Hahn\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e29 East Meets West: The Art and Architecture of the Crusader States 705\u003cbr\u003e\u003ci\u003eJaroslav Folda\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e30 Gothic in the Latin East 729\u003cbr\u003e\u003ci\u003eMichalis Olympios\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e31 Art and Liturgy in the Middle Ages 759\u003cbr\u003e\u003ci\u003eEric Palazzo\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e32 Architectural Layout: Design, Structure, and Construction in Northern Europe 777\u003cbr\u003e\u003ci\u003eMarie‐Therese Zenner\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e33 Sculptural Programs 801\u003cbr\u003e\u003ci\u003eBruno Boerner\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e34 The Art and Architecture of Female Monasticism 823\u003cbr\u003e\u003ci\u003eJeffrey F. Hamburger\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e35 Cistercian Architecture 857\u003cbr\u003e\u003ci\u003ePeter Fergusson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e36 Art and Pilgrimage: Mapping the Way 881\u003cbr\u003e\u003ci\u003ePaula Gerson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e37 “The Scattered Limbs of the Giant”: Recollecting Medieval Architectural Revivals 907\u003cbr\u003e\u003ci\u003eTina Waldeier Bizzarro\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e38 Medieval Art Collections 933\u003cbr\u003e\u003ci\u003eJanet T. Marquardt\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e39 The Modern Medieval Museum 957\u003cbr\u003e\u003ci\u003eMichelle P. Brown\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eIndex 977\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"John Wiley and Sons Ltd","offers":[{"title":"Default Title","offer_id":49406980227415,"sku":"9781119077725","price":143.06,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781119077725.jpg?v=1730497774","url":"https:\/\/bookcurl.com\/products\/a-companion-to-medieval-art-9781119077725","provider":"Book Curl","version":"1.0","type":"link"}