{"product_id":"a-companion-to-italian-cinema-9781444332285","title":"A Companion to Italian Cinema","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eWritten by leading figures in the field, A Companion to Italian Cinema re-maps Italian cinema studies, employing new perspectives on traditional issues, and fresh theoretical approaches to the exciting history and field of Italian cinema.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\"Burke’s meticulous editing forges fertile connections between the Canadian and American academies and those in the United Kingdom, Ireland, Australia and New Zealand. Also, Marco Vanelli Veronica Pravadelli, Stefania Parigi, Sandra Lischi and Christian Uva provide perspectives from Italian universities, resulting overall in a thorough, comprehensive overview of English language scholarship on Italian cinema.\"\u003cbr\u003e\u003cb\u003eMatthew Griffith - \u003c\/b\u003eHarvard University\u003cbr\u003e\u003cbr\u003eJournal of Italian Cinema \u0026amp; Media Studies, Volume 7 Number 1\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eAcknowledgments xi\u003c\/p\u003e \u003cp\u003eNotes on Contributors xii\u003c\/p\u003e \u003cp\u003eEditor’s Notes xix\u003c\/p\u003e \u003cp\u003eGlossary xx\u003c\/p\u003e \u003cp\u003ePreface and In Memoriam xxiv\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart I First Things 1\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e1 Introduction 3\u003cbr\u003e\u003ci\u003eFrank Burke\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e2 Italian Cinema Studies: A Conversation with Peter Bondanella 16\u003cbr\u003e\u003ci\u003eFrank Burke\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart II Historical\/Chronological Perspectives 29\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eSilent Cinema 29\u003c\/p\u003e \u003cp\u003e3 Silent Italian Cinema: A New Medium for Old Geographies 31\u003cbr\u003e\u003ci\u003eGiorgio Bertellini\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e4 Stardom in Italian Silent Cinema 48\u003cbr\u003e\u003ci\u003eJacqueline Reich\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eFascism and Italian Cinema 65\u003c\/p\u003e \u003cp\u003e5 Genre, Politics, and the Fascist Subject in the Cinema of Italy (1922–1945) 66\u003cbr\u003e\u003ci\u003eMarcia Landy\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eThe Italian Film Industry 83\u003c\/p\u003e \u003cp\u003e6 Staying Alive: The Italian Film Industry from the Postwar to Today 84\u003cbr\u003e\u003ci\u003eBarbara Corsi\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eCinema and Religion 103\u003c\/p\u003e \u003cp\u003e7 Italian Cinema and Catholicism: From Vigilanti cura to Vatican II and Beyond 104\u003cbr\u003e\u003ci\u003eMarco Vanelli\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eNeorealism 121\u003c\/p\u003e \u003cp\u003e8 The Italian Neorealist Experience: The Orphan Child and New Ways of Looking at the World 122\u003cbr\u003e\u003ci\u003eLorenzo Borgotallo\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e9 Italian Neorealism: Quotidian Storytelling and Transnational Horizons 139\u003cbr\u003e\u003ci\u003eLaura E. Ruberto and Kristi M. Wilson\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eStardom and the 1950s 157\u003c\/p\u003e \u003cp\u003e10 Italian Female Stars and Their Fans in the 1950s and 1960s 158\u003cbr\u003e\u003ci\u003eRéka Buckley\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eFilm Comedy—the 1950s and Beyond 179\u003c\/p\u003e \u003cp\u003e11 The Popularity of Italian Film Comedy 180\u003cbr\u003e\u003ci\u003eLouis Bayman\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e12 The Question of Italian National Character and the Limits of Commedia all’italiana: Alberto Sordi, Federico Fellini, and Carlo Lizzani 198\u003cbr\u003e\u003ci\u003eStephen Gundle\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eFrench]Italian Film Collaborations into the 1960s 215\u003c\/p\u003e \u003cp\u003e13 Cross]Fertilization between France and Italy from Neorealism through the 1960s 216\u003cbr\u003e\u003ci\u003eAdriano Aprà\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eAuteur Cinema (1960s and 1970s) 227\u003c\/p\u003e \u003cp\u003e14 Italian 1960s Auteur Cinema (and beyond): Classic, Modern, Postmodern 228\u003cbr\u003e\u003ci\u003eVeronica Pravadelli\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003ePopular Film Genres (1950s to 1970s) 249\u003c\/p\u003e \u003cp\u003e15 Italian Popular Film Genres 250\u003cbr\u003e\u003ci\u003eAustin Fisher\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003ePolitics and\/of Terrorism (1960s to the Present) 267\u003c\/p\u003e \u003cp\u003e16 The Representation of Terrorism in Italian Cinema 268\u003cbr\u003e\u003ci\u003eChristian Uva\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eItalian Cinema from the 1970s to the Present 283\u003c\/p\u003e \u003cp\u003e17 From Cinecitta to the Small Screen: Italian Cinema After the Mid]1970s Crisis 284\u003cbr\u003e\u003ci\u003eTiziana Ferrero]Regis\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e18 Contemporary Italian Film in the New Media World 303\u003cbr\u003e\u003ci\u003eMary P. Wood\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart III Alternative Film Forms 323\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e19 Thinking Cinema: The Essay Film Tradition in Italy 325\u003cbr\u003e\u003ci\u003eLaura Rascaroli\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e20 Italian Experimental Cinema: Art, Politics, Poetry 340\u003cbr\u003e\u003ci\u003eSandra Lischi\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e21 Notes on the History of Italian Nonfiction Film 361\u003cbr\u003e\u003ci\u003eLuca Caminati and Mauro Sassi\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart IV Critical, Aesthetic, and Theoretical Issues 375\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e22 A Century of Music in Italian Cinema 377\u003cbr\u003e\u003ci\u003eEmanuele D’Onofrio\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e23 The Practice of Dubbing and the Evolution of the Soundtrack in Italian Cinema: A Schizophonic Take 393\u003cbr\u003e\u003ci\u003eAntonella Sisto\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e24 Watching Italians Turn Around: Gender, Looking, and Roman\/Cinematic Modernity 408\u003cbr\u003e\u003ci\u003eJohn David Rhodes\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e25 Women in Italian Cinema: From the Age of Silent Cinema to the Third Millennium 427\u003cbr\u003e\u003ci\u003eBernadette Luciano and Susanna Scarparo\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e26 Imagining the Mezzogiorno: Old and New Paradigms 447\u003cbr\u003e\u003ci\u003eFulvio Orsitto\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e27 The Queerness of Italian Cinema 467\u003cbr\u003e\u003ci\u003eDerek Duncan\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e28 An Accented Gaze: Italy’s Transmigrant Filmmakers 484\u003cbr\u003e\u003ci\u003eÁine O’Healy\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e29 How to Tell Time: Deleuze and Italian Cinema 500\u003cbr\u003e\u003ci\u003eAngelo Restivo\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e30 The Screen in the Mirror: Thematic and Textual Reflexivity in Italian Cinema 512\u003cbr\u003e\u003ci\u003eStefania Parigi\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e31 Deterritorialized Spaces and Queer Clocks: Intertextuality in Italian Cinema 531\u003cbr\u003e\u003ci\u003eMarguerite Waller\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart V Last Things 551\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e32 Forum: The Present State and Likely Prospects of Italian Cinema and Cinema Studies 553\u003cbr\u003e\u003ci\u003eFlavia Brizio]Skov, Flavia Laviosa, Millicent Marcus, Alan O’Leary, Massimo Riva, Pasquale Verdicchio, and Christopher Wagstaff\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eIndex 572\u003c\/p\u003e","brand":"John Wiley and Sons Ltd","offers":[{"title":"Default Title","offer_id":49530085671255,"sku":"9781444332285","price":160.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781444332285.jpg?v=1731878014","url":"https:\/\/bookcurl.com\/products\/a-companion-to-italian-cinema-9781444332285","provider":"Book Curl","version":"1.0","type":"link"}