{"title":"Video photography \/ videography Books","description":"","products":[{"product_id":"how-to-see-the-world-9780141977409","title":"How to See the World","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eIn recent decades, we have witnessed an explosion in the number of visual images we encounter, as our lives have become increasingly saturated with screens. From Google Images to Instagram, video games to installation art, this transformation is confusing, liberating and worrying all at once, since observing the new visuality of culture is not the same as understanding it. \u003cbr\u003e\u003cbr\u003eNicholas Mirzoeff is a leading figure in the field of visual culture, which aims to make sense of this extraordinary explosion of visual experiences. As Mirzoeff reminds us, this is not the first visual revolution; the 19th century saw the invention of film, photography and x-rays, and the development of maps, microscopes and telescopes made the 17th century an era of visual discovery. But the sheer quantity of images produced on the internet today has no parallels. \u003cbr\u003e\u003cbr\u003eIn the first book to define visual culture for the general reader, Mirzoeff draws on art history, theory and everyday experience to pr\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eA dizzying and delightful book * New Scientist *\u003cbr\u003eDeploying a blend of semiotics, sociology, and art history, Mirzoeff shows us how to interpret everything from old masters to selfies, from Rashomon to a map of the Mississippi. Mirzoeff says he owes much of his approach to John Berger, and this is evident in the way he argues how inevitably political visual images are... Mirzoeff draws on theorists such as Benjamin, Foucault, and Deleuze, but thankfully is much clearer and easier to read than any of those writers * Independent on Sunday *\u003cbr\u003eIn our fluid world, we need reminding how strange our visual culture has become. Artist John Berger did that job for the 1970s with his classic book \u003ci\u003eWays of Seeing\u003c\/i\u003e; now Nicholas Mirzoeff teaches us how to \"read\" an astronaut's 2012 space-walk selfie - and how to decode military photos smothered with labels that claim to show weapons we cannot in fact see -- New Scientist 'Books of the Year'\u003c\/p\u003e","brand":"Penguin Books Ltd","offers":[{"title":"Default Title","offer_id":48732497379671,"sku":"9780141977409","price":10.44,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780141977409.jpg?v=1719997143"},{"product_id":"the-photography-of-game-of-thrones-9780008354565","title":"The Photography of Game of Thrones","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e             \u003cstrong\u003eEnter the world of HBO's global television phenomenon \u003cem\u003eGame of Thrones\u003c\/em\u003e with \u003cem\u003eThe Photography of Game of Thrones\u003c\/em\u003e – the definitive photographic collection from the set of the hit series.\u003c\/strong\u003e           \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e‘A wonderful look into not just the characters, but the sheer artistry behind creating a series as epic as this one’\u003cbr\u003e\u003cem\u003eScreen Rant\u003c\/em\u003e\u003c\/p\u003e           \u003cp\u003e‘Everything about these books is, as you can probably guess, gorgeous’\u003cbr\u003e\u003cem\u003eWinter is Coming\u003c\/em\u003e\u003c\/p\u003e           \u003cp\u003e‘\u003cem\u003eGame of Thrones\u003c\/em\u003e’ singular attention to detail is painstakingly and lavishly chronicled in this trio of stunning coffee-table books from Insight Editions covering all eight seasons and focusing on, respectively, the museum-quality production art and designs from sketch to screen; still photos capturing the show’s most iconic and cinematic scenes along with intimate never-seen off-screen moments; and an in-depth look at the creation of the epic costumes across Westeros, from the sun-drenched denizens of Dorne to the Wildlings beyond the Wall’\u003cbr\u003e\u003cem\u003eYahoo\u003c\/em\u003e\u003c\/p\u003e","brand":"HarperCollins Publishers","offers":[{"title":"Default Title","offer_id":48863956861271,"sku":"9780008354565","price":48.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780008354565.jpg?v=1722269765"},{"product_id":"video-storytelling-projects-9780137690718","title":"Video Storytelling Projects","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eRC is an award-winning photographer, podcast host, educator, and the author of 15 best-selling books on photography, video, Photoshop, Lightroom, and HDR. He is an assistant teaching professor of visual communications at the Newhouse School for Visual Communications at Syracuse University.\u003c\/p\u003e \u003cp\u003eAs an Adobe Certified Instructor in Photoshop, Illustrator, and Lightroom, RC has over 27 years of experience creating content in creative, information technology, and e-commerce industries and spends his days developing creative content for corporate clients, educational institutions, and students looking to take their creative vision further.\u003c\/p\u003e \u003cp\u003eAs a Photoshop and Lightroom expert, RC also worked with Adobe to write the Adobe Certified Expert exam for Photoshop CS6, Lightroom 4, and Lightroom 5. He has written the Lightroom and Photoshop books for the Adobe Press Classroom in a Book series.\u003c\/p\u003e \u003cp\u003eRC is a highly sought-after public speaker, presenting to corporations and creative stud\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eCHAPTER 1  The Elements of Story\u003c\/p\u003e \u003cp\u003eCHAPTER 2  How to Structure Your Story\u003c\/p\u003e \u003cp\u003eCHAPTER 3  Previsualizing Your Idea\u003c\/p\u003e \u003cp\u003eCHAPTER 4  Working with Sound\u003c\/p\u003e \u003cp\u003eCHAPTER 5  Working with Video\u003c\/p\u003e \u003cp\u003eCHAPTER 6  The Importance of Dialogue\u003c\/p\u003e \u003cp\u003eCHAPTER 7  Everything in Its Place\u003c\/p\u003e \u003cp\u003eCHAPTER 8  Assembling Your Story in Adobe Premiere Pro\u003c\/p\u003e \u003cp\u003eCHAPTER 9  Basic Edits: Sharpening Your Point in Premiere Pro\u003c\/p\u003e \u003cp\u003eCHAPTER 10  Editing: Beyond the Basics\u003c\/p\u003e \u003cp\u003eCHAPTER 11  Mobile Journalism Project\u003c\/p\u003e \u003cp\u003eCHAPTER 12  Sharing Your Video Online\u003c\/p\u003e \u003cp\u003eCHAPTER 13  Project: Card Game\u003c\/p\u003e","brand":"Pearson Education (US)","offers":[{"title":"Default Title","offer_id":48864176013655,"sku":"9780137690718","price":31.34,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780137690718.jpg?v=1722270749"},{"product_id":"jananne-al-ani-9781904270140","title":"Jananne Al-Ani","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eJananne Al-Ani's haunting, delicately honed work in video and photography is distinguished by its evocative portraits and its intimate and compelling narratives. The first monographic survey of Al-Ani's work, this publication highlights video installations from 1996 onwards, while also referencing a selection of earlier photographic pieces. Produced to accompany the exhibition of Al-Ani's The Visit' at Tate Britain in 2005, the book features newly commissioned essays by Claire Doherty and Angela Weight, alongside an interview with the artist by Richard Hylton.Published by Film and Video Umbrella. Funded by Arts Council England, with additional support from University of the Arts, London.","brand":"Film \u0026 Video Umbrella","offers":[{"title":"Default Title","offer_id":48888356438359,"sku":"9781904270140","price":11.88,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781904270140.jpg?v=1722548975"},{"product_id":"the-adventure-game-a-cameramans-tales-from-films-at-the-edge-9781910124314","title":"The Adventure Game: A Cameraman's Tales from","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eKeith Partridge is probably the world’s most experienced and famous practitioner of a rare trade. His filming has recorded expeditions all over the world in some of its most beautiful and hostile environments. \u003cem\u003eThe Adventure Game\u003c\/em\u003e is the story of his life told through several expeditions ranging from the deep caves of Papua New Guinea to the summit of Mount Everest – Keith’s photography speaks for itself! His story is equally exciting though, with characters we all recognise from film and television. His activities are not restricted to any one field such as mountaineering but include caving, polar travel and, with film and television references which will be familiar to many people. All this he has expressed in a great story. \u003cem\u003eThe Adventure Game\u003c\/em\u003e is a brilliant read as well as a beautiful object.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e'Exciting and inspirational. A superb cameraman and stills photographer Keith has travelled a long way from the dusty confines of BBC House. Nothing ventured, nothing gained as they say and Keith has ventured it all.' Joe Simpson, author of Touching the Void 'Keith Partridge is to my mind the greatest adventure cameraman in the world.' Steve Backshouse, television presenter and naturalist 'Whether you are filming sunrise on the summit of Everest, Gallician fishermen dancing with death in the Atlantic surf or historical reconstructions on the Matterhorn, Keith is your man.' Stephen Venables","brand":"Sandstone Press Ltd","offers":[{"title":"Default Title","offer_id":48888491049303,"sku":"9781910124314","price":22.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781910124314.jpg?v=1722549658"},{"product_id":"the-videoart-at-midnight-artists-cookbook-eighty-artists-eighty-dishes-9783735607256","title":"The Videoart at Midnight Artists’ Cookbook:","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eHave you ever watched Douglas Gordon cook? Do you know Harun Farocki’s favourite dal? Would you like to nibble straight from the pot with Keren Cytter or recreate Agnieszka Polska’s pirogi with trumpets of death? Cookbooks are a dime a dozen. And there’s even a certain tradition of artists’ cookbooks. But there is only the one \u003cb\u003e\u003ci\u003eVideoart at Midnight Artists’ Cookbook\u003c\/i\u003e\u003c\/b\u003e: 80 of the most renown video artists of our time reveal their favourite recipes. Some simple, others elaborate, yet all to be recreated. And the best thing about this book is that each and every single recipe tells its own personal story.\u003cbr\u003e \u003cbr\u003e \u003cb\u003eArtists\u003c\/b\u003e\u003cbr\u003e Monira Al Qadiri, Ulf Aminde, Julieta Aranda, Marc Aschenbrenner, Ed Atkins, Yael Bartana, Lucy Beech, Bigert \u0026amp; Bergström, John Bock, Pauline Boudry \u0026amp; Renate Lorenz, Erik Bünger, Martin Brand, Ulu Braun, Klaus vom Bruch, Filipa César, Creischer \u0026amp; Siekmann, Keren Cytter, Chto Delat, Christoph Draeger, Antje Engelmann, Shahram Entekhabi, Köken Ergun, Theo Eshetu, Simon Faithfull, Christian Falsnaes, Harun Farocki, Omer Fast, Fischer \u0026amp; el Sani, Dani Gal, Delia Gonzalez, Douglas Gordon, Andy Graydon, Assaf Gruber, Mathilde ter Heijne, Isabell Heimerdinger, Benjamin Heisenberg, Kerstin Honeit, Christian Jankowski, Anja Kirschner, Knut Klaßen, Korpys\/Löffler, Zhenhua Li, Joep van Liefland, Melissa Logan, Dafna Maimon, Antje Majewski, Melanie Manchot, Lynne Marsh, Bjørn Melhus, Almagul Menlibayeva, Ari Benjamin Meyers, Eléonore de Montesquiou, Matthias Müller, Bettina Nürnberg \u0026amp; Dirk Peuker, Marcel Odenbach, Stefan Panhans, Mario Pfeifer, Agnieszka Polska, Ulrich Polster, Mario Rizzi, Julian Rosefeldt, Willem de Rooij, Safy Sniper, Anri Sala, Erik Schmidt, Sandra Schäfer, Amie Siegel, Pola Sieverding, Martin Skauen, Jan-Peter E.R. Sonntag, Vibeke Tandberg, Rebecca Ann Tess, Guido van der Werve, Gernot Wieland, Ming Wong, Ina Wudtke, Shingo Yoshida, Katarina Zdjelar, Stefan Zeyen, Tobias Zielony\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e","brand":"Kerber Verlag","offers":[{"title":"Default Title","offer_id":48889221677399,"sku":"9783735607256","price":34.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9783735607256.jpg?v=1722553328"},{"product_id":"video-theory-online-video-aesthetics-or-the-afterlife-of-video-9783837630589","title":"Video Theory: Online Video Aesthetics or the","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eVideo is a part of everyday life, comparable to driving a car or taking a shower. It is nearly omnipresent, available on demand and attached to nearby anything, anywhere. Online Video became something vital and independent. With all the video created by the cameras around us, constantly uploading, sharing, linking, and relating, a blue ocean is covering our planet, an ocean of video. What might look as bluish noise and dust from the far outside, might embed beautiful and fascinating living scapes of moving images, objects constantly changing, re-arranging, assembling, evolving, collapsing, but never disappearing, a real cinema. Andreas Treske describes and theorizes these objects formerly named video, their forms, behaviours and properties.","brand":"Transcript Verlag","offers":[{"title":"Default Title","offer_id":48889268142423,"sku":"9783837630589","price":38.24,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9783837630589.jpg?v=1722553539"},{"product_id":"thiruvananthapuram-9789389648508","title":"Thiruvananthapuram","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e","brand":"Westland Publications Limited","offers":[{"title":"Default Title","offer_id":48890068140375,"sku":"9789389648508","price":999.99,"currency_code":"GBP","in_stock":false}]},{"product_id":"material-mediamaking-in-the-digital-age-9781835950098","title":"Material MediaMaking in the Digital Age","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eA journey through a variety of tools and technologies from vlogging to drone cinematography to considerations of time, editing and sound design, Material Media-Making in the Digital Age offers professionals, scholars and students alike the chance to re-think how they engage with new media technology, about media and its place in the world. 17 b\/w illus.","brand":"Intellect (UK)","offers":[{"title":"Default Title","offer_id":49084471214423,"sku":"9781835950098","price":28.45,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781835950098.jpg?v=1725552287"},{"product_id":"my-gopro-hero5-camera-9780789758309","title":"My GoPro HERO5 Camera","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp style=\"margin:\"\u003e \u003cb\u003eJason R. Rich\u003c\/b\u003e (\u003ca href=\"http:\/\/www.jasonrich.com\"\u003ewww.jasonrich.com\u003c\/a\u003e) is an accomplished author, journalist, and photographer, as well as an avid traveler. Some of his recently published books for Que include: \u003ci\u003eiPad and iPhone Tips and Tricks\u003c\/i\u003e, Sixth Edition,\u003ci\u003e My Digital Photography for Seniors\u003c\/i\u003e, \u003ci\u003eMy Digital Travel for Seniors\u003c\/i\u003e, and \u003ci\u003eMy Digital Entertainment for Seniors\u003c\/i\u003e.\u003c\/p\u003e \u003cp style=\"margin:\"\u003e\u003cbr\u003e\u003c\/p\u003e \u003cp style=\"margin:\"\u003eAs a photographer, Jason's work appears with his articles in major daily newspapers, national magazines and online, as well as within his various books. He also works with professional actors, models, and recording artists to develop their portfolios and take their headshots. Jason also continues to pursue travel and animal photography.\u003c\/p\u003e \u003cp style=\"margin:\"\u003e\u003cbr\u003e\u003c\/p\u003e \u003cp style=\"margin:\"\u003eThrough his work as an enrichment lecturer, he often offers digital photography workshops and classes aboard cruise ships\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e    Chapter 1: Overview of the GoPro HERO Cameras 3 \u003cbr\u003e    An Entirely New Shooting Experience .......................................................5 \u003cbr\u003e    Understanding Digital Camera Resolution .............................................7 \u003cbr\u003e    Choosing the Right GoPro Camera ................................................................9 \u003cbr\u003e        The GoPro HERO Session ............................................................................12 \u003cbr\u003e        The GoPro HERO5 Session .........................................................................14 \u003cbr\u003e        The GoPro HERO5 Black ...............................................................................15 \u003cbr\u003e    Getting the Best Results with a Mount....................................................18 \u003cbr\u003e    Using GoPro Accessories .....................................................................................20 \u003cbr\u003e        The GoPro Mobile Apps ...............................................................................20 \u003cbr\u003e        The GoPro QUIK Desktop Software ...................................................22 \u003cbr\u003e    Start Gathering Your GoPro Equipment ................................................23 \u003cbr\u003eChapter 2: Getting Started with Your GoPro HERO5 Black 27 \u003cbr\u003e    Ten Improvements to the HERO5 Black ..................................................27 \u003cbr\u003e    What Comes with the HERO5 Black ..........................................................29 \u003cbr\u003e    Choosing an FOV ........................................................30 \u003cbr\u003e        Narrow ................................................................................31 \u003cbr\u003e        Linear .................................................................................................31 \u003cbr\u003e        Medium .....................................................................................32 \u003cbr\u003e        Wide .....................................................................................................32 \u003cbr\u003e        SuperView ..................................................................................................................32 \u003cbr\u003e    Overview of the HERO5 Black’s Body ........................................................32 \u003cbr\u003e        The Front of the Camera ...............................................................................33 \u003cbr\u003e        The Back of the Camera ................................................................................35 \u003cbr\u003e        The Right Side of the Camera ..................................................................36 \u003cbr\u003e        The Left Side of the Camera ......................................................................37 \u003cbr\u003e        The Top of the Camera ...................................................................................41 \u003cbr\u003e        The Bottom of the Camera .........................................................................42 \u003cbr\u003e    Exploring the LCD Status Screen ...................................................................42 \u003cbr\u003e    Exploring the Camera’s Full-Color Touchscreen ..............................43 \u003cbr\u003e    Setting Up the Camera for the First Time ..............................................46 \u003cbr\u003e        Customizing Your HERO5 Black ..............................................................47 \u003cbr\u003e    Using Voice Commands .......................................................................................51 \u003cbr\u003e    Updating Your Camera’s Operating System ........................................53 \u003cbr\u003e        Update Using the GoPro Capture Mobile App .........................53 \u003cbr\u003e        Update Using the QUIK Desktop Software ..................................56 \u003cbr\u003e        Update the Camera Manually ..................................................................58 \u003cbr\u003eChapter 3: Getting Started with Your HERO5 Session or HERO Session 61 \u003cbr\u003e    Pros and Cons of the HERO Session and HERO5 Session........62 \u003cbr\u003e        Pros ..................................................................................................................................62 \u003cbr\u003e        Cons .................................................................................................................................63 \u003cbr\u003e    What Comes with the HERO Session and HERO5 Session .....64 \u003cbr\u003e    Turning On or Off Your Camera ......................................................................66 \u003cbr\u003e    Overview of the Camera’s Body .....................................................................67 \u003cbr\u003e        The Front of the Camera ...............................................................................67 \u003cbr\u003e        The Back of the Camera ................................................................................69 \u003cbr\u003e        The Top of the Camera ...................................................................................70 \u003cbr\u003e        The Bottom of the Camera .........................................................................71 \u003cbr\u003e        The Right and Left Sides of the Camera .........................................74 \u003cbr\u003e    Setting Up the Camera for the First Time ..............................................77 \u003cbr\u003e        Set Up the Camera .............................................................................................78 \u003cbr\u003e    Using Voice Commands .......................................................................................78 \u003cbr\u003e        Turn on Voice Control .....................................................................................79 \u003cbr\u003e    Viewing or Playing Back Your Content .....................................................79 \u003cbr\u003e    Updating the Camera’s Operating System ...........................................80 \u003cbr\u003eChapter 4: Overview of GoPro HERO Mounts 83 \u003cbr\u003e    Using the Proper Housing ..................................................................................84 \u003cbr\u003e        Use the GoPro Quick Release Buckle and \u003cbr\u003e    Choosing the Best Mount for the Situation ........................................87 \u003cbr\u003e    Planning Your Shots and Choosing the Best Equipment ........88 \u003cbr\u003e        Attaching Mounts to Yourself or Your Equipment ................90 \u003cbr\u003e        Accessories that Enhance Shot Stability ........................................91 \u003cbr\u003e    Overview of GoPro Mounts ................................................................................92 \u003cbr\u003e        Mounts Available from GoPro .................................................................93 \u003cbr\u003e        Popular Third-Party Mount Options ............................................... 102 \u003cbr\u003e    Finding and Purchasing Mounts and Accessories ..................... 106 \u003cbr\u003eChapter 5: Must-Have GoPro Camera Accessories 109 \u003cbr\u003e    Using The GoPro Smart Remote ............................................................... 110 \u003cbr\u003e        The Anatomy of the Smart Remote ............................................... 110 \u003cbr\u003e        Charge the Smart Remote ...................................................................... 111 \u003cbr\u003e        Pair Your HERO5 Black Camera with the Smart Remote ............ 112 \u003cbr\u003e        Pair Your HERO5 Session Camera with the Smart Remote .............. 114 \u003cbr\u003e        Working with the Smart Remote ...................................................... 116 \u003cbr\u003e    Using the REMO for Voice Control ........................................................... 118 \u003cbr\u003e    Using a Quik Key to Transfer Your Content ...................................... 119 \u003cbr\u003e    Hitting the Road with the Seeker ............................................................. 121 \u003cbr\u003e    More Useful GoPro Accessories .................................................................. 122 \u003cbr\u003e    The Floaty Won’t Let Your GoPro Sink .......................................... 122 \u003cbr\u003eChapter 6: Choosing the Best Memory Cards 125 \u003cbr\u003e    The Importance of Speed ............................................................................... 126 \u003cbr\u003e    Storage Capacity ...................................................................................................... 128 \u003cbr\u003e    Where to Shop for microSD Memory Cards .................................... 130 \u003cbr\u003e    Inserting a Memory Card into Your GoPro Camera .................. 131 \u003cbr\u003e        Insert a microSD Memory Card in the HERO5 Black ....... 131 \u003cbr\u003e        Insert a microSD Memory Card in the HERO5 Session .....133 \u003cbr\u003e        Format a microSD Memory Card That’s Inserted in the HERO5 Black.......... 134 \u003cbr\u003eChapter 7: Keeping Your Batteries Charged 139 \u003cbr\u003e    Estimating Battery Life ...................................................................................... 141 \u003cbr\u003e    Using Compatible HERO5 Black Batteries ......................................... 142 \u003cbr\u003e    Inserting a Battery in Your HERO5 Black ............................................ 143 \u003cbr\u003e    Connecting Any GoPro Camera to an External Power Source ............... 145 \u003cbr\u003e    Increasing Battery Life While Shooting ............................................... 146 \u003cbr\u003eChapter 8: Controlling Your Camera 149 \u003cbr\u003e    Analyzing Your Shooting Situation ......................................................... 149 \u003cbr\u003e    Choosing How to Control Your Camera .............................................. 151 \u003cbr\u003e        Voice Commands ............................................................................................ 152 \u003cbr\u003e        The Smart Remote ......................................................................................... 152 \u003cbr\u003e        The Capture Mobile App ......................................................................... 153 \u003cbr\u003e    Preparing to Shoot ................................................................................................. 154 \u003cbr\u003e    Adjusting Your Camera Mode, Shooting Mode, and \u003cbr\u003e        Related Settings ............................................................................................... 155 \u003cbr\u003e        Work with the HERO5 Black’s Touchscreen ............................. 156 \u003cbr\u003e        Select Advanced Options on the HERO5 Black ................... 158 \u003cbr\u003e        Adjust Settings on the HERO5 Session........................................ 159 \u003cbr\u003e    Getting Acquainted with Your Camera’s ShootingModes and Settings ........ 162 \u003cbr\u003e        Camera Modes ................................................................................................... 163 \u003cbr\u003e    Understanding Advanced Shooting Features ............................... 169 \u003cbr\u003e        Aspect Ratio ......................................................................................................... 170 \u003cbr\u003e        Auto Low Light .................................................................................................. 170 \u003cbr\u003e        Color ............................................................................................................................ 171 \u003cbr\u003e        Exposure Control with Auto Exposure ......................................... 171 \u003cbr\u003e        Exposure Control with Locked Exposure ................................... 172 \u003cbr\u003e        Exposure Value Compensation (EV Comp) .............................. 172 \u003cbr\u003e        GPS ............................................................................................................................... 172 \u003cbr\u003e        ISO\/ISO Minimum\/ISO Maximum .................................................... 172 \u003cbr\u003e        Manual Audio Control ................................................................................ 173 \u003cbr\u003e        Protune ..................................................................................................................... 173 \u003cbr\u003e        RAW Audio ............................................................................................................ 174 \u003cbr\u003e        RAW Format ......................................................................................................... 175 \u003cbr\u003e        Sharpness ............................................................................................................... 175 \u003cbr\u003e        Video Stabilization ......................................................................................... 175 \u003cbr\u003e        White Balance ..................................................................................................... 176 \u003cbr\u003e        Wide Dynamic Range (WDR) ................................................................ 176 \u003cbr\u003eChapter 9: Shooting High-Resolution Photos 179 \u003cbr\u003e    Comparing GoPro Camera Models for Taking Pictures ......... 181 \u003cbr\u003e    Working with Protune ....................................................................................... 183 \u003cbr\u003e        Access the Protune Menu Using the HERO5 Black ........... 183 \u003cbr\u003e        Adjusting White Balance .......................................................................... 187 \u003cbr\u003e        Adjusting Color ................................................................................................. 188 \u003cbr\u003e        Adjusting ISO Minimum and ISO Maximum .......................... 188 \u003cbr\u003e        Adjusting Sharpness .................................................................................... 190 \u003cbr\u003e        Adjusting EV Comp ....................................................................................... 191 \u003cbr\u003e    Using the QuikCapture Feature .................................................................. 192 \u003cbr\u003e    Setting Your HERO5 Black’s Default Mode ....................................... 192 \u003cbr\u003e    Options for Viewing Your Photos .............................................................. 194 \u003cbr\u003e        View Your Photos on the HERO5 Black’s Touchscreen .....195 \u003cbr\u003eChapter 10: Strategies for Taking Professional-Quality Digital Pictures 199 \u003cbr\u003e    Don’t Forget to Prepare ..................................................................................... 200 \u003cbr\u003e    Choose an Interesting Subject .................................................................... 201 \u003cbr\u003e        Shoot Action from a First- or Third-Person Perspective .......................... 203 \u003cbr\u003e        Take Interesting Pictures of People ................................................ 205 \u003cbr\u003e        Capture the Perfect Selfie........................................................................ 206 \u003cbr\u003e        Photograph Animals and Pets ............................................................. 208 \u003cbr\u003e        Capture a Fast-Moving Subject .......................................................... 209 \u003cbr\u003e        Shoot Visually Interesting Objects................................................... 209 \u003cbr\u003e        Take Vivid Underwater Photos .......................................................... 210 \u003cbr\u003e    Set Your Camera to the Best Mode ........................................................ 211 \u003cbr\u003e        Using Your Camera’s Time Lapse Photo Option .................. 212 \u003cbr\u003e        Taking Advantage of WDR ...................................................................... 212 \u003cbr\u003e    Use a Viewfinder with Your Camera When Taking Photos ...214 \u003cbr\u003e    Select the Most Appropriate Mount ...................................................... 215 \u003cbr\u003e        Purchase Mounts That Offer the Most Flexibility ............... 215 \u003cbr\u003e    Pay Attention to Your Primary Light Source ................................... 216 \u003cbr\u003e    Use the Rule of Thirds ........................................................................................ 217 \u003cbr\u003e    Consider Your Shooting Angle .................................................................... 219 \u003cbr\u003e    Properly Handle Low-Light Situations ................................................. 220 \u003cbr\u003e    Pay Attention to the Surroundings ......................................................... 220 \u003cbr\u003e    Edit Your Photos After They’ve Been Shot ........................................ 221 \u003cbr\u003eChapter 11: Shooting HD Video 223 \u003cbr\u003e    The Skill and Art of Videography .............................................................. 224 \u003cbr\u003e    Comparison of GoPro Camera Models for Shooting Video ........................................................................................................................... 225 \u003cbr\u003e    The GoPro HERO5 Black’s Shooting Modes ..................................... 228 \u003cbr\u003e        Video Shooting Mode ................................................................................. 229 \u003cbr\u003e        Video+Photo Shooting Mode .............................................................. 232 \u003cbr\u003e        Looping Video Mode ................................................................................... 233 \u003cbr\u003e        Time Lapse Video ............................................................................................ 233 \u003cbr\u003e    Advanced Video Features ............................................................................... 234 \u003cbr\u003e        The HiLight Tagging Function ..................................................................... 234 \u003cbr\u003e        Add HiLights When Previewing Video on the HERO5 Black’s Screen........... 235 \u003cbr\u003e        Create HiLight Tags Using the Capture App or Smart Remote ................. 236 \u003cbr\u003e    Working with Protune ....................................................................................... 237 \u003cbr\u003e        Adjusting White Balance .......................................................................... 238 \u003cbr\u003e        Adjusting Color ................................................................................................. 239 \u003cbr\u003e        Adjusting ISO Limit ........................................................................................ 239 \u003cbr\u003e        Adjusting Shutter Speed .......................................................................... 240 \u003cbr\u003e        Adjusting Sharpness .................................................................................... 240 \u003cbr\u003e        Adjusting EV Comp ....................................................................................... 240 \u003cbr\u003e        Adjusting Audio ............................................................................................... 240 \u003cbr\u003e        Additional Options with the Capture Mobile App ........... 241 \u003cbr\u003e    Switching Between Shooting Modes .................................................... 242 \u003cbr\u003e        Control the Camera Using the Smart Remote ...................... 243 \u003cbr\u003e    Stabilizing the Camera ...................................................................................... 245 \u003cbr\u003eChapter 12: Capturing Sound and Using Artificial Light 247 \u003cbr\u003e    Recording High-Quality Sound .................................................................. 248 \u003cbr\u003e        Using the Camera’s Built-In Microphone ................................... 249 \u003cbr\u003e        Connecting an External Microphone ............................................ 251 \u003cbr\u003e        Adding Sound Effects and Music...................................................... 254 \u003cbr\u003e    Achieving Good Lighting ................................................................................. 255 \u003cbr\u003e        Setting Your Camera’s Lighting Options .................................... 256 \u003cbr\u003e        Set Exposure Control (HERO5 Black) ............................................. 256 \u003cbr\u003e        Using External Lighting Options ....................................................... 258 \u003cbr\u003e    Choosing the Best Continuous Lighting Solution for Your Shooting Situation ................. 259 \u003cbr\u003eChapter 13: Strategies for Shooting Awesome HD Video 263 \u003cbr\u003e    Shooting Strategies ............................................................................................... 264 \u003cbr\u003e        Planning Is Essential ..................................................................................... 265 \u003cbr\u003e        Being Prepared ................................................................................................ 266 \u003cbr\u003e        Choosing the Shooting Resolution ............................................... 268 \u003cbr\u003e        Selecting the Best FPS Rate ................................................................... 271 \u003cbr\u003e        Deciding Which FOV Option to Use ............................................... 272 \u003cbr\u003e        Planning Your Shots ...................................................................................... 274 \u003cbr\u003e        Using Lighting to Your Advantage .................................................. 276 \u003cbr\u003e        Using Slow and Steady Movement ................................................. 277 \u003cbr\u003e        Marking Your Best Shots ......................................................................... 278 \u003cbr\u003e        Shoot Plenty of Raw Footage, Then Edit Later ..................... 278 \u003cbr\u003eChapter 14: Discovering the GoPro QUIK Desktop Software 281 \u003cbr\u003e    Understanding the Video Editor’s Role ............................................... 283 \u003cbr\u003e    Overview of Video Editing ............................................................................. 284 \u003cbr\u003e    Getting Started with the GoPro QUIK Desktop Software ... 286 \u003cbr\u003e        Download and Install the Software ................................................ 286 \u003cbr\u003e        Import Your Content into the QUIK Desktop Software ............ 289 \u003cbr\u003e        Getting to Know the QUIK Desktop Software ...................... 294 \u003cbr\u003e        Create a Mini-Video Production in Create Mode ............... 298 \u003cbr\u003e        Add GPS Details to Action Scenes ................................................... 300 \u003cbr\u003e    Getting to Know GoPro Studio’s Layout ............................................. 302 \u003cbr\u003e    Transferring Raw Video Content to Your Computer ................ 304 \u003cbr\u003e    Editing in GoPro Studio ..................................................................................... 305 \u003cbr\u003e        Using the Editing Tools .............................................................................. 306 \u003cbr\u003e        Enhancing Flawed Video Footage .................................................. 307 \u003cbr\u003e        Using Sound ....................................................................................................... 308 \u003cbr\u003e    Saving, Exporting, and Sharing Your Video Projects .............. 309 \u003cbr\u003e    Video-Editing Tips ................................................................................................. 309 \u003cbr\u003e        Focus On Your Intended Audience ................................................ 310 \u003cbr\u003e        Take an Organized Approach to Editing .................................... 311 \u003cbr\u003e        Use Shots That Will Keep Your Audience’s Attention ...... 311 \u003cbr\u003e        Use Titles and Captions to Your Advantage .......................... 312 \u003cbr\u003e        Don’t Expect Hollywood-Style Results Immediately ...... 313 \u003cbr\u003eChapter 15: Using Mobile Devices with Your GoPro Camera 315 \u003cbr\u003e    Getting to Know GoPro’s Mobile App Trio ........................................ 316 \u003cbr\u003e    Installing the Apps on Your Mobile Device ..................................... 318 \u003cbr\u003e        Install on an iPhone or iPad ................................................................... 318 \u003cbr\u003e        Install on an Android Device ................................................................ 319 \u003cbr\u003e    Pairing the Capture App with Your Camera .................................... 320 \u003cbr\u003e        Pair the HERO5 Black with Capture ................................................ 322 \u003cbr\u003e    Taking Control of Your Camera Using the Capture App ...... 326 \u003cbr\u003e        The Camera Screen ........................................................................................ 328 \u003cbr\u003e        The Media Screen ........................................................................................... 329 \u003cbr\u003e        The Viewfinder Screen ................................................................................ 333 \u003cbr\u003e    Overview of the QUIK Mobile App .......................................................... 339 \u003cbr\u003e        Edit Videos Using the QUIK Mobile App .................................... 340 \u003cbr\u003e    Acquainting Yourself with the Splice Mobile App ..................... 346 \u003cbr\u003eChapter 16: Getting to Know the GoPro Plus Online Service 353 \u003cbr\u003e    Getting to Know GoPro Plus ......................................................................... 354 \u003cbr\u003e    Setting Up Your GoPro Plus Account ..................................................... 355 \u003cbr\u003e        Create a GoPro Plus Account ................................................................ 356 \u003cbr\u003e    Using the Auto Upload Feature with Your HERO5 Black Camera ....................................................................................................... 357 \u003cbr\u003e        Set Up the Auto Upload Feature ....................................................... 358 \u003cbr\u003e    Using GoPro Plus with Your HERO Session or HERO5 Session Camera ................................................................................................. 360 \u003cbr\u003e    Accessing Stored Content from the QUIK Mobile App or QUIK Desktop Software ...................................................................... 361 \u003cbr\u003e        Access Content from GoPro Plus Using the QUIK Mobile App.................................................................................................... 361 \u003cbr\u003e        Access Content from GoPro Plus Using the QUIK Desktop Software .................................................................................... 364 \u003cbr\u003e    Accessing GoPro Plus Content from Any Web Browser ........ 365 \u003cbr\u003eChapter 17: Troubleshooting Camera-Related Problems and Overcoming Shooting Challenges 371 \u003cbr\u003e    Troubleshooting Camera-Related Problems .................................. 372 \u003cbr\u003e        The Camera Won’t Turn On .................................................................... 372 \u003cbr\u003e        The Camera Is On, But Unresponsive ............................................ 373 \u003cbr\u003e        The Touchscreen Does Not Respond ............................................ 375 \u003cbr\u003e        The Camera Won’t Connect with the Capture App or Smart Remote ............... 375 \u003cbr\u003e        The HERO5 Black’s Lens Fogs Up in a Super Suit ............... 376 \u003cbr\u003e        The Status Screen Says No SD, Full, or SD ERR ..................... 376 \u003cbr\u003e        The Temperature Icon Is Displayed ............................................... 378 \u003cbr\u003e        Water Spots Have Formed on the Camera’s Lens .............. 378 \u003cbr\u003e        Video Playback Is Choppy on the Computer ........................ 378 \u003cbr\u003e        The Menus Are Different ......................................................................... 379 \u003cbr\u003e        The Computer Doesn’t Recognize the Camera.................... 379 \u003cbr\u003e        The Camera Is Physically Damaged ................................................ 379 \u003cbr\u003e    Overcoming Common Shooting Mistakes ....................................... 381 \u003cbr\u003e        Your Photos or Videos Are Overexposed ................................... 381 \u003cbr\u003e        Video Is Too Shaky .......................................................................................... 381 \u003cbr\u003e        The Camera Mount Doesn’t Maintain Its Position............. 382 \u003cbr\u003e        When Shooting In Low Light, Photos or Video are Blurry or Underexposed ........ 382 \u003cbr\u003e        Too Much Fish-Eye Effect ........................................................................ 382 \u003cbr\u003e        The Colors Aren’t as Vibrant as They Should Be .................. 383 \u003cbr\u003e        The Memory Card Fills Up Too Fast When I’m Shooting ...................................... 384 \u003cbr\u003e        Recover Photos or Video Accidently Deleted from the MicroSD Memory Card ............................................................. 384 \u003cbr\u003e        The Memory Card Is Full, but You Want to Keep Shooting .......................................................................................................... 385 \u003cbr\u003e        The Audio Is Poor Quality ........................................................................ 385 \u003cbr\u003e        Wind Noise Is Ruining the Audio ...................................................... 386 \u003cbr\u003e    Finding Creative Inspiration .......................................................................... 388 \u003cbr\u003eAppendix A: Additional GoPro Resources 389 \u003cbr\u003eChapter 18: Taking Flight with the GoPro Karma Drone (ONLINE) \u003cbr\u003e9780789758309, TOC, 4\/4\/2017 \u003cbr\u003e\u003c\/p\u003e","brand":"Pearson Education (US)","offers":[{"title":"Default Title","offer_id":49396203487575,"sku":"9780789758309","price":18.69,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780789758309.jpg?v=1730415088"},{"product_id":"the-institutionalization-of-educational-cinema-9780253045201","title":"The Institutionalization of Educational Cinema","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eA crucial contribution to the study of how educational cinema was created, adopted, and disseminated, as well as how it came to serve a range of different political agendas in the early part of the 20th century.\u003c\/p\u003e -- Leonora Masini * Canadian Journal of Film Studies *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eAcknowledgments\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eIntroduction \/ Marina Dahlquist and Joel Frykholm\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e1. Platforms for Learning \/ Jan Olsson\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e2. The \u003ci\u003eKinoreformbewegung\u003c\/i\u003e in Germany: Creating an Infrastructure for Pedagogical Screenings \/ Sabine Lenk and Frank Kessler\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e3. One Family: The Movement of Educational Film in Britain and its Empire \/ Tom Rice\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e4. Far and Close: The Gemeentelijke Schoolbioscoop in Rotterdam \/ Floris Paalman\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e5. Partners in Screen Education: Philanthropic Organizations and the Film Industry \/ Marina Dahlquist\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e6. The Best Teachers and the Best Preachers: Film, University Extension, and the Project of Assimilation in Alberta, 1917-1936 \/ Zoë Druick\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e7. \"A Casual Glance Reveals a Perfect Mine of Treasures\": George Kleine's \u003ci\u003eCatalogue of Educational Motion Pictures\u003c\/i\u003e (1910) \/ Oliver Gaycken\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e8. George Kleine and the Institutional Film Exchange: An Experiment in Nontheatrical Film Distribution, 1921–1929 \/ Joel Frykholm\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e9. Ford Films and Ford Viewers: Examining \"Nontheatrical\" Films in the Theaters and Beyond \/ Katy Peplin\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e10. Institutionalizing Educational Cinema in the United States during the Early 1920s \/ Gregory A. Waller\u003c\/p\u003e","brand":"Indiana University Press","offers":[{"title":"Default Title","offer_id":49400595710295,"sku":"9780253045201","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780253045201.jpg?v=1730471063"},{"product_id":"the-institutionalization-of-educational-cinema-9780253045195","title":"The Institutionalization of Educational Cinema","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eA crucial contribution to the study of how educational cinema was created, adopted, and disseminated, as well as how it came to serve a range of different political agendas in the early part of the 20th century.\u003c\/p\u003e -- Leonora Masini * Canadian Journal of Film Studies *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eAcknowledgments\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eIntroduction \/ Marina Dahlquist and Joel Frykholm\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e1. Platforms for Learning \/ Jan Olsson\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e2. The \u003ci\u003eKinoreformbewegung\u003c\/i\u003e in Germany: Creating an Infrastructure for Pedagogical Screenings \/ Sabine Lenk and Frank Kessler\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e3. One Family: The Movement of Educational Film in Britain and its Empire \/ Tom Rice\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e4. Far and Close: The Gemeentelijke Schoolbioscoop in Rotterdam \/ Floris Paalman\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e5. Partners in Screen Education: Philanthropic Organizations and the Film Industry \/ Marina Dahlquist\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e6. The Best Teachers and the Best Preachers: Film, University Extension, and the Project of Assimilation in Alberta, 1917-1936 \/ Zoë Druick\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e7. \"A Casual Glance Reveals a Perfect Mine of Treasures\": George Kleine's \u003ci\u003eCatalogue of Educational Motion Pictures\u003c\/i\u003e (1910) \/ Oliver Gaycken\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e8. George Kleine and the Institutional Film Exchange: An Experiment in Nontheatrical Film Distribution, 1921–1929 \/ Joel Frykholm\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e9. Ford Films and Ford Viewers: Examining \"Nontheatrical\" Films in the Theaters and Beyond \/ Katy Peplin\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e10. Institutionalizing Educational Cinema in the United States during the Early 1920s \/ Gregory A. Waller\u003c\/p\u003e","brand":"Indiana University Press","offers":[{"title":"Default Title","offer_id":49400595775831,"sku":"9780253045195","price":62.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780253045195.jpg?v=1730471063"},{"product_id":"nightscape-no-limits-9780752266619","title":"Nightscape No Limits","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eNightscape is one of the world's most exciting and inspirational online creators. His YouTube videos have received over thirty million views. He has over a million followers.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eIntroduction - i: Introduction Section - ii: Before the craziness begins Section - iii: Top of the world Unit - 1: Ground Level - Starting Out Chapter - 1: In the beginning Chapter - 2: Risk Chapter - 3: Fail, get up, fail harder Chapter - 4: Avoid comfort zones Chapter - 5: Dancing with concrete Chapter - 6: Expand your possibilities Chapter - 7: Luck Chapter - 8: The city is a playground Unit - 2: Rooftoops - Finding My Way Chapter - 9: Getting higher Chapter - 10: Find something you love more than sleep Chapter - 11: Why art? Chapter - 12: No rehersals Chapter - 13: In love with the city Chapter - 14: Don't be ashamed of passion Chapter - 15: Fear Chapter - 16: Respect Chapter - 17: Life in the penthouse Unit - 3: Rooftops - Spreading My Wings Chapter - 18: Up in the clouds Chapter - 19: Perspective Chapter - 20: Outlaws Chapter - 21: Believe Chapter - 22: Opinions Chapter - 23: Your passion might no be someone else's Chapter - 24: Balfron Tower Chapter - 25: Petticoat Tower Chapter - 26: A bridge, Startford Chapter - 27: Residential building, Elephant and Castle Chapter - 28: Barbican Estate Unit - 4: Skyscrapers Chapter - 29: The City within the city Chapter - 30: Rebels Chapter - 31: London Stadium Chapter - 32: The Sidemen Tower Chapter - 33: Humber Bridge Chapter - 34: One Canada Square Unit - 5: Seeing the World Chapter - 35: Jakarta Chapter - 36: Santorini Chapter - 37: Make it challenging Chapter - 38: Dubai Chapter - 39: Shanghai Unit - 6: Behind the Scenes Chapter - 40: Kit Chapter - 41: Editing Chapter - 42: What's next?","brand":"Pan Macmillan","offers":[{"title":"Default Title","offer_id":49404617883991,"sku":"9780752266619","price":13.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780752266619.jpg?v=1730486993"},{"product_id":"resolutions-9780816623303","title":"Resolutions","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eThis text explores the state of video art and activism, practice and theory. It comprises original articles by a variety of video artists, filmmakers and critical theorists, covering topics such as video pedagogy, emerging technologies, video porn and lesbian representation.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eThe politics of video memory - electronic erasures and inscriptions, Marita Sturken; qualifying the quotidian - artist's video and the production of social space, Christine Tamblyn; the image of art in video, Maureen Turim; video - the access medium, Tetsuo Kogawa; looking through video - the psychology of video and film, John Belton; videor, Jacques Derrida; video confessions, Michael Renov; the electronic corpse - notes for an alternative language of history and amnesia, Erika Suderburg; Lynn Hershman - the subject of autobiography, David E. James; longing for real life, Rosanna Albertini; the images of the world, Raymond Bellour; dweller on the threshold, Bill Horrigan; operative assumptions, Gregg Bordowitz; tongues untied, Marlon Riggs; sex lies with videotape - abbreviated histories of Canadian video sex, Sara Diamond; talking heads, body politic - the plural self of Chicano experimental video, Chon Noriega; new visions\/new Chinas - video - art documentation, and the Chinese modernity in question, Berenice Reynaud; taking aim - the video technology of cultural resistance, Monica Frota; video - the politics of culture and community, Ron Burnett; fetal tissue - reproductive rights and activist amateur video, Patricia R. Zimmermann; female transgression, Laura Kipnis; Julie Zando's primal scenes and lesbian representation, Judith Mayne; wedding video and its generation, James M. Moran; vision after television - technocultural convergence, hypermedia and the new media arts field, Michael Nash.","brand":"University of Minnesota Press","offers":[{"title":"Default Title","offer_id":49405936370007,"sku":"9780816623303","price":18.89,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780816623303.jpg?v=1730493972"},{"product_id":"motion-picture-and-video-lighting-9781032370347","title":"Motion Picture and Video Lighting","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eThis fully revised and updated fourth edition of \u003cem\u003eMotion Picture and Video Lighting\u003c\/em\u003e explores the technical, aesthetic, and practical aspects of lighting for film and video. It covers not only how to light, but also why. The process of lighting is emphasized, as well as practical techniques and visual storytelling with light.\u003c\/p\u003e\u003cp\u003eWritten by experienced filmmaker, film school teacher, and author Blain Brown, this book emphasizes how the image, the mood, and the visual impact of a film are, to a great extent, determined by the skill and sensitivity of the director of photography in using lighting. It provides an indispensable, highly illustrated, and comprehensive guide to making every scene look its best.\u003c\/p\u003e\u003cp\u003eThis new edition has been expanded to provide further guidance at the introductory level for students, those just starting their careers, and people already working in the business who want to move up.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eTopics include:\u003c\/b\u003e\u003c\/p\u003e\u003cul\u003e \u003cli\u003eLighting Sources\u003c\/li\u003e \u003cli\u003eLEDs\u003c\/li\u003e \u003cli\u003eThe Lighting Process\u003c\/li\u003e \u003cli\u003eLighting Basics\u003c\/li\u003e \u003cli\u003eControlling Light\u003c\/li\u003e \u003cli\u003eLighting Scenes\u003c\/li\u003e \u003cli\u003eA Lighting Playbook\u003c\/li\u003e \u003cli\u003eStorytelling With Light\u003c\/li\u003e \u003cli\u003eElectricity and Distribution\u003c\/li\u003e \u003cli\u003eGripology\u003c\/li\u003e \u003cli\u003eSet Operations\u003c\/li\u003e \u003cli\u003eTechnical Issues\u003c\/li\u003e \u003c\/ul\u003e\u003cp\u003eA robust accompanying companion website also includes video tutorials and other resources for students and professionals alike, including lighting demonstrations, basic methods of lighting, using diffusion, color control, and other topics.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e1. Evolution of Lighting 2. Equipment 3. Fundamentals 4. Lighting Scenes 5. Light \u0026amp; Storytelling 6. Exposure 7. Using Color 8. Controlling Light 9. Power \u0026amp; Distro 10. Gripology 11. Effects 12. Set Operations 13. Appendix\u003c\/p\u003e","brand":"Taylor \u0026 Francis Ltd","offers":[{"title":"Default Title","offer_id":49406666506583,"sku":"9781032370347","price":53.19,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781032370347.jpg?v=1730496701"},{"product_id":"joel-meyerowitz-how-i-make-photographs-9781786275806","title":"Joel Meyerowitz: How I Make Photographs","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eThe 'Masters of Photography' series is a new approach to photography how-to. Each volume is dedicated to the work of one key photographer who, through a series of bite-sized lessons and ideas, tells you everything you always wanted to know about their approach to taking photographs. From their influences, ideas and experiences, to tech tips and best shots.\u003cbr\u003e\u003cbr\u003eThe series begins with \u003ci\u003eJoel Meyerowitz\u003c\/i\u003e, who will teach you, among other essentials: how to use a camera to reclaim the streets as your own, why you need to watch the world always with a sense of possibility, how to set your subjects at ease, and the importance of being playful and of finding a lens that suits your personality.\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePraise for Joel Meyerowitz's retrospective, \u003ci\u003eWhere I Find Myself\u003c\/i\u003e:\u003c\/b\u003e\u003cbr\u003e\"So let me say it plainly: \u003ci\u003eJoel Meyerowitz's Where I Find Myself\u003c\/i\u003e is a compelling, wonderful, deeply pleasing collection of an essential photographer's work. [it] is a necessary book. Necessary because of its size and scope. Necessary because of the way it holds the aesthetic of the artist in the air.\" \u003cb\u003eLensCulture\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"More than just a career retrospective, Meyerowitz's book is a personal celebration of photography as an art form.\" \u003cb\u003ePublishers Weekly\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"After over half a century of making pictures, Meyerowitz is noted as one of the most influential photographers living today. A new book titled \u003ci\u003eJoel Meyerowitz's Where I Find Myself\u003c\/i\u003e brings together his tremendous archive to create a portrait of not only America during the 20th and early 21st centuries, but also a prolific artist with a lifetime of groundbreaking work.\" \u003cb\u003eBuzzFeed\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"\u003ci\u003eJoel Meyerowitz's Where I Find Myself\u003c\/i\u003e is a pièce de résistance, a masterful feat of publishing that sets the bar as high as it can possibly reach. The photographer's magnum opus opens in the present day, with his most recent body of work and unfolds in reverse chronological order, leading us through a spellbinding life in photography that is simply unparalleled.\" \u003cb\u003eFeature Shoot\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"After 40 years Meyerowitz continues to entice and enthrall with a consistency of vision that reshapes subject matter in his own light. If you are a fan of Meyerowitz's work and especially of Cape Light, this lifetime retrospective will be a treasured addition.\" \u003cb\u003eNew York Journal of Books\u003c\/b\u003e","brand":"Orion Publishing Co","offers":[{"title":"Default Title","offer_id":49412267704663,"sku":"9781786275806","price":14.24,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781786275806.jpg?v=1730516205"},{"product_id":"the-sea-is-spread-and-cleaved-and-furled-9781916052093","title":"The Sea is Spread and Cleaved and Furled","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003ci\u003eThe sea is spread and cleaved and furled\u003c\/i\u003e is an interdisciplinary book and film-work by poet and visual artist Ahren Warner. 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Adhering to Dogme's cinematic purity, Festen was a commercial and critical success, winning the Jury Prize at Cannes in 1998. This study examines the history and context of the film.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eAcknowledgments \u003cbr\u003e Introduction\u003c\/p\u003e \u003cp\u003ePart I. Festen and Film History\u003cbr\u003e 1. Dogma 95 and Danish Cinema \u003cbr\u003e 2. The Auteur and Cinema History \u003cbr\u003e 3. Dogma 95 and the Death of Film \u003c\/p\u003e \u003cp\u003ePart II. Festen’s bodies\u003cbr\u003e 4. The Handheld Camera \u003cbr\u003e 5. The Hotel \u003cbr\u003e 6. Sense Memory and the Haptic \u003c\/p\u003e \u003cp\u003ePart III. Festen’s ghosts\u003cbr\u003e 7. The Story of Allan \u003cbr\u003e 8. Festen from Screen to Stage \u003cbr\u003e 9. Media and Time \u003c\/p\u003e \u003cp\u003eAppendix A. Dogma 95 Manifesto and Vow of Chastity \u003cbr\u003e Appendix B. Festen: Data \u003cbr\u003e Appendix C. Thomas Vinterberg: An Annotated Filmography \u003cbr\u003e Notes \u003cbr\u003e Bibliography \u003cbr\u003e Index\u003c\/p\u003e","brand":"University of Washington Press","offers":[{"title":"Default Title","offer_id":49524701167959,"sku":"9780295992983","price":21.99,"currency_code":"GBP","in_stock":true}]},{"product_id":"the-language-of-family-9780772670526","title":"The Language of Family","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eWhat is a family, really? Is it defined by blood, or by love, or by some other measure? Do we have the right to declare who is in our family, and who is not? These questions might seem ever so slightly esoteric, but they get right to the point of The Language of Family. The book brings together stories, poems and essays from 20 contributors. Their work helps remind us of the rich diversity found in British Columbia, and embodied in the families that live here. Odds are, it will shake the readers concept of what a family is. A family can be what we make it. A family can be what was made for us. A family can cross borders, cross gender lines and stereotypes, and cross any and all racial divides. The concept of family varies with all of us. This book opens the door to new thinking, and encourages us to step through. Times Colonist, August 2017\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003ePreface; Embracing the Family; Family Tree; Family; In the Name of Education; The Legacy of SPOTA; At Our Best; Fathers and Sons; The Language of Family; River Relations; Queer as Family; Museum Collecting with Families; The Watchmakers Coast; A Moment by a Cherry Tree; Stewards of the Land through Many Generations; A Quiet Connection; A Sense of Belonging; Voices of our Ancestors; A Story of Being Odd and Finding Ones Bashert; All of the Related People; Generations; Contributors; Endnotes; Index.","brand":"Royal British Columbia Museum","offers":[{"title":"Default Title","offer_id":49527439524183,"sku":"9780772670526","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780772670526.jpg?v=1731867846"},{"product_id":"stranger-things-mundos-al-reves-stranger-things-worlds-turned-upside-down-9788417338688","title":"Stranger Things. Mundos al revés \/ Stranger","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e","brand":"Penguin Random House Grupo Editorial","offers":[{"title":"Default Title","offer_id":49541424349527,"sku":"9788417338688","price":25.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9788417338688.jpg?v=1731917539"},{"product_id":"all-the-houses-were-painted-white-historic-homes-of-the-texas-golden-crescent-9781623497941","title":"All the Houses Were Painted White: Historic Homes","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eMany of the historic houses in and around the town of Victoria, Texas, were built between 1875 and 1910 by immigrant owners. From 1973 to 1975, with the support of a grant from the National Endowment for the Arts, Rick Gardner traveled throughout the region, taking photographs of these historic homes. Gardner relied on his own instincts and guidance from knowledgeable locals as to where he should aim his lens. This book is an appreciative glimpse at what these vernacular houses looked like a century after their construction.\u003cbr\u003e\u003cbr\u003e Gardner has teamed up with Victoria historian and preservationist Gary Dunnam to present these rich images along with brief historical sketches of the houses and, where possible, the persons who occupied them when they were newly constructed. The result is an understated and elegant suggestion of what life may have been like for the merchants, bankers, agriculturalists, and others who built and lived in these homes during the late nineteenth and early twentieth centuries.\u003cbr\u003e\u003cbr\u003e Designed to appeal to those with a love for old houses and especially for the preservation of historic structures, \u003ci\u003eAll the Houses Were Painted White\u003c\/i\u003e offers its readers a stately appreciation of these homes and their place in the South Texas landscape. It is also a tribute to the architects, owners, and anonymous craftspeople who built the houses-to their vision, skill, ingenuity, imagination, creativity, and endurance.","brand":"Texas A \u0026 M University Press","offers":[{"title":"Default Title","offer_id":50099192070487,"sku":"9781623497941","price":31.96,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781623497941.jpg?v=1740994547"},{"product_id":"neon-nevada-9781647791247","title":"Neon Nevada","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eNeon Nevada\u003c\/i\u003e takes readers and viewers on a literal and pictorial journey not only along the old Las Vegas Strip, but also down quiet two-lane rural roads punctuated occasionally with neon signs, those glistening beacons of civilization against the desert night sky. 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Our well-traveled, dog-eared copy went with us on our first epic neon road trip and will sit side-by-side on the shelf with this beautiful new edition. Two copies recommended: one for your neon library, and one for your next Nevada road trip.\"—Randall Ann Homan and Al Barna, coauthors of \u003ci\u003eSaving Neon\u003c\/i\u003e and \u003ci\u003eSan Francisco Neon: Survivors and Lost Icons\u003c\/i\u003e\u003cbr\u003e \u003cbr\u003e\"\u003ci\u003eNeon Nevada \u003c\/i\u003ecaptures the energy and vitality of neon—one of the . . . most effective forms of advertising. The book is a testament to the largely unknown sign designers and tube benders who have made and continue to make Nevada's magnificent commercial landscape all aglitter!\"—Alan Goldman, Blue Plate Productions, producer of the documentary film, \"Glowing in the Dark\"\u003cbr\u003e \u003cbr\u003e\"\u003ci\u003eNeon Nevada\u003c\/i\u003e takes hits the jackpot, taking readers on a hellbent ride. . . . 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Artis is a 30-year veteran of the fi lm and TV industry whose features and TV shows have screened at the Tribeca Film Festival and the IFP Market, as well as on MTV and the Independent Film Channel. Anthony works professionally as a producer, director, and cinematographer at \u003ci\u003eMightyAntMedia.com \u003c\/i\u003eand has taught video production at New York University for two decades now. He is the author of the bestselling \u003ci\u003eShut Up and Shoot Documentary Guide \u003c\/i\u003e(2014), \u003ci\u003eThe Shut Up and Shoot Freelance Video Guide \u003c\/i\u003e(2011), and numerous fi lmmaking courses on \u003ci\u003eLinkedInLearning.com \u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003eAccessible and comprehensive, this book is a great introduction on how to make movies and video projects with limited resources, time, or experience. 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An accompanying eResource offers downloadable footage and project files to help readers work through the exercises and examples in the book.\u003c\/p\u003e\u003cp\u003eThis book\u003ci\u003e \u003c\/i\u003eserves as a perfect introduction for aspiring colorists as w\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\"\u003ci\u003eColor Grading 101\u003c\/i\u003e is an easy introduction to color grading for new and aspiring colorists. It is full of excellent advice for embarking on a career as a colorist and I recommend it to anyone who wants to know more about the responsibilities and craft of our profession.\"\u003c\/p\u003e\u003cp\u003e—Kevin Shaw, President of Colorist Society International\u003c\/p\u003e\u003cp\u003e\"Color correction is often the most misunderstood stage of the filmmaking process. It can be daunting, confusing, and even in some cases, completely forgotten. This reputation often derives from its traditionally over-complicated explanation and arduous approach by its masters. In \u003ci\u003eColor Grading 101\u003c\/i\u003e, author Charles Haine walks readers through this crucial post production process in a way that is grounded, universal, and personable. Whereas most books on the subject matter are geared solely towards aspiring colorists, this work is intended to serve a multitude of crew members on all levels.\"\u003c\/p\u003e\u003cp\u003e—Matthew J. Pellowski, Film and Television Director and Showrunner\u003c\/p\u003e\u003cp\u003e\"Everything you wanted to know about color grading but were potentially afraid to ask! A great ‘101,’ helping anybody interested in color grading to get to grips with an often-misunderstood area. Written with panache and a ‘no-nonsense’ style!\"\u003c\/p\u003e\u003cp\u003e—Charlie Watts, Avid Certified Instructor; Principal Lecturer and Course Leader, School of Film, Media and Communication, University of Portsmouth\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eIntroduction: \"Why Doesn’t My Footage Look as Good as Other People’s?\"\u003c\/p\u003e\u003cp\u003eOverview: What is Color Grading, Exactly?\u003c\/p\u003e\u003cp\u003eTech 1: Hardware, Software, Monitoring\u003c\/p\u003e\u003cp\u003eArt 1: The Story as Guide\u003c\/p\u003e\u003cp\u003eQuiz 1\u003c\/p\u003e\u003cp\u003eTech 2: Codecs and Pipeline\u003c\/p\u003e\u003cp\u003eArt 2: Color Plan\u003c\/p\u003e\u003cp\u003eQuiz 2\u003c\/p\u003e\u003cp\u003ePractice 1\u003c\/p\u003e\u003cp\u003eTech 3: Basic Primary Grading \u003c\/p\u003e\u003cp\u003eArt 3: Basics of Additive Color\u003c\/p\u003e\u003cp\u003eQuiz 3\u003c\/p\u003e\u003cp\u003e Practice 2\u003c\/p\u003e\u003cp\u003eTech 4: Matching\u003c\/p\u003e\u003cp\u003eArt 4: History and Genres\u003c\/p\u003e\u003cp\u003eQuiz 4\u003c\/p\u003e\u003cp\u003ePractice 3\u003c\/p\u003e\u003cp\u003eTech 5: Curves, Shapes, and Keys\u003c\/p\u003e\u003cp\u003eArt 5: Protecting Skin Tones\u003c\/p\u003e\u003cp\u003eQuiz 5\u003c\/p\u003e\u003cp\u003ePractice 4\u003c\/p\u003e\u003cp\u003eTech 6: Tracking and Keyframing\u003c\/p\u003e\u003cp\u003eArt 6: Clients and Decision Making\u003c\/p\u003e\u003cp\u003eQuiz 6 \u003c\/p\u003e\u003cp\u003ePractice 5\u003c\/p\u003e\u003cp\u003eTech 7: Plugins, Noise Correction, and Heavy Processing\u003c\/p\u003e\u003cp\u003eArt 7: Commercials\u003c\/p\u003e\u003cp\u003eQuiz 7\u003c\/p\u003e\u003cp\u003ePractice 6\u003c\/p\u003e\u003cp\u003eTech 8: Mattes, Alpha, Composites, and Cleanup\u003c\/p\u003e\u003cp\u003eArt 8: Music Videos\u003c\/p\u003e\u003cp\u003eQuiz 8\u003c\/p\u003e\u003cp\u003ePractice 7\u003c\/p\u003e\u003cp\u003eTech 9: LUTs and Transforms\u003c\/p\u003e\u003cp\u003eArt 9: Portfolio Building\u003c\/p\u003e\u003cp\u003eQuiz 9\u003c\/p\u003e\u003cp\u003ePractice 8\u003c\/p\u003e\u003cp\u003eTech 10: Onset Workflow, Panels, Dailies and Online\/Conform \u003c\/p\u003e\u003cp\u003eArt 10: Building a Business\u003c\/p\u003e\u003cp\u003eQuiz 10\u003c\/p\u003e\u003cp\u003ePractice 9\u003c\/p\u003e\u003cp\u003eConclusion\u003c\/p\u003e\u003cp\u003eIndex\u003c\/p\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":51017834791255,"sku":"9780367140052","price":36.99,"currency_code":"GBP","in_stock":true}]},{"product_id":"video-production-9781032511030","title":"Video Production","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eThis seminal text, now in its thirteenth edition, provides a comprehensive and accessible overview of the operations underlying video production.\u003c\/p\u003e\u003cp\u003eIt provides thorough coverage of the theory and techniques readers need to know, balancing complexity with practical how-to information about detailed subjects in a concise, conversational style. 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