{"title":"Typography and lettering Books","description":"","products":[{"product_id":"calm-calligraphy-calm-your-mind-with-the-art-of-calligraphy-9781509869695","title":"Calm Calligraphy: Calm Your Mind with the Art of","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003e\u003ci\u003eCalm Calligraphy\u003c\/i\u003e will teach you the ancient art of the Scriptorium – copying letters, words and phrases – which helps you focus your thoughts and relax your mind. \u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eLearn the beautiful letter forms with step-by-step instructions, then refine your technique by copying inspirational words and phrases in the dedicated workbook section. By practising the meditative art of calligraphy you will gain a deeper appreciation of the beauty of order and balance. Ease your worries, improve your concentration and feel your spirits lift with each stroke of your pen.\u003cbr\u003e\u003cbr\u003eMàlleus studied with the most recognized international masters of calligraphy and founded the Antica Bottega Amanuense in Recanati, now the greatest Scriptorium in the world.\u003c\/p\u003e","brand":"Pan Macmillan","offers":[{"title":"Default Title","offer_id":48066902622551,"sku":"9781509869695","price":9.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781509869695.jpg?v=1713212479"},{"product_id":"an-essay-on-typography-9780141393568","title":"An Essay on Typography","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eEric Gill''s opinionated manifesto on typography argues that ''a good piece of lettering is as beautiful a thing to see as any sculpture or painted picture''. This essay explores the place of typography in culture and is also a moral treatise celebrating the role of craftsmanship in an industrial age. Gill, a sculptor, engraver, printmaker and creator of many classic typefaces that can be seen around us today, fused art, history and polemic in a visionary work which has been hugely influential on modern graphic design.\u003cbr\u003e\u003cbr\u003e''Written with clarity, humility and a touch of humour . . . timeless and absorbing''  Paul Rand, \u003ci\u003eThe New York Times\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e''His lettering was clear, confident and hugely influential on the development of modern type design. The world has now caught up with Gill''  \u003ci\u003eGuardian\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eHow do we see the world around us? This is one of a number of pivotal works by creative thinkers like John Berger and Susan Sontag whose writings on art, design and the media have changed our vision for ever.\u003c\/p\u003e","brand":"Penguin Books Ltd","offers":[{"title":"Default Title","offer_id":48732482502999,"sku":"9780141393568","price":8.54,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780141393568.jpg?v=1719997077"},{"product_id":"the-oxford-illustrated-history-of-the-book-9780198702993","title":"The Oxford Illustrated History of the Book","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eIn 14 original essays, The Oxford Illustrated History of the Book reveals the history of books in all their various forms, from the ancient world to the digital present. Leading international scholars offer an original and richly illustrated narrative that is global in scope. The history of the book is the history of millions of written, printed, and illustrated texts, their manufacture, distribution, and reception. Here are different types of production, from clay tablets to scrolls, from inscribed codices to printed books, pamphlets, magazines, and newspapers, from written parchment to digital texts. The history of the book is a history of different methods of circulation and dissemination, all dependent on innovations in transport, from coastal and transoceanic shipping to roads, trains, planes and the internet. It is a history of different modes of reading and reception, from learned debate and individual study to public instruction and entertainment. It is a history of manufacture, craftsmanship, dissemination, reading and debate.Yet the history of books is not simply a question of material form, nor indeed of the history of reading and reception. The larger question is of the effect of textual production, distribution and reception - of how books themselves made history. To this end, each chapter of this volume, succinctly bounded by period and geography, offers incisive and stimulating insights into the relationship between books and the story of their times.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e[A] brilliant book... illustrated with the most sumptuous photographic images of books ancient and modern. * Kathryn Hughes, The Mail on Sunday *\u003cbr\u003eThis book will become an invaluable point of departure for students new to the field, for scholars who need to venture outside their normal chronological and geographical comfort zones, and - as it should be - to that elusive general reader. * John Feather, Library \u0026amp; Information History *\u003cbr\u003eRaven... has drawn together scholarly essays offering a sweeping, erudite, and thoroughly engaging narrative... A profusely illustrated, handsomely produced intellectual history. * Kirkus, Starred Review *\u003cbr\u003eTogether, these fourteen essays form a thorough picture of how and why books progressed along the lines that they did. In an age when books are once again experiencing momentous changes, this well-researched reminder of their durability and timelessness is very welcome. * Eileen Gonzalez, Foreword Reviews *\u003cbr\u003eThis volume is a cultural biography of the book, taking a global view of its underlying function as a portable, durable conveyor of reproducible information... Other works trace the history of the book, but Oxford's treatment is a deeper, more multicultural, and more visually appealing approach. * Lesley Farmer, Booklist *\u003cbr\u003eBeautifully comprehensively illustrated history of the book... the essays are stimulating and thought provoking. This is a scholarly work but it's also a coffee table book intended to be widely read and accessible. This is a very well curated collection... Fascinating and beautiful. * Paul Burke, NB Magazine *\u003cbr\u003eThis is an excellent compilation on the world-wide history of the book... beautifully illustrated... Put it on your Christmas present list. * Prof. T.D. Wilson, Information Research *\u003cbr\u003eBeautifully illustrated, The Oxford Illustrated History of the Book is a seminal and original work of meticulous scholarship * Midwest Book Review *\u003cbr\u003eA sumptuous production. * Liz Dexter, Shiny New Books *\u003cbr\u003e[A] handsome and carefully edited volume... which gratifyingly offers the reader so many opportunities to reflect on our words and the impact of their normally accepted meanings. * Kristian Jensen, The Library *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e1: James Raven: Introduction 2: Eleanor Robson: The Ancient World 3: Barbara Crostini: Byzantium 4: Cynthia Brokaw: Medieval and Early Modern East Asia 5: David Rundle: Medieval Western Europe 6: James Raven and Goran Proot: Renaissance and Reformation 7: Ann Blair: Managing Information 8: Sheila S. Blair and Jonathan M. Bloom: The Islamic World 9: Jeffrey Freedman: Enlightenment and Revolution 10: Graham Shaw: South Asia 11: Marie-Françoise Cachin: Industrialization 12: Christopher A. Reed and M. William Steele: Modern China, Japan, and Korea 13: Eva Hemmungs Wirtén: Globalization 14: Jeffrey T. Schnapp: Books Transformed Abbreviations and Glossary Further Reading Picture Acknowledgements Index","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":48732765978967,"sku":"9780198702993","price":19.97,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780198702993.jpg?v=1719998304"},{"product_id":"helvetica-and-the-new-york-city-subway-system-the-true-maybe-story-the-mit-press-9780262015486","title":"Helvetica and the New York City Subway System The","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eHow New York City subways signage evolved from a “visual mess” to a uniform system with Helvetica triumphant.\u003c\/b\u003e\u003cp\u003eFor years, the signs in the New York City subway system were a bewildering hodge-podge of lettering styles, sizes, shapes, materials, colors, and messages. The original mosaics (dating from as early as 1904), displaying a variety of serif and sans serif letters and decorative elements, were supplemented by signs in terracotta and cut stone. Over the years, enamel signs identifying stations and warning riders not to spit, smoke, or cross the tracks were added to the mix. Efforts to untangle this visual mess began in the mid-1960s, when the city transit authority hired the design firm Unimark International to create a clear and consistent sign system. We can see the results today in the white-on-black signs throughout the subway system, displaying station names, directions, and instructions in crisp Helvetica. This book tells the story of how typographic orde\u003c\/p\u003e","brand":"MIT Press Ltd","offers":[{"title":"Default Title","offer_id":48733442933079,"sku":"9780262015486","price":38.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780262015486.jpg?v=1720000100"},{"product_id":"the-typographic-medium-history-and-foundations-of-information-science-9780262045858","title":"The Typographic Medium History and Foundations of","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eAn innovative examination of typography as a medium of communication rather than part of print or digital media.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eTypography is everywhere and yet widely unnoticed. When we read type, we fail to see type. In this book, Kate Brideau considers typography not as part of print media or digital media but as a medium of communication itself, able to transcend the life and death of particular technologies. Examining the contradiction between typographic form (often overlooked) and function (often overpowering), Brideau argues that typography is made up not of letters but of shapes, and that shape is existentially and technologically central to the typographic medium.\u003cbr\u003e\u003cbr\u003eAfter considering what constitutes typographic form, Brideau turns to typographic function and how it relates to form. Examining typography's role in both the neurological and psychological aspects of reading, she argues that typography's functions exceed reading; typographic forms communicate, but that commun","brand":"MIT Press Ltd","offers":[{"title":"Default Title","offer_id":48733456728407,"sku":"9780262045858","price":40.85,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780262045858.jpg?v=1720000147"},{"product_id":"for-the-love-of-letterpress-9781350051287","title":"For the Love of Letterpress","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eWinner - American Graphic Design Award, Graphic Design USA\u003c\/b\u003eConveying the authors' love of the letterpress process and product, this book presents the technical, historical, aesthetic and practical information necessary for both students and instructors.The 2nd edition of \u003ci\u003eFor the Love of Letterpress\u003c\/i\u003e includes an updated gallery of contemporary images of letterpress printing, as well as a new chapter of letterpress assignments from the United States, United Kingdom and Europe.  Both additions attest to the dynamic and continued relevance of the media.The authors show how contemporary digital processes have expanded the boundaries of traditional letterpress.  By writing with passion and experience, they indicate why a 15th century printing technology based upon crafting with one's hands, still has appeal and value to 21st century artists and designers.Whether incorporated into an academic curriculum or used for self-study, \u003ci\u003eFor the Love of Letterpress\u003c\/i\u003e is a must for stude\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eLetterpress clarifies typography and this book clarifies letterpress – in luscious detail. The adage ‘to \u003ci\u003edo\u003c\/i\u003e is to understand’ has never been better explained. * David Jury, Lecturer in Typographic Enquiry at Cambridge School of Art, UK *\u003cbr\u003eThis book celebrates the torrent of creative work that we are experiencing through this 21st-century letterpress renaissance. \u003ci\u003eFor the Love of Letterpress\u003c\/i\u003e is an essential reference for the next generation of artists, designers, and printers. * Amelia Hugill-Fontanel, Associate Curator at Rochester Institute of Technology, USA *\u003cbr\u003eLetterpress is the holy grail of printing and through printing design. This book is a instructive introduction to the art and craft that will never entirely die, despite the warnings of the death of print. * Steven Heller, co-chair of the School of Visual Arts, New York University, USA *\u003cbr\u003e[For the previous edition]    This book   is unique because it provides instruction on practical printing techniques as   well as on the art of printing as a method of expression in itself rather   than a simple means to an end. Strip away the creative process and even the   savviest print technician cannot create a truly successful work. Learning the   how is fundamental, but so is learning the why. …For those interested in understanding the whole mind-body process and experience of letterpress printing as a fine art form, this book delivers. * Camden M. Richards in The Quarterly News-Letter of the Book Club of California, Summer 2014 *\u003cbr\u003e[For the previous edition]  Chapters on technical aspects of presses, printing, good studio practice, relief matrices, and (please note) contemporary processes, are written in accessible language with useful information and tips that can only be gained from experienced practitioners. Enhanced by a fascinating array of images of prints, ephemera and artists’ books by letterpress and book arts practitioners around the globe. * Angie Butler, Book Artist, UK, in Printmaking Today, Fall 2014 *\u003cbr\u003e[For the previous edition]  With its many photographs and stories of completed works, and its instruction directed at both students and teachers, \u003ci\u003eFor the Love of Letterpress\u003c\/i\u003e is a book printers will refer to over and over as they add skills and develop their printing voice and style. * Sara T. Sauers, Adjunct Assistant Professor, University of Iowa Center for the Book, in Printeresting *\u003cbr\u003e[For the previous edition] I have many books on printing and design and this book is an excellent resource and has become one of my favorites. This much needed inspiring instructional tool is for ANYONE with a passion for letterpress. Geared towards educators and students, each section is broken down into topic chapters that are easy to navigate through and understand. It’s a wonderful reference on process, techniques and materials, so keep it handy! I find the exceptional works of various artists featured in this book, inspiring and a visual treat! Love this book! * Jeryl Jones, Designer\/Printer, Pumpkin Patch Press *\u003cbr\u003e[For the previous edition] For the Love of Letterpress recognizes the history and traditional process while eloquently describing the role of letterpress in modern graphic design and art. It is thorough and simple in its discussion of the technical aspects of the printing and conceptual processes in a format that is both approachable and engaging for the printer or student. As an instructor of letterpress in higher education, I appreciate \"the magic\" descriptively woven throughout \u003ci\u003eFor the Love of Letterpress\u003c\/i\u003e, a beautiful documentation of technical lessons and impressive letterpress work. * Erin Beckloff, Vistiting Instructor, Miami University, Ohio *\u003cbr\u003eWinner (both 1st and 2nd editions of \u003ci\u003eFor the Love of Letterpress\u003c\/i\u003e) * 2019 American Graphic Design Awards Competition *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eAcknowledgements  The Sensual, Printed Artifact  The Allure The Passion                                                 The Historical Legacy: Connecting the Past and Future       Printer’s Primer Terminology and Measurement Lay of the Case Spacing and Leading Setting Type by Hand Alignment Tying Up the Form Ink Paper for Proofing Proofing  Press and Printing Paper The Vandercook Proof Press? “The Editioning Press” Lockup Press Operation Checking the Impression Makeready Registering Multiple Colors Editioning After Printing: Cleaning the Press Platen Presses (Chandler \u0026amp; Price)  Relief Matrices Foundry Type Monotype Linotype Ludlow Wood Type Images Ornaments Woodcuts Wood Engraving Linoleum Plates: Magnesium, Zinc, Copper, Photopolymer Laser Cut Materials  Contemporary Processes Found Objects and Other Materials Pressure Printing Split Fountain Debossing Damping or Dampening Monoprint Hand Inking Splatter Ghosting Backwards Transfer Floriated Initial Image Transfer Brayer Roll-outs Stencil  Creating a Concept Sources of Inspiration “Kindling” “Winnowing” Time Management  Envisioning the Object Structural Possibilities Relationship of Content and Structure The Function of Dummy Structures Choosing Appropriate Typefaces Choosing Appropriate Paper Choosing an Appropriate Color Palette The Colophon  Assessing the Object Envisioned Critique Format Models The Synergy of Form and Content  Letterpress Assignments Typography Introduction to the Book Design Identity (for a person, organization, or event) Historical Reference Advocacy\/Public Outreach Collaboration  Conclusion Appendices Further Reading Glossary Additional Resources  Index","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738583085399,"sku":"9781350051287","price":26.09,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350051287.jpg?v=1720049549"},{"product_id":"advanced-typography-9781350055919","title":"Advanced Typography","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eOnce you have learnt the fundamentals of typography, there is still a wealth of knowledge to grasp to really become a master in the art and craft of working with type.  In \u003ci\u003eAdvanced Typography\u003c\/i\u003e, expert practitioner and instructor Richard Hunt goes beyond the basics to take your understanding and usage to the next level.  Taking a practical approach, the book combines visual, linguistic, historical and psychological systems with the broad range of applications and audiences of type today.  From the challenges of designing across media and cultures, to type as information and craft, Hunt marries theoretical context with applied examples so you feel confident in improving your skills as an advanced typographer.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e1. Introduction   2. The changing technology and practice of type   3. Typography - art or craft?  4. Biological and psychological dimensions of type   5. Systems of organization 6. Typography as visual\/type as information 7. Type as technology   8. Type on screen (design practice)  9. Type as culture and symbol   10. Typefaces 11. Customizing\/creating type forms","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738583445847,"sku":"9781350055919","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350055919.jpg?v=1720049551"},{"product_id":"drawn-to-type-9781350066915","title":"Drawn to Type","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eIllustrated lettering is one of the most recognisable trends in design, but how do you take your work in this area to new levels and make your projects stand out from the crowd? Illustrator, designer and educator Marty Blake takes you through the craft of creative lettering: what you need to know about working with various media and how to incorporate image and text successfully.  Each chapter focuses on one technique, covering its history, the tools and techniques needed to achieve it, along with examples from designers and illustrators from around the world  all with critical reflection on what works, and why. Whether you're lettering by hand or digitally, \u003ci\u003eDrawn to Type\u003c\/i\u003e is perfect for use alongside courses in illustration and typography, and as an inspirational guide for designers looking to give the written word that visual impact.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eWith its carefully chosen case studies and succinct historical content, this is a useful and visually appealing book that offers practical and theoretical guidance to approaching typographic practice in creative ways. -- Jo Davies, Visiting Professor in Illustration, University of Plymouth, UK\u003cbr\u003eThis book is essential reading for any student who wants to understand the contextual history of our letterforms and how to integrate lettering more successfully within their creative projects. -- John Kilburn, University of Plymouth, UK\u003cbr\u003eA love letter to the alphabet, \u003ci\u003eDrawn to Type\u003c\/i\u003e provides inspiration for professional designers and hobbyists alike. -- Antoine Revoy, Rhode Island School of Design, USA\u003cbr\u003eIllustration is the magic space created between type and images. So, when I teach young illustrators, thinking with type and design is not an optional skill, but an essential tool. In \u003ci\u003eDrawn to Type\u003c\/i\u003e, Marty Blake has assembled a collection way beyond a typical scrapbook carousel, this is a rich tutorial for learning to use type as image, artifact, and communication. -- John Hendrix, Chair, MFA Illustration and Visual Culture, Washington University in St. Louis, USA\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eIntroduction \u003cb\u003ePart 1:\u003c\/b\u003e\u003cb\u003e Typography with Illustration\u003c\/b\u003e History The basics: Categories of styles and anatomy of letterforms Digital distortion: techniques and tips Sample work and artists \u003cb\u003ePart 2: Calligraphy and Brush Lettering with Illustration\u003c\/b\u003e History Sample alphabets: uncial, half uncial, Blackletter, Roman, Chancery, Spencerian, Humanist, Informal, etc. Examination of tools: pens, brushes, papers and inks Technical tips on writing Sign painting: tools and materials, paint and chalk Sample work and artists \u003cb\u003ePart 3: Hand Lettering with Illustration\u003c\/b\u003e History Sample alphabet styles Examination of tools: brushes, surfaces and paints Technical tips on lettering Sample work and artists \u003cb\u003ePart 4:\u003c\/b\u003e\u003cb\u003e Alternate Media\u003c\/b\u003e Graphic artists working with unusual materials and situations, including graffiti and street art Conditions, opportunities and parameters \u003cb\u003eGlossary\u003c\/b\u003e","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738584920407,"sku":"9781350066915","price":26.09,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350066915.jpg?v=1720049557"},{"product_id":"modern-calligraphy-9781409172550","title":"Modern Calligraphy","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eBeautifully illustrated with a covetable rose gold foil cover, \u003ci\u003eModern Calligraphy\u003c\/i\u003e is a step-by-step workbook for those wanting to learn this super trendy form of lettering.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eWritten by Lucy Edmonds, the founder of Quill London, the book will guide readers through the first steps of pointed pen calligraphy, encouraging you to spend an hour a week developing and practicing the new skill. Designed for complete beginners, the book offers tips, tricks and techniques on the materials required and how to use them properly, how to approach the modern calligraphy letterforms, and most importantly explores ways to develop our own modern calligraphy style. You''ll learn about inks and how to make your own, brush calligraphy, and what you can do with your new skill - from envelope addressing and event stationery to beautiful dinner party menus and gift tags.\u003c\/p\u003e","brand":"Orion Publishing Co","offers":[{"title":"Default Title","offer_id":48739073524055,"sku":"9781409172550","price":11.69,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781409172550.jpg?v=1720051084"},{"product_id":"house-industries-lettering-manual-new-edition-9781984859594","title":"House Industries Lettering Manual (new edition)","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e","brand":"Potter\/Ten Speed\/Harmony\/Rodale","offers":[{"title":"Default Title","offer_id":48742988939607,"sku":"9781984859594","price":18.75,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781984859594.jpg?v=1720063635"},{"product_id":"hand-lettering-workbook-9786057834010","title":"Hand Lettering Workbook","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eYou will find in this workbook lots of examples with plenty of space for you to write. You can learn the basics of hand lettering step by step and get started straight away. You will find a number of sayings, which you can use according to the motto \"copy and learn\", first tracing the letters and then drawing them yourself. There is also plenty of blank space for creating your own letters and, of course, an A-Z guide of letters. Naturally, the more you practise, the faster you will perfect your hand lettering.","brand":"Tuva Publishing","offers":[{"title":"Default Title","offer_id":48743180894551,"sku":"9786057834010","price":5.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9786057834010.jpg?v=1720064465"},{"product_id":"brush-lettering-and-watercolour-my-workbook-nice-writing-with-brush-pens-and-creative-designing-with-watercolour-paints-9786057834003","title":"Brush Lettering and Watercolour: My Workbook:","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eThis is the workbook companion to Katja Haas's `Brush Lettering and Watercolour'. It offers plenty of space for your own lettering and watercolour creations, as well as a compact overview of the basics of brush lettering and instructions for writing and decorating with brushes.","brand":"Tuva Publishing","offers":[{"title":"Default Title","offer_id":48743180960087,"sku":"9786057834003","price":5.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9786057834003.jpg?v=1720064466"},{"product_id":"lettering-tips-for-creation-9788416500321","title":"Lettering: Tips for Creation","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eThis lavishly illustrated volume showcases lettering and typographic work from some of the world's most exciting, innovative and talented designers. 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Barbara Kruger, Jenny Holzer, Carl Andre, Lawrence Weiner, and others built lucrative careers from text-based art. Meanwhile, poets and writers created works of minimal writing—visual texts generally shorter than a sentence. (One poem by Aram Saroyan reads in its entirety: eyeye.) In \u003ci\u003eabsence of clutter\u003c\/i\u003e, Paul Stephens offers the first comprehensive account of minimal writing, arguing that it is equal in complexity and power to better-known, more commercial text-based art.\u003c\/p\u003e\u003cp\u003eMinimal writing, Stephens writes, can be beguilingly simple on the surface, but can also offer iterative reading experiences on multiple levels, from the fleeting to the ponderous. “absence of clutter,” for example, the\u003c\/p\u003e","brand":"MIT Press Ltd","offers":[{"title":"Default Title","offer_id":48864300630359,"sku":"9780262043670","price":27.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780262043670.jpg?v=1722271298"},{"product_id":"shady-characters-9780393349726","title":"Shady Characters","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e“An absolutely fascinating blend of history, design, sociology, and cultural poetics—highly recommended.”—Maria Popova, \u003cem\u003eBrain Pickings\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\"If \u003cem\u003eEats, Shoots \u0026amp; Leaves\u003c\/em\u003e whetted your appetite on the subject of punctuation, then you have a treat in store. \u003cem\u003eShady Characters\u003c\/em\u003e is an authoritative, witty, and fascinating tour of the history and rationale behind such lesser known marks as the ampersand, manicule, the pilcrow, and the interrobang. Keith Houston also explains the octothorpe—otherwise known as the hashtag—and and my final comment on his book is #awesome.\" -- Ben Yagoda, author of How to Not Write Bad\u003cbr\u003e\"Make no mistake: this is a book of secrets. With zeal and rigor, Keith Houston cracks open the \u0026amp;, the #, the † and more—all the little matryoshka dolls of meaning that make writing work. Inside, we meet novelists, publishers, scholars and scribes; we range from ancient Greeks to hashtagged tweets; and we see the weird and wonderful foundations of the most successful technology of all time.\" -- Robin Sloan, author of Mr. Penumbra's 24-Hour Bookstore\u003cbr\u003e\"Funny, surprising, and, of course, geeky.\" -- Michael D. Schaffer and John Timpane - Philadelphia Inquirer\u003cbr\u003e\"Might make you look at books… in an entirely new way.\" -- Andrew Robinson - Nature\u003cbr\u003e\"Houston…is a tireless researcher and an amiable teacher.\" -- Jan Gardner - Boston Globe\u003cbr\u003e\"A pleasurable contribution to type history, particularly for readers who haven’t considered the ampersand in any detail.\" -- Carl W. Scarbrough - New Criterion\u003cbr\u003e\"Fascinating.\" -- Rob Kyff - The Courant\u003cbr\u003e\"An absolutely fascinating blend of history, design, sociology, and cultural poetics—highly recommended.\" -- Maria Popova - Brain Pickings\u003cbr\u003e\"For fans of Lynn Truss’s \u003cem\u003eEats, Shoots \u0026amp; Leaves\u003c\/em\u003e, this bestiary of lesser-known punctuation marks is a wonder.\" -- Publishers Weekly\u003cbr\u003e\"I'm a sucker for this stuff. The @ is called a \u003cem\u003echiocciola\u003c\/em\u003e (snail) in Italian! The \u0026amp; was once taught as a letter of the alphabet! The manicule has been with us for a millenium! Thank you, Keith Houston, for bringing these little mysteries out of the shadows of typographic history. \" -- Constance Hale, author of Sin and Syntax\u003cbr\u003e\"A mostly amusing, informative history of punctuation… Houston explores the roles a variety of punctuation marks have played in the popular imagination. The forgotten manicule, the modest dash and the ampersand all make appearances, as do intriguing characters from millennia past. The book is often engrossing… An unusual triumph of the human ability to find exaltation in the mundane.\" -- Kirkus Reviews\u003cbr\u003e\"This book has more in common with Malcolm Gladwell than with standard history writing.\" -- Library Journal","brand":"WW Norton \u0026 Co","offers":[{"title":"Default Title","offer_id":48864546488663,"sku":"9780393349726","price":14.24,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780393349726.jpg?v=1722272411"},{"product_id":"script-lettering-for-artists-lettering-calligraphy-typography-9780486213118","title":"Script Lettering for Artists Lettering","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eA basic guide to the construction of the script letter and its practical use, this book by a noted authority gives the beginner a thorough, straightforward course of instruction, with advice on virtually every facet of the art. Techniques of famous penmen and engravers such as Bickham, Tompkins, Cocker, and others are demonstrated.","brand":"Dover Publications Inc.","offers":[{"title":"Default Title","offer_id":48864657178967,"sku":"9780486213118","price":8.07,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780486213118.jpg?v=1722272927"},{"product_id":"arcade-game-typography-the-art-of-pixel-type-9780500021743","title":"Arcade Game Typography The Art of Pixel Type","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eArcade Game Typography presents readers with a fascinating new world of typography  the pixel typeface. Video game designers of the 70s, 80s and 90s faced colour and resolution limitations that stimulated incredible creativity: with letters having to exist in an 8x8 square grid, artists found ways to create expressive and elegant character sets within a tiny canvas. Featuring pixel typefaces carefully selected from the first decades of arcade video games, Arcade Game Typography presents a previously undocumented outsider typography' movement, accompanied by insightful commentary from author Toshi Omagari, a Monotype typeface designer himself, and screenshots of the type in use. Exhaustively researched, this book gathers an eclectic typography from hit games such as Super Sprint, Pac-Man, After Burner, Marble Madness, Shinobi, as well as countless lesserknown gems. The book presents its typefaces on a dynamic and decorative grid, taking reference from high-end type specimens while adding a suitably playful twist. 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Learn how to b\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\"James Martin is a rare breed – not only is he an incredibly talented designer, he’s also equally skilled at explaining the how and the why behind his decisions, and teaching beginning designers how to think strategically as a foundational aspect of their work. James’ work is a valuable resource for any designer looking to develop their skills, hone their craft, and communicate more effectively with clients.\" -- Emily Mcdowell, creative director of Em \u0026amp; Friends\u003cbr\u003e\"James Martin is one of the world’s top logo designers. I have been working in the creative industry for more than two decades. I have managed and employed hundreds of designers doing work for the biggest brands in the world. James has an elite level eye for detail and a creative spark that makes his work shine even compared to top talent worldwide. He has a rare gift and is, without a doubt, one of the most talented creatives I have seen in all my career.\" -- Michael Janda, best-selling author of Burn Your Portfolio\u003cbr\u003e\"...his personality shines throughout... James is eighty percent drawing, and that’s what I like most about the book. James doesn’t hold back on sharing his sketches. I’m positive that’s what contributed to his huge Instagram appeal, too, because there’s an insight you get from sketches that can’t be seen in any other part of a design project.\" -- David Airey * LogoDesignLove.com *\u003cbr\u003e\"From detailing the hundreds of logos he’s designed to writing about how client relationships help fortify your vision, there’s a lot you’re going to learn from this book.\" * Just Creative *","brand":"Quarto Publishing Group USA Inc","offers":[{"title":"Default Title","offer_id":48865793802583,"sku":"9780760371497","price":23.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780760371497.jpg?v=1722275599"},{"product_id":"principles-of-logo-design-9780760376515","title":"Principles of Logo Design","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eFrom noted graphic designer and logo expert George Bokhua, \u003ci\u003ePrinciples of Logo Design \u003c\/i\u003epresents essential techniques and examples for developing and refining logos and other visual marks, including the use of grids and other geometric shapes to achieve classic proportions.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003ePreface\u003cbr\u003e Chapter 1 \u003cbr\u003e General Concepts\u003cbr\u003e Are Logos Just Logos?\u003cbr\u003e 1.618033\u003cbr\u003e Rule or No Rule?\u003cbr\u003e Less is More?\u003cbr\u003e Modernism in Design\u003cbr\u003e Chapter 2\u003cbr\u003e Types of Logo Designs\u003cbr\u003e Pictorial Marks\u003cbr\u003e Letterforms\u003cbr\u003e Abstract Marks\u003cbr\u003e Wordmarks\u003cbr\u003e Monograms\u003cbr\u003e Negative Space Marks\u003cbr\u003e Logo System\u003cbr\u003e Pictograms\u003cbr\u003e Patterns as Identity Elements\u003cbr\u003e Chapter 3\u003cbr\u003e Visual Matters\u003cbr\u003e Gradients\u003cbr\u003e Color Gradiation Simplified\u003cbr\u003e Shade Gradiation with Strokes\u003cbr\u003e Light and Shading\u003cbr\u003e Shading of Hemisphere\u003cbr\u003e Light and Shading on Simple Marks\u003cbr\u003e Chiaroscuro in Logo Design\u003cbr\u003e Logo Visibility\u003cbr\u003e Graphic Device\u003cbr\u003e Black on White vs. White on Black\u003cbr\u003e Same-sized Look\u003cbr\u003e Bone Effect\u003cbr\u003e Bone Effect in Logo Design\u003cbr\u003e Overshoot\u003cbr\u003e Balancing\u003cbr\u003e Visual Paradoxes\u003cbr\u003e Types of Visual Paradoxes\u003cbr\u003e Impossible Figures\u003cbr\u003e Impossible Figures and Logo Design\u003cbr\u003e Motion-Illusion\u003cbr\u003e Ambiguous Forms\u003cbr\u003e Symmetry vs. Asymmetry\u003cbr\u003e Solid vs. Line\u003cbr\u003e Sharp vs. Round\u003cbr\u003e Pattern as a Design Element\u003cbr\u003e Dimension\u003cbr\u003e Dialectical Approach\u003cbr\u003e Composition\u003cbr\u003e Experimentation and Accidents\u003cbr\u003e Copying vs. Imitation\u003cbr\u003e Client Relations\u003cbr\u003e Real-life Objects as Aids\u003cbr\u003e Chapter 4\u003cbr\u003e Design Process\u003cbr\u003e Concepting\u003cbr\u003e Mood Boarding\u003cbr\u003e Sketching\u003cbr\u003e The Initial Stage\u003cbr\u003e The Refinement Stage\u003cbr\u003e The Fine-Tuning Stage\u003cbr\u003e Execution\u003cbr\u003e Gridding\u003cbr\u003e Gridding Complex Forms\u003cbr\u003e Type Lockup\u003cbr\u003e Chapter 5\u003cbr\u003e Presentation\u003cbr\u003e Brand Guidelines\u003cbr\u003e Logo Uses Guidelines\u003cbr\u003e Primary Colors and Secondary Colors\u003cbr\u003e Typography\u003cbr\u003e Grids\u003cbr\u003e Graphic Devices\u003cbr\u003e Stationary\u003cbr\u003e Pricing\u003cbr\u003e Design Studio\u003cbr\u003e About the Author\u003cbr\u003e Acknowledgements\u003cbr\u003e Index\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e  ","brand":"Quarto Publishing Group USA Inc","offers":[{"title":"Default Title","offer_id":48865796227415,"sku":"9780760376515","price":23.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780760376515.jpg?v=1722275612"},{"product_id":"special-effects-lettering-and-calligraphy-9780760380543","title":"Special Effects Lettering and Calligraphy","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eWith \u003ci\u003eSpecial Effects Lettering and Calligraphy\u003c\/i\u003e, you’ll learn to master a variety of lettering styles and gorgeous mediums to create amazing lettered art.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e This fun, colorful, and inspiring guide for lettering enthusiasts at all levels of experience is written and illustrated by popular lettering artist and Domestika instructor Grace Frosen of @gracecallidesigns, who shares her secrets on how to create vibrant and unique designs.\u003cbr\u003e   \u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eGetting 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Readers interested in exploring creative lettering will likely find this to be a helpful title for getting started.\" * Library Journal *\u003cbr\u003e\"An ideal instructional reference that explores a wide range of mediums and styles, including dazzling special effects, stunning color combinations, and impressive embellishments.\" * Midwest Book Review *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eINTRODUCTION\u003cbr\u003e 1. Getting Started\u003cbr\u003e Experiment with pens, paper, and other essential art materials\u003cbr\u003e 2. Creative Lettering for Beginners\u003cbr\u003e Warm-up exercises, hand-lettering basics, and alphabet guides\u003cbr\u003e 3. Adding Extra Sparkle\u003cbr\u003e Developing your own style and adding various special effects and techniques to make your lettering pop\u003cbr\u003e 4. Colors and Blending\u003cbr\u003e Blending colors and working with metallics and other glittering mediums\u003cbr\u003e 5. Oodles of Doodles\u003cbr\u003e Adding illustrations, flourishes, and embellishments to your lettering pieces\u003cbr\u003e 6. Putting It All Together\u003cbr\u003e Creating well-composed art pieces that combine different styles in a beautiful layout\u003cbr\u003e RESOURCES\u003cbr\u003e ACKNOWLEDGMENTS\u003cbr\u003e ABOUT THE AUTHOR\u003cbr\u003e INDEX\u003cbr\u003e  \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Quarto Publishing Group USA Inc","offers":[{"title":"Default Title","offer_id":48865797603671,"sku":"9780760380543","price":17.09,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780760380543.jpg?v=1722275620"},{"product_id":"logos-that-last-9780760383179","title":"Logos that Last","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eWith \u003ci\u003eLogos that Last\u003c\/i\u003e, learn key concepts and transformational techniques for creating iconic visual branding.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eHello\u003cbr\u003e The Pursuit of Perfection\u003cbr\u003e The Beginning\u003cbr\u003e Chapter 1: What Makes a Logo Last?\u003cbr\u003e Chapter 2: Brand Mark Process\u003cbr\u003e Chapter 3: Inspiration Hunting\u003cbr\u003e Chapter 4: Badge Design Process\u003cbr\u003e Chapter 5: Brand Extensions\u003cbr\u003e Chapter 6: Brand Evolution\u003cbr\u003e Chapter 7: The Shop\u003cbr\u003e Chapter 8: Case Studies\u003cbr\u003e Chapter 9: Passion Projects\u003cbr\u003e Thank You\u003cbr\u003e Acknowledgments\u003cbr\u003e About the Author\u003cbr\u003e Index\u003cbr\u003e\u003cbr\u003e  ","brand":"Quarto Publishing Group USA Inc","offers":[{"title":"Default Title","offer_id":48865799110999,"sku":"9780760383179","price":23.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780760383179.jpg?v=1722275630"},{"product_id":"heated-words-9780847872275","title":"Heated Words","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eThe iron-on lettering that is the subject of \u003ci\u003eHeated Words: Searching for a Mysterious Typeface\u003c\/i\u003e remains without attribution. 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This study presents an argument suggesting that the documents refer to the exquisite prayer book of Charles the Bold.","brand":"Getty Trust Publications","offers":[{"title":"Default Title","offer_id":48866163589463,"sku":"9780892369430","price":47.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780892369430.jpg?v=1722277359"},{"product_id":"giving-type-meaning-9781350255838","title":"Giving Type Meaning","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eWhen we encounter typography, how do we know what it means? How is the tone of type influenced by the way it is set, when it is made, and where it exists? Considering the social, spatial, and temporal contexts of visual language, this text informs and inspires students, educators, and professionals looking to engage more deeply with the letterforms they use and see. Featuring diverse typographic works, closer looks, and interviews with practicing artists and designers, Giving Type Meaning serves to inform how and why we understand what type communicates. \u003cbr\u003e\u003cbr\u003eThe book includes: \u003cbr\u003e\u003cbr\u003e- The importance and impact of cultural and social context across the expanded field of art and design\u003cbr\u003e- How to use visual, physical, and gestural space to inform meaning\u003cbr\u003e- The ways time impacts type, such as historical references, recontextualizations, and the use of time as medium \u003cbr\u003e- A range of global examples, including Lushootseed language letterforms (Lushootseed Sulad by Juliet Shen)\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eIntroduction: \u003c\/i\u003e\u003c\/b\u003e   \u003cb\u003e\u003ci\u003eChapter 1: Social Context\u003c\/i\u003e\u003c\/b\u003e \u003ci\u003e1.1 Context and meaning\u003c\/i\u003e \u003ci\u003e1.a. Visual Inflection\u003c\/i\u003e \u003ci\u003e1.b. Social Meaning \u0026amp; Typography\u003c\/i\u003e \u003ci\u003e                1.c. Visual Metaphors and Analogies\u003c\/i\u003e \u003ci\u003e                1.d. Cultural Context\u003c\/i\u003e \u003ci\u003e1.e Power Structures\u003c\/i\u003e \u003ci\u003e1.f Recontextualization  \u003c\/i\u003e \u003cb\u003e\u003ci\u003eChapter 2: Spatial Context\u003c\/i\u003e\u003c\/b\u003e \u003ci\u003e2.1. Visual Space (section)\u003c\/i\u003e \u003ci\u003e                2.1a \u003c\/i\u003e\u003ci\u003eKinetic and Expressive Type\u003c\/i\u003e \u003ci\u003e                2.1b. Sound, Shape, and Speech\u003c\/i\u003e \u003ci\u003e2.2. Concrete and Visual Poetry\u003c\/i\u003e \u003ci\u003e                2.2a. Physical Space\u003c\/i\u003e \u003ci\u003e2.2b. Material Meaning\u003c\/i\u003e \u003ci\u003e                2.2c. A Known Social Context\u003c\/i\u003e \u003ci\u003e                2.2d. History and Material Meanings\u003c\/i\u003e \u003ci\u003e2.2e. Material Metaphors and Analogies\u003c\/i\u003e \u003ci\u003e2.3 Architectural Materials\u003c\/i\u003e \u003ci\u003e                2.3a. Public Space\u003c\/i\u003e \u003ci\u003e                2.3b. Place-Based Meaning\u003c\/i\u003e \u003ci\u003e2.4b. Public Type \u0026amp; Community Participations\u003c\/i\u003e \u003ci\u003e2.5 Private Space\u003c\/i\u003e \u003ci\u003e2.5a Challenging Private Space\u003c\/i\u003e \u003ci\u003e2.6 Personal Space\u003c\/i\u003e \u003ci\u003e2.6a Apparel and Affiliation\u003c\/i\u003e \u003ci\u003e2.6b Proximity and Politics\u003c\/i\u003e \u003ci\u003e2.7 Virtual Space\u003c\/i\u003e \u003ci\u003e2.7a Digital Methods\u003c\/i\u003e \u003ci\u003e2.7b Augmented Reality, Mixed Reality, and Virtual Reality\u003c\/i\u003e \u003ci\u003e2.8 Gestural Space\u003c\/i\u003e \u003ci\u003e2.8a The Human Hand\u003c\/i\u003e \u003ci\u003e2.8b Gesture in and of Letterforms\u003c\/i\u003e \u003ci\u003e2.8c Gesture of Mark\u003c\/i\u003e \u003ci\u003e2.8d Gesture and Expression\u003c\/i\u003e \u003ci\u003e2.8e Corporeality and Performance\u003c\/i\u003e    \u003cb\u003e\u003ci\u003eChapter 3: Temporal Context\u003c\/i\u003e\u003c\/b\u003e \u003ci\u003e3.1. Time and history\u003c\/i\u003e \u003ci\u003e                3.1a Temporal Influence: Technology and Society\u003c\/i\u003e \u003ci\u003e3.1b Temporal Influence: Current Events\u003c\/i\u003e \u003ci\u003e3.2 Typographic Trends\u003c\/i\u003e \u003ci\u003e                3.2a. Historical Type in Contemporary Use\u003c\/i\u003e \u003ci\u003e3.2b. \u003c\/i\u003eRevivals and References \u003ci\u003e3.2c. \u003c\/i\u003eTemporal Recontextualisations \u003ci\u003e3.2d. History-Inspired Type\u003c\/i\u003e \u003ci\u003e3.3 Voices in Design\u003c\/i\u003e \u003ci\u003e3.3a Type and Identity\u003c\/i\u003e \u003ci\u003e3.4 Time as Medium\u003c\/i\u003e \u003ci\u003e3.5 Into the Future\u003c\/i\u003e \u003ci\u003e3.6 Language, Form and Meaning\u003c\/i\u003e \u003ci\u003e3.7 Speculative Typography\u003c\/i\u003e \u003ci\u003e3.8 What's Next?\u003c\/i\u003e   Resources for Educators and Students Bibliography Index Acknowledgements\u003c\/p\u003e","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48866596979031,"sku":"9781350255838","price":23.74,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350255838.jpg?v=1722279385"},{"product_id":"the-fundamentals-of-typography-9781474270366","title":"The Fundamentals of Typography","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eDemonstrating the power and variety of typography from hand-drawn to kinetic, this fully updated new edition of \u003ci\u003eThe Fundamentals of Typography\u003c\/i\u003e covers the principles of using type across a range of media.  Starting with a comprehensive introduction to the history of typography, the authors provide detailed explanations and inspirational examples of type usage from leading practitioners from around the world.  With expanded practice exercises and four new case studies, this book gives students everything they need to know to use type effectively and creatively.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eAs a design teacher and typeface designer I’ve come across many great books on Typography. \u003ci\u003eThe Fundamentals of Typography\u003c\/i\u003e is definitely among them, but it takes a step beyond. It covers in one book what I’d typically need many for. It has all the essential content for a basic type course while offering a wealth of information for advanced learners. It is rich in history and spans many cultures and alphabets. Learners can connect with the subject and gain contextual awareness through case studies, examples, and exercises with well-structured methods. I’m thrilled to find comprehensive information on optical, technical, and ethical dimensions all in one place. It’s a must-have for any student and designer's bookshelf -- Donald Tarallo, Graphic Designer for Tarallo Design and Associate Professor at Fitchburg State University, USA\u003cbr\u003e\u003ci\u003eThe Fundamentals of Typography\u003c\/i\u003e approaches the subject in such a way that the book can be used for a student just getting introduced to the idea of typography, yet has enough depth for the more advanced student. The unique typographic examples, combined with exercises at the end of the chapter that I actually want to assign to my students, makes this book my choice for the classroom. The new edition's updated interview-based case studies present contemporary cases that are inspiration for class projects. -- Brytton Bjorngaard, Director of Visual Arts and Associate Professor of Digital Media, University of Illinois Springfield, USA\u003cbr\u003eIt is exciting to see examples of type that often do not appear in books on typography. -- Joe Gilmore, Teaching Fellow in Graphic Design, University of Leeds, UK\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eIntroduction 1 Type and Language\u003c\/b\u003e The alphabet\/Early printing\/1800s\/The Arts and Crafts movement\/The early 20th century\/1950s\/ 1960s\/            1970s\/1980s\/1990s\/2000s\/graphic design today\/Case study\/Typography task \u003cb\u003e2 A Few Basics\u003c\/b\u003e Typefaces and fonts\/Typeface anatomy\/Relative and absolute measurements\/X-height\/Basic terminology\/Majuscule and minuscule\/Set width\/The baseline grid\/The golden section\/The Fibonacci sequence\/ Dividing the page\/Standard paper sizes\/The page--how we read\/Case study\/Typography task \u003cb\u003e3  Letterforms\u003c\/b\u003e Type families\/Typeweight variations\/Frutiger's grid\/Types of serif\/Fractions\/Superscript and subscript\/Numerals\/ Diacritical marks\/Punctuation\/Drop and standing capitals\/Dashes\/Character spacing\/Expert sets and special characters\/Small capitals\/Ligatures, diphthongs and sans serif logotypes\/Italic and oblique\/ Type classification systems\/newspaper text faces\/Hand-drawn type\/Case study\/Typography task \u003cb\u003e4  Words and Paragraphs\u003c\/b\u003e Calculating line lengths\/Kerning\/Automated kerning tables\/Alignment\/Word spacing, hyphenation and justification\/ Type detailing\/Leading\/Indents\/Indexes\/Case study\/Typography task \u003cb\u003e5  Using Type\u003c\/b\u003e Hierarchy\/Color\/Surprint, overprint, knockout and reverse\/Printing and type realization\/Grids and fonts\/Generating type\/Legibility and readability\/Texture\/Type as image\/Concrete poetry, typograms, trompe l'oeil and calligrams\/Humor\/Vernacular\/Appropriation\/Ownership\/Case study\/Typography task \u003cb\u003e6 Digital Type\u003c\/b\u003e Vectors and rasters\/Type on screen\/Kinetic typography\/Environmental typography\/Case study\/Typography task \u003cb\u003eGlossary\u003c\/b\u003e \u003cb\u003eContacts\u003c\/b\u003e \u003cb\u003eIndex\u003c\/b\u003e","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48867254567255,"sku":"9781474270366","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781474270366.jpg?v=1722282442"},{"product_id":"reinventing-print-9781474262699","title":"Reinventing Print","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eWith the rise of digital technology as a design tool and its acceptance as simply part of the tool chest for today's design studios, there has been a re-evaluation and return to exploring pre-digital typography.Design studios no longer flaunt their digital hardware, in fact quite the opposite. This attitudinal change toward digital technology has coincided with a growing fascination and re-evaluation of those pre-digital skills and processes that had been considered in recent years to be irrelevant. Mapping the rise of digital technology and examining the infinite possibilities it offers and the profound cultural and technical influence it has had in all aspects of visual communication. This text also focuses on our current post-digital age, in which the technology itself has become sufficiently common-place for us to fully recognize what it excels at and what it does less well.\u003ci\u003eReinventing Print\u003c\/i\u003e  focuses on those skills and processes which have been re-appropriated and irreveren","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48867254731095,"sku":"9781474262699","price":33.24,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781474262699.jpg?v=1722282442"},{"product_id":"calligraphy-kit-a-complete-kit-for-beginners-9781600584060","title":"Calligraphy Kit: A complete kit for beginners","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003e\u003ci\u003eCalligraphy: A Complete Kit for Beginners \u003c\/i\u003ecomes with all the materials and instruction a beginning lettering artist needs to get started.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The lettering book first \u003cb\u003ecovers the basics\u003c\/b\u003e—such as pen styles, angles, and hand positions; letter heights and spacing; and practice strokes—\u003cb\u003ebefore offering advanced techniques \u003c\/b\u003efor rendering several calligraphic alphabets, including Sans Serif, Roman, Chancery Cursive, Uncial, Black Letter, and Batarde. Numerals are covered, as well. Every lesson can be accomplished with the array of writing materials provided.\u003cbr\u003e\u003cbr\u003e The hardcover case includes:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e32-page paperback book with corresponding Spanish instruction\u003c\/li\u003e\n\u003cli\u003e1 cartridge calligraphy pen\u003c\/li\u003e\n\u003cli\u003e3 pen nibs\u003c\/li\u003e\n\u003cli\u003e12 ink cartridges\u003c\/li\u003e\n\u003cli\u003e1 felt-tip calligraphy pen\u003c\/li\u003e\n\u003cli\u003eCalligraphy paper\u003c\/li\u003e\n\u003cli\u003eA guideline sheet\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cb\u003eWarning! This product is intended for use by ages 14 and older and is not intended for use by children.\u003c\/b\u003e\u003c\/p\u003e","brand":"Quarto Publishing Group USA Inc","offers":[{"title":"Default Title","offer_id":48867703193943,"sku":"9781600584060","price":13.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781600584060.jpg?v=1722284559"},{"product_id":"mira-calligraphiae-monumenta-a-sixteenth-century-calligraphic-manuscript-inscribed-by-georg-bocskay-and-illuminated-by-joris-joefnagel-9781606066584","title":"Mira Calligraphiae Monumenta - A","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eNow back in print, \"the ultimate book-lover's gift book\" (Los Angeles Times)  In 1561-62 the master calligrapher Georg Bocskay (died 1575), imperial secretary to the Holy Roman Emperor Ferdinand I, created Mira calligraphiae monumenta (Model Book of Calligraphy) as a demonstration of his own preeminence among scribes. Some thirty years later, Ferdinand's grandson, the Emperor Rudolf II, commissioned Europe's last great manuscript illuminator, Joris Hoefnagel (1542-1600), to embellish the work. The resulting book is at once a treasury of extraordinary beauty and a landmark in the cultural debate between word and image.  Bocskay assembled a vast selection of contemporary and historical scripts for a work that summarized all that had been learned about writing to date-a testament to the universal power of the written word. Hoefnagel, desiring to prove the superiority of his art over Bocskay's words, employed every resource of illusionism, color, and form to devise all manner of brilliant grotesques, from flowers, fruit, insects, and animals to monsters and masks.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e“It’s back! Out of print for a decade, this gorgeously produced, slip-cased facsimile edition of an exquisite Renaissance manuscript unfurls a battle between brilliant advocates for the beauty of the written word (Hungarian scribe Georg Bocskay) and the painted image (Flemish illuminator Joris Hoefnagel). The small volume, with a bonus alphabet book tucked in at the end, is a sheer pleasure to hold in your hands.” ― Christopher Knight ― Los Angeles Times","brand":"Getty Trust Publications","offers":[{"title":"Default Title","offer_id":48867724329303,"sku":"9781606066584","price":60.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781606066584.jpg?v=1722284661"},{"product_id":"heart-of-the-brush-the-splendor-of-east-asian-calligraphy-9781611801347","title":"Heart of the Brush: The Splendor of East Asian","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eIts history, techniques, aesthetics, and philosophy—with an  in-depth  practical guide to understanding and drawing 150 characters\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eA   guide to the history and enjoyment of Chinese and Japanese calligraphy   that offers the possibility of appreciating it in a hands-on way—with   step-by-step instructions for brushing 150 classic characters.\u003cbr\u003e\u003cbr\u003e This book  is a comprehensive and accessible introduction to the history  and art  of calligraphy as it''s been practiced for centuries in China,  Japan, and  elsewhere in Asia. It works as a guide for the beginner  hoping to  develop an appreciation for Asian calligraphy, for the person  who wants  to give calligraphy-creation a try, as well as for the  expert or  afficionado who just wants to browse through and exult in  lovely  examples. It covers the history and development of the art, then  the  author invites the reader to give it a try. \u003cbr\u003e     \u003cbr\u003eThe heart  of the  book, called \"Master Samples and Study,\" presents 150  characters--from  \"action\" to \"zen\"--each in a two-page spread. On each  verso page the  character is presented in three different styles, each  one chosen for  its beauty and identified by artist when possible. The  character''s  meaning, pronunciation (in Chinese, Japanese, Korean, and  Vietnamese),  etymology, the pictograph from which it evolved, and other  notes of  interest are included. At the bottom of the page the stroke  order is  shown: the sequence of brush movements, numbered in their  traditional  order. On each facing recto page is Kaz''s own  interpretation of the  character, full page.","brand":"Shambhala Publications Inc","offers":[{"title":"Default Title","offer_id":48867746185559,"sku":"9781611801347","price":28.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781611801347.jpg?v=1722284765"},{"product_id":"inside-paragraphs-typographic-fundamentals-9781616899417","title":"Inside Paragraphs: Typographic Fundamentals","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eWhat goes on inside a paragraph of printed text? Cyrus Highsmith’s \u003ci\u003eInside Paragraphs\u003c\/i\u003e is an essential primer on the basics of typography that focuses specifically on the role of printed text within a paragraph. Engaging full-page illustrations and Highsmith’s accessible explanations show the role of white space between letters, words, and lines. 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With new images and diagrams, the book covers everything from working with grids, color application, typography, and imagery to how to finally put it all together.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Features include:\u003cul\u003e\n\u003cli\u003eThe ultimate primer on graphic design's basic visual toolkit—dot, line, plane, texture, space, and contrast—and how these basics underpin all successful layouts\u003c\/li\u003e\n\u003cli\u003eAn in-depth look at color—from its optical qualities and its effect on type to its potential for communication concepts and emotions\u003c\/li\u003e\n\u003cli\u003eOne of the most thorough compilations of typography concepts to be found—including information on letterform structure and optics, combining typeface styles, the mechanics of detailed text typesetting, and using type as image\u003c\/li\u003e\n\u003cli\u003eAn extensive overview of imagery—the endless possibilities of medium, depiction, abstraction, stylization, and how these all communicate effectively\u003c\/li\u003e\n\u003cli\u003eMethods for integrating type and image, including a tutorial on using grid systems to structure layouts\u003c\/li\u003e\n\u003cli\u003eTwenty rules for making good design—and the best ways to break them\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eBeing a creative designer is often about coming up with unique design solutions. But when the basic rules of design are ignored in an effort to be distinctive, design becomes useless. In language, a departure from the rules is only appreciated as great literature if recognition of the rules underlies the text. Graphic design is a \"visual language,\" and brilliance is recognized in designers whose work seems to break all the rules, yet communicates its messages clearly.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eWhat Is Graphic Design?\u003cbr\u003e Twenty Rules for Making Good Design\u003cbr\u003e  \u003cbr\u003e FORM AND SPACE\u003cbr\u003e DEFINING VISUAL LANGUAGE\u003cbr\u003e ATTRIBUTES OF FORM\u003cbr\u003e PUTTING STUFF INTO SPACE\u003cbr\u003e COMPOSITIONAL STRATEGIES\u003cbr\u003e  \u003cbr\u003e COLOR FUNDAMENTALS\u003cbr\u003e THE IDENTITY OF COLOR\u003cbr\u003e CHROMATIC INTERACTION\u003cbr\u003e COLOR LOGIC AND SYSTEMS\u003cbr\u003e WHEN COLOR MEANS SOMETHING\u003cbr\u003e COLOR IN THE REAL WORLD\u003cbr\u003e  \u003cbr\u003e Choosing and Using Type\u003cbr\u003e STRUCTURE AND OPTICS\u003cbr\u003e ISSUES RELATED TO STYLE\u003cbr\u003e THE MECHANICS OF TEXTSETTING\u003cbr\u003e TYPE IS VISUAL, TOO\u003cbr\u003e TYPE AS INFORMATION\u003cbr\u003e  \u003cbr\u003e The World of Imagery\u003cbr\u003e THE NATURE OF IMAGES\u003cbr\u003e MEDIA AND METHODS\u003cbr\u003e CONTENT, CONCEPT, CONTEXT\u003cbr\u003e NARRATIVE MASSAGE\u003cbr\u003e  \u003cbr\u003e Putting it all Together\u003cbr\u003e MERGING TYPE AND IMAGE\u003cbr\u003e WORKING WITH GRIDS\u003cbr\u003e INTUITIVE ARRANGEMENT\u003cbr\u003e DESIGN AS A SYSTEM\u003cbr\u003e THE WORKING PROCESS\u003cbr\u003e  \u003cbr\u003e Causin’ Some Trouble: Breaking Every Rule in This Book\u003cbr\u003e Index (By Subject)\u003cbr\u003e Directory of Contributors\u003cbr\u003e About the Author and Acknowledgments\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e  \u003c\/p\u003e","brand":"Quarto Publishing Group USA Inc","offers":[{"title":"Default Title","offer_id":48867849273687,"sku":"9781631598722","price":23.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781631598722.jpg?v=1722285259"},{"product_id":"classic-calligraphy-for-beginners-essential-step-by-step-techniques-for-copperplate-and-spencerian-scripts-25-simple-modern-projects-for-pointed-nib-pen-and-brush-9781631599842","title":"Classic Calligraphy for Beginners: Essential","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003e\u003ci\u003eClassic Calligraphy for Beginners\u003c\/i\u003e introduces the fundamental techniques for mastering two classic calligraphic scripts, Copperplate and Spencerian, plus easy-to-follow exercises and fun, modern projects.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e Guided by instructions and illustrations by \u003cb\u003enoted calligraphy artist and teacher Younghae Chung\u003c\/b\u003e, you will: \u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e Get a detailed yet concise overview of \u003cb\u003etools, supplies, and terminology\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli\u003e Try out your materials with \u003cb\u003ebasic warm-ups and nib exercises\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eLearn the essential principles or strokes\u003c\/b\u003e and create the lowercase and uppercase letters of the featured scripts \u003c\/li\u003e\n\u003cli\u003e Take your letters to the next level and \u003cb\u003eadd flourishes with confidence\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli\u003e Explore \u003cb\u003ebrush pens and non-flexible writing tools\u003c\/b\u003e to emulate the look of calligraphy on \u003cb\u003elarge-scale and unusual surfaces\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eReinforce core skills\u003c\/b\u003e by applying the scripts to a variety of \u003cb\u003esimple, modern projects on paper, wood, glass, fabric, and other surfaces\u003c\/b\u003e, and get inspiring tips on how to add \u003cb\u003ebeautiful details that lend a modern touch\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli\u003e Find \u003cb\u003esample guide sheets\u003c\/b\u003e for Copperplate, Spencerian, and brush calligraphy \u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eDiscover the timeless beauty of calligraphy\u003c\/b\u003e with \u003ci\u003eClassic Calligraphy for Beginners\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\"Beautifully and instructively illustrated throughout, \u003ci\u003eClassic Calligraphy for Beginners\u003c\/i\u003e is a complete and comprehensive instruction guide and 'how to' manual for the novice calligrapher.\" * Midwest Book Review *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eIntroduction\u003cbr\u003e 1. GETTING STARTED\u003cbr\u003e • Recommended Tools and Materials\u003cbr\u003e • Preparing to Write\u003cbr\u003e • Troubleshooting\u003cbr\u003e 2. COPPERPLATE SCRIPT\u003cbr\u003e • Introduction to Copperplate\u003cbr\u003e • Using and Understanding Guidelines\u003cbr\u003e • Warm-up Exercises and Nib Exercises\u003cbr\u003e • Lowercase Basic Strokes\u003cbr\u003e • How to Square Tops and Bottoms\u003cbr\u003e • Lowercase Letters by Group\u003cbr\u003e • Lowercase Letters Exemplar\u003cbr\u003e • Connecting Letters\u003cbr\u003e • Uppercase Basic Strokes\u003cbr\u003e • Uppercase Letters by Group\u003cbr\u003e • Uppercase Letters Exemplar\u003cbr\u003e 3. SPENCERIAN SCRIPT\u003cbr\u003e • Introduction to Spencerian\u003cbr\u003e • Using and Understanding Guidelines\u003cbr\u003e • Lowercase Principles\u003cbr\u003e • Lowercase Letters by Group\u003cbr\u003e • Lowercase Letters Exemplar\u003cbr\u003e • Uppercase Principles\u003cbr\u003e • Uppercase Letters by Group\u003cbr\u003e • Uppercase Letters Exemplar\u003cbr\u003e 4. FLOURISHING AND OTHER TECHNIQUES\u003cbr\u003e • What Is Flourishing?\u003cbr\u003e • Flourishing Lowercase Letters\u003cbr\u003e • Flourishing Uppercase Letters\u003cbr\u003e • Brush Lettering\u003cbr\u003e • Faux Calligraphy\u003cbr\u003e 5. CREATIVE PROJECTS\u003cbr\u003e Nib\u003cbr\u003e • Wax Seal Place Cards\u003cbr\u003e • Variation: Place Card on Handmade Paper\u003cbr\u003e • Personalized Menu\u003cbr\u003e • Cheeseboard Food Labels\u003cbr\u003e • Gold-Trimmed Gift Tags\u003cbr\u003e • “Thank You” Cards\u003cbr\u003e • Birth Details Photo Mat\u003cbr\u003e • Frosted Winter Wreath Design\u003cbr\u003e • Variation: “Noel” Wreath Design\u003cbr\u003e • Addressing Envelopes\u003cbr\u003e Brush\u003cbr\u003e • Personalized Outer Envelope\u003cbr\u003e • “Happy Birthday” Banner Signage\u003cbr\u003e • Cake Topper\u003cbr\u003e • Gift Wrapping Paper\u003cbr\u003e • Personalized Kraft Notebooks\u003cbr\u003e • Bookmark\u003cbr\u003e • Vision Board\u003cbr\u003e • Multicolored Alphabet Print\u003cbr\u003e Pen\u003cbr\u003e • Event Table Card\u003cbr\u003e • Capiz Shell Place Cards\u003cbr\u003e • Personalized Ornaments\u003cbr\u003e • Monogrammed Pen Pouch\u003cbr\u003e • Heart-Shaped “Love” Card\u003cbr\u003e • Marble Coasters\u003cbr\u003e • Garden Labels\u003cbr\u003e • “Welcome” Wooden Signage\u003cbr\u003e Sample Guide Sheets\u003cbr\u003e Resources\u003cbr\u003e Acknowledgments\u003cbr\u003e About the Author\u003cbr\u003e Index\u003cbr\u003e  ","brand":"Quarto Publishing Group USA Inc","offers":[{"title":"Default Title","offer_id":48867849929047,"sku":"9781631599842","price":17.09,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781631599842.jpg?v=1722285260"},{"product_id":"the-visual-history-of-type-9781780679761","title":"The Visual History of Type","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003ci\u003e\u003cb\u003eThe Visual History of Type\u003c\/b\u003e\u003c\/i\u003e is a comprehensive, detailed survey of the major typefaces produced since the advent of printing with movable type in the mid-fifteenth century to the present day. Arranged chronologically to provide context, more than 320 typefaces are displayed in the form of their original type specimens or earliest printing. Each entry is supported by a brief history and description of key characteristics of the typeface.\u003cbr\u003e\u003cbr\u003eThis book will be the definitive publication in its field, appealing to graphic designers, educators, historians and design students. It will also be a significant resource for professional type designers and students of type.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReviews\u003c\/b\u003e\u003cbr\u003e\"A mind-blowing catalogue of typefaces and type history... a fantastic, heavyweight compendium of letterforms that''s a firm \u003ci\u003eWIRED\u003c\/i\u003e art department favourite.\" - \u003ci\u003eWIRED\u003c\/i\u003e magazine\u003cbr\u003e\u003cbr\u003e\"\u003ci\u003eThe Visual History of Type\u003c\/i\u003e is a comprehensive, detailed survey of the major typefaces produced since the advent of printing...This book will be the definitive publication in its field, appealing to graphic designers, educators, historians and design students.\" - \u003ci\u003eAgainst The Grain\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"Accessible, highly readable and, moreover, a type book to pore over and simply enjoy as the history of the medium evolves chronologically from page to page.\" - \u003ci\u003eCreative Review\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"This exquisitely produced, extensively researched and extraordinarily comprehensive work is a definitive study of the history of type.\" - \u003ci\u003eNew Design\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"\u003ci\u003eThe Visual History of Type\u003c\/i\u003e is a beautiful book. 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The logos are from a diverse range of companies and includes design masters such as Paul Rand and Saul Bass alongside some of the most exciting work from contemporary designers.\u003cbr\u003e\u003cbr\u003eThis compelling compendium takes the reader on a journey showing how each form has evolved through history. All logos are active and include household names like Disney, Apple, and Starbucks next to lesser known designs giving a comprehensive snapshot of the full scope of logo design. This is a complete, taxonomical guide to the history, development, and style of identity design.\u003cbr\u003e\u003cbr\u003eThe must-have book for any graphic designer, student or type fanatic in a fully revised, updated edition.\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\"The next time you are tempted to design a logo, take a look at this book. Chances are, it has already been done. 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This is a valuable reference for both experienced professionals and novice designers.\u003c\/p\u003e","brand":"Laurence King Publishing","offers":[{"title":"Default Title","offer_id":48868362486103,"sku":"9781786277480","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781786277480.jpg?v=1722287681"},{"product_id":"sign-painting-a-practical-guide-to-tools-materials-and-techniques-9781786276926","title":"Sign Painting: A practical guide to tools,","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eThis book introduces the fundamentals of sign painting, allowing readers to learn about the tools, materials and techniques needed to create painted signs. All the basics are covered, from choosing and using brushes, paints, mahl sticks, dippers and pencils, to how to prepare and finish surfaces, transfer designs, mix paint and work with the brush. A gallery section of original alphabets, created for the book by sign painters around the world, provides visual inspiration and demonstrates a wide variety of styles and approaches.","brand":"Laurence King Publishing","offers":[{"title":"Default Title","offer_id":48868362453335,"sku":"9781786276926","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781786276926.jpg?v=1722287680"},{"product_id":"thinking-with-type-9781797226828","title":"Thinking with Type","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eThe essential and bestselling guide to typography from beloved design educator Ellen Lupton—revised and expanded to include new and additional voices, examples, and principles, and a wider array of typefaces.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e'\u003ci\u003eThinking with Type\u003c\/i\u003e is to typography what Stephen Hawking's \u003ci\u003eA Brief History of Time\u003c\/i\u003e is to physics.'—\u003ci\u003eI Love Typography\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e  \u003cbr\u003e The bestselling \u003ci\u003eThinking with Type\u003c\/i\u003e in a revised and expanded third edition: This is the definitive guide to using typography in visual communication. Covering the essentials of typography, this book explores everything from typefaces and type families to kerning and tracking to grids and layout principles.\u003cbr\u003e\u003cbr\u003e Ellen Lupton provides clear and focused guidance on how letters, words, and paragraphs should be aligned, spaced, ordered, and shaped. Historical and contemporary examples of graphic design show how to learn the rules and how to break them. 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Andelman * The Fellowship of American Bibliographic Societies Journal *","brand":"Profile Books Ltd","offers":[{"title":"Default Title","offer_id":48868524392791,"sku":"9781800817777","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781800817777.jpg?v=1722288463"},{"product_id":"big-type-graphic-design-and-identities-with-typographic-emphasis-9781838186579","title":"Big Type: Graphic Design and Identities with","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e‘Big Type’ explores graphic design and identity work where the emphasis is on typography. The visual landscape in which today’s designers are contributing to is very cluttered and the digital world alone is so vast, that sometimes it feels hard to make your voice heard amongst all the noise. The work on show within this book examines how designers can produce work that stands out and cuts through the noise. It showcases a fascinating direction in graphic design, forged by a collision of technology, typography and trends which is creating new and exciting results.\u003cbr\u003e\u003cbr\u003e This book is available in blue, green of grey; books are shipped to customers at random.","brand":"Counter-Print","offers":[{"title":"Default Title","offer_id":48868591829335,"sku":"9781838186579","price":17.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781838186579.jpg?v=1722288775"},{"product_id":"just-my-type-the-original-and-best-book-about-fonts-9781846683022","title":"Just My Type: The original and best book about","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eJust My Type is not just a font book, but a book of stories. About how Helvetica and Comic Sans took over the world. About why Barack Obama opted for Gotham, while Amy Winehouse found her soul in 30s Art Deco. About the great originators of type, from Baskerville to Zapf, or people like Neville Brody who threw out the rulebook, or Margaret Calvert, who invented the motorway signs that are used from Watford Gap to Abu Dhabi. About the pivotal moment when fonts left the world of Letraset and were loaded onto computers ... and typefaces became something we realised we all have an opinion about.  As the Sunday Times review put it, the book is 'a kind of Eats, Shoots and Leaves for letters, revealing the extent to which fonts are not only shaped by but also define the world in which we live.'  This edition is available with both black and silver covers.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eBrilliant ... whether you're a graphics geek or have never given a second thought to what you're reading, don't miss this quirky, fact-filled font fest. -- Lauren Laverne * Grazia *\u003cbr\u003eReading this book may just change your life; it'll certainly make you smile. If nothing else, it'll make you appreciate the beauty - and sometimes the horror - that is all around you. * Time Out *\u003cbr\u003eA celebration of our way with words * Observer *\u003cbr\u003eLight-hearted but comprehensive, from rather odious typefaces, such as the hairy Grassy, to the ubiquitous Helvetica, each font is given a rundown. Garfield says he's unable to walk past a sign until he has identified the typeface. Now, neither can we. * Monocle *\u003cbr\u003eGarfield convinces us it's okay to actually like typography. What shines about this book is its accessibility; you don't have to be a typeface historian or a designer to find it enthralling ... It's fascinating to read about the history, origins and revolutions of typefaces, and this book strikes a great balance between fact and humour. Garfield's book isn't snobbish or elitist, and this is its most refreshing quality - it's for everyone to enjoy and share ... reading this book may just change your life; it'll certainly make you smile. If nothing else, it'll make you appreciate the beauty - and sometimes the horror - that is all around you. -- Nick Booth * Time Out *\u003cbr\u003eHugely entertaining ... a lively history ... my considerable enjoyment of this book may have been enhanced by the fact that I've always been very interested in print design. But even those who have never considered the beauty of the Baskerville Q ... should find themselves being drawn in by Garfield's enthusiasm and wit -- Anna Carey * Sunday Business Post *\u003cbr\u003eA quirky introduction to fonts ... Simon Garfield is careful to tickle as much as he teaches ... Just My Type is fun. If you have ever looked at the drop-down menu in Word and wondered what a Garamond is, or what's meant to be new about Times New Roman, Garfield will be just your type. -- Peter Robins * Daily Telegraph *\u003cbr\u003eDozens of compelling anecdotes are clearly told by Simon Garfield in this eye-opening book, which is utterly convincing in its central idea - that we are surrounded by fonts and influenced by their subtle message ... a delightful, brain-expanding book. -- Harry Mount * Mail on Sunday *\u003cbr\u003eGarfield's great strength is his storytelling. His book comprises dozens of lovely vignettes, anecdotes that make a potentially dusty subject utterly compelling ... he shows as judicious a sense of imagery as he has of more technical description ... a fine primer -- Archie Bland * Independent on Sunday *\u003cbr\u003eA lively history of fonts, from the first moveable letters used by Johannes Gutenberg in the 1440s to the latest cutting edge typefaces ... lavishly and imaginatively illustrated ... a joy to look at as well as to read ... encapsulates the romance and magical possibilities of type. -- Anna Carey * Sunday Business Post *\u003cbr\u003eChatty, anecdotal ... illuminates even a walk to the shops * Sunday Times *\u003cbr\u003eSuperb ... it is a fascinating and funny book that delves into the history and oddities of typefaces throughout the ages ... it's full of weird and wonderful stories. -- Doug Johnstone * Big Issue *\u003cbr\u003eA gift for aesthetes and arty types ... funny and fascinating -- Bea Hodgkin * Easy Living *\u003cbr\u003eJust My Type is a font fanatic's dream -- Alison Flood * Wired Magazine *\u003cbr\u003eGarfield is extremely knowledgeable about type history while ignoring the politics and egos ... the tone is often funny and always entertaining ... thoroughly enjoyable. -- Steven Heller * Financial Times *\u003cbr\u003eA delight from start to end * The Age, Australia *\u003cbr\u003eA whistle-stop tour of fonts ... Garfield's book will open your eyes to the array of typefaces that demand our attention every day. -- Emma Hagestadt * Lady *\u003cbr\u003ePunchy and entertaining overview of typography ... Garfield's intriguing book can send you online to look more deeply, typographically speaking into the character issue. -- Liam Stebbing * Irish Times *\u003cbr\u003eGarfield has a track record of making odd subjects fascinating ... a weirdly addictive book. * Saga *\u003cbr\u003eEngrossing ... I've long been a fan of Garfield's popular touch, but he also writes knowledgeably about the minutiae of printing and layout. The book is attractive too ... for this book's many pleasures he should, at least, have a typeface named after him. -- Nick Curtis * Evening Standard *\u003cbr\u003eThe most interesting and entertaining parts of the book are the glimpses into the strange internet world of type fanaticism. -- Sebastian Carter * TLS *\u003cbr\u003eEquipped with both knowledge and a nimble way with words, Garfield is an entertaining and congenial guide to this ubiquitous but little-known world. -- Jeremy Lewis * Literary Review *\u003cbr\u003eA quirky and informative study of fonts -- Anthony Horowitz * Sunday Telegraph *\u003cbr\u003eBouncy, well-informed and wittily designed ... an engaging book. -- Jonathan Glancey * Guardian *\u003cbr\u003eThere's a ton of fascinating stuff you never knew about fonts and thankfully Simon Garfield has stuck practically all of it in this friendly and informative book about the subject ... packed with nuggets that are way more relevant to your cool young life than you might realise ... riveting, and truly educational stuff. -- Stuart Hammond * Dazed and Confused *\u003cbr\u003eAmusing and informative ... Just My Type is an immensely refreshing offering from an author who is fascinated by his subject. Conveying the richness and the personality of typefaces with love and passion, this is an accessible and entertaining introduction to the world of lettering. -- Patrick Myles * Blueprint *\u003cbr\u003eDelightful ... Just My Type is the kind of book that makes you look at the world differently, indeed, it can induce a mild obsessive compulsive disorder ... like a master sommelier, Garfield has a wonderful capacity to convery the little hints and barely registered associations which different fonts impart ... an ingenious book. -- Stuart Kelly * Scotsman *\u003cbr\u003eAccessible, informative and often amusing... Copiously illustrated, it's a painless way to develop an appreciation for the subject. -- Alastair Mabbott * Herald *\u003cbr\u003eThis is a smart, funny, accessible book that does for typography what Lynne Truss's best-selling Eats, Shoots \u0026amp; Leaves did for punctuation: made it noticeable for people who had no idea they were interested in such things. * New York Times *\u003cbr\u003e[A] lively romp through the history of fonts. Garfield's evocative prose entices us to see letters instead of just reading them * Publishers Weekly *\u003cbr\u003eHighly recommended to all, whether or not you feel predisposed to like this kind of thing! Eye-opening and mind-expanding! * Library Journal *\u003cbr\u003eDeliriously clever and entertaining. * Boston Globe *\u003cbr\u003eA witty and illuminating history of typography... As a writer who succeeds in re-interpreting arcane design-speak for a wider audience, Garfield is at his best when investigating the personal histories of designers... It is a book that opens our eyes afresh to the jostling array of \"armour-plated\" \"balletic\" \"nuzzling\" typefaces that demand our attention and appreciation... An unexpectedly engrossing read, this is a book that threatens to make font wonks of all of us. -- Emma Hagestadt * Independent *\u003cbr\u003eEntertaining feast of fonts for graphic geeks and a humorous insight into the fonts dominating print today. * Times *\u003cbr\u003eEvery so often someone writes a book about an obscure subject and uses it to illuminate the rest of the world... this is one of the best. -- William Leith * Evening Standard *\u003cbr\u003eAfter being walked through these stories, it's difficult to even look at a cereal packet in the same way again... This book won't just turn readers into avid font-spotters; it will also nudge them towards admiring the beauty of a single letter or a well-drawn ampersand. Garfield's... clear, lyrical prose is infectious, and sometimes as though the letters themselves were living things. -- Jessica Holland * Observer *","brand":"Profile Books Ltd","offers":[{"title":"Default Title","offer_id":48868707631447,"sku":"9781846683022","price":11.69,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781846683022.jpg?v=1722289324"},{"product_id":"maggie-magoo-s-amazing-alphabet-beautiful-letters-for-colouring-9781849947855","title":"Maggie Magoo’s Amazing Alphabet: Beautiful","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eAn outstanding colouring book of decorative letters from the hugely popular Maggie Magoo design house.\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThis beautiful book contains two different illustrations of each letter from the alphabet, plus two different sets of numbers (0 to 9) and useful ampersands. Beautiful floral illustrations, with tiny minibeasts roaming around, embellish these initials and bring them to life. They are itching for a touch of colour and are ideal for any colouring-in fan looking for new, high-quality illustrations. Once coloured they can be framed to make great prints for bedrooms, kitchens, playrooms and nurseries. 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One side of this sharp-witted, cleverly designed guide presents the ten main rules, or 'commandments', of type design, addressing such aspects of typographic doctrine as legibility, alignment and capitalization; the other shows how type can successfully subvert these rules, presenting 'sacreligious' visual alternatives. In support of the commandments, Felton includes a list of twelve 'disciples', those internationally renowned graphic designers whom he identifies as rule-abiding, including such figures as Eric Gill, Jan Tschichold and Erik Spiekermann. 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Today, however, most of us work on computers, with access to hundreds of fonts, and we'd all like our letters, reports and other documents to look as good  -  and as readable  -  as possible. But what does all the confusing terminology about ink traps, letter spacing, and visual centring mean, and what are the rules for good typography? Type Matters! is a book of tips for everyday use, for all users of typography, from students and professionals to anyone who does any layout design on a computer. The book is arranged into three chapters: an introduction to the basics of typography; headline and display type; and setting text. Within each chapter there are sections devoted to particular principles or problems, such as selecting the right typeface, leading, and the treatment of numbers. Examples throughout show precisely what makes good typography  -  and, crucially, what doesn't. 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