{"title":"The arts: general topics Books","description":"","products":[{"product_id":"mushroom-botanical-art-9784756254757","title":"Mushroom Botanical Art","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e","brand":"Pie International Co., Ltd.","offers":[{"title":"Default Title","offer_id":47850322067799,"sku":"9784756254757","price":21.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9784756254757.jpg?v=1710612601"},{"product_id":"making-a-noise-9781474607094","title":"Making a Noise","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eJohn Tusa is a distinguished journalist, broadcaster and leader of arts organisations, best remembered for his times at the BBC, including creating \u003ci\u003eNewsnight\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003eTusa''s memoir is etched with candour. His account of two years of internecine warfare at the top of the BBC under the Chairman, ''Dukey'' Hussey will go down as a major contribution to BBC history. His recollections of a hilarious and petty-minded few months as head of a Cambridge college will be read as a case study of the absurdities of academic life; while running the rejected and maligned Barbican Centre, Tusa led its recovery into the major cultural centre that it is today.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eA real contribution to British cultural history. -- Brian Morton * THE HERALD *","brand":"Orion Publishing Co","offers":[{"title":"Default Title","offer_id":47851818877271,"sku":"9781474607094","price":8.24,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781474607094.jpg?v=1710645817"},{"product_id":"selected-writings-on-art-and-literature-penguin-classics-9780140446067","title":"Selected Writings on Art and Literature Penguin","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eDiscusses works by great painters such as Delacroix and Ingres. This title features writings on Poe, Flaubert and Gautier.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eThe Salon of 1845 (extracts); the Salon of 1846 (extracts); of virtuous plays and novels; the universal exhibition of 1855 - the fine arts (extracts); of the essence of laughter, and generally of the comic in the plastic arts; Edgar Allan Poe, his life and works; further notes on Edgar Poe; some French caricaturists; \"Madame Bovary\" by Gustave Flaubert; Theophile Gautier; the Salon of 1859 (extracts); Richard Wagner and \"Tannhauser\" in Paris; the life and work of Eugene Delacroix; the painter and modern life.","brand":"Penguin Books Ltd","offers":[{"title":"Default Title","offer_id":48732376170839,"sku":"9780140446067","price":13.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780140446067.jpg?v=1719996613"},{"product_id":"the-penguin-dictionary-of-art-and-artists-9780140513004","title":"The Penguin Dictionary of Art and Artists","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eThis magnificant, bestselling reference book finally leaves its old look to join the modern Penguin subject dictionary series. Why exactly did Van Gogh cut off his ear? Was Warhol an original or just a copyist? The answers to all this and more are found in \u003ci\u003eThe Penguin Dictionary of Art and Artists\u003c\/i\u003e, the essential guide to over 700 years of creative endeavour. Each entry features extensive cross-referencing and listings of galleries where the artist's work can be seen.","brand":"Penguin Books Ltd","offers":[{"title":"Default Title","offer_id":48732383740247,"sku":"9780140513004","price":14.24,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780140513004.jpg?v=1719996645"},{"product_id":"reality-hunger-9780141049076","title":"Reality Hunger","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eReality Hunger\u003c\/i\u003e questions every assumption we ever made about art, the novel, journalism, poetry, film, TV, rap, stand-up, graffiti, sampling, plagiarism, writing, and reading. In seeking to tear up the old culture in search of something new and more authentic, it is the most vital book of the new century.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eHighly persuasive. I can't stop recommending it * The Times *\u003cbr\u003eThe most provocative, brain-rewiring book of 2010. It's a book that feels at least five years ahead of its time and teaches you how to read it as you go * GQ *\u003cbr\u003eBold, entertaining, contentious. Essential reading for readers and writers * Guardian *\u003cbr\u003eWeird, exciting, incendiary * Dazed and Confused *","brand":"Penguin Books Ltd","offers":[{"title":"Default Title","offer_id":48732414640471,"sku":"9780141049076","price":13.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780141049076.jpg?v=1719996781"},{"product_id":"practices-of-looking-an-introduction-to-visual-culture-9780190265717","title":"Practices of Looking An Introduction to Visual","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003ePractices of Looking, Third Edition, bridges visual, communication, media, and cultural studies to investigate how images and the activity of looking carry meaning within and between different arenas in everyday life. The third edition has been updated to represent the contemporary visual cultural landscape and includes topics like the increasingly rapid global circulation of media, the rise of design and DIY cultures, digital media art and activism, and challenges to photojournalism and news media. Challenging yet accessible, Practices of Looking, Third Edition, is ideal for courses across a range of disciplines.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eThe greatest strength of Practices of Looking is its thorough treatment of the conceptual and material landscape of postmodern visual culture, and this definitely distinguishes it from similar textbooks I've seen. * Kent N. Lowery, Texas Tech University   *\u003cbr\u003ePractices of Looking, Third Edition, is a great and valuable textbook for teaching a broad range of critical and theoretical approaches in modern and contemporary visual practices. * Whitney Huber, Columbia College Chicago *\u003cbr\u003ePractices of Looking's ambitions are unparalleled and it's clear that the writers are deeply engaged with the social, psychological and economic consequences of the ways in which images influence how we see ourselves and the world around us. * Jawad Ali, Art Institute of California, Hollywood *\u003cbr\u003eThe greatest strength of Practices of Looking, Third Edition, is its relentless drive to instill critical awareness in students. This book contributes greatly to promoting the type of visual literacy that is needed in society both now and in the foreseeable future. * William H. Lawson, California State University, East Bay *\u003cbr\u003eThis is that rarest of textbooks * clear enough for undergraduates and challenging enough to use with graduate students. It is simply the best introduction to the most important issues in thinking about the visual from an interdisciplinary perspective.Michael Coventry, Georgetown University *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eAcknowledgementsIntroduction1. Images, Power, and Politics Representation Vision and Visuality The Myth of Photographic Truth Myth, Connotation, and the Meaning of Images Semiotics and Signs Images and Ideology Image Icons2. Viewers Make Meaning Producers' Intended Meanings Aesthetics and Taste Value, Collecting, and Institutional Critique Reading Images as Ideological Subjects Viewing Strategies Appropriation and Re-Appropriation3. Modernity: Spectatorship, the Gaze, and Power Modernity Modernism The Concept of the Modern Subject Spectatorship and the Gaze Power and the Surveillance Gaze The Other Gender and the Gaze Gaming and the Gaze4. Realism and Perspective: From Renaissance Painting to Digital Media Perspective Perspective and the Body The Camera Obscura Challenges to Perspective Perspective in Digital Media5. Visual Technologies, Reproduction, and the Copy Visualization and Technology Visual Technologies The Reproduced Image and the Copy Walter Benjamin and Mechanical Reproduction The Politics of Reproducibility Ownership and Copyright Reproduction and the Digital Image 3D Reproduction and Simulation6. Media in Everyday Life The Media, Singular and Plural Everyday Life Mass Culture and Mass Media Critiques of Mass Culture Media Infrastructures Media as Nation and Public Sphere Democracy and Citizen Journalism Global Media Events7. Brand Culture: The Images and Spaces of Consumption The Rise of Brands as Image, Symbol, and Icon The Spaces of Modern Consumerism Brands in Consumer Society Social Awareness and the Selling of Humanitarianism Social Media, Consumer Data, and the Changing Spaces of Consumption DIY Culture and the Share Economy, and New Entrepreneurism8. Postmodernism: Irony, Parody, and Pastiche Postmodernity\/Postmodernism Simulation and the Politics of Postmodernity Reflexivity and Distanced Knowing Jaded Knowing and Irony Remix and Parody Pastiche Postmodern Space, Architecture, and Design9. Scientific Looking, Looking at Science Opening Up the Body to the Empirical Medical Gaze Medicine as Spectacle: The Anatomical and Surgical Theater Evidence, Classification, and Identification Bodily Interiors and Biomedical Personhood The Genetic and Digital Body Visualizing Pharmaceuticals and Science Activism10. The Global Flow of Visual Culture The History of Global Image Reproduction Concepts of Globalization The World Image Global Television The Global Flow of Film Social Movements, Indigenous Media, and Visual Activism The Global Museum and Contests of Culture Refugees and Borders Glossary Credits Index","brand":"Oxford University Press Inc","offers":[{"title":"Default Title","offer_id":48732535357783,"sku":"9780190265717","price":110.19,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780190265717.jpg?v=1719997318"},{"product_id":"the-artemisia-files-9780226035826","title":"The Artemisia Files","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e","brand":"The University of Chicago Press","offers":[{"title":"Default Title","offer_id":48732899934551,"sku":"9780226035826","price":22.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780226035826.jpg?v=1719998870"},{"product_id":"toward-a-geography-of-art-9780226133126","title":"Toward a Geography of Art","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e'Toward a Geography of Art' offers essays that examine the intricacies of accounting for the geographical dimension of art history during the early modern period in Europe, Latin America and Asia.","brand":"The University of Chicago Press","offers":[{"title":"Default Title","offer_id":48732901638487,"sku":"9780226133126","price":30.4,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780226133126.jpg?v=1719998877"},{"product_id":"absorption-and-theatricality-painting-and-beholder-in-the-age-of-diderot-9780226262130","title":"Absorption and Theatricality  Painting and","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eWith this widely acclaimed work, Fried revised the way in which eighteenth-century French painting and criticism were viewed and understood.\"A reinterpretation supported by immense learning and by a series of brilliantly perceptive readings of paintings and criticism alike. . . . An exhilarating book.\"--John Barrell, \"London Review of Books\"\u003c\/p\u003e","brand":"The University of Chicago Press","offers":[{"title":"Default Title","offer_id":48732903768407,"sku":"9780226262130","price":999.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780226262130.jpg?v=1719998886"},{"product_id":"other-things-9780226283029","title":"Other Things","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\"In publishing, there is a difference between making a splash and actually making waves. Brown's work has done both. He opens his lens this time to a wide array of aesthetic and cultural objects from indigenous ethnographic sculpture to the kitsch memorabilia of 9\/11. Along the way, there are readings devoted to material objects in canonical literature and more popular contemporary writing. Holding all this together in the force field of Brown's lucid prose are his steadily surprising insights into 'things other' than meet the eye in such object matter. This new book, too, will be not only applauded but also widely consulted.\"--Garrett Stewart, author of Bookwork: Medium to Object to Concept to Art \"Audacious and profound, Brown rereads the great theorists and philosophers of modernism to create new categories--redemptive reification, misuse value, the meta-object--to explore a counter-history of the elusive 'other thing.' The art and literature of American and European modernist culture, he brilliantly argues, yield up the incandescence of the other thing once it can be emancipated from the teleology of commodity and war.\"--Isobel Armstrong, Birkbeck, University of London \"For decades now, Brown has been thinking and writing about \"thing theory,\" as he has called it. But in Other Things, he attempts to make clear the connections between his work and the recent surge of critical work involving things, objects, and matter....Brown makes what is likely the most sophisticated and strongest case for literary and historical study within a new materialist framework by suggesting that thingness can best be explained 'in the cultural field, ' rather than through, say, metaphysics.\"--Los Angeles Review of Books \"In Brown's supple mind, things are alive. Their theoretical twists and turns and stubborn materiality are not opposites, but interwoven dynamics--material objects in a field of thingness. For more than a decade, Brown has explored the various meanings and operations of things in, and as, literature and the visual arts. His grasp of the subject, control of interpretation, and willingness to take intellectual risks make this book a necessary read for anyone interested in the things that provoke our intellectual curiosity.\"--James Cuno, The J. Paul Getty Trust \"Compelling. . . . The test of Brown's book--which it surpasses and sustains--is that, like the paper clip or rubber band you almost certainly aren't holding as you read this, Other Things will stick in your mind anyway.\"--Modernism\/modernity \"Brown is a pre-eminent scholar of the material world. . . . Other Things is rigorously conceptual but it is also good company, an enlightening contribution to our understanding of material culture across the twentieth and twenty-first centuries.\"--Times Literary Supplement","brand":"The University of Chicago Press","offers":[{"title":"Default Title","offer_id":48732904522071,"sku":"9780226283029","price":24.7,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780226283029.jpg?v=1719998891"},{"product_id":"how-new-york-stole-the-idea-of-modern-art-9780226310398","title":"How New York Stole the Idea of Modern Art","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eAn interpretation of the political and cultural history of the early cold war years. The author argues that art is part of the general culture, not autonomous or above it.","brand":"The University of Chicago Press","offers":[{"title":"Default Title","offer_id":48732905505111,"sku":"9780226310398","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780226310398.jpg?v=1719998896"},{"product_id":"to-destroy-painting-9780226505350","title":"To Destroy Painting","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eThis text, first published in France in 1977, presents cultural critic Louis Marin's theories about the aims of painting in Europe in the 16th and 17th centuries. It explores a number of notions implied by theories of painting and offers insight into the aims and effects of visual representaion.","brand":"The University of Chicago Press","offers":[{"title":"Default Title","offer_id":48732909830487,"sku":"9780226505350","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780226505350.jpg?v=1719998912"},{"product_id":"the-light-club-on-paul-scheerbarts-the-light-club-of-batavia-9780226514574","title":"The Light Club  On Paul Scheerbarts The Light","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003ePaul Scheerbart (1863-1915) was a visionary German novelist, theorist, poet, and artist. He was fascinated with the potential of glass as a medium for expressionist architecture. This title describes Scheerbart's life, and explains the ways in which 'The Light Club of Batavia' inspired him to produce art of uncommon breadth.","brand":"The University of Chicago Press","offers":[{"title":"Default Title","offer_id":48732910387543,"sku":"9780226514574","price":25.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780226514574.jpg?v=1719998914"},{"product_id":"landscape-and-power-second-edition-9780226532059","title":"Landscape and Power Second Edition","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eThis work, originally published in 1994, reshapes the direction of landscape studies by considering landscape not simply as an object to be seen or a text to be read, but as an instrument of cultural force, a central tool in the creation of national and social identity.","brand":"The University of Chicago Press","offers":[{"title":"Default Title","offer_id":48732910747991,"sku":"9780226532059","price":26.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780226532059.jpg?v=1719998915"},{"product_id":"the-invention-of-art-9780226753430","title":"The Invention of Art","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eLarry Shiner challenges our conventional understanding of art and asks us to reconsider its history entirely, arguing that the category of fine art is a modern invention.","brand":"The University of Chicago Press","offers":[{"title":"Default Title","offer_id":48732919628119,"sku":"9780226753430","price":25.65,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780226753430.jpg?v=1719998949"},{"product_id":"the-sexuality-of-christ-in-renaissance-art-and-in-modern-oblivion-9780226771878","title":"The Sexuality of Christ in Renaissance Art and in","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eSteinberg argues in this work that the artists regarded the deliberate exposure of Christ's genitalia as an affirmation of kinship with the human condition.","brand":"The University of Chicago Press","offers":[{"title":"Default Title","offer_id":48732920611159,"sku":"9780226771878","price":35.15,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780226771878.jpg?v=1719998953"},{"product_id":"food-styling-for-photographers-9780240810065","title":"Food Styling for Photographers","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eYou eat with your eyes first, and no one turns a photograph of food into a culinary masterpiece like a food stylist. Food Styling for Photographers is the next best thing to having renowned food stylist Linda Bellingham by your side. Linda has worked with clients Baskin Robbins Ice Cream, McDonald''s, Tyson Foods, FritoLay, and many, many more. Professional photographer Jean Ann Bybee has worked with Harry \u0026amp; David, Dominos, Sara Lee, Seven-Up Company, and more. Jean Ann provides a seasoned photographer''s point of view with helpful tips throughout.\u003cbr\u003e\u003cbr\u003eIf you are hungry for unique photo assignments and want to expand your portfolio, this guide provides the well-kept secrets of food styling techniques that can make your photos good enough to eat. \u003cbr\u003e\u003cbr\u003eEach chapter covers step-by-step instructions with mouth-watering photographs illustrating techniques for the creation of hero products that photographers at any level can whip up. \u003cbr\u003e\u003cbr\u003eBon Appétit!\u003c\/p\u003e\u003cp\u003eCheck out a new podcas\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eSets for Food Photography; Settings and Props; The Chilling Facts of Cold Beverages; Making a Salad for the Camera; Pasta and Sauces for Photography; Sandwiches, Burgers and Beyond; Meeting Meat Head-On; Veggie Perfect; Ice Cream for HOT Lights; How the Chips Fall and the Cookies Stack-Up; Breakfast; Garnishing Basics\u003c\/p\u003e","brand":"Taylor \u0026 Francis Ltd","offers":[{"title":"Default Title","offer_id":48732962980183,"sku":"9780240810065","price":35.14,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780240810065.jpg?v=1719999086"},{"product_id":"making-art-work-how-cold-war-engineers-and-artists-forged-a-new-creative-culture-9780262044257","title":"Making Art Work How Cold War Engineers and","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eThe creative collaborations of engineers, artists, scientists, and curators over the past fifty years.\u003c\/b\u003e\u003cp\u003eArtwork as opposed to experiment? Engineer versus artist? We often see two different cultural realms separated by impervious walls. But some fifty years ago, the borders between technology and art began to be breached. In this book, W. Patrick McCray shows how in this era, artists eagerly collaborated with engineers and scientists to explore new technologies and create visually and sonically compelling multimedia works. This art emerged from corporate laboratories, artists' studios, publishing houses, art galleries, and university campuses. Many of the biggest stars of the art world—Robert Rauschenberg, Yvonne Rainer, Andy Warhol, Carolee Schneemann, and John Cage—participated, but the technologists who contributed essential expertise and aesthetic input often went unrecognized.\u003c\/p\u003e\u003cp\u003eComing from diverse personal backgrounds, this roster of engineers and scientist\u003c\/p\u003e","brand":"MIT Press Ltd","offers":[{"title":"Default Title","offer_id":48733453123927,"sku":"9780262044257","price":43.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780262044257.jpg?v=1720000136"},{"product_id":"turks-jews-and-other-germans-in-contemporary-art-9780262045766","title":"Turks Jews and Other Germans in Contemporary Art","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eThe first book to examine multicultural visual art in Germany, discussing more than thirty contemporary artists and arguing for a cosmopolitan Germanness.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eWith \u003ci\u003eTurks, Jews, and Other Germans in Contemporary Art\u003c\/i\u003e, Peter Chametzky presents a view of visual culture in Germany that leaves behind the usual suspects--those artists who dominate discussions of contemporary German art, including Gerhard Richter, Anselm Kiefer, and Rosemarie Trockel--and instead turns to those artists not as well known outside Germany, including Maziar Moradi, Hito Steyerl, and Tanya Ury. In this first book-length examination of Germany's multicultural art scene, Chametzky explores the work of more than thirty German artists who are (among other ethnicities) Turkish, Jewish, Arab, Asian, Iranian, Sinti and Roma, Balkan, and Afro-German.\u003cbr\u003e\u003cbr\u003eWith a title that echoes Peter Gay's 1978 collection of essays, \u003ci\u003eFreud, Jews and Other Germans\u003c\/i\u003e, this book, like Gay's, rejects the idea of us and","brand":"MIT Press Ltd","offers":[{"title":"Default Title","offer_id":48733456662871,"sku":"9780262045766","price":24.3,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780262045766.jpg?v=1720000147"},{"product_id":"matthew-angelo-harrison-9780262045988","title":"Matthew Angelo Harrison","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eThe first monograph on an important young American artist, generously illustrated with color images of his work.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eIn his sculptures and installations, Matthew Angelo Harrison (b. 1989) engages with the legacies of racism and colonialism, parsing their contemporary connections to labor in the United States through an evolving visual language. With works that merge manufacturing technologies with the formal concerns of modernism and minimalism, the artist questions ideas of authorship and reproduction. Harrison's sculptures often include found objects--including traditional African figurines and auto industry ephemera--encased in resin blocks. Frozen and entombed, these sculptures appear as strangely haunted minimalist objects, both ancient and futuristic. 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It confidently presents novel, more-than-human curatorial visions, methods, frameworks, policies, and museologies radically refiguring the epistemological foundations of curatorial, museological thinking, and practice for a habitable planet.\u003c\/p\u003e\u003cp\u003eModern curatorial and museological practices are dominated by modern humanism in which capital growth, social, technological advancement, hubris, extraction, speciest logics, and colonial domination predominate, often without reflection. While history, science, and technology museums and their engagement with non-human worlds have always been ecological as an empirical reality, the human-centred frameworks and forms of human agency that institutions deploy tend to be non-cognizant of this reality. \u003ci\u003eMuseum Practices and the Posthumanities: Curating for Planetary Habitability \u003c\/i\u003ereveals how these practices are ill-equip\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e'There is now no doubt regarding the epochal, world-shaping significance of the curatorial practices of late eighteenth and nineteenth century museums. With a matching boldness of vision, Fiona Cameron now calls on museums to play a world-saving role by “curating for planet habitability.” Better still, in identifying the intellectual and institutional challenges this entails, she also shows how these might best be met. A timely manifesto for the contribution museums might make to addressing the crises produced by our relations to the more-than-human worlds that press upon us with increasing force.'\u003c\/p\u003e\u003cp\u003e\u003cb\u003eTony Bennett,\u003c\/b\u003e \u003ci\u003eEmeritus Professor, \u003c\/i\u003e\u003ci\u003eSocial and Cultural Theory, Institute for Culture and Society, Western Sydney University, Australia\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e'This book offers a timely posthumanist provocation for students of, and practitioners in, museums. A fierce critique of humanist museum practices and theories, the book challenges us to take account of emerging practices in museums in the 21st century. Neither what museums are nor what they are becoming remain the same after its reading. With a deep commitment to more-than-human worlds, the book offers theoretical grounding for museum activism in the face of climate and planetary crisis. This book is a testament to Fiona Cameron’s longstanding engagement with difficult topics in museums and provide researchers, practitioners, and students alike with new tools for analyses and action.' \u003c\/p\u003e\u003cp\u003e\u003cb\u003eBrita Brenna,\u003c\/b\u003e\u003ci\u003e Professor of Museology, University of Oslo, Norway\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003e'Museum Practices and the Posthumanities: Curating for Planetary Habitability \u003c\/i\u003eis a deeply felt plea and argument for the need to get beyond our human centered approaches for dealing with ecological crisis. Museums, Cameron argues, are institutions that were central to the humanist project that produced the current ecological crisis. They are therefore also central to undoing that project. Doing so involves a radical rethinking of the central categories of thought that underpin modern society. In doing so, this book opens an alternative future by showing us what we need to overcome and how to go about it. Using the concept of viral contagion as both idea and reality, Cameron opens the possibility that we might be able to move beyond our humanist centered perspectives and productively deal with current threats to planetary wellbeing. This book is a magnificent tour de force in how museums might become part of a viral contagion that works to undo our current understandings of our place on this planet.'\u003c\/p\u003e\u003cp\u003e\u003cb\u003eAndrea Witcomb,\u003c\/b\u003e \u003ci\u003eAlfred Deakin Professor, Faculty of Arts and Education, Deakin University, Australia\u003c\/i\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e'There is now no doubt regarding the epochal, world-shaping significance of the curatorial practices of late eighteenth and nineteenth century museums. With a matching boldness of vision, Fiona Cameron now calls on museums to play a world-saving role by 'curating for planet habitability.' Better still, in identifying the intellectual and institutional challenges this entails, she also shows how these might best be met. A timely manifesto for the contribution museums might make to addressing the crises produced by our relations to the more-than-human worlds that press upon us with increasing force.'\u003c\/p\u003e\u003cp\u003e\u003cb\u003eTony Bennett,\u003c\/b\u003e \u003ci\u003eEmeritus Professor, \u003c\/i\u003e\u003ci\u003eSocial and Cultural Theory, Institute for Culture and Society, Western Sydney University, Australia\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e'This book offers a timely posthumanist provocation for students of, and practitioners in, museums. A fierce critique of humanist museum practices and theories, the book challenges us to take account of emerging practices in museums in the 21st century. Neither what museums are nor what they are becoming remain the same after its reading. With a deep commitment to more-than-human worlds, the book offers theoretical grounding for museum activism in the face of climate and planetary crisis. This book is a testament to Fiona Cameron’s longstanding engagement with difficult topics in museums and provides researchers, practitioners, and students alike with new tools for analyses and action.' \u003c\/p\u003e\u003cp\u003e\u003cb\u003eBrita Brenna,\u003c\/b\u003e\u003ci\u003e Professor of Museology, University of Oslo, Norway\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003e'Museum Practices and the Posthumanities: Curating for Planetary Habitability \u003c\/i\u003eis a deeply felt plea and argument for the need to get beyond our human centered approaches for dealing with ecological crisis. Museums, Cameron argues, are institutions that were central to the humanist project that produced the current ecological crisis. They are therefore also central to undoing that project. Doing so involves a radical rethinking of the central categories of thought that underpin modern society. In doing so, this book opens an alternative future by showing us what we need to overcome and how to go about it. Using the concept of viral contagion as both idea and reality, Cameron opens the possibility that we might be able to move beyond our humanist centered perspectives and productively deal with current threats to planetary wellbeing. This book is a magnificent tour de force in how museums might become part of a viral contagion that works to undo our current understandings of our place on this planet.'\u003c\/p\u003e\u003cp\u003e\u003cb\u003eAndrea Witcomb,\u003c\/b\u003e \u003ci\u003eAlfred Deakin Professor, Faculty of Arts and Education, Deakin University, Australia\u003c\/i\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e1. 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Conclusion: More-than-human museologies\u003c\/p\u003e","brand":"Taylor \u0026 Francis Ltd","offers":[{"title":"Default Title","offer_id":48733709467991,"sku":"9780367196844","price":35.14,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780367196844.jpg?v=1720001336"},{"product_id":"an-introduction-to-film-genres-9780393930191","title":"An Introduction to Film Genres","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eA brisk, accessible, and informative introduction to film genres.","brand":"WW Norton \u0026 Co","offers":[{"title":"Default Title","offer_id":48733733716311,"sku":"9780393930191","price":35.93,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780393930191.jpg?v=1720001435"},{"product_id":"the-nine-old-men-lessons-techniques-and-inspiration-from-disneys-great-animators-9780415843355","title":"The Nine Old Men Lessons Techniques and","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cem\u003eLearn from the men who changed animation forever\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eWalt Disneyâs team of core animators, who he affectionately called his Nine Old Men, were known for creating Disneyâs most famous works, as well as refining the 12 basic principles of animation. Follow master animator and Disney legend Andreas Deja as he takes you through the minds and works of these notable animators. An apprentice to the Nine Old Men himself, Deja gives special attention to each animator and provides a thoughtful analysis on their techniques that include figure drawing, acting, story structure, and execution. The in-depth analysis of each animatorâs work will allow you to refine your approach to character animation. Rare sequential drawings from the Disney archives also give you unprecedented access and insight into the most creative minds that changed the course of animation.\u003c\/p\u003e\u003cul\u003e \u003cp\u003e \u003c\/p\u003e \u003cli\u003eInstruction and analysis on the works of each of the Nine Old Men broaden your creative choices and appro\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eDedication\u003c\/p\u003e\n\u003cp\u003eAcknowledgments\u003c\/p\u003e\n\u003cp\u003eAbout the Author\u003c\/p\u003e\n\u003cp\u003ePreface\u003c\/p\u003e\n\u003cp\u003eLes Clark\u003c\/p\u003e\n\u003cp\u003eWolfgang Reitherman\u003c\/p\u003e\n\u003cp\u003eEric Larson\u003c\/p\u003e\n\u003cp\u003eWard Kimball\u003c\/p\u003e\n\u003cp\u003eMilt Kahl\u003c\/p\u003e\n\u003cp\u003eFrank Thomas\u003c\/p\u003e\n\u003cp\u003eOllie Johnston\u003c\/p\u003e\n\u003cp\u003eJohn Lounsbery\u003c\/p\u003e\n\u003cp\u003eMarc Davis\u003c\/p\u003e\n\u003cp\u003eGlossary \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Taylor \u0026 Francis Ltd","offers":[{"title":"Default Title","offer_id":48733754130775,"sku":"9780415843355","price":36.54,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780415843355.jpg?v=1720001527"},{"product_id":"creative-haven-dimensions-coloring-book-creative-haven-coloring-books-9780486795393","title":"Creative Haven Dimensions Coloring Book Creative","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eHere''s your doorway to another coloring dimension. 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