{"title":"Religious and ceremonial arts Books","description":"","products":[{"product_id":"the-holy-box-9781911408093","title":"The Holy Box","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eHistory of the building of the Sandham War Memorial Chapel, Burghclere and the art of the murals inside, painted by war artist Stanley Spencer","brand":"Sansom \u0026 Co","offers":[{"title":"Default Title","offer_id":47850526966103,"sku":"9781911408093","price":22.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781911408093.jpg?v=1710615235"},{"product_id":"christian-art-9780192803283","title":"Christian Art","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eChristian images have a long history within the Western art tradition from the narrative and devotional works of the Medieval and Renaissance periods, to the radical new interpretations of the twenty-first century. 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Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eIntroduction ; 1. Images of the Eucharist and images of Christ's Passion ; 2. The Virgin and Child ; 3. The Saints ; 4. 'Bibles for the Illiterate': Old and New Testament Narrative Imagery ; 5. Icons ; 6. Conclusion: the Twentieth Century","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":48732589064535,"sku":"9780192803283","price":9.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780192803283.jpg?v=1719997550"},{"product_id":"saint-george-between-empires-9780271095226","title":"Saint George Between Empires","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eExamines the image networks of St. George in the eastern Mediterranean, revealing how the different portrayals became central to Crusader, East Christian, and Islamic visual cultures.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e“This panoramic volume follows the images of military saints across Armenian, Byzantine, Coptic, Crusader, Georgian, Islamic, Syriac, and many other fields of study usually held separate. 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Art historian Gregory C. Bryda surveys these botanically influenced masterpieces in his new book \u003ci\u003eThe Trees of the Cross\u003c\/i\u003e, including works by some of the era’s great masters.”—Peter Saenger, \u003ci\u003eWall Street Journal\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“A rewarding study that is full of new insights.”—Jeremy Warren, \u003ci\u003eArt Newspaper\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Going deeper into history and daily life than scholarship on materiality and ecology ordinarily ventures, Bryda’s argument persuasively demonstrates that late medieval German art is invested with a rhythm of seasons, harvest, and bloom. Elegantly written and packed with new discoveries, this is a book to be imbibed, ingested, and oft consulted.”—Shira Brisman, University of Pennsylvania\u003cbr\u003e\u003cbr\u003e“\u003ci\u003eThe Trees of the Cross\u003c\/i\u003e is a truly interdisciplinary study that will resonate beyond art history in the fields of ecology, ethnography, folklore studies, and both economic and agrarian history. Engagingly written, the book provides an important corrective to our broader understanding of the role of nature in late medieval German art.”—Achim Timmermann, University of Michigan\u003cbr\u003e\u003cbr\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":48733519544663,"sku":"9780300267655","price":57.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780300267655.jpg?v=1720000405"},{"product_id":"concerning-the-spiritual-in-art-dover-fine-art-history-of-art-9780486234113","title":"Concerning the Spiritual in Art Dover Fine Art","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003ePioneering work by the great modernist painter, considered by many to be the father of abstract art and a leader in the movement to free art from traditional bonds. 12 illustrations.","brand":"Dover Publications Inc.","offers":[{"title":"Default Title","offer_id":48733790077271,"sku":"9780486234113","price":8.07,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780486234113.jpg?v=1720001701"},{"product_id":"images-and-idols-9780802418487","title":"Images And Idols","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e","brand":"Moody Publishers","offers":[{"title":"Default Title","offer_id":48737354023255,"sku":"9780802418487","price":11.92,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780802418487.jpg?v=1723811148"},{"product_id":"orthodoxy-9780802456571","title":"Orthodoxy","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e","brand":"Moody Publishers","offers":[{"title":"Default Title","offer_id":48737359987031,"sku":"9780802456571","price":8.54,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780802456571.jpg?v=1723811151"},{"product_id":"a-beginners-guide-to-dantes-divine-comedy-9780801098734","title":"A Beginners Guide to Dantes Divine Comedy","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eThis accessible, Christian introduction to Dante also serves as a primer to the \u003ci\u003eDivine Comedy\u003c\/i\u003e, helping readers appreciate the complexity and layers of meaning in Dante's spiritual masterpiece.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eContents\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eIntroduction: \u003ci\u003eDante as Poet, Prophet, and Exile\u003cbr\u003e\u003c\/i\u003e\u003cb\u003ePart 1: \u003c\/b\u003e\u003cb\u003e\u003ci\u003eINFERNO\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e1. Zooming In and Zooming Out: How to Read \u003ci\u003eInferno \u003c\/i\u003e(\u003ci\u003eInferno \u003c\/i\u003e1-2)\u003cbr\u003e2. The Fear of Hell and the Fear of God (\u003ci\u003eInferno \u003c\/i\u003e3-9)\u003cbr\u003e3. The Graveyard of the Heretics and the Wasteland of the Violent (\u003ci\u003eInferno \u003c\/i\u003e10-17)\u003cbr\u003e4. White-Collar Criminals and Sins against Words (\u003ci\u003eInferno \u003c\/i\u003e18-26)\u003cbr\u003e5. Icy Hearts and Frozen Souls: The Lowest Portion of Hell (\u003ci\u003eInferno \u003c\/i\u003e27-34)\u003cbr\u003e\u003cb\u003ePart 2: \u003c\/b\u003e\u003cb\u003e\u003ci\u003ePURGATORIO\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e6. Waiting for God: An Introduction to \u003ci\u003ePurgatorio\u003c\/i\u003e\u003cbr\u003e7. The People outside the Gate: Freedom, Responsibility, and Vulnerability (\u003ci\u003ePurgatorio \u003c\/i\u003e1-9)\u003cbr\u003e8. 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You will discover that what results on the paper during Shodo is a true depiction of the present moment, a movement toward a more peaceful mindfulness.","brand":"Watkins Media Limited","offers":[{"title":"Default Title","offer_id":48741474500951,"sku":"9781786786807","price":13.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781786786807.jpg?v=1720057698"},{"product_id":"crook-in-the-lot-living-with-that-thorn-in-your-side-9781845506490","title":"Crook in the Lot: Living with that thorn in your","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eFirst published in 1737 this book holds a special place among the tremendous amount of Puritan literature that was produced during that time.  Thomas Boston was renowned for his clearly understood English and the manner in which he maintained that clarity while conveying messages of great depth. The Crook in the Lot is introduced to us by J. I. Packer. In an extensive prologue he shows how Boston’s advice remains deeply relevant today. Boston was not preaching merely from his theological understanding, he was speaking from direct personal experience.  Boston had real “thorns” to deal with himself, ranging from his wife’s paralyzing depression to his own experiences living for years with what were probably kidney stones. He brings his own unique combination of wonderfully profound and yet immensely practical advice to bear to give us a work of lasting impact.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\"..The pure Biblical wisdom of \u003cem\u003eThe Crook in the Lot\u003c\/em\u003e is badly need by many of us, and so I am delighted that is being made available in this handy form.\"\u003c\/p\u003e -- J. I. Packer\t((1926–2020), Board of Governors’ Professor of Theology, Regent College, Vancouver, Canada)","brand":"Christian Focus Publications Ltd","offers":[{"title":"Default Title","offer_id":48742138413399,"sku":"9781845506490","price":6.64,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781845506490.jpg?v=1720060182"},{"product_id":"glazed-wares-as-cultural-agents-in-the-byzantine-seljuk-and-ottoman-lands-9786057685384","title":"Glazed Wares as Cultural Agents in the Byzantine,","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eThis volume collects research presented at the Koç University Research Center for Anatolian Civilizations (ANAMED) 2018 international annual symposium. It brings together researchers engaged in the study of the decoration and technology of glazed pottery, ranging from the early Byzantine era to the end of the Ottoman period. 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The essays in Susan Srigley's 'new essays' will assist critics and readers in probing the complex terrain of violence not only in O'Connor's second (and last) novel but in all her fiction. Serious students of the novel or of O'Connor's thought and artistry will find numerous rewards in its pages.\" —Joseph M. Flora, University of North Carolina at Chapel Hill\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\"\u003ci\u003eDark Faith\u003c\/i\u003e is a rich collection of perspectives on O'Connor's second novel, a work frequently overlooked by critics. The reader will find much to illuminate a careful reading of \u003ci\u003eThe Violent Bear It Away\u003c\/i\u003e, including fresh theological insights and detailed discussions of imagery and symbols. Of particular interest are Richard Giannone's analysis of ditch imagery and Gary Ciuba's consideration of adoption as both a social and thematic concern. 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Flannery O’Connor, a deeply prophetic and compassionate writer, shares her own dark faith through her work that bears away the kingdom of God not with violence, but with love.” —\u003ci\u003eTranspositions Blog\u003c\/i\u003e\u003c\/p\u003e","brand":"University of Notre Dame Press","offers":[{"title":"Default Title","offer_id":48864311968087,"sku":"9780268041380","price":21.59,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780268041380.jpg?v=1722271352"},{"product_id":"rembrandt-is-in-the-wind-9780310129721","title":"Rembrandt Is in the Wind","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eRembrandt Is in the Wind by Russ Ramsey is part art history, part biblical study, part philosophy, and part analysis of the human experience; but it's all story. An invitation to discover some of the world’s most celebrated artists and works, it presents the beauty of the gospel in a way that speaks to our most common struggles and longings.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e'Art and the act of creating is essential. We must remember that without it, we would not be here. To notice beauty is to be fully alive and without the act of intimately engaging life, we are numb to ourselves and to the world around us. Ramsey points us towards God through the raw, sensual power of the art, disrupting our unconscious lives that often want to grasp for whatever makes us un-feel.' * \u003cb\u003e Wayne Brezinka, award-winning artist and illustrator \u003c\/b\u003e *\u003cbr\u003e'Encountering paintings drawings and sculpture as a little boy set me up for my life arc. Encountering Christ set me up for a lifelong love affair with my creator. Russ has gone to great lengths to examine art and faith in a way that helps us define our path forward. Art making is sometimes a lonely experience relying on one's own imagination and talent. This book illustrates the tight wire one must balance on to find the peace and beauty in expression. It's often difficult to maintain balance with all life offers is pulling on us. Rembrandt in the wind helps us find a way forward by the examples and stories of art makers who have gone before us.' * \u003cb\u003e Jimmy Abegg, visual artist and musician with Rich Mullins and the Ragamuffin Band, Charlie Peacock, and Steve Taylor and the Perfect Foil \u003c\/b\u003e *\u003cbr\u003e'Here's what I love about Russ Ramsey's latest project--it understands down deep that Truth is exclusive to no party or sect; that Goodness arrives in the form of the lonely, the ill, and the outcast; and that Beauty, amid the church's moral twilight, might be the last apologetic that holds.' * \u003cb\u003e Leif Enger, Bestselling Author of Virgil Wander and Peace Like A River \u003c\/b\u003e *\u003cbr\u003e'In days fractured by those who aim to seize power, darkened by those who play dirty politics, and clouded by those who use platforms to polarize, perhaps the artists can lead us home. The artists featured in these pages, artists who devoted their life and work to what is good, true, and beautiful, remind us that we can--and should--do the same.' * \u003cb\u003e Karen Swallow Prior, Research Professor of English and Christianity \u0026amp; Culture at Southeastern Baptist Theological Seminary and author of On Reading Well: Finding the Good Life through Great Books \u003c\/b\u003e *\u003cbr\u003e'It is easy to believe that enjoying and understanding 'Art' is only for those who have a PhD in Art History. Russ Ramsey reminds us how simple and holy it is to be stirred by the mystery of images.' * \u003cb\u003e John Hendrix, author\/illustrator of The Faithful Spy: Dietrich Bonhoeffer and the Plot to Kill Hitler \u003c\/b\u003e *\u003cbr\u003e'Ramsey is a deep lover of art and a student of art history. In this book he takes the reader on an amazing guided tour through an art museum that doesn't exist. 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And what a gift that is!' * \u003cb\u003e Mark Meynell, Director (Europe \u0026amp; Caribbean), Langham Partnership, writer and cultural critic: A Wilderness of Mirrors and When Darkness Seems My Closest Friend \u003c\/b\u003e *\u003cbr\u003e'Russ Ramsey has gone deep into the histories of nine artists and their masterworks, revealing how each struggled--in both their giftedness and fallenness--to create beauty. I am reminded anew of how beauty leads us to God, 'the Author of beauty.' I cannot wait to share this book!' * \u003cb\u003e Debbie Taylor, visual artist \u003c\/b\u003e *\u003cbr\u003e'Russ Ramsey was kind enough to give me an early chapter of this book a few years ago when I was preparing to go on a silent retreat and asked him for a work of art I might spend some time meditating on during my weekend away. Thanks to Russ's recommendation, I spent hours contemplating Rembrandt's painting, The Storm on the Sea of Galilee. I was shaken by the depiction of this scene and the disciples' question to Jesus, 'Do you not care that we are perishing?' Russ's gentle shepherding of my understanding regarding the painting and the Biblical story behind it was a balm in my life just when I needed it. I know that this book will be the same for you.' * \u003cb\u003e Shawn Smucker, author of The Day the Angels Fell and The Weight of Memory \u003c\/b\u003e *\u003cbr\u003e'Sometimes, when standing at a museum, I think to myself 'I wish somebody who knows something would explain this to me.' And I look around and see, on one side of me, someone expertly pointing out every intricacy in the painting and, on the other, someone bored and looking at a phone in hand. Somehow this book is able to captivate people in all those categories. In this book, Russ Ramsey walks us through a museum of artists and art works, showing how each of them illuminates something about God, humanity, and the meaning of life. 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Meeting Jesus as a Knight, a Lover, a Judge, even a Mother allows us to see Christ’s face with eyes paradoxically both fresh and ancient, and reorient ourselves towards the Savior.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e'In Jesus Through Medieval Eyes Grace Hamman combines the scholarly and the practical in a way that is, alas, all too uncommon. She deploys her broad and deep knowledge of the Middle Ages in the service of helping ordinary Christians become more knowledgeable and more faithful lovers of Christ. Beautifully and engagingly written, this book helps us understand ourselves better by introducing us to our fellow Christians who lived in a world that is at once strikingly strange and strangely familiar.' * \u003cb\u003e Fritz Bauerschmidt, professor of theology, Loyola University Maryland; deacon of the Archdiocese of Baltimore \u003c\/b\u003e *\u003cbr\u003e'In Jesus through Medieval Eyes, Grace Hamman offers an absorbing and accessible work of Christian retrieval, guiding readers back to the delightfully distinct treasures of medieval Christianity. With erudition and devotional care, Hamman guides us toward the radiant goodness of Christ--a goodness best beheld when we gaze upon him from a vantage point beyond our own. Whether 'medieval' as a modifier to 'Christianity' makes you sing with joy, hum with curiosity, or shriek with fear, humble readers will find this book an intellectual and spiritual feast.' * \u003cb\u003e Claude Atcho, pastor of Church of the Resurrection, author of Reading Black Books \u003c\/b\u003e *\u003cbr\u003e'Jesus Through Medieval Eyes offers vivid, earthy, and sometimes jarring insights into Jesus as seen through the lives and minds of those who walked this faith journey ahead of us. The Jesus they understood is, in some ways, as startling to us as our portrayals of him today would be to them. But we have much to learn from ages past, and Grace Hamman is the perfect one to guide us on this tour. Her writing is as sharp, witty, and sparkling as the medieval minds she studies and introduces us to. This book is rich and utterly delightful.' * \u003cb\u003e Karen Swallow Prior, PhD, author of The Evangelical Imagination: How Stories, Images \u0026amp; Metaphors Created a Culture in Crisis \u003c\/b\u003e *\u003cbr\u003e'Under Grace Hamman's tutelage, readers enter a 'school of love.' Jesus through Medieval Eyes challenges our assumptions about Jesus, expanding our vision of him with medieval images. After reading this book, we know Jesus as judge, lover, mother, and more. 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Humility: \"Revelation\" and \"Everything That Rises Must Converge\" by Flannery O'Connor\u003cbr\u003eDiscussion Questions","brand":"Baker Publishing Group","offers":[{"title":"Default Title","offer_id":48867643031895,"sku":"9781587435836","price":13.29,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781587435836.jpg?v=1722284274"},{"product_id":"tree-serpent-early-buddhist-art-in-india-9781588396938","title":"Tree \u0026 Serpent: Early Buddhist Art in India","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eWith new photography of extraordinarily rare works of art, this pioneering study features discoveries and research essential to understanding the origins and meaning of Buddhist artistic traditions\u003c\/b\u003e\u003cbr\u003e  \u003cbr\u003e\u003cb\u003e“Both the show and the book are extraordinary achievements. . . . 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Thus, [the book] essentially problematises the centre whilst looking at the context of the margins.. The book's underlying theoretical focus is excellently laid in the introduction, which binds the different chapters together while providing a conceptual discussion of the term, marginality.. Gay and Reimer should be commended for editing a diverse and eye-opening collection, providing critical discussions and probing into connections and influences which had remained largely marginal thus far.. This book is an important intervention in many discourses as well as an original and interesting read.\" Dana N. Mills, Literature and Theology, [Full review at doi:10.1093\/litthe\/]\u003cbr\u003e\"Authors come at the topic of marginality from a number of directions, making use of theories from continental philosophy to historiography. 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This volume is a good purchase for libraries or institutions.\" Airen Hall, Syracuse University, The Journal of Religion and Popular Culture, Fall 2011 [doi:10.3138\/jrpc.23.3.415]","brand":"University of Alberta Press","offers":[{"title":"Default Title","offer_id":48884960723287,"sku":"9780888644992","price":30.59,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780888644992.jpg?v=1722534247"},{"product_id":"renaissance-secrets-a-lifetime-working-with-wall-paintings-by-michelangelo-raphael-and-others-at-the-vatican-9781606067994","title":"Renaissance Secrets: A Lifetime Working with Wall","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eEngagingly written and profusely illustrated, this book offers readers a close-up \"view from the scaffolding\" of some of the greatest Renaissance wall paintings at the Vatican.  Beginning in the late 1400s, the greatest artists of Renaissance Italy were summoned to Rome, where they decorated the walls and ceilings of the Vatican. Expert restorer Maurizio De Luca spent his forty-year career in the Vatican Museums, including fifteen years as head restorer of the Painting Restoration Laboratory. He personally oversaw some of the most important restorations of the last half century, including wall paintings by Perugino, Botticelli, and others on the walls of the Sistine Chapel; the Pintoricchio wall paintings in the Borgia Apartments; the Raphael Rooms; and the last two frescoes by Michelangelo, in the Pauline Chapel at the Apostolic Palace.    In this accessible and copiously illustrated book, De Luca conveys the kind of knowledge that can only be derived from close personal observation. 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The images chosen to accompany the text are of excellent quality, allowing even the non-expert reader to follow the author's thinking without difficulty as it unfolds, and for the scholar they correctly support his assertations.\"  --Il Giornale Dell'Arte","brand":"Getty Trust Publications","offers":[{"title":"Default Title","offer_id":48886677963095,"sku":"9781606067994","price":28.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781606067994.jpg?v=1722541147"},{"product_id":"i-am-herod-9781773101422","title":"I Am Herod","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eShortlisted, Wilfrid Eggleston Award for Nonfiction\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eOn a whim, armchair-atheist Richard Kelly Kemick joins the 100-plus cast of \u003ci\u003eThe Canadian Badlands Passion Play\u003c\/i\u003e, North America's largest production of its kind and one of the main tourist attractions in Alberta. 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Nothing like it exists in non-fiction, but don't read it for that reason. Read it because it sticks to your fingers and you can't shake it off.\" -- Dave Bidini, author of \u003ci\u003eMidnight Light: A Personal Journey to The North\u003c\/i\u003e\u003cbr\u003e\"In the end, \u003ci\u003eI Am Herod\u003c\/i\u003e is a very funny book with an underlying pathos and sweetness which I found quite moving.\" * \u003ci\u003eAtlantic Books Today\u003c\/i\u003e *","brand":"Goose Lane Editions","offers":[{"title":"Default Title","offer_id":48887627579735,"sku":"9781773101422","price":16.19,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781773101422.jpg?v=1722545455"},{"product_id":"winifred-knights-1899-1947-9781848221772","title":"Winifred Knights 1899-1947","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eWinifred Knights (1899-1947) is one of the outstanding, but until recently neglected, British women painters of the first half of the 20th century. Copiously illustrated in colour throughout, this book provides the first full account of her life and work, examining Knights' art in the context of interwar Modernism and assessing her contribution to the revival in this period of both Decorative Painting and religious imagery.Author Sacha Llewellyn traces the artist's career from her years at the Slade School of Art and her First World War evacuation to rural Worcestershire through to the time she spent at the British School at Rome in the early 1920s and the many commissions she completed between 1926 and 1939. Presenting the artist as the central protagonist, and with models selected from her inner circle, Knights' paintings were deeply autobiographical. She consistently re-wrote fairy-tale and legend, Biblical narrative and Pagan mythology to explore women's relationship to war, the natural world, working communities, marriage, motherhood and death. Drawing on previously unpublished documentary material, including letters, diaries, sketchbooks and photographs, Sacha Llewellyn makes a strong case for recognising Knights as one of the most talented artists of her generation. 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The debate involved not only Catholic and Protestant theologians, but also lay writers who tried to replace dogmatic Christianity with the ‘religion of reason’ invented by the philosophes.  A recurrent theme in the majority of statements in this discussion is a contention that religious images must not be perceived as ‘portraits of God’, but that they should be seen merely as ‘separated signs’, detached from their invisible prototype; signs that only remind the faithful about God. French writers favoured restraint in shaping paintings and sculptures, fearing that otherwise works of art might excessively fascinate viewers with their sophisticated appearance, or might too profoundly move the emotions of the faithful. Christianity was for these writers above all a religion of the Word, and they considered images merely as a pastoral aid intended for ‘simpletons’ who either could not read or were unable to grasp the teachings of the catechism or the message of simple homilies. 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Philippe de Champaigne and Martin de Barcos: A Jansenist Ideal of the Christian Artist   \u003cbr\u003e 10.   Armand Jean le Bouthillier de Rancé: Should Monks Possess Paintings and Splendid Churches?   \u003cbr\u003e 11.   Pierre Jurieu, Jacques Benigne Bossuet, Bernard de Montfaucon, Jean Baptiste Massillon and Antoine August Calmet: A Dispute about the Catholic Veneration of Images versus Deliberations on the Idolatry in the Religious Studies and Theology in the Age of Reason   \u003cbr\u003e 12.   André François Boureau-Deslandes, Jean-Jacques Rousseau, Jean le Rond d’Alembert, Voltaire and Denis Diderot: A Deistic Disparagement\u003cbr\u003e of the Christian Dispute about the Veneration of Images   \u003cbr\u003e \u003cbr\u003e \u003c\/p\u003e","brand":"Schnell \u0026 Steiner GmbH, Verlag","offers":[{"title":"Default Title","offer_id":48889242812759,"sku":"9783795433468","price":999.99,"currency_code":"GBP","in_stock":false}]},{"product_id":"die-lutherbibel-von-1534-9783836597432","title":"Die LutherBibel von 1534","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eMartin Luther's Bible, first printed in 1534, was not only a milestone for the printing press, but also a\u003cstrong\u003e momentous event in world history\u003c\/strong\u003e. 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