{"title":"Other performing arts Books","description":"","products":[{"product_id":"lets-do-it-the-authorised-biography-of-victoria-wood-9781409184119","title":"Lets Do It The Authorised Biography of Victoria","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eWritten with approval of the help of her family and closest friends - including Julie Walters, Dawn French, Celia Imrie and many others - this is the definitive authorised biography of one of Britain's most talented and loved entertainers: Victoria Wood.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eThis utterly absorbing and beautiful book, written with such insight and kindness, moved me hugely' * Julie Walters *\u003cbr\u003eLet's Do It is a biography that feels \u003cb\u003eas unflinching \u003c\/b\u003e\u003cb\u003eand true as it is entertaining and affectionate\u003c\/b\u003e. Rees pulls off the trick of writing \u003cb\u003ea brilliant tribute while \u003c\/b\u003e\u003cb\u003ealso - somehow, almost - bringing Victoria Wood back to life in all her complicated glory.\u003c\/b\u003e -- Viv Groskop * GUARDIAN *\u003cbr\u003eWhen I met Victoria I gushed at her and she told me to stop, which was sweet and kind and saved us both! I won't gush now as per her non gushing desires, except to say that \u003cb\u003eI would love people to read this beautiful book about the woman I will be forever grateful for in leading the way for me and other women in comedy and for making my life a jollier one.\u003c\/b\u003e * Miranda Hart *\u003cbr\u003e\u003cb\u003eThere was none like her before and there's been none like her since - she was unique.\u003c\/b\u003e.. I contributed to the book because I know that Jasper [Rees], who wrote it was a great friend of hers and she trusted him...and I knew that he would respect that... We weren't sitting down to be soft and fluffy about Vic, because Vic was quite spiky, quite demanding, \u003cb\u003eand utterly hilarious.\u003c\/b\u003e * Dawn French on BBC RADIO 5 LIVE *\u003cbr\u003eI remember first watching Victoria Wood when she was on Look North, when she would simply sing a song and play the piano, and knew then she was someone special. Decades later, I saw her show at the Albert Hall and not long after I bumped into her in our local M\u0026amp;S. I started to cry as I told her how amazing she was that night - I had no words for how wonderful she had been. Thankfully J\u003cb\u003easper Rees has found the perfect words to convey Victoria's brilliance\u003c\/b\u003e, in this \u003cb\u003emeticulously researched, immersive and entertaining biography\u003c\/b\u003e. It is \u003cb\u003ea wonderful tribute \u003c\/b\u003eto a pioneering entertainer who we all still miss so keenly. * Alison Steadman *\u003cbr\u003eAn \u003cb\u003eextraordinary\u003c\/b\u003e, \u003cb\u003ewonderful\u003c\/b\u003e, \u003cb\u003erich\u003c\/b\u003e biography of Victoria Wood - \u003cb\u003eevery bit as fascinating, challenging, and brilliant as she was\u003c\/b\u003e.\u003cb\u003e It is evident that Jasper Rees loves his subject\u003c\/b\u003e and has been given \u003cb\u003eunprecedented access\u003c\/b\u003e to Wood's personal and professional archives. He explores Victoria's inspirations and creative processes, \u003cb\u003ecelebrating her genius\u003c\/b\u003e, and never shying away from the tricky stuff.\u003cb\u003e \u003c\/b\u003e * Nina Stibbe *\u003cbr\u003eI l\u003cb\u003eove this book\u003c\/b\u003e. I adored Victoria, and J\u003cb\u003easper Rees has almost brought her back to life\u003c\/b\u003e, so \u003cb\u003eI highly recommend it to all her admirers\u003c\/b\u003e who miss her desperately. Which is, of course, all of us. * Dame Esther Rantzen *\u003cbr\u003eThe authorised biography of Victoria Wood by Jasper Rees is \u003cb\u003egreat\u003c\/b\u003e - \u003cb\u003ewonderfully detailed\u003c\/b\u003e on her creative process, the graft she put in and the mechanics of how she did what she did, but losing none of the warmth and joy of what ended up on screen. \u003cb\u003eRecommended\u003c\/b\u003e. * Simon Blackwell, writer of VEEP and THE THICK OF IT *\u003cbr\u003eYou can almost feel him riffling files, rewinding tapes, so carefully is it pieced together. Yet the reward is \u003cb\u003ea 360-degree biography that transforms a beloved entertainer into a real human being\u003c\/b\u003e, moving about a recognisable world: unhappy family home, provincial theatre, TV studio, celebrity's Highgate terrace, even, heartbreakingly, hospital room. It's a book for fans, of course, but it also \u003cb\u003edocuments 40 years of British entertainment\u003c\/b\u003e, filtered through a life that stretched so much further than a few knackered bras. -- Victoria Segal * SUNDAY TIMES CULTURE *\u003cbr\u003eThis biographer is \u003cb\u003ethe safest of hands\u003c\/b\u003e, both for helpless fans like me, and to any outsiders who haven't paid attention... It does not feel intrusive because it is \u003cb\u003eso richly fed with the memories of those who properly loved her\u003c\/b\u003e, and those memories add to the store of lines to treasure... She kept us happy for years herself. \u003cb\u003eI am thankful, for her and for this good biography.\u003c\/b\u003e Might cry again now. -- Libby Purves * THE TIMES *\u003cbr\u003e\u003cb\u003eA smashing biography. He gives a sense of what the real Victoria was like and conveys the unique qualities of her work - and provides a bridge between the two\u003c\/b\u003e. At one point he says tactfully that the dreadful statue of Victoria in Bury shows \"how hard it is to capture in bronze the bounce of her hair and the glow of her smile\". \u003cb\u003eAt its best, this book does that in prose. \u003c\/b\u003e -- Jake Kerridge * SUNDAY EXPRESS S MAGAZINE *\u003cbr\u003eRees's biography is \u003cb\u003ea must-read for her fans\u003c\/b\u003e... This \u003cb\u003emeticulously researched account\u003c\/b\u003e of her life shows what a loss she is. -- Emma-Lee Potter * DAILY MIRROR *\u003cbr\u003eWith meticulous thoroughness ... \u003ci\u003eLet's Do It\u003c\/i\u003e is nearly 600 pages long and copiously footnoted. Rees interviewed Wood frequently in her lifetime, spent two years on research, using Wood's own audio and written notes, and interviewed more than 200 people (from her children and perennial collaborators to occasional accompanists). It shows - this is \u003cb\u003ean immersive, authoritative book\u003c\/b\u003e... \u003cb\u003eDo it, I urge you, while the mood is right.\u003c\/b\u003e -- Emma Beddington * THE SPECTATOR *\u003cbr\u003e\u003cb\u003eJoyous and revealing\u003c\/b\u003e... If you're a diehard Wood fan (as I am) you'll find this account of her life \u003cb\u003ewholly engrossing, and it also stands as a wonderful tribute to a pioneering entertainer and her exacting comic genius.\u003c\/b\u003e -- Caroline Sanderson * THE BOOKSELLER, Editor's Choice *\u003cbr\u003e\u003cb\u003ePacked with enlightening anecdotes\u003c\/b\u003e and revealing interviews with her family and closest friends. \u003cb\u003eA real treat.\u003c\/b\u003e -- Martin Chilton * INDEPENDENT *\u003cbr\u003eThis \u003cb\u003esuperb \u003c\/b\u003ebiography ensures we can't forget how revolutionary she was. -- Tanya Gold * THE OLDIE *\u003cbr\u003eFor anyone who loves Victoria Wood, \u003cb\u003ethis biography - authorised by her literary estate - is a joy\u003c\/b\u003e. It paints a rounded portrait of a genuinely nice and kind woman who could also be difficult, scathing, even ruthless. -- Christopher Stevens * DAILY MAIL *\u003cbr\u003eRees is \u003cb\u003eexcellent \u003c\/b\u003eon Wood's long struggle. -- Roger Lewis * SUNDAY TELEGRAPH *\u003cbr\u003eWith exclusive access to Victoria's archive, Rees has produced this \u003cb\u003efascinating portrait of a comedy \u003c\/b\u003e\u003cb\u003egenius\u003c\/b\u003e who became a national treasure. -- Zoe West * WOMAN \u0026amp; HOME *\u003cbr\u003e\u003cb\u003eA joyous read.\u003c\/b\u003e -- Julia Llewellyn Smith * THE MAIL ON SUNDAY *\u003cbr\u003eWritten with the approval of family and friends this is a biography \u003cb\u003emore than worthy of its \u003c\/b\u003e\u003cb\u003emuch-missed subject.\u003c\/b\u003e * THE NEW EUROPEAN *\u003cbr\u003eRees's research is \u003cb\u003ewide-ranging and detailed\u003c\/b\u003e... his analysis is acute and often \u003cb\u003ebeautifully articulated\u003c\/b\u003e. -- Fiona Sturges * I NEWSPAPER *\u003cbr\u003eThis profile of the astute observer of domesticity is \u003cb\u003ewarm-hearted and \u003c\/b\u003e\u003cb\u003efull of detail.\u003c\/b\u003e -- Hannah Jane Parkinson * OBSERVER *\u003cbr\u003eImpeccable -- Iona McLaren * THE DAILY TELEGRAPH, Books of the Year *\u003cbr\u003eA fascinating portrait of a comedy genius who became a national treasure. * WOMAN'S WEEKLY *\u003cbr\u003e\u003cb\u003eExemplary\u003c\/b\u003e\u003ci\u003e..\u003c\/i\u003e. Despite the memories of laughter it evoked, I was left saddened by the thought that Wood was really making strides into a brilliant second career as a screenwriter and director when illness took her away from us. * Jonathan Coe *","brand":"Orion Publishing Co","offers":[{"title":"Default Title","offer_id":47836911599959,"sku":"9781409184119","price":9.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781409184119.jpg?v=1710385622"},{"product_id":"im-sorry-i-havent-a-clue-the-best-of-forty-years-foreword-by-stephen-fry-9780099510543","title":"Im Sorry I Havent a Clue The Best of Forty Years","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eBarry Cryer (Author) \u003c\/b\u003e\u003cbr\u003e In 1958 Barry Cryer had a Number 1 hit record in Finland with the song 'Purple People Eater' by Sheb Wooley. Over his 50-year career he has written for, among many, Morecambe and Wise, Bruce Forsyth, Tommy Cooper, Frankie Howerd, Bob Hope and Richard Pryor. He is a comedy legend.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eGraeme Garden (Author) \u003c\/b\u003e\u003cbr\u003e Graeme Garden is one third of the Goodies. He is a comedy legend.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTim Brooke-Taylor (Author) \u003c\/b\u003e\u003cbr\u003e Tim was born in Buxton, Derbyshire, and studied at various schools in Buxton and Winchester before beginning an Economics and Law degree course at Cambridge University. In 1963, he became President of Footlights, the revue club in which he wrote and performed with Bill Oddie, Graeme Garden, John Cleese, Graham Chapman, Eric Idle, Jonathan Lynn and others. He toured extensively with the revue, \u003ci\u003eCambridge Circus\u003c\/i\u003e, before moving into television.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eJack Dee (Author) \u003c\/b\u003e\u003cbr\u003e Writer, stand-up comedian and actor, Jac\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eThe funniest comedy quiz show of them all -- Sue Arnold * Observer *\u003cbr\u003eThe most genuinely and infallibly cheering programme on radio. -- Nigel Andrew * Daily Mail *\u003cbr\u003eThe national theatre of fun. -- Gillian Reynolds * Daily Telegraph *\u003c\/p\u003e","brand":"Cornerstone","offers":[{"title":"Default Title","offer_id":48732254863703,"sku":"9780099510543","price":8.54,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780099510543.jpg?v=1719996154"},{"product_id":"a-book-for-her-9780099590842","title":"A Book for Her","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eBridget Christie is a stand-up comedian, idiot and feminist. On the 30th of April 2012, a man farted in the Women's Studies Section of a bookshop and it changed her life forever. \u003cbr\u003e\u003cbr\u003eA Book For Her details Christie's twelve years of anonymous toil in the bowels of stand-up comedy and the sudden epiphany that made her, unbelievably, one of the most critically acclaimed British stand-up comedians this decade, drawing together the threads that link a smelly smell in the women's studies section to the global feminist struggle. \u003cbr\u003e\u003cbr\u003eFind out how nice Peter Stringfellow's fish tastes, how yoghurt advertising perpetuates rape myths, and how Emily Bronte used a special ladies' pen to write Wuthering Heights.\u003cbr\u003e\u003cbr\u003eIf you're interested in comedy and feminism, then this is definitely the book for you.  If you hate both then I'd probably give it a miss. \u003cbr\u003e\u003cbr\u003e\u003ci\u003eChristie is adept at turning on a sixpence between being comical, or serious, or both at once, and at pricking her own earn\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eA cool, clear glass of sane in a world of unbearable woo-hoo. * Caitlin Moran *\u003cbr\u003eA great feminist stand up, who gets us feminists to laugh at ourselves, as well as at the dinosaurs. * Mary Beard *\u003cbr\u003eFabulous feminist polemical memoir from one of the funniest most astringent women working the upper tier of the British comedy circuit. Scrap that, she's just one of the best in entertainment. * Grazia *\u003cbr\u003ePart memoir, part laughter-filled rant ... Christie is a lively narrator and provides a sharp balance of hilarity and ideology. \u003ci\u003eA Book For Her\u003c\/i\u003e is both a searingly accurate portrayal of 21-century womanhood and a proper hoot. * Independent *\u003cbr\u003eCharm, passion and gallons of wit. Funny books seldom come so committed, nor committed books much funnier. * Sunday Telegraph *\u003cbr\u003eBloody excellent. * Sarah Millican *\u003cbr\u003eVulnerable, courageous and very funny * Stylist *\u003cbr\u003eRewriting the feminist agenda ... a must read. * Red Magazine *\u003cbr\u003eA voice so idiosyncratic that it transfers uncannily well from stage to page ...  it’s courageous, but more than that: it is very funny. * Guardian *\u003cbr\u003eComics will find much sage advice in its pages; others simply a commonsense perspective on the world. It's a book for everyone then, not just 'for her'. * i *\u003cbr\u003eMust-read for any young women, or man, interested in comedy and feminism. * Hello! *\u003cbr\u003eA charming, eloquent, passionate and knowingly ridiculous voice, in print as she is on stage, and that's how you win people over. This is what a feminist sounds like. * Chortle *\u003cbr\u003eFunny, furious and staunchly feminist ... [a] brilliantly belligerent book. * S Magazine *\u003cbr\u003eStand-up Bridget Christie’s autobiographical call-to-arms for gender equality is as hilarious as it is committed * Telegraph Online *\u003cbr\u003eVery, very funny. * Radio Times *\u003cbr\u003eAn excellent and unputdownable book…Christie combines narrative and stream-of-consciousness brilliantly * Observer *\u003cbr\u003eThe funny woman's memoir ... hysterical. * Vogue UK *\u003cbr\u003eIt is a fine book, somewhere between feminist treatise, autobiography and nerdy stand-up how-to guide. Most importantly for me, it was very funny, despite also being deadly serious. This of course is Christie’s strength that sets her above her peers ... she uses the Trojan horse technique of concealing a powerful army of vital messages inside a giant horse-shaped laugh ... and she does it better than anyone. * Bruce Dessau, Beyond The Joke *\u003cbr\u003eWe always need more feminist memoirs, when they’re funny and insightful and clever and honest. Bridget Christie’s\u003cb\u003e A Book for Her \u003c\/b\u003eis all of those things. * Stylist *\u003cbr\u003e[Christie] made me laugh loudly on the tube like a loud, shameless, lipstick-covered walrus…funny and passionate and inspiring, all at the same time. * Huffington Post *\u003cbr\u003eI think Bridget Christie has a kind of genius. It's an incredibly funny and weirdly moving memoir about a person finding her voice. I was dazzled by it. * Jon Ronson *\u003cbr\u003e[Christie's] humility sucks you in and makes you laugh. She is funny in all the right places. * Irish Times *\u003cbr\u003eIt reads very much like a stand-up routine, from the running gags and callbacks. Whatever the seriousness of the subject she’s discussing, however passionately she’s laying into her pet hates, Christie never forgets also to make herself an object of mirth, and does so with charm and brio to spare. * Telegraph (Best Books for Christmas) *\u003cbr\u003eI’m halfway through the excellent\u003cb\u003e \u003c\/b\u003eA Book for Her. This book is like she’s sitting next to me in all her feministy, hilarious, smart glory. * Sarah Millican, Good Housekeeping *\u003cbr\u003e‘It’s great: she has really embraced the form and constantly goes on long digressions just for the audiobook listeners. * The Sunday Telegraph *\u003cbr\u003eIt’s rare I purchase a hardback (they hurt when they drop on my face when I fall asleep reading!), but I was so desperate to read Bridget Christie’s \u003cb\u003eA Book For Her\u003c\/b\u003e, I braved it. I was well rewarded. Part memoir, part rant, Christie brilliantly and hilariously points out the utter absurdity and nonsensical cruelty of sexism, it left me smiling but furious. * WH Smith blog *\u003c\/i\u003e\u003c\/p\u003e","brand":"Cornerstone","offers":[{"title":"Default Title","offer_id":48732319908183,"sku":"9780099590842","price":10.44,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780099590842.jpg?v=1719996398"},{"product_id":"life-and-laughing-9780141045672","title":"Life and Laughing","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eDiscover the real Michael McIntyre through his remarkable and hilarious journey to comedy stardom in his first official autobiography\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e''This book showed me the REAL Michael McIntyre'' \u003c\/b\u003e5***** READER REVIEW\u003cbr\u003e\u003cb\u003e''It made me laugh, cry, laugh, laugh and laugh some more'' \u003c\/b\u003e5***** READER REVIEW\u003cbr\u003e\u003cb\u003e''Simply is a must read . . . 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Presenting the greatest and most hilarious examples of Groucho, one of the most influential and well-loved figures in the long and glittering history of comedy. From early scripts to complete screenplays, from magazine funnies to fascinating personal correspondence, via books, greedy banks, even greedier lawyers and the coming of television, Kanfer''s collection captures the essence of Groucho''s inimitable comic genius. ''I never forget a face, but in your case I''ll make an exception...","brand":"Penguin Books Ltd","offers":[{"title":"Default Title","offer_id":48732429222231,"sku":"9780141189444","price":999.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780141189444.jpg?v=1719996841"},{"product_id":"creative-health-for-pianists-concepts-exercises-compositions-9780197600214","title":"Creative Health for Pianists Concepts Exercises","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eCreative Health for Pianists: Concepts, Exercises \u0026amp; Compositions is a practical method book for musicians of all abilities. It provides a new way of thinking about the piano, emphasizing the pianist-reader''s innate capacity to respond creatively to a musical and technical stimulus. Author and veteran educator Pedro de Alcantara suggests that every pianist, from a complete beginner to a concert artist, may approach the instrument with the frame of mind of an improviser and composer, in which curiosity, inventiveness, and technical skills are inseparable.Throughout the book, original music snippets that encapsulate one or more aspects of piano playing are presented and explained, then developed through tweaks, variations, and compositions of increasing complexity. Every chapter contains variations suited to a complete beginner, as well as musical challenges that will capture the imagination of advanced players. Most chapters contain improvisational prompts and games with step-by-step rules, leading to the development of new creative skills combining musical depth and technical intelligence. 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By insisting on the need to take time, to listen, and to feel, this method perfects the skills of the pianist, moving away from a purely mechanical approach to one offering the means to train hands and ears in a healthy and creative way. * Lara Erbès, Professor of Piano, Conservatoire de Strasbourg *\u003cbr\u003ePedro de Alcantara's Creative Health for Pianists presents fundamental musical concepts, using imaginative pedagogical tools with clarity, humor, real-life examples, and boundless creativity. His progression from archetype to variation\/improvisation to composition, which underlies each chapter, develops the pianist's creative potential, linking mind, soul, ear, and hand. In the course of the book, the reader absorbs new material through the act of fearless creation and the freedom to curate their own, unique learning experience. 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Mudra  Conclusion Appendix: Practicing the Circle of Fifths Resources","brand":"Oxford University Press Inc","offers":[{"title":"Default Title","offer_id":48732655911255,"sku":"9780197600214","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780197600214.jpg?v=1719997822"},{"product_id":"a-handbook-of-diction-for-singers-9780197639511","title":"A Handbook of Diction for Singers","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eFeaturing updates, expansions, and a new chapter on phonetic symbols and unique sounds in Italian, German, and French, this third edition of the widely adopted A Handbook of Diction for Singers is a complete guide to achieving professional levels of diction in the three major languages of the classical vocal repertory.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eIt's hard to believe, but Mr. Adams has actually improved this comprehensive text for its third edition. Anything and everything one needs to understand and execute beautiful, authoritative diction can be found in this book....and in three languages! Get it! * Martin Katz, G. Koldofsky Distinguished University Professor, Earl V. Moore Collegiate Professor in Music, Artur Schnabel Collegiate Professor in Piano, University of Michigan *\u003cbr\u003eDavid Adams presents vast knowledge in a very clear and organized fashion. There are multiple fine points that spice up the teaching throughout. The handbook is a very practical book filled with details illustrated by numerous musical examples. This book is a must for all singers, coaches, conductors, and language majors. * Pierre Vallet, The Metropolitan Opera, The Juilliard School *\u003cbr\u003eA valuable introduction to vocal diction, this book offers a clear, no-nonsense guide that will be extremely useful to singers, teachers and coaches. * Brian Zeger, Artistic Director, Marcus Institute for Vocal Arts at The Juilliard School *\u003cbr\u003eWow! No need to bother with other reference works for these three languages-it's all here and then some! I'm so impressed with Mr. Adams' thoroughness, clarity, and his ability to keep what could be a dry subject interesting, entertaining and stimulating. Any singer, voice teacher or collaborative pianist needs this on a very handy shelf. * Martin Katz, Pianist, Coach, and Conductor *\u003cbr\u003eA Handbook of Diction for Singers will make an invaluable addition to any singer's library. The clarity and simplicity of Mr. Adams' approach to lyric diction is wonderful to read, and his years of teaching and the depth of his understanding only underscore his clear and clean explanation of the many aspects of this discipline. Bravo, David! * Warren Jones, Pianist *\u003cbr\u003eDavid Adams' contribution to the singer's bookshelf is invaluable. He not only provides a clear, pragmatic guide to diction for singers and pianists but approaches the topic with a fine ear for music and a deep understanding of the challenges singers face in uniting music and text. * Brian Zeger, collaborative pianist and Director of Vocal Arts, Juilliard School *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eAcknowledgements Preface  Chapter 1 An Introduction to Individual Sounds Chapter 2 Italian Diction Chapter 3 German Diction Chapter 4 French Diction  Bibliography Index of Sounds by Spelling General Index","brand":"Oxford University Press Inc","offers":[{"title":"Default Title","offer_id":48732664332631,"sku":"9780197639511","price":28.45,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780197639511.jpg?v=1719997860"},{"product_id":"the-politics-of-the-musical-theatre-screen-adaptation-9780197649398","title":"The Politics of the Musical Theatre Screen","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eHollywood''s conversion to sound in the 1920s created an early peak in the film musical following the immense success of The Jazz Singer. 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If she wants her readers to like her, she certainly achieved it with this reviewer who laughed and cried and secretly wants her as a best friend -- Elizabeth Fremantle * Daily Express *\u003cbr\u003eSue's memoir will leave you feeling like you've made a new best friend. Introducing us to a cast of friends, family and love interests, and not forgetting a psychopathic nun, Sue picks apart life in a refreshingly honest, warm and downright hilarious way... \u003ci\u003eSpectacles\u003c\/i\u003e firmly cements her as an exciting writer of the future * OK Magazine *\u003cbr\u003eThis smart and funny story is far from the photo-heavy, ghost-written volumes that it will compete with . . . Perkins is such a good writer . . . incapable of writing a boring sentence -- Cathy Rentzenbrink * Sunday Express *\u003c\/p\u003e","brand":"Penguin Books Ltd","offers":[{"title":"Default Title","offer_id":48738963489111,"sku":"9781405918558","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781405918558.jpg?v=1720050715"},{"product_id":"alanatomy-9781405920513","title":"Alanatomy","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003e***If you loved Alan''s first memoir - \u003ci\u003eLook Who It Is!\u003c\/i\u003e - then his follow-up, Alanatomy, will take you further into the hilarious and bizarre world of the country''s favourite chatty man.***\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e''As laugh out loud as his TV shows'' \u003ci\u003eDaily Mirror\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eIt must seem strange to you that I''ve called a book \u003ci\u003eAlanatomy . . . \u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eFor anyone who has taken the time to see my stand-up performances or watched my chat show, ''Chattyman'', knows that my body has hardly been kind to me - in fact there''ve been times when we''ve actually stopped talking to each other. 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Do you think the Great British Public is ready to pore over your body? \u003cbr\u003e\u003cbr\u003eWell, as I turn forty and take stock o\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eIf you loved Alan's first memoir - \u003ci\u003eLook Who It Is! - \u003c\/i\u003ethen this follow-up, Alanatomy, will take you further into the hilarious and bizarre world of the country's favourite chatty man. * from the publisher's description *\u003cbr\u003eIt's as winning as you'd expect from the chatty, heart-on-sleeve Carr * Sunday Express *\u003cbr\u003eAs laugh out loud as his TV shows * Daily Mirror *\u003cbr\u003eIf you loved Alan's first memoir - \u003ci\u003eLook Who It Is! - \u003c\/i\u003ethen this follow-up, Alanatomy, will take you further into the hilarious and bizarre world of the country's favourite chatty man. * from the publisher's description *\u003cbr\u003eAs laugh out loud as his TV shows * Heat *\u003cbr\u003e\u003cb\u003ePraise for \u003ci\u003eLook Who It is! \u003c\/i\u003eby Alan Carr\u003c\/b\u003e * Daily Mirror *\u003cbr\u003eJoyous stuff that most of us can relate to without it sounding clichéd, and it is delivered effortlessly by a comedian who owns the space he is working in so much, he could put up a flag * The Independent *\u003cbr\u003eCarr's comic timing works every bit as well on the page as it does on stage, making this easily the funniest book of the year * Heat *\u003cbr\u003eSharp, sassy material with pitch perfect comic timing * The List *\u003cbr\u003eBellyachingly funny * The Sunday Telegraph *\u003c\/p\u003e","brand":"Penguin Books Ltd","offers":[{"title":"Default Title","offer_id":48738965291351,"sku":"9781405920513","price":10.44,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781405920513.jpg?v=1720050722"},{"product_id":"be-a-great-standup-9781444107265","title":"Be a Great Standup","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eFrom one of the UK's most acclaimed and successful tutors of stand-up comedy comes this guide to understanding, developing and, most importantly, delivering a great comedy routine. Features practical tips, exercises, and expert advice.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\"The author's love for his job shines through...it has inspired me to pencil a date in my diary for my own return to stand-up after a ten-year hiatus.\" * - www.channel4.com\/4laughs *\u003cbr\u003e\"With advice from several comics and tips on how the business end of comedy works, anyone who reads it will feel empowered, full of confidence that they can take to the stage.\" * - www.chortle.co.uk *\u003cbr\u003eStand-up is such a visual and oral medium, how could you possibly gain anything other than very basic advice from a self-help book? Logan Murray has succeeded. The highly experienced stand-up and comedy course tutor, has written a very useful guide to starting out as a stand-up comedian. * - LaughRiot.co.uk *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e: introduction\u003c\/li\u003e\n\u003cli\u003e: part one: theory\u003c\/li\u003e\n\u003cli\u003e01: where do jokes come from?\u003c\/li\u003e\n\u003cli\u003e\u003cul\u003e\n\u003cli\u003e: do we create funny ideas or do they come\u003c\/li\u003e\n\u003cli\u003e: and find us?\u003c\/li\u003e\n\u003cli\u003e: practical creative games\u003c\/li\u003e\n\u003cli\u003e: some modern theories of humour\u003c\/li\u003e\n\u003cli\u003e: what is a joke?\u003c\/li\u003e\n\u003cli\u003e: attitude, the comedian’s secret weapon\u003c\/li\u003e\n\u003cli\u003e: attitude games\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/li\u003e\n\u003cli\u003e02: building a joke\u003c\/li\u003e\n\u003cli\u003e\u003cul\u003e\n\u003cli\u003e: extreme attitudes to specific points can\u003c\/li\u003e\n\u003cli\u003e: lead to humour\u003c\/li\u003e\n\u003cli\u003e: always ask yourself: ‘what is the comedian’s\u003c\/li\u003e\n\u003cli\u003e: answer to this particular problem?’\u003c\/li\u003e\n\u003cli\u003e: finding the joke\u003c\/li\u003e\n\u003cli\u003e: afterthoughts\u003c\/li\u003e\n\u003cli\u003e: afterthought games\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/li\u003e\n\u003cli\u003e03: comedy ground rules\u003c\/li\u003e\n\u003cli\u003e\u003cul\u003e\n\u003cli\u003e: style or content?\u003c\/li\u003e\n\u003cli\u003e: kill little Mr\/Ms social control in your head\u003c\/li\u003e\n\u003cli\u003e: stupid name game\u003c\/li\u003e\n\u003cli\u003e: what’s your attitude to the subject?\u003c\/li\u003e\n\u003cli\u003e: more attitude games\u003c\/li\u003e\n\u003cli\u003e: be specific\u003c\/li\u003e\n\u003cli\u003e: games to develop specific thinking\u003c\/li\u003e\n\u003cli\u003e: be concise\u003c\/li\u003e\n\u003cli\u003e: the longer the set up, the funnier the\u003c\/li\u003e\n\u003cli\u003e: punchline had better be!\u003c\/li\u003e\n\u003cli\u003e: if it doesn’t add, it detracts\u003c\/li\u003e\n\u003cli\u003e: detracting the audience verbally\u003c\/li\u003e\n\u003cli\u003e: detracting the audience with your body\u003c\/li\u003e\n\u003cli\u003e: language\u003c\/li\u003e\n\u003cli\u003e: avoid the temptation of burying your\u003c\/li\u003e\n\u003cli\u003e: routines in the past\u003c\/li\u003e\n\u003cli\u003e: always remember: start with your best stuff;\u003c\/li\u003e\n\u003cli\u003e: finish with your best stuff; let the middle\u003c\/li\u003e\n\u003cli\u003e: take care of itself\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/li\u003e\n\u003cli\u003e04: what sort of comic are you?\u003c\/li\u003e\n\u003cli\u003e\u003cul\u003e\n\u003cli\u003e: your persona\u003c\/li\u003e\n\u003cli\u003e: comedic flaws and how to use them\u003c\/li\u003e\n\u003cli\u003e: comic archetypes\u003c\/li\u003e\n\u003cli\u003e: mixing and matching\u003c\/li\u003e\n\u003cli\u003e: games to uncover comedic flaws\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/li\u003e\n\u003cli\u003e: part two: practical sessions\u003c\/li\u003e\n\u003cli\u003e05: unlocking your creativity\u003c\/li\u003e\n\u003cli\u003e\u003cul\u003e\n\u003cli\u003e: don’t worry about the result: just write!\u003c\/li\u003e\n\u003cli\u003e: writing activities\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/li\u003e\n\u003cli\u003e06: a word about emotional exaggeration\u003c\/li\u003e\n\u003cli\u003e\u003cul\u003e\n\u003cli\u003e: breaking the habits of a lifetime: be bigger,\u003c\/li\u003e\n\u003cli\u003e: be broader!\u003c\/li\u003e\n\u003cli\u003e: reasons why comics start exaggerating\u003c\/li\u003e\n\u003cli\u003e: their emotional responses…\u003c\/li\u003e\n\u003cli\u003e: reasons why new comedians might\u003c\/li\u003e\n\u003cli\u003e: overlook their emotional performance…\u003c\/li\u003e\n\u003cli\u003e: why comedians need to be more extreme…\u003c\/li\u003e\n\u003cli\u003e: activities to encourage emotional\u003c\/li\u003e\n\u003cli\u003e: exaggeration\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/li\u003e\n\u003cli\u003e07: creating material\u003c\/li\u003e\n\u003cli\u003e\u003cul\u003e\n\u003cli\u003e: workshop 1: the thank you list\u003c\/li\u003e\n\u003cli\u003e: workshop 2: building routines\u003c\/li\u003e\n\u003cli\u003e: workshop 3: putting your set together\u003c\/li\u003e\n\u003cli\u003e: pruning your material\u003c\/li\u003e\n\u003cli\u003e: ‘less is more’ activities\u003c\/li\u003e\n\u003cli\u003e: workshop 4: the hate list\u003c\/li\u003e\n\u003cli\u003e: workshop 5: creating your own lists\u003c\/li\u003e\n\u003cli\u003e: workshop 6: joke forms\u003c\/li\u003e\n\u003cli\u003e: workshop 7: finding different voices\u003c\/li\u003e\n\u003cli\u003e: stereotype activities\u003c\/li\u003e\n\u003cli\u003e: creating a character act\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/li\u003e\n\u003cli\u003e08: stagecraft\u003c\/li\u003e\n\u003cli\u003e\u003cul\u003e\n\u003cli\u003e: think about your attitude to your audience\u003c\/li\u003e\n\u003cli\u003e: treat the audience exactly how you would\u003c\/li\u003e\n\u003cli\u003e: treat your friends\u003c\/li\u003e\n\u003cli\u003e: force yourself to look at the audience\u003c\/li\u003e\n\u003cli\u003e: try to ‘read’ the crowd\u003c\/li\u003e\n\u003cli\u003e: slow down!\u003c\/li\u003e\n\u003cli\u003e: speeding through your set means that\u003c\/li\u003e\n\u003cli\u003e: inevitably your timing will be off\u003c\/li\u003e\n\u003cli\u003e: how to deal with nerves\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/li\u003e\n\u003cli\u003e09: microphone technique\u003c\/li\u003e\n\u003cli\u003e\u003cul\u003e\u003cli\u003e: microphone mistakes\u003c\/li\u003e\u003c\/ul\u003e\u003c\/li\u003e\n\u003cli\u003e10: hecklers and crowd control\u003c\/li\u003e\n\u003cli\u003e\u003cul\u003e\n\u003cli\u003e: why a gig can go bad\u003c\/li\u003e\n\u003cli\u003e: how to make a gig better\u003c\/li\u003e\n\u003cli\u003e: hecklers\u003c\/li\u003e\n\u003cli\u003e: crowd control exercises\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/li\u003e\n\u003cli\u003e11: what other comics think\u003c\/li\u003e\n\u003cli\u003e\u003cul\u003e\n\u003cli\u003e: Milton Jones\u003c\/li\u003e\n\u003cli\u003e: Richard Herring\u003c\/li\u003e\n\u003cli\u003e: Steve Hall\u003c\/li\u003e\n\u003cli\u003e: Sarah Kendal\u003c\/li\u003e\n\u003cli\u003e: Pat Condell\u003c\/li\u003e\n\u003cli\u003e: Katy Bagshaw\u003c\/li\u003e\n\u003cli\u003e: Marek Larwood\u003c\/li\u003e\n\u003cli\u003e: Mark Maier\u003c\/li\u003e\n\u003cli\u003e: Robin Ince\u003c\/li\u003e\n\u003cli\u003e: Greg Davies\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/li\u003e\n\u003cli\u003e12: business\u003c\/li\u003e\n\u003cli\u003e\u003cul\u003e\n\u003cli\u003e: how to get started\u003c\/li\u003e\n\u003cli\u003e: learn to market yourself\u003c\/li\u003e\n\u003cli\u003e: publicity\u003c\/li\u003e\n\u003cli\u003e: phoning for work\u003c\/li\u003e\n\u003cli\u003e: etiquette\u003c\/li\u003e\n\u003cli\u003e: do your time on stage\u003c\/li\u003e\n\u003cli\u003e: building your set\u003c\/li\u003e\n\u003cli\u003e: compèring\u003c\/li\u003e\n\u003cli\u003e: beyond stand-up\u003c\/li\u003e\n\u003cli\u003e: competitions\u003c\/li\u003e\n\u003cli\u003e: festivals\u003c\/li\u003e\n\u003cli\u003e: agents and managers\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/li\u003e\n\u003cli\u003e13: your first gig\u003c\/li\u003e\n\u003cli\u003e\u003cul\u003e\n\u003cli\u003e: booking the gig\u003c\/li\u003e\n\u003cli\u003e: three or four days before the gig\u003c\/li\u003e\n\u003cli\u003e: the day before the gig\u003c\/li\u003e\n\u003cli\u003e: on the day of the gig\u003c\/li\u003e\n\u003cli\u003e: on the evening of the gig\u003c\/li\u003e\n\u003cli\u003e: on stage\u003c\/li\u003e\n\u003cli\u003e: after the gig\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/li\u003e\n\u003cli\u003e14: the future\u003c\/li\u003e\n\u003cli\u003e: appendix 1: group games\u003c\/li\u003e\n\u003cli\u003e: appendix 2: the fall and rise of stand-up comedy\u003c\/li\u003e\n\u003cli\u003e: taking it further\u003c\/li\u003e\n\u003cli\u003e: index\u003c\/li\u003e\n\u003cli\u003e: acknowledgements\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"John Murray Press","offers":[{"title":"Default Title","offer_id":48739223470423,"sku":"9781444107265","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781444107265.jpg?v=1720051551"},{"product_id":"make-good-art-9781472207937","title":"Make Good Art","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eFrom the bestselling author of the acclaimed novel AMERICAN GODS and the prize-winning THE OCEAN AT THE END OF THE LANE.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eIn May 2012, Neil Gaiman delivered the commencement address at Philadelphia''s University of the Arts, in which he 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He encouraged the fledgling painters, musicians, writers, and dreamers to break rules and think outside the box. Most of all, he urged them to make good art.\u003cbr\u003e\u003cbr\u003eThe book MAKE GOOD ART, designed by renowned graphic artist Chip Kidd, contains the full text of Gaiman''s inspiring speech.\u003cbr\u003e\u003cbr\u003ePraise for Neil Gaiman:\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e''A very fine and imaginative writer'' \u003ci\u003eThe Sunday Times\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e''Exhilarating and terrifying'' \u003ci\u003eIndependent\u003cbr\u003e\u003c\/i\u003e\u003cbr\u003e''Urbane and sophisticated'' \u003ci\u003eTime Out\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e''A jaw-droppingly good, scary epic positively drenched in metaphors and symbols... 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At one level On Walking describes this blistered walk from one incongruous B\u0026amp;B to the next, taking in places like Dunwich, Bungay, Covehithe, Orford Ness, Sutton Hoo and Rendlesham Forest - with their lost villages, Cold War testing sites, black dogs, white deer and alien trails. Phil Smith's walk soon becomes every bit as remarkable as Sebald's and he matches Sebald's erudition, originality and humour swathe for swathe. At a second level, the book sets out a unique kind of 'hyper-sensitised' walking for which the author is quietly famous. It burrows beneath the guidebook and the map, looks beyond the shopfront and Tudor facade and feels beneath the blisters and aches of the everyday. The Suffolk walk described here is an exemplary walk that goes beyond 'wandering around looking at stuff' and shows how every walk can be art, revolution and pilgrimage. At a third level, On Walking is an intellectual tour de force, encompassing Situationism, alchemy, dancing, jouissance, geology, psychogeography, 20th century cinema and old TV, architecture, grief, pilgrimage, WWII, the Cold War, Uzumaki, pub conversations, somatics and synchronicity.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eWho me? Superstitions What I do when I walk My Sebald walk: Taken from my notebooks Walking bodies  actics of sensitivity\t Knees\t Crab Man's razor\t Don't take your own food A skill... A few  ighlights from other drifts and wanders (1) Encounters\t Democracy\t O my International Lettristes! O my Situationists!\t Getting started\t Scratching from start Mythogeography Jouissance Environmentalism Pilgrimage Dodgy Walk in the footsteps of others\t Being ready Leaderless Holey  actics and things Deep topography\t Autotopography\t Cemetery Walk (2003) Walking in the Suburbs (2013) Doppel A few  ighlights from other drifts and wanders (2) Cryptic\t Coincidences Note\t The wobbly art of memory Holey space\t Follow animal tracks Bluster The right to more Rhythms\t Psychogeography\t Walk to the ends of the earth Atmospheres Alchemical crossing\t Walking in character Undercovers Walking as an ordeal The man in the mask\t Women and walking\t Re:enactment\t Urfaces\t A few highlights from other drifts and wanders (3) A few highlights from other drifts and wanders (4)\t The fire doors of perception The last tactic\t Appendix Walking for a change: A manifesto for a new nomad References","brand":"Triarchy Press","offers":[{"title":"Default Title","offer_id":48742529630551,"sku":"9781909470309","price":17.51,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781909470309.jpg?v=1720061777"},{"product_id":"body-and-performance-9781909470163","title":"Body and Performance","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e12 contemporary approaches to the human body that are being used by performers or in the context of performance training. The second in a series of books entitled: Ways of Being a Body. Following on from Sandra Reeve's Nine Ways of Seeing a Body (which offered a historical perspective on different key approaches to the body over time), this new edited collection brings together a wide range of contemporary approaches to the body that are being used by performers or in the context of performance training. The intention is for students, dancers, performers, singers, musicians, directors and choreographers to locate their own preferred approach(es) to the body-in-performance amongst the lenses described here. The collection is also designed to facilitate further research in that direction as well as to signpost alternatives that might enrich their current vocabulary. All 12 approaches represent the praxis and research of their authors. The chapters reveal a wide variety of different interests but they share the common framework of the notion of 'body as flux', of 'no fixed or determined sense of self' and of supporting the performer's being-becoming-being as a skilful creative entity, emphasising the intelligence of the body at work.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eThe Ontogenetic Body  -  makes us aware of developmental processes and gives us a way to embody the forms, mind states and movement patterns of our cellular histories. The Intersubjective Body  -  explores the inter-relationship between dancing bodies and the environment in the context of site-responsive performance practice.  The Autobiographical Body  -  examines somatic performance practices that explore autobiography as a fluid experience based on relationships with other people and places.  The Resonant Body  -  considers 'cellular-body-mindfulness' through site-responsive sound dance improvisation, paying particular attention to temporality.  The Dwelling Body  -  sees the practitioner as a conduit: experiencing body and place as continually in process and recognising the vital inter-relationship of place and identity.  The Vocal Body  -  moves beyond the idea of the body as a 'homebase' of vocal emission and offers an integrative approach to physiovocal unity. The Musical Body  -  re-intepreting Stockhausen's Tierkreis offers a physical approach to performance where the body is the driving force behind musical interpretation. The Resilient Body  -  through the adaptive capacity of the human body the performer can develop resilience and potential. \tThe Imaginal Body  -  rooted in the Alexander technique, this approach uses anatomical images, specific thinking, touch and visualisations to let go of habitual restrictive patterns and release imaginative potential. The Learnt Body  -  proposes a training of the performer's body that can consciously transcend socially coded habits and movement patterns. \tThe Kinetic Body  -  through Kudiyattam dance training, this approach demonstrates how, underpinning the kinetics of breathing, 'foot' produces temporality, which is the fundamental source of the presence of the body.   The Cognitive Body  -  uses Damasio's body-minded brain and 'somatic marker hypothesis' to articulate methods of physical devising for performance","brand":"Triarchy Press","offers":[{"title":"Default Title","offer_id":48742529696087,"sku":"9781909470163","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781909470163.jpg?v=1720061777"},{"product_id":"ways-to-wander-9781909470729","title":"Ways to Wander","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e'Ways to Wander' is your invitation to experiment with a whole range of different ways to 'go for a walk'. Rather than picking up a map and following a footpath, the book offers 54 intriguingly different suggestions, tactics and recollections, all submitted by artists (most of them involved with the Walking Artists Network). There are plenty of ideas you can just go out and try, but others are more performative or explore the psychological, cultural and philosophical aspects of walking Pop the book in your back pocket, leave it in your rucksack, share it with friends and take them on a walk, use it in creative workshops, read it as if each instruction were poetry, engage with each page as visual art or as a performance activity, let it remind you of places you've been or walks you'd like to do. When the moment takes you, be inspired by the variety of inventive and reflective ideas mapped out here and then simply...wander.","brand":"Triarchy Press","offers":[{"title":"Default Title","offer_id":48742530023767,"sku":"9781909470729","price":11.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781909470729.jpg?v=1720061778"},{"product_id":"good-moaning-france-officer-crabtrees-fronch-phrose-berk-9781909976597","title":"Good Moaning France!: Officer Crabtree's Fronch","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eBased on a favourite character from BBC TV sitcom `Allo `Allo! In this delightful book, Officer Crabtree's masterly grasp of 'Fronch' falls under the spotlight as never before. From 'Ploose may I hov a kippy of the dooly nosepooper?' to 'frigs logs', 'scrimbled oggs' and 'fosh and chops' the book is a tribute to mangled words and phrases. Arthur Bostrom, who played Officer Crabtree on stage and screen, mixes vowels and pronunciation trying to educate those less gifted in the French 'longwodge'... For example: 'Criss chunnel fairy'... 'Which bonk do you bonk with?'... 'Would you lick a drunk?'.... Illustrated by John Cooper and ideal for travellers and fans of `Allo `Allo! alike, Good Moaning France! is a wake-up call for anyone who thinks they are competent in French (or English or any other language). Readers' questions are answered in Ask Crabtree, there are examples from Crabtree's 'poloce newtberks' and a most unhelpful 'Undex'. In a Foreword music legend Rick Wakeman recalls how he fell off his chair laughing on seeing the character created by screenwriters David Croft and Jeremy Lloyd at the start of the second series (the book is published by permission).\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e`Listen very carefully, you will read this more than once. I loaved it'-- Les Dennis; `I've not laughed at anything like I've laughed at Crabtree ever in my life, this book is \"very good nose\"'-- Justin Moorhouse; `Buck your fairy trip to Fronce now and take Crabtree's guide with you. A must-read. Hilarious'-- Su Pollard; `DO NOT BUY ZIS BOOK!!! IF YOU DO, YOU VILL BE SHOT!!!'-- Helga.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eIntroduction; 1.Out and About; 2.Wartime Phrases; 3.French Language Rules; 4.My Everyday Practice; 5.Everyday Words and Phrases; 6.Going on Holiday to France; 7.All About Banking; 8.Shopping; 9.Living and Working in France; 10.Music; 11.Proverbs; 12.Books; Further Reading; Undex. PLUS: Interspersed with examples from Crabtree's 'Poloce Newt Berks', Ask Crabtree and illustrations.","brand":"Waterside Press","offers":[{"title":"Default Title","offer_id":48742542967127,"sku":"9781909976597","price":11.97,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781909976597.jpg?v=1720061834"},{"product_id":"guidebook-for-an-armchair-pilgrimage-2019-9781911193593","title":"Guidebook for an Armchair Pilgrimage: 2019","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003ePhil Smith (Crabman\/Mythogeography) and Tony Whitehead join forces with master photographer John Schott to lead readers on a `virtual’ journey to explore difference and change on their way to an unknown destination. “What is most real is what you have still to discover.”   “Relax in your seat. Allow the train to take you along the water’s edge to the beginning point of your walking pilgrimage… When the train pulls into the platform, step off. Hidden behind the platform is a broken machine; a mechanised fortune teller – the `voice of truth’ – discarded from the nearby arcade of slot machines. Propped against the side of a building, its mouth is silent, its pronouncements have ceased; any truths you find today will be your own.”   Pilgrimages – real and imagined - are always popular, sometimes compulsory. Bodh Gaya, Santiago, Mecca, Jerusalem, Puri: a few of the sites that beckon. The pilgrimage to the authentic self takes a similar path in an interior landscape. In the 15th century, Felix Fabri combined the two, using his visits to Jerusalem to write a handbook for nuns wanting to make a pilgrimage in the imagination, whilst confined to their religious houses.   For Guidebook for an Armchair Pilgrimage, the authors followed Fabri’s example: first walking together over many weeks – not to reach a destination but simply to find one – then, in startling words and images, conjuring an armchair pilgrimage for the reader… along lanes and around hills, into caves and down to the coast. “We arrived again and again at what we assumed would be a final `shrine’, only to be drawn onwards and inwards towards another kind of finality… rather than reaching a destination, the pilgrimage was repeatedly reborn inside us, until its most recent rebirth in this book.”   Over the course of the 19-day Armchair Pilgrimage, they invite us to experience the world around us just as they did as they walked. So, over the first three days, they suggest that we contemplate, among other things:  •\tOur habit of generalising – acquired 40-50,000 years ago, when our `chapel’ mind of specialisms became a `cathedral’ mind •\tOur tendency to let one thing remind us of another thing •\tWhat it might be like to be an ocean where fish swim through us •\tHow the world experiences us just as we experience it: `gently feel for the feelers feeling for you’ •\tA world where we tend to `add’ meaning and intensity •\tA world where we let go (without the aid of dementia) of memory, imagination, desire and wild fancy.  And, as the pilgrimage concludes: “Returning is never going back to the same place.”  “A brilliant idea, inviting us to `be present’ to a reality that is imagined and recorded, mediated by words and images. The feelings and emotions are no less `real’ than if we were actually standing in and experiencing that reality.  I love the genius of words and images displayed here -- no less than the reality itself.” Carol Donelan, Professor of Cinema and Media Studies, Carleton College, Minnesota\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e“A brilliant idea, inviting us to `be present’ to a reality that is imagined and recorded, mediated by words and images. The feelings and emotions are no less `real’ than if we were actually standing in and experiencing that reality.  I love the genius of words and images displayed here -- no less than the reality itself.” Carol Donelan, Professor of Cinema and Media Studies, Carleton College, Minnesota","brand":"Triarchy Press","offers":[{"title":"Default Title","offer_id":48742602834263,"sku":"9781911193593","price":14.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781911193593.jpg?v=1720062094"},{"product_id":"body-and-awareness-9781913743000","title":"Body and Awareness","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eOur growing understanding of embodied awareness is one of the less known and most extraordinary areas of contemporary research and practice.  On one side (the left brain, as it were), neuroscience in all its forms is constantly shedding new light on subjects like embodied cognition, the distributed brain (brain-in-the-gut, brain-in the-heart), the workings of the left and right hemisphere of the brain (McGilchrist and others) and the processing of sensory and emotional data.  On the other side (the right hemisphere, as it were) our study and awareness of the experience of being in our bodies, moving, feeling pain, dreaming, meditating, growing, becoming ill and healing, is becoming increasingly nuanced. Academic research is approaching the experience of consciousness and awareness 'from the inside' and making remarkable discoveries.  The emerging field of 'body and awareness' is transdisciplinary and multifaceted - it has no subject listing in libraries and academia or in booksellers' metadata. But it is of central importance to those interested in understanding art, dance, the psychology of health, child learning and development, trauma, the psycho-ecology of extinction, loss and climate change, proprioception and enteroception, ecological awareness, meditation, and the need for societal transformation in an age of multiple convergent crises.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eThe Actively Imagining Body ~ Helen Edwards The Alchemical Body ~ Hilary Kneale  The Awakening Body ~ Anna Murray-Preece The Changing Body ~ Paula Kramer The Choreoauratic Body ~ Becca Wood  The Dreamweaving Body ~ Sarah Hyde  The Enfolding Body ~ Kim Sargent-Wishart  The Imaginary Body ~ Alex Crowe The Instrumental Body ~ Olga Masleinnikova  The Integrative Body ~ Elaine Hendry Westwick The Intuitive Body ~ Margaret Kerr  The Moving Body ~ Sandra Reeve  The Pain Body ~ Jamila Rodrigues The Poetic Body ~ Carran Waterfield  The Proprioceptive Body ~ Laura Haughey The Psychodynamic Body ~ Sandra Kay Lauffenburger The Signing Body ~ Sheila Ryan The Transformative Body ~ Ditty Dokter  The Unveiled Body ~ Celine Butte  The Vegetal Body ~ Ali East","brand":"Triarchy Press","offers":[{"title":"Default Title","offer_id":48742753501527,"sku":"9781913743000","price":23.23,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781913743000.jpg?v=1720062681"},{"product_id":"the-house-of-hidden-meanings-9780008614942","title":"The House of Hidden Meanings","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eTHE SUNDAY TIMES BESTSELLERFrom international drag superstar and pop culture icon RuPaul, comes his most revealing to datea brutally honest and deeply intimate memoir of growing up Black, poor, and queer in a broken home to discovering the power of performance and self-acceptance.A profound introspection of his life, relationships, and identity, The House of Hidden Meanings is a self-portrait of the legendary icon on the road to global fame and changing the way the world thinks about drag.Central to RuPaul's success has been his chameleonic adaptability. From drag icon to powerhouse producer of one of the world's largest television franchises, RuPaul's ever-shifting nature has always been part of his brand as both supermodel and super mogul.Yet that adaptability has made him enigmatic to the public. In this memoir, his most intimate and detailed book yet, RuPaul makes himself truly known.Stripping away all artifice, RuPaul recounts the story of his life with breath taking clarity and tenderness, bringing his signature wisdom and wit to his own biography. From his early years growing up as a queer Black kid in San Diego navigating complex relationships with his absent father and temperamental mother, to forging an identity in the punk and drag scenes of Atlanta and New York, to finding enduring love with his husband Georges LeBar and self-acceptance in sobriety, RuPaul excavates his own biography, uncovering new truths and insights in his personal history.Here in RuPaul's singular and extraordinary story is a manual for livinga personal philosophy that testifies to the value of chosen family, the importance of harnessing what makes you different, and the transformational power of facing yourself fearlessly.If we're all born naked and the rest is drag, then this is RuPaul totally out of drag. This is RuPaul stripped bare.","brand":"HarperCollins Publishers","offers":[{"title":"Default Title","offer_id":48864033309015,"sku":"9780008614942","price":18.7,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780008614942.jpg?v=1722270077"},{"product_id":"storythinking-9780231206938","title":"Storythinking","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eThis book explains how and why our brains think in stories. Angus Fletcher, an expert in neuroscientific approaches to narrative, identifies this capacity as “storythinking.”\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eFletcher’s done it again. His polymathic erudition and word-wizardry elegance pull off the equivalent of a Copernican revolution in our understanding of storytelling—in all its resplendent iterations. With \u003ci\u003eStorythinking\u003c\/i\u003e he invites us on an extraordinary odyssey that enriches understanding of our deep, instinctive impulse to create stories as makers and transformers of our world. \u003ci\u003eStorythinking\u003c\/i\u003e is nothing less than a cosmological paradigm shift that puts story making and thinking at the center of all that we do. -- Frederick Luis Aldama, award-winning author and Jacob \u0026amp; Frances Sanger Mossiker Chair in the Humanities, UT Austin\u003cbr\u003eAngus Fletcher explains why effective narrative prioritizes the unique, shifts viewpoints, and encourages conflict. Not for their own sake. It makes a writer create and clarify more thoughtful ideas and leads readers to intuit and retain the message. Both revelatory and pragmatic, and so gracefully explained. -- Shane Greenstein, author of \u003ci\u003eHow the Internet Became Commercial: Innovation, Privatization, and the Birth of a New Network\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eStorythinking \u003c\/i\u003eis absolutely excellent: a much-needed reminder of and expansion on the transformative power of story, story as an enriched form of learning and as a valid epistemology. The book is a lovely, readable addition to academic and public life. I am eager to see the use of story resurrected! -- Lisa Miller, Ph.D., Professor \u0026amp; Founder, Spirituality Mind Body Institute, Teachers College, Columbia University\u003cbr\u003eStory is a basic mental operation. Most of our experience, knowledge, and thinking is formed and organized by story: prediction, evaluation, planning, explanation, agents and actors, processes, goals. Story is an indispensable element of creativity. Human beings project from story to story and blend stories to create new concepts, new proposals, new science.  How can we push the cognitive science of story forward? Fletcher, in this captivating and inspiring new book, leads the way. -- Mark Turner, author of \u003ci\u003eThe Literary Mind: The Origins of Thought and Language\u003c\/i\u003e\u003cbr\u003eThe quickest way to elicit a scoff from 'serious thinkers' is to mention 'story'. But as someone who has built a career as a science communicator, who consistently straddles the line between art and science, and whose work is grounded in neuroscience, I know intuitively that storytelling is fundamental to how we think. Finally, Angus Fletcher brings his deep understanding of narrative together with his keen scientific mind to explain \u003ci\u003ewhy \u003c\/i\u003ewe think in stories, why embracing story structure is the way forward, and how\u003ci\u003e \u003c\/i\u003estories provide an architecture to thought as powerful and important as logic. Read this book. -- Indre Viskontas, Cognitive Neuroscientist, University of San Francisco\u003cbr\u003e[\u003ci\u003eStorythinking\u003c\/i\u003e] is a most unusual book, plumbing the depths of history to find where philosophy went off the rails, examining neurobiology for insight into creativity, and festooned with stories about great characters all the way through. I can honestly report I’ve never read anything like it. And that’s a good thing. * The Straight Dope *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e1. Story\u003cbr\u003e2. Story and Thinking\u003cbr\u003e3. The Origin of Story\u003cbr\u003e4. Why Our Schools Teach Logic, Not Story\u003cbr\u003e5. The Limits of Logic—or Why We Still Need Storythinking\u003cbr\u003e6. The Brain Machinery of Storythinking\u003cbr\u003e7. Improving Storythinking\u003cbr\u003e8. Storythinking for Personal Growth\u003cbr\u003e9. Storythinking for Social Growth\u003cbr\u003e10. Story’s Answer to the Meaning of Life\u003cbr\u003eCoda: Conversations with a Storythinker\u003cbr\u003eNotes\u003cbr\u003eIndex","brand":"Columbia University Press","offers":[{"title":"Default Title","offer_id":48864264061271,"sku":"9780231206938","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780231206938.jpg?v=1722271137"},{"product_id":"how-i-made-a-hundred-movies-in-hollywood-and-never-lost-a-dime-9780306808746","title":"How I Made A Hundred Movies In Hollywood And","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cdiv\u003eIn these pages \u003cb\u003eRoger Corman,\u003c\/b\u003e the most successful independent filmmaker in Hollywood relates his experiences as the director and\/or producer of such low-budget classics \u003ci\u003eAttack of the Crab Monsters, The Little Shop of Horrors, The Raven, The Man with the X-ray Eyes, The Wild Angels, The Trip, Night Call Nurses, Bloody Mama, Piranha,\u003c\/i\u003e and many others. He also discusses his distribution of the Bergman, Fellini, and Truffaut movies that later won Academy Awards in the Best Foreign Film category. Corman alumni—John Sayles, Martin Scorsese, Jack Nicholson, Vincent Price, Francis Ford Coppola, Peter Bogdanovich, Peter Fonda, Joe Dante, and Jonathan Demme, among others—contribute their recollections to give added perspective to Corman''s often hilarious, always informative autobiography.\u003c\/div\u003e","brand":"Hachette Books","offers":[{"title":"Default Title","offer_id":48864356401495,"sku":"9780306808746","price":15.19,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780306808746.jpg?v=1722271562"},{"product_id":"child-bride-9780307336958","title":"Child Bride","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e","brand":"Random House USA Inc","offers":[{"title":"Default Title","offer_id":48864360333655,"sku":"9780307336958","price":15.3,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780307336958.jpg?v=1722271578"},{"product_id":"performance-artists-talking-in-the-eighties-9780520210226","title":"Performance Artists Talking in the Eighties","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eFeatures more than 100 performance artists' interviews that highlight complex issues in performance art, including the role of identity in performer-audience relationships and art as an exploration of everyday conventions rather than a demonstration of virtuosity.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003ePreface by Linda M. Montano \u003cbr\u003e Introduction: Shall We Talk? Linda M. Montano Performs\u003cbr\u003e Autobiographical Voices, by Angelika Festa \u003cbr\u003e\u003cbr\u003e PART ONE sex\u003cbr\u003e Introduction by Christine Tamblyn \u003cbr\u003e Vito Acconci \u003cbr\u003e Philip Corner \u003cbr\u003e Paul Cotton \u003cbr\u003e Karen Finley \u003cbr\u003e Vanalyne Green\u003cbr\u003e Lynn Hershman \u003cbr\u003e Dick Higgins \u003cbr\u003e Laurel Klick \u003cbr\u003e Steven Kolpan \u003cbr\u003e Jill Kroesen\u003cbr\u003e Robert Kushner \u003cbr\u003e Minnette Lehmann \u003cbr\u003e Lydia Lunch \u003cbr\u003e Paul McCarthy \u003cbr\u003e Tim Miller \u003cbr\u003e Frank Moore and Linda Mac \u003cbr\u003e Vernita Nemec \u003cbr\u003e Pat Oleszko \u003cbr\u003e Carolee Schneemann \u003cbr\u003e Barbara Smith \u003cbr\u003e Annie Sprinkle and Veronica Vera\u003cbr\u003e Hannah Wilke \u003cbr\u003e\u003cbr\u003e PART TWO food\u003cbr\u003e Introduction by Moira Roth \u003cbr\u003e Jerri Allyn\u003cbr\u003e Nancy Barber \u003cbr\u003e John Cage  \u003cbr\u003e Angelika Festa\u003cbr\u003e Howard Fried \u003cbr\u003e Joan Jonas \u003cbr\u003e Alison Knowles \u003cbr\u003e Leslie Labowitz \u003cbr\u003e Suzanne Lacy \u003cbr\u003e Les Levine \u003cbr\u003e Antoni Miralda \u003cbr\u003e Susan Mogul \u003cbr\u003e Faith Ringgold  \u003cbr\u003e Rachel Rosenthal \u003cbr\u003e Martha Rosler  \u003cbr\u003e Richard Schechner  \u003cbr\u003e Bonnie Sherk \u003cbr\u003e Stuart Sherman \u003cbr\u003e Anne Tardos and Jackson Mac Low \u003cbr\u003e\u003cbr\u003e PART THREE money\/fame\u003cbr\u003e Introduction by Laura Cottingham \u003cbr\u003e Eleanor Antin \u003cbr\u003e Robert Ashley  \u003cbr\u003e Bob and Bob \u003cbr\u003e Eric Bogosian \u003cbr\u003e Nancy Buchanan \u003cbr\u003e Linda Frye Burnham \u003cbr\u003e Papo Colo \u003cbr\u003e Lowell Darling \u003cbr\u003e Steven Durland \u003cbr\u003e Simone Forti \u003cbr\u003e Mel Henderson \u003cbr\u003e Julia Heyward \u003cbr\u003e Mikhail Horowitz \u003cbr\u003e Allan Kaprow \u003cbr\u003e Tom Marioni \u003cbr\u003e Meredith Monk \u003cbr\u003e Jim Pomeroy \u003cbr\u003e Willoughby Sharp \u003cbr\u003e Michael Smith \u003cbr\u003e Martin Von Haselberg \u003cbr\u003e Martha Wilson \u003cbr\u003e\u003cbr\u003e PART FOUR ritual\/death\u003cbr\u003e Introduction by Lucy R. Lippard \u003cbr\u003e Marina Abramovicˇ and Ulay \u003cbr\u003e Helene Aylon \u003cbr\u003e Chris Burden  \u003cbr\u003e John Cage \u003cbr\u003e Ping Chong \u003cbr\u003e George Coates \u003cbr\u003e Betsy Damon \u003cbr\u003e Terry Fox \u003cbr\u003e Cheri Gaulke \u003cbr\u003e Alex Grey \u003cbr\u003e Deborah Hay \u003cbr\u003e Geoffrey Hendricks \u003cbr\u003e Donna Henes \u003cbr\u003e Kim Jones \u003cbr\u003e Alistair MacLennan \u003cbr\u003e Ann Magnuson \u003cbr\u003e Ruth Maleczech \u003cbr\u003e Paul McMahon \u003cbr\u003e Ana Mendieta \u003cbr\u003e Hermann Nitsch \u003cbr\u003e Lorraine O’Grady \u003cbr\u003e Morgan O’Hara \u003cbr\u003e Pauline Oliveros \u003cbr\u003e Adrian Piper \u003cbr\u003e Jerome Rothenberg \u003cbr\u003e Brian Routh \u003cbr\u003e Robert Schuler \u003cbr\u003e Theodora Skipitares \u003cbr\u003e Stelarc \u003cbr\u003e Elaine Summers \u003cbr\u003e Fiona Templeton \u003cbr\u003e Mierle Laderman Ukeles \u003cbr\u003e William Wegman \u003cbr\u003e Paul Zaloom \u003cbr\u003e Ellen Zweig \u003cbr\u003e Afterword: Quicksilver and Revelations: Performance Art at the End of the Twentieth Century, by Kristine Stiles \u003cbr\u003e Biographies \u003cbr\u003e Index ","brand":"University of California Press","offers":[{"title":"Default Title","offer_id":48864841302359,"sku":"9780520210226","price":28.05,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780520210226.jpg?v=1722273223"},{"product_id":"audition-everything-an-actor-needs-to-know-to-get-the-part-9780553272956","title":"Audition Everything an Actor Needs to Know to Get","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eWhen Streisand, Redford, Vereen, Tomlin, Midler, and Hoffman got their first breaks Michael Shurtleff was there.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eMichael Shurtleff has been casting director for  Broadway shows like \u003ci\u003eChicago\u003c\/i\u003e and   \u003ci\u003eBecket\u003c\/i\u003e and for films like \u003ci\u003eThe  Graduate\u003c\/i\u003e and \u003ci\u003eJesus Christ  Superstar. \u003c\/i\u003e His legendary  course on auditioning has  launched hundreds of successful careers. Now in this   book he tells the all-important \u003ci\u003ehow\u003c\/i\u003e for all  aspiring actors, from the beginning  student of acting to  the proven talent trying out for that  chance-in-a-million  role!\u003cbr\u003e\u003cbr\u003eTwelve guideposts for actors plus:\u003cbr\u003eStyle • Pace • Over-Acting • Distractions • Risks • Drama • Musical Theater • Comedy • Self-Rescue • Seduction • Eye Contact\u003cbr\u003e. . . And more!","brand":"Bantam Doubleday Dell Publishing Group Inc","offers":[{"title":"Default Title","offer_id":48865047249239,"sku":"9780553272956","price":9.03,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780553272956.jpg?v=1722273471"}],"url":"https:\/\/bookcurl.com\/collections\/other-performing-arts.oembed?page=21","provider":"Book Curl","version":"1.0","type":"link"}