{"title":"Non-graphic and electronic art forms Books","description":"","products":[{"product_id":"archaic-and-classical-greek-art-9780192842022","title":"Archaic and Classical Greek Art","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eRanging widely over the fields of sculpture, vase painting, and the minor arts, this book provides a brilliant and original introduction to the art of archaic and classical Greece. By looking closely at the social and cultural contexts in which the rich diversity of Greek arts were produced, Robin Osborne shows how artistic developments were both a product of, and contributed to, the intensely competitive life of the Greek city.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003ea different approach suggesting new perspectives and original connections ... eye-opening and thought-provoking * Professor François Lissarrague, Ecoles des Hautes Etudes en Sciences Sociales, Paris *\u003cbr\u003ebrings all that is best in the 'new' Classical art history to this exciting interpretation ... No reader of Osborne's stimulating and engaging book will come away with their vision of Greek art unchanged * Dr Jeremy Tanner, Institute of Archaeology, University of London *\u003cbr\u003eStudents of art will be intrigued and challenged by the methods employed and examples so cleverly chosen by one of our leading historians of Archaic and Classical Greece * Professor Joan Connelly, New York University *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eIntroduction ; Chapter 1: A history of art without artists ; Chapter 2: From praying to playing: the art of the eighth century BC ; Chapter 3: Reflections in an eastern mirror ; Chapter 4: Myth as measure ; Chapter 5: Life enlarged ; Chapter 6: Marketing an image ; Chapter 7: Enter politics ; Chapter 8: Gay abandon ; Chapter 9: Cult, politics, and imperialism ; Chapter 10: The claims of the dead ; Chapter 11. Individuals within and without the city ; Chapter 12: The sensation of art ; Chapter 13: Looking Backwards ; List of Illustrations, Bibliographic essay,  Timeline, Index","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":48732591620439,"sku":"9780192842022","price":999.99,"currency_code":"GBP","in_stock":false}]},{"product_id":"the-beauty-of-everyday-things-9780241366356","title":"The Beauty of Everyday Things","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eIt would not be entirely amiss to describe Yanagi's position in Japan as comparable to that of Ruskin and Morris in England ... He left as a legacy an aesthetic and religious creed of vital importance to men and women all over the world -- Bernard Leach\u003cbr\u003eWhat impresses me most in Yanagi is the strength of his vision, his direct eye for beauty. 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Modern Sculpture presents a selection of manifestos, documents, statements, articles, and interviews from more than ninety sculptors, including a diverse selection of contemporary sculptors. With this book, editor Douglas Dreishpoon defers to artists, whose varied points of view illuminate sculpture's transformationfrom object to action, concept to phenomenonover the course of more than a century. Chapters arranged in chronological sequences highlight dominant stylistic, philosophical, and thematic threads uniting kindred groups. 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While its narrator sets out to construct a sort of 'pillow book' about her lifelong obsession with the colour blue, she ends up facing down both the painful end of an affair and the grievous injury of a dear friend. The combination produces a raw, cerebral work devoted to the inextricability of pleasure and pain, and to the question of what role, if any, aesthetic beauty can play in times of great heartache or grief.\u003cbr\u003e\u003cbr\u003eMuch like Roland Barthes's \u003ci\u003eA Lover's Discourse\u003c\/i\u003e, \u003ci\u003eBluets\u003c\/i\u003e has passed between lovers in the ecstasy of new love, and been pressed into the hands of the heartbroken. Visceral, learned, and acutely lucid, \u003ci\u003eBluets\u003c\/i\u003e is a slim feat of literary innovation and grace, never before published in the UK.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eTranscendent.... very inspiring. She’s an amazing writer.\u003c\/b\u003e -- Lorde * Irish Times *\u003cbr\u003eMaggie Nelson... She's\u003cb\u003e so much better than anything I've read for a long, long time.\u003c\/b\u003e -- Karl Ove Knausgaard\u003cbr\u003e\u003cb\u003eThe book that changed my life... it's just brilliant.\u003c\/b\u003e -- Sophie Mackintosh * Guardian *\u003cbr\u003e\u003cb\u003eI remember where I was when I read each of Maggie Nelson's books in the same way I remember a place where I heard important news.\u003c\/b\u003e Her words come, as though from a great distance, and strike incredibly close. \u003cb\u003eI did not actually read \u003ci\u003eBluets\u003c\/i\u003e, I think - I just let it hit me.\u003c\/b\u003e -- Anne Enright\u003cbr\u003e\u003cb\u003eMaggie Nelson is one of the most electrifying writers at work in America today, among the sharpest and most supple thinkers of her generation. \u003c\/b\u003e -- Olivia Laing\u003cbr\u003e[Nelson's] candour, also evident in \u003ci\u003eThe Argonauts\u003c\/i\u003e, gives \u003ci\u003eBluets\u003c\/i\u003e \u003cb\u003ea turbo-charged vitality, precision and authenticity\u003c\/b\u003e that frees her to reflect on the way female desire is too often sidelined or ignored....  \u003cb\u003eIn her dark excavation of grief, she has collected messages of great wisdom and powerful beauty.\u003c\/b\u003e -- Gavin Francis * Guardian *\u003cbr\u003e\u003cb\u003eA gorgeous, eddying read.\u003c\/b\u003e -- Claire-Louise Bennett\u003cbr\u003eNelson… looks sideways at her heartbreak, allowing for \u003cb\u003emoments of piercing clarity\u003c\/b\u003e as feelings come into focus. \u003cb\u003eThere is wisdom and beauty in this short work\u003c\/b\u003e. -- Fiona Wilson * The Times *\u003cbr\u003e\u003cb\u003eA luminous meditation on the author’s love for a single colour\u003c\/b\u003e that displaces itself onto the grief prompted by the end of a relationship and the serious injury of a friend. -- Jenny Hendrix * Times Literary Supplement *\u003cbr\u003e\u003cb\u003eArty\u003c\/b\u003e\u003cb\u003e, smart and gorgeous meditation on the color blue.\u003c\/b\u003e * Time Out *\u003cbr\u003e\u003ci\u003eBluets\u003c\/i\u003e is \u003cb\u003ea slim but intense\u003c\/b\u003e volume dedicated to the colour blue, and to feeling blue. Nelson takes a Wittgensteinian form and fills it with feeling. In 240 loosely linked fragments \u003cb\u003eshe moves between memoir and analysis, from spiritual inquiry to erotic obsession\u003c\/b\u003e… \u003cb\u003eBeautiful\u003c\/b\u003e. -- Tom Graham * Financial Times *\u003cbr\u003e\u003cb\u003eA real short-sharp punch in the heart. Truly sad and beautiful, it’s a raw meditation on falling passionately in love with a colour.\u003c\/b\u003e * Big Issue *\u003cbr\u003e\u003cb\u003eWhat could be more invented than a life story that reads like a novel?\u003c\/b\u003e \u003cb\u003e\u003ci\u003eBluets\u003c\/i\u003e \u003c\/b\u003e\u003cb\u003edoesn’t invent that way: its inventions are wilder, wiser (and more true) than that… \u003c\/b\u003e\u003cb\u003eeach proposition is breathtaking.\u003c\/b\u003e * Brick *\u003cbr\u003eA syncopated arrangement of 240 prose poems collected across three years of slowly dwindling grief and heartbreak, it centres around the colour blue and how it helped to heal Nelson’s pain. -- Isobel Thompson * A-List *\u003cbr\u003eThis discussion of the colour blue is a gorgeous read, almost religious in the way it defaults to the beautiful and the sublime. -- Anne Enright * Guardian *\u003cbr\u003eWhen I want \u003cb\u003ea sprawling, consuming book about love and loss\u003c\/b\u003e, I turn to Maggie Nelson’s \u003ci\u003eBluets\u003c\/i\u003e. 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The way that she renders her experiences and thoughts in such vivid, aching and raw detail served as a shelter for me, and a way to articulate feelings I didn't yet have the distance or strength to put words to. -- Zaina Arafat * Good Housekeeping *\u003cbr\u003e\u003ci\u003eBluets\u003c\/i\u003e is an expansive, intensely poetic text about Nelson's life-long infatuation with the colour blue... in Nelson's most visceral moments of divulgence, we see a testament to love in all its inexpressibility. -- Martha French * Varsity *","brand":"Vintage Publishing","offers":[{"title":"Default Title","offer_id":48868970201431,"sku":"9781911214526","price":11.69,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781911214526.jpg?v=1722290613"},{"product_id":"sculpting-in-wire-9781912217229","title":"Sculpting in Wire","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eA fun and comprehensive introduction to sculpting in wire with 6\u003c\/b\u003e\u003cb\u003e step-by-step projects.\u003c\/b\u003e  This book is a clear, lively and fun introduction to sculpting in wire. Very much aimed at beginners, there are 6 projects of increasing difficulty, aiming to teach you how to sculpt in wire from the most basic starting point up through to soldering. The first projects give you information about wire and using pliers, and then how to incorporate other materials such as tin, feathers and material to your work. The last project includes the use of some simple silver soldering.  Get started with clear step-by-step images that show you the processes involved in every project and be inspired by the work of contemporary artists showing everything from hats and shoes, to life-size figures, sheep and even elephants.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eAcknowledgements Introduction 1. Getting Started Inspiration Wire Equipment and Tools Soldering Equipment Basic Techniques Basic Wire Manipulation 2. The Pelican 3. Tortoiseshell Butterfly 4. The Czechoslovakian Teapot 5. The Sheep 6. 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This catalog, published for his 2020 exhibition at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, focuses in particular on the enduring use of star shapes in Stella’s oeuvre.  Stella’s depictions of stars range from the minimalism of his early career, with lithograph prints of brightly colored polygonal patterns, to the maximalism of his more recent work seen in his towering angular sculptures made from stainless steel. Although he is well aware that his last name is the Latin word for star, Stella maintains that his fixation on the shape is inspired by its form and the endless possibilities that accompany the star, rather than its etymology. Both instantly recognizable and infinitely abstract, stars seem like an obvious choice for an artist who has dedicated his life to experimenting with form.  In addition to a plates section of the 60 pieces included in the Aldrich show, this book presents installation shots throughout the museum’s interiors and outdoor gardens, and photographs of the artist’s studio. The curators of the exhibition, Richard Klein and Amy Smith-Stewart, worked closely with Stella on the exhibition installation and contribute major essays that add new dimensions to our understanding of a widely celebrated and influential artist.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eFrank Stella’s name means star in Italian, and for decades that was the problem, the reason he stopped making them... But then, computer design technology came along, and 3-D printing. Suddenly the star had possibilities. -- Sara Kugel * CBS: News *\u003cbr\u003eFrank Stella’s Stars is a testimony to an artist, now 84, in perpetual evolution. Its focus on the star motif ends up reaffirming the restlessness of this painter’s progress and his underappreciated engagement with new technologies of design, fabrication and display. -- Jason Farago * New York Times *","brand":"Gregory R Miller \u0026 Company","offers":[{"title":"Default Title","offer_id":48869170381143,"sku":"9781941366295","price":39.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781941366295.jpg?v=1722291437"},{"product_id":"alexandra-bircken-a-z-9783775750424","title":"Alexandra Bircken: A-Z","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eThe title seems to announce a comprehensive encyclopedia: from A to Z, each and every object or material has the potential to become an element in one of Alexandra Bircken’s charged objects and installations. 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Organized in close collaboration with the artist, the selections showcase Ray's practice from early in his career to the present day, with four works ranging in material from concrete and steel to handmade paper used to realize a recent self-portrait, \u003ci\u003eReturn to the one\u003c\/i\u003e (2020). 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These works, an expressive and erotic form of self-portraiture based on the artist’s own body, rendered in materials ranging from fur, bronze and walnut to resin and rubber (with found materials such as a candle or a saxophone), combine intimate memories with history, mythology and posthumanist and feminist theories. Each chapter of Orgy for Ten People in One Body corresponds to one of the 10 sculptures with a palimpsest of reference images, process photos and installation views. 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The skeletal ship A Slice of Reality, its sides removed and with the tides moving freely through it, is both a startling sculptural object in its own right and a comment on the vanished shipping industry that was once a mainstay of the river community. In Los Angeles, Wilson was inspired by one of the most ubiquitous symbols of Californian life, the swimming pool, suspending a fibreglass pool shell from a sixty foot-long pipe in MOCA's subterranean gallery (Deep End). In addition to and often in conjunction with these large-scale projects, Wilson makes films and sculpture, takes photographs and stages performance events and has been a formative influence on a generation of British artists. 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A truly inspiring and informative book with a high-quality finish and slipcase, The Sketchbook of Loish will have you itching to get sketching!","brand":"3DTotal Publishing Ltd","offers":[{"title":"Default Title","offer_id":48888468570455,"sku":"9781909414549","price":20.69,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781909414549.jpg?v=1722549544"},{"product_id":"dear-nature-9781916275928","title":"Dear Nature,","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e","brand":"Beam Editions","offers":[{"title":"Default Title","offer_id":48888664097111,"sku":"9781916275928","price":25.99,"currency_code":"GBP","in_stock":true}]},{"product_id":"jannis-kounellis-in-six-acts-9781935963257","title":"Jannis Kounellis in Six Acts","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eSix decades of sculptural innovation from the Arte Povera pioneer and alchemist of the everyday  Over the course of more than five decades, Jannis Kounellis developed a singular practice across painting, works on paper, sculpture, installation and hybrid works combining objects with live performance. 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Fantastical architectures find form, too—gateways and towers—in the artist’s technicolor array of soft-curved and intricately honed formations. Melding vocabularies of modernist abstraction and ritualistic objects, Ronay's sculptures and enigmatic installations express the primacy of the handmade object. His inspirations constitute a zigzagging thread of artists and scientists from the 18th century to the present whose works reflect natural phenomena consciously or unconsciously. Ronay also proposes the possibility that inherited memories of the genesis and evolution of life recapitulate themselves in abstract works of sculpture and painting. Produced in conjunction with the artist’s exhibition at the Nasher Sculpture Center, this monograph presents Ronay's sensual and psychedelic sculptures in extensive detail through photographs and installation views.","brand":"Gregory R Miller \u0026 Company","offers":[{"title":"Default Title","offer_id":48888811520343,"sku":"9781941366455","price":41.4,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781941366455.jpg?v=1722551266"},{"product_id":"light-space-surface-art-from-southern-california-9781942884996","title":"Light, Space, Surface: Art from Southern","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eA definitive resource on California’s Light and Space and Finish Fetish movements of the 1960s and ’70s  This volume explores the art of Light and Space and related “finish fetish” pieces with highly polished surfaces. In the 1960s and 1970s, various artists in Southern California began to create works that investigate perceptual phenomena: how we come to understand form, volume, presence and absence through light, whether seen directly through other materials, reflected, or refracted. Many artists used newly developed industrial materials—including sheet acrylic, fiberglass and polyester resin—in their work. Light, Space, Surface draws on the Los Angeles County Museum of Art’s deep holdings of this material, revealing the vibrancy and diversity of this slice of American art history. Artists include: Peter Alexander, Larry Bell, Billy Al Bengston, Judy Chicago, Gisela Colón, Ron Cooper, Mary Corse, Ronald Davis, Guy Dill, Laddie John Dill, Fred Eversley, Robert Irwin, Craig Kauffman, John McCracken, Bruce Nauman, Helen Pashgian, Roland Reiss, Roy Thurston, James Turrell, De Wain Valentine, Doug Wheeler and Norman Zammitt.","brand":"Distributed Art Publishers","offers":[{"title":"Default Title","offer_id":48888828690775,"sku":"9781942884996","price":35.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781942884996.jpg?v=1722551330"},{"product_id":"woody-de-othello-maybe-tomorrow-9781949172966","title":"Woody De Othello: Maybe Tomorrow","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eA haptic, funky body of ceramic works from the artist shaping the future of ceramics  The San Francisco–based artist Woody De Othello (born 1991) finds inspiration for his paintings and ceramics by adapting a position of porousness to the things around him. Through his adroit interventions, everyday artifacts of the domestic—tables, chairs, television remotes, telephone receivers, lamps and air purifiers—are anthropomorphized in glazed ceramic, bronze, wood and glass. The result is often tubular, drooping and coated in vibrant reds, purples and magnetic blacks, imbued with the subterranean futurity of jazz. Fittingly, this catalog, published following the eponymous solo exhibition in New York, is titled after jazz musician Grant Green’s 1971 tune. The new body of ceramic works in Maybe Tomorrow brim with spiritual charge; the domestic objects are treated as repositories of psychic significance. The catalog explores this thematic wellspring, along with other topics, in an essay by Jason R. Young, as well as in two conversations with the artist.","brand":"Karma","offers":[{"title":"Default Title","offer_id":48888859525463,"sku":"9781949172966","price":30.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781949172966.jpg?v=1722551486"},{"product_id":"curtis-cuffie-9781953691156","title":"Curtis Cuffie","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eCurtis Cuffie (19552002) was an artist who lived and worked in and around the East Village from the mid-1980s until his untimely death in the early 2000s.  He moved to New York from Hartsville, South Carolina, as a teenager and lived unhoused for long stretches of his adult life.  Cuffie found local notoriety for the way he adorned the streets of downtown New York, collecting what the city provided, often sifting trash to stage on-the-spot sculptures along the Bowery and Cooper Square.  His arrangements took the form of impossibly balanced towers, delicate shrines, and unwieldy processions up to thirty-feet in length installed along the walls, fences, and sidewalks of the Lower East Side.  Nearly without fail they were removed by the police, inclement weather, the department of sanitation, or the grounds team at Cooper Union, which would later employ him. An enduring presence in the East Village, Cuffie staged sprawling tableaux outside the Village Voice offices that were admired by students and venerable artists alike.  He was profiled by scene reporters, political writers, and folk-art journalists, all the while exhibiting in the neighborhood's famed alternative art spaces.  While few of his sculptures remain today, a trove of photographs from the 1990s taken by Cuffie and his companion Katy Abel preserve the work he made in the city.  This photobook, the first publication about Cuffie, seeks to honor the artist by collecting the efforts of two of his partners: Carol Thompson, who lived with Cuffie from 1996 to 2001 and archived a great number of his 35mm photographs, and Abel, a Cooper Square resident who took hundreds of snapshots of his art.  Curtis Cuffie is designed by Julie Peeters, edited by Scott Portnoy and Robert Snowden with Ciarán Finlayson, and additionally includes writing by the artist, Finlayson, and critic Alan Moore, and images taken by Tom Warren and Margaret Morton.  CURTIS CUFFIE (19552002) was an artist based in New York City's East Village. Originally from Hartsville, South Carolina, he moved to Brooklyn at fifteen and eventually settled in Manhattan, first near Bryant Park and later around the Bowery.  Homeless for long stretches of time, Cuffie became well-known in the 1990s for the sculptures he made using found materials, which he installed in public spaces downtown.  Artforum, the New York Times, and the Village Voice all profiled and reviewed his work. and he held solo exhibitions at Flamingo East, Tribes, and 4th Street Photo Gallery, all in the Lower East Side.  In his lifetime, Cuffie was featured in nearly a dozen group shows across the US at venues including Exit Art, American Primitive, and the Jamaica Art Center in New York, and the American Visionary Art Museum in Baltimore.  Most recently his work was included in Souls Grown Diaspora, curated by Sam Gordon, at Apexart in 2020 and Greater New York at MoMA PS1 in 202122, both in New York. New York City's East Village.  Originally from Hartsville, South Carolina, he moved to Brooklyn at fifteen and eventually settled in Manhattan, first near Bryant Park and later around the Bowery.  Homeless for long stretches of time, Cuffie became well-known in the 1990s for the sculptures he made using found materials, which he installed in public spaces downtown. Artforum, the New York Times, and the Village Voice all profiled and reviewed his work.  and he held solo exhibitions at Flamingo East, Tribes, and 4th Street Photo Gallery, all in the Lower East Side.  In his lifetime, Cuffie was featured in nearly a dozen group shows across the US at venues including Exit Art, American Primitive, and the Jamaica Art Center in New York, and the American Visionary Art Museum in Baltimore. Most recently his work was included in Souls Grown Diaspora, curated by Sam Gordon, at Apexart in 2020 and Greater New York at MoMA PS1 in 202122, both in New York.  KATY ABEL is a New York City native.  She became friends with Curtis Cuffie in 1994 and photographed his artwork for the next several years. CIARA?N FINLAYSON is a writer and editor from Houston, Texas.  He is the managing editor of Blank Forms Editions and his long-form essay Perpetual Slavery is forthcoming from Floating Opera Press. ALAN WILLARD MOORE lived in New York City for thirty years.  He worked with the artists' groups Colab and the cultural center ABC No Rio, and ran the MWF Video Club distribution project.  He received a PhD in art history from the City University of New York in 2000 and has lived in Madrid since 2009.  Moore is the author of Art Gangs: Protest and Counterculture in New York City (Autonomedia, 2011), Occupation Culture: Art \u0026amp; Squatting in the City from Below (Minor Compositions\/Autonomedia, 2015), and the memoir Art Worker: Doing Time in the New York Artworld (JoAAP, 2022), and a coeditor of Making Room: Cultural Production in Occupied Spaces (JoAAP\/Other Forms, 2015).  He blogs at Art Gangs and Occupations \u0026amp; Properties. MARGARET MORTON (19482020) was a professor of photography and design at the Cooper Union School of Art in New York.  In 1989, she began to document the lives of homeless people in New York.  Her photos are the subjects of multiple books including The Tunnel: The Underground Homeless of New York City (Yale University Press, 1995) and Fragile Dwelling (Aperture, 2000). CAROL THOMPSON is a Harlem-based curator and historian of the ancient and contemporary art of Africa and the African diaspora.  She has authored numerous publications and taught at Vassar, City College in Harlem, New York University, the Fashion Institute of Technology, and other institutions.  From 198796, she was an integral member of staff at New York's Center for African Art, and from 2001 to 2019 she served as the Fred and Rita Richman Curator of African Art at the High Museum in Atlanta.  Since July of 2019 Thompson has been an art adviser to the executor and curator of the Thomas G. B.  Wheelock Collection of Art of Burkina Faso. TOM WARREN is a photographer from Lakewood, Ohio, who has lived in New York City since 1979.  In the 1980s he became a portraitist of the downtown art scene, known for his contributions to the East Village Eye and artistic interventions into the neighborhood's vacant spaces.  Warren is the author of The 1980s Art Scene in New York (Hatje Cantz Verlag, 2022)","brand":"Blank Forms Editions","offers":[{"title":"Default Title","offer_id":48888885379415,"sku":"9781953691156","price":31.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781953691156.jpg?v=1722551618"},{"product_id":"mask-in-present-day-art-9783858816450","title":"Mask: In Present-Day Art","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eMasks evoke scenes of carnival or African tribal rites, we may be thinking of death masks of famous people, theatre and fashion, cosplay, disguise, and of protection. They represent some of the most ancient and most controversial objects of our cultural history. Today's artists look beyond the mere object, they are interested also in the social, cultural, and political meanings of masks.  This book, published in conjunction with an exhibition at Aargauer Kunsthaus Aarau in fall 2019, explores their appearances in contemporary art. Artists at all times have been attracted by masks and their symbolism. Through works by distinguished Swiss and international artists and concise texts the book demonstrates manifold approaches to the topic of masks.  With contributions by Yasmin Afschar, Daniel Berndt, Hendrik Bundtge, Emily Butler, Wendy Chang, Michelle Cotton, Peter Fischer, Claire Hoffmann, Olivier Kaeser, Melitta Kliege, Susanna Koeberle, Elsy Lahner, Leo Lencses, Bettina Muhlebach, Lena Nievers, Lucia Rey, Hermant Sareen, Joerg Scheller, Madeleine Schuppli, Angela Strecken, and Thomas D. Trummer.  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Even as a non-Christian it is worth taking a look at the fairytale-like-mythic text of the Old Testament, although the picture and the process completely contradict our current scientific findings. One would almost be inclined to assume that the idea of a primeval paradise is innate in all human beings and that every human being with his becoming, his birth, his childhood and his adulthood experiences something like a Genesis. He is born innocent and helpless, wakes up, looks around, believes to be free, gets to know his time, his surroundings, his life. The final expulsion of every human being from life is his death. He is a sentenced to death. Despite all religious promises, man has always been aware of this fact, also of the fact that he has only this one life and that he ultimately cannot count on the hope that beyond this life there is something that could be called 'salvation', a happy return to the Garden of Eden. As the book shows with numerous, primarily European examples, the history of man is therefore full of efforts to regain here and now the lost paradise, no matter how precarious the result may be. In search of the lost paradises: a somewhat unusual history of man in his relationship to nature, followed by a description of the current state of landscape planning and garden design. In the third, concluding part of the book, the author develops new, strangely surreal and poetic concepts of the treatment of nature, inspired by literature, film, theatre and tourism.Hans Dieter Schaal, born in Ulm in 1943, is an architect, landscape architect, stage designer and exhibition designer. His works, the majority of which have been published by the Axel MengesEdition, have meanwhile reached an audience far beyond his in my homeland. 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