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Evaristo continues to expand and enhance our literary canon. \u003cb\u003eIf you want to understand modern day Britain, this is the writer to read\u003c\/b\u003e * New Statesman *\u003cbr\u003eAn exceptional book that unites poetry, social history, women's voices and beyond. \u003cb\u003eOrder it right now\u003c\/b\u003e * Stylist *\u003cbr\u003eEvaristo's prose hums with life as characters seem to step off the page fully formed. At turns funny and sad, tender and true, \u003cb\u003ethis book deserves to win awards\u003c\/b\u003e * Red *\u003cbr\u003eBrims with vitality * FT *\u003cbr\u003e\u003cb\u003eWith this rich composition, Evaristo deserves a toast\u003c\/b\u003e * Literary Review *\u003cbr\u003eMasterful...\u003cb\u003e A choral love song to black womanhood in modern Great Britain\u003c\/b\u003e * Elle *\u003cbr\u003e'Girl, Woman, Other is about struggle, but it is also about\u003cb\u003e love, joy and imagination. \u003c\/b\u003e * Guardian *\u003cbr\u003eThreads together the diverse life stories of 12 black British women in ways that deliberately resist categorisation * Metro *\u003cbr\u003e\u003cb\u003eSuch a satisfying read, funny and true\u003c\/b\u003e, the characters are so real you feel you know them already -- Miranda Sawyer via Twitter\u003cbr\u003eA \u003cb\u003ewarm, humorous and ambitious novel\u003c\/b\u003e, and one that is \u003cb\u003eenjoyably playful in style\u003c\/b\u003e. 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Everyone does. On the day of your first bleed, you report to the lottery station to learn what kind of woman you will be. A white ticket grants you children. A blue ticket grants you freedom. You are relieved of the terrible burden of choice. Or, to put it another way, you have no choice. And once you''ve taken your ticket, there is no going back.\u003cbr\u003e\u003cbr\u003eBut what if the life you''re given is the wrong one?\u003cbr\u003e\u003cbr\u003e\u003ci\u003eBlue Ticket\u003c\/i\u003e is a devastating enquiry into free will and the fraught space of motherhood. Bold and chilling, it pushes beneath the skin of female identity and patriarchal violence, to the point where human longing meets our animal bodies.\u003cbr\u003e\u003cbr\u003e\u003cb\u003e''Dreamlike, tense, compelling, [with] a pitch-perfect ending'' \u003ci\u003eThe New York Times\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e''Gripping, ethereal, atmospheric'' \u003ci\u003eSunday Times\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e''Thoughtful and haunting'' \u003ci\u003eObserver\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e''Terrifying and enchanting in equal measure'' \u003ci\u003eLitHub\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e''\u003ci\u003eBlue Ticket\u003c\/i\u003e will worms its way under your skin and haunt your dreams'' \u003ci\u003eRed\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eDefinitely don't miss the return of Sophie Mackintosh...\u003c\/b\u003e \u003ci\u003eBlue Ticket \u003c\/i\u003egets to the root of women's ambivalence and confusion around becoming mothers set against an unsettling dystopia; \u003cb\u003eshe's amazing\u003c\/b\u003e * Stylist, Best Autumn Reads 2020 *\u003cbr\u003e\u003cb\u003eDreamlike, tense, compelling... \u003c\/b\u003e\u003ci\u003eBlue Ticket\u003c\/i\u003e adds something new to the dystopian tradition set by Orwell's \u003ci\u003e1984 \u003c\/i\u003eor Atwood's \u003ci\u003eThe Handmaid's Tale\u003c\/i\u003e... \u003cb\u003ePiercing moments of wisdom and insight drive toward a pitch-perfect ending\u003c\/b\u003e * The New York Times *\u003cbr\u003e\u003cb\u003eThe cool intensity and strange beauty of \u003ci\u003eBlue Ticket\u003c\/i\u003e is a wonder - be sure to read everything Sophie Mackintosh writes\u003c\/b\u003e -- Deborah Levy, author of 'Hot Milk'\u003cbr\u003e\u003cb\u003eEven more hallucinatory and spiralled than her first [novel]... Terrifying and enchanting in equal measure\u003c\/b\u003e * Lit Hub, Best New Books to Read This Summer *\u003cbr\u003e\u003cb\u003e\u003ci\u003eThe Handmaid's Tale\u003c\/i\u003e as told by David Lynch...\u003c\/b\u003e A bona fide chase narrative as well as a polyvalent, dream-like allegory of pregnancy and bodily change - not to mention the vortex of judgement that surrounds womanhood... Mackintosh is part of an exciting generation of writers, including Daisy Johnson and Julia Armfield... \u003cb\u003e\u003ci\u003eBlue Ticket\u003c\/i\u003e stands apart from the crowd\u003c\/b\u003e -- Anthony Cummins * iNews *\u003cbr\u003e\u003cb\u003eOne of the most disquieting novels I've read in a long time, \u003ci\u003eBlue Ticket\u003c\/i\u003e will worms its way under your skin and haunt your dreams\u003c\/b\u003e * Red, 'Best Books of August' *\u003cbr\u003e\u003cb\u003eGripping, ethereal, atmospheric...\u003c\/b\u003e Mackintosh handles haziness deliberately and with poise, demonstrating the near impossibility of trying to articulate or rationalise maternal desire * Sunday Times *\u003cbr\u003eMackintosh writes with a language drawn from the body.... \u003cb\u003eImpressionistic and haunting in equal measure\u003c\/b\u003e -- Annabel Nugent * Independent *\u003cbr\u003e\u003cb\u003eVisceral, primal, \u003c\/b\u003e\u003cb\u003estriking... \u003c\/b\u003eThis is a potent exploration of biology and agency, motherhood and childlessness, which \u003cb\u003econfirms [Mackintosh] as a writer of note\u003c\/b\u003e * Daily Mail *\u003cbr\u003e\u003cb\u003eMackintosh is part of a new generation of female writers creating feminist fictions that relate uncannily to our dystopian times... \u003c\/b\u003e[Her] fiction lives, to an unusual extent, in its musicality, in the rhythm and spareness of its sentences -- Claire Armitstead * Guardian Review *\u003cbr\u003e\u003cb\u003eFor anyone currently waiting with bated breath for the new season of 'The Handmaid's Tale', \u003c\/b\u003eBooker-longlisted author Sophie Mackintosh's new novel is a feminist dystopia to quench your thirst * Evening Standard *\u003cbr\u003e\u003cb\u003eA thoughtful and haunting exploration of freedom, fate and a woman's right to choose her destiny\u003c\/b\u003e * Observer *\u003cbr\u003e\u003cb\u003eChilling, timely, thought-provoking\u003c\/b\u003e * Esquire, Best Books of Summer 2020 *\u003cbr\u003e[Mackintosh] writes with an ethereal lyricism that is equally capable of fragility and violence * Spectator *\u003cbr\u003e\u003cb\u003e\u003ci\u003eBlue Ticket\u003c\/i\u003e offers a completely different angle on a familiar subject...\u003c\/b\u003e Like all good speculative fiction, [it] reminds us of a truth in the real world * New Humanist *\u003cbr\u003e\u003cb\u003eA compelling, unsettling tale... \u003c\/b\u003ePart-horror, part thriller, and part pregnant-lesbian love story * i *\u003cbr\u003e\u003cb\u003eA dark fable... \u003c\/b\u003eMackintosh sensitively conveys resonant questions about motherhood, female solidarity, queer love, and bodily autonomy * New Yorker *\u003cbr\u003eCool, disturbing,\u003cb\u003e \u003c\/b\u003eit deals with emotionally fraught material. 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A thrilling exploration of what it means to follow one's own longing to the point of destruction and beyond -- Rosie Price, author of 'What Red Was'\u003cbr\u003e\u003cb\u003eUtterly exquisite - clever and brilliant and heartbreaking. \u003c\/b\u003eFrom the dusty road to the salving forest, I absolutely adored it -- Emma Jane Unsworth, author of 'Adults' and 'Animals'\u003cbr\u003e\u003cb\u003eChilling, haunting, heartbreaking... \u003c\/b\u003eMackintosh brings a new sense of pathos to the dystopian novel... \u003cb\u003eA moving and original meditation on freedom, fate, and women's rage\u003c\/b\u003e * Kirkus, Starred Review *\u003cbr\u003e\u003cb\u003eA dreamlike exploration of free will and desire\u003c\/b\u003e * Monocle *\u003cbr\u003e\u003cb\u003eA must for Handmaid's Tale aficionados\u003c\/b\u003e * Booklist *\u003cbr\u003e\u003cb\u003ePowerful, Ishiguro-esque... \u003c\/b\u003eSophie Mackintosh lays bare many of the fears and realities that face any society's women as they contemplate when their choices begin, and where they might end * Boston Globe *\u003cbr\u003e\u003cb\u003eTold with ragged prose that catches the breath, [\u003ci\u003eBlue Ticket\u003c\/i\u003e] articulates the irrepressible desires and wounds that can lie deep within,\u003c\/b\u003e marked by a claustrophobia that never stops pressing in from the margins. This unsettling reimagining of the anxieties and pressures around motherhood lays bare the alienation that comes when your body is not truly yours * Irish News *\u003cbr\u003e\u003cb\u003eA darkly brilliant allegory... 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An absorbing mystery and poignant love story, \u003ci\u003eWhen We Fell Apart \u003c\/i\u003eis profoundly moving, beautifully written and utterly compelling’ \u003cb\u003eSusan Elliot Wright, author of \u003ci\u003eAll You Ever Wanted\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e ‘Wiley’s debut novel is poignant and powerful and will leave readers questioning who is and isn't awarded the freedom to be their truest self’ \u003cb\u003e\u003ci\u003eShondaland\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e ‘Wiley has masterfully woven a story where his two protagonists come from very different experiences and places, yet share the struggle to carve out their own identities. 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Her story is fascinating, joyful and truly inspiring.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The award-winning author of \u003ci\u003eThe Joyce Girl \u003c\/i\u003eseamlessly intertwines recipes and meticulously researched history, serving up the most thought-provoking and page-turning historical novel you’ll read this year. Explore the enduring struggle for women’s freedom, the exhilarating power of friendship, and the creative joy of cooking, through the life of Eliza Acton – finally out of the archives and into the public eye.\u003cbr\u003e  \u003cbr\u003e England, 1835. Eliza Acton dreams of becoming a poe\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e‘Best Feel Good Books of 2021' \u003c\/b\u003e\u003cb\u003e\u003ci\u003eWashington Post\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003cb\u003e‘Best New Historical Novels’ \u003ci\u003eNew York Times\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e“A compelling tale of friendship, freedom and food” \u003cb\u003eBBC History Magazine\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e “Based on real-life events, The Language of Food shines a light on the woman who invented the recipe as we know it today, and whose fascinating story has long been overlooked” \u003cb\u003eHistory Revealed Magazine\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e “Based on the life of cookbook writer Eliza Acton, this is a really charming historical novel that’s full of gorgeous recipes and descriptions of food. At its core is the heart-warming story of the class-defying friendship between Eliza and Ann Kirby, her kitchen help” \u003cb\u003eGOOD HOUSEKEEPING\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e “This charming story of a friendship that was formed in a kitchen is based on the real life of food writer and poet Eliza Acton, who created one of Britain’s first cookery books. I loved the bond that she and her kitchen help Anna Kirby forge despite the huge difference in their class; they’re both very determined women. A fabulous historical novel” \u003cb\u003ePRIMA\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e “Eliza Acton had never even boiled an egg so how did she become a successful cookery writer? We find out in this beautiful fictionalisation of her life. It is 1835 and poet Eliza is told by her publisher to write a cookery book instead. Disheartened but determined, she hires teenagers Ann Kirby to help her. Over the next 10 years they develop a friendship that sees them change the face of cookery writing forever”\u003cb\u003e WOMAN \u0026amp; HOME\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003cb\u003e\"\u003c\/b\u003eBefore Nigella, before Julia Childs, before even Mrs Beeton, there was Eliza Acton who dreams of being a poet but in 1835, the only way for her to get published and to keep her family in funds is to write a cookery book. To this end, Eliza takes on a maid, Ann Kirby, and forge an unlikely partnership even as Eliza embarks on writing what is now considered the first modern cookery book.Told from both Eliza and Ann’s voices, \u003ci\u003eThe Language Of Food\u003c\/i\u003e, is a feast for the senses and also shows that its friendship, rather than food, that nourishes the soul. Julie And Julia but make it Victorian!\" \u003cb\u003eRED\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e “Cleverly wearing together the story of how \u003ci\u003eModern Cookery for Private Families\u003c\/i\u003e came to be written, the author divides the narrative voice between Acton and Kirby, her housemaid, two women from different backgrounds, but who share the same feelings of frustration and loneliness… The pair are beautifully fleshed out characters, who become adept at the balancing of tastes, textures and unfamiliar spices” \u003cb\u003eCOUNTRY LIFE\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \"A feast for the senses, this inspiring book is about friendship, passion and determination. I loved it!\" \u003cb\u003eMY WEEKLY\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \"The two women’s exploration of food and friendship is winningly told and we are rooting for Eliza in her quest for independence and publishing success. The novel comes with some of Eliza’s recipes; and I can gluttonously report that the chocolate custards are as delicious as the novel\"\u003cb\u003e THE TIMES\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e“Eliza Acton had never even boiled an egg, so how did she become of the top cookery writers of all time? We find out in this beautiful fictionalisation of her life” \u003cb\u003eWOMAN\u003c\/b\u003e and \u003cb\u003eWOMAN'S WEEKLY\u003c\/b\u003e\u003cbr\u003e'A sensual feast of a novel, written with elegance, beauty, charm and skill in a voice that is both lyrical and unique’ \u003cb\u003eSanta Montefiore\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e‘I love Abbs’s writing and the extraordinary, hidden stories she unearths. Eliza Acton is her best discovery yet’ \u003cb\u003eClare Pooley\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003ci\u003e'\u003c\/i\u003eA feast for the senses, rich with the flavours of Victorian England, I prepared every dish with Eliza and Ann and devoured every page. A literary - and culinary - triumph!' \u003cb\u003eHazel Gaynor\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e ‘Exhilarating to read - thoughtful, heart-warming and poignant, with a quiet intelligence and elegance that does its heroine proud’ \u003cb\u003eBridget Collins\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e 'A sumptuous banquet of a book that nourished me and satisfied me just as Eliza Acton’s meals would have... I adored it' \u003cb\u003ePolly Crosby\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e ‘An effervescent novel, bursting with delectable language and elegant details about cookbook writer, Eliza Acton. Don’t miss this intimate glimpse into the early English kitchens and snapshot of food history’ \u003cb\u003eSara Dahmen\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e ‘Wonderful... Abbs is such a good story teller.  She catches period atmosphere and character so well’ \u003cb\u003eVanessa Nicolson\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e 'Two of my favourite topics in one elegantly written novel - women’s lives and food history. I absolutely loved it' \u003cb\u003ePolly Russell\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e 'A story of courage, unlikely friendship and an exceptional character, told in vibrant and immersive prose' \u003cb\u003eCaroline Scott\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e ‘Richly imagined and emotionally tender’ \u003cb\u003ePen Vogler\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e 'Characters that leap off the page, a fascinating story and so much atmosphere, you feel you're in the kitchen with Eliza  - I loved it.' \u003cb\u003eFrances Quinn\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e 'I was inspired by Eliza's passion, her independence, her bravery and ambition. Like a cook's pantry, \u003ci\u003eThe Language of Food\u003c\/i\u003e is full of wonderful ingredients, exciting possibilities and secrets. Full of warmth and as comforting as sitting by the kitchen range, I loved it' \u003cb\u003eJo Thomas\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e 'A delightful read' \u003cb\u003eNina Pottell\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e 'Clever, unsentimental, beautifully detailed and quietly riveting' \u003cb\u003eElizabeth Buchan\u003c\/b\u003e, author of \u003ci\u003eTwo Women in Rome\u003c\/i\u003e\u003cbr\u003e \u003cbr\u003e ‘A wonderful read’ \u003cb\u003eJohn Torode\u003c\/b\u003e","brand":"Simon \u0026 Schuster Ltd","offers":[{"title":"Default Title","offer_id":47836700279127,"sku":"9781398502253","price":8.54,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781398502253.jpg?v=1710381014"},{"product_id":"it-starts-with-us-9781398518209","title":"It Starts with Us","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eBefore \u003ci\u003eIt Ends with Us\u003c\/i\u003e, it started with Atlas. 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Bevoets is often acidly funny, especially when demonstraring the workers' mordant, jockish humour. * TLS *","brand":"Pan Macmillan","offers":[{"title":"Default Title","offer_id":47851615224151,"sku":"9781529087246","price":8.54,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781529087246.jpg?v=1710640095"},{"product_id":"we-had-to-remove-this-post-9781529087222","title":"We Had To Remove This Post","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003e'The dank underside of social media, its cruelty and delusions . . . superbly poised, psychologically astute and subtle' - Ian McEwan, author of \u003ci\u003eAtonement\u003c\/i\u003e\u003cbr\u003e'A glimpse of the foetid underbelly of the internet' - \u003ci\u003eThe Times\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eWe Had To Remove This Post\u003c\/i\u003e by Hanna Bervoets is a chilling, powerful and gripping story about who or what determines our world view. \u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eTo be a content moderator is to see humanity at its worst — but Kayleigh needs money. That’s why she takes a job working for a social media platform whose name she isn’t allowed to mention. Her job: reviewing offensive videos and pictures, rants and conspiracy theories, and deciding which need to be removed.\u003cbr\u003e\u003cbr\u003eKayleigh and her colleagues spend all day watching horrors and hate on their screens. Yet Kayleigh is good at her job, and in her colleagues she finds a group of friends, even a new girlfriend — and for the first time in her life, Kayleigh’s future seems bright.\u003cbr\u003e\u003cbr\u003eBut soon the job seems to change them all, shifting their worlds in alarming ways. How long before the moderators own morals bend and flex under the weight of what they see?\u003cbr\u003e\u003cbr\u003e\u003cb\u003eExamining the toxic world of content moderation, the novel forces us to ask: what is right? What is normal? And who gets to decide?\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTranslated from the original Dutch by Emma Rault.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e'Taut as a thriller, sharp as a slug of ice-cold vodka' -\u003ci\u003e Irish Times\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e'Fast paced and thrilling, violent and nightmarish' - Kristen Arnett, author of \u003ci\u003eMostly Dead Things\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e'An\u003c\/b\u003e\u003cb\u003e acid glimpse into a new form of labor existing today' - Ling Ma, author of \u003ci\u003eSeverance\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eAcid-dipped novella\u003c\/b\u003e . . . a glimpse of the foetid underbelly of the internet and a sobering consideration of who is deciding what we see, and at what cost. -- Siobhan Murphy * The Times *\u003cbr\u003eA chilling page-turner . . . the unreliable narrator gives it a strong literary heartbeat — and it’s richly suspenseful too. With a few deft strokes \u003cb\u003e[Bervoets] manages to incorporate all of the ills of social media into one concise story\u003c\/b\u003e . . . utterly haunting. -- Johanna Thomas-Corr * The Sunday Times *\u003cbr\u003eThe setting alone is compelling and has always been in need of an accomplished novelist’s attention . . . The dreamlike climax of the final pages is beautifully wrought. Men might usefully confront in Bervoets\u003cb\u003e \u003c\/b\u003e\u003cb\u003ea writerly intelligence at once so tender and so willing to look into the abyss.\u003c\/b\u003e -- Ian McEwan * The Guardian *\u003cbr\u003eBervoets' neat dissection of morality is as \u003cb\u003etaut as a thriller, sharp as a slug of ice-cold vodka.\u003c\/b\u003e -- Catherine Taylor * Irish Times *\u003cbr\u003e\u003cb\u003eSurprising and enigmatic . . . intriguing and frustrating\u003c\/b\u003e . . . As we spend more and more time in the trickmirror of the internet, how can we know what or whom to believe? -- Laura van den Berg * The New York Times *\u003cbr\u003eA very modern tale about the dark side of the internet. * The Times 'Best Books of Summer' *\u003cbr\u003eHanna Bervoet's slim, compelling novel We Had to Remove This Post addresses the foetid morass of social media . . . Bevoets is \u003cb\u003eoften acidly funny\u003c\/b\u003e, especially when demonstraring the workers' mordant, jockish humour. * TLS *\u003cbr\u003eThe dank underside of social media, its cruelty and delusions . . . Hanna Bervoets has richly obliged in this \u003cb\u003esuperbly poised, psychologically astute and subtle novel of mental unravelling\u003c\/b\u003e. -- \u003cfont face=\"verdana, tahoma\"\u003e\u003cspan\u003eIan McEwan, author of \u003ci\u003eAtonement\u003c\/i\u003e\u003c\/span\u003e\u003c\/font\u003e\u003cbr\u003eExtremely gripping and intense \u003cb\u003eedgy queer novel\u003c\/b\u003e -- Andrea Lawlor, author of \u003ci\u003ePaul Takes The Form Of A Mortal Girl\u003c\/i\u003e\u003cbr\u003eThis novel gives us an acid glimpse into a new form of labor existing today, a job that extracts an immeasurable psychic toll. \u003cb\u003eFascinating and disturbing\u003c\/b\u003e. -- Ling Ma, author of \u003ci\u003eSeverance\u003c\/i\u003e\u003cbr\u003eAn astonishing and compelling cast of characters, drawn together through circumstance, separated by the same. The novel is\u003cb\u003e fast paced and thrilling, violent and nightmarish and grief-stricken, but also tender and wildly moving.\u003c\/b\u003e -- Kristen Arnett, author of \u003ci\u003eMostly Dead Things\u003c\/i\u003e and \u003ci\u003eWith Teeth\u003c\/i\u003e\u003cbr\u003eI thought it was incredible and has real \u003cb\u003ecult potential\u003c\/b\u003e. -- Alice Slater * Tik Tok *\u003cbr\u003ePowerful, discussable, and a harbinger of \u003cb\u003ea voice-in-translation to watch.\u003c\/b\u003e * Booklist Starred Review *\u003cbr\u003eScathing, darkly humorous exploration of the impact of VR, IR . . . Bervoets just gets it. This is, unironically, \u003cb\u003ea novel for our time.\u003c\/b\u003e * Kirkus Starred Review *\u003cbr\u003e\u003cb\u003eMagnetic \u003c\/b\u003e. . . Bervoets frames the story like a mystery, slowly revealing the fractured relationships and circumstances that drove Kayleigh away from her job. * Publishers Weekly *","brand":"Pan Macmillan","offers":[{"title":"Default Title","offer_id":47851615453527,"sku":"9781529087222","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781529087222.jpg?v=1710640101"},{"product_id":"half-a-world-away-9781473687370","title":"Half a World Away","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eDON''T MISS MIKE''S BRAND NEW NOVEL, \u003ci\u003eA SONG OF ME AND YOU\u003c\/i\u003e - AVAILABLE TO ORDER NOW!\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003cbr\u003e''His most accomplished and moving novel yet''\u003c\/b\u003e Lisa Jewell\u003cbr\u003e\u003cb\u003e''Emotionally high-voltage'' \u003c\/b\u003e\u003ci\u003eMetro\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003e***\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eStrangers living worlds apart.\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eStrangers with nothing in common.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBut it wasn''t always that way...\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eKerry Hayes \u003c\/b\u003eis single mum, living on a tough south London estate. 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HALF A WORLD AWAY is \u003cb\u003ean\u003c\/b\u003e \u003cb\u003eabsolute triumph and a joy to read.\u003c\/b\u003e Once again Mike tackles complex and thorny issues with a confident and compassionate hand. -- Ruth Hogan, author of \u003ci\u003eThe Keeper of Lost Things\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eEmotionally high-voltage \u003c\/b\u003enovel * Metro *\u003cbr\u003e\u003cb\u003eMike Gayle just gets better and better\u003c\/b\u003e and HALF A WORLD AWAY might be the loveliest yet. -- Jenny Colgan, author of \u003ci\u003eThe Little Shop of Happy-Ever-After\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eHeartbreaking and wonderful, a beautiful book \u003c\/b\u003eabout the power of love to surmount almost anything. -- Julie Cohen\u003cbr\u003e\u003cb\u003eMike Gayle is so \u003c\/b\u003e\u003cb\u003egood at writing relatable characters\u003c\/b\u003e going through big challenges... This is\u003cb\u003e a warm-hearted book \u003c\/b\u003e\u003cb\u003ethat deals with all kinds of issues \u003c\/b\u003e- class, race, marriage - and brings a lump to the throat, too. -- Sophie Kinsella for the \u003ci\u003eDaily Mail\u003c\/i\u003e\u003cbr\u003eGayle has a profound talent for acute observations. \u003cb\u003eHe makes us care, pulls at our heartstrings then hits us with humour\u003c\/b\u003e. 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Its main characters came to feel like friends of mine, and the book is full of such warmth and love. \u003cb\u003eIt truly captured my heart.\u003c\/b\u003e -- Beth O'Leary, author of \u003ci\u003eThe Flatshare\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eThis book is a treasure, written from the heart. \u003c\/b\u003e -- Alice Peterson\u003cbr\u003eGayle writes beautifully about fractured families and the unshakable power of love, in a book that is both heart-wrenching and uplifting, and full of the deeply relatable characters for which he's so well-known. This is \u003cb\u003ea triumph of a novel, true and heartfelt, and you'll be in floods when you reach the poignant final page. \u003c\/b\u003e -- Rosie Walsh, author of \u003ci\u003eThe Man Who Didn't Call\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eBrilliant\u003c\/b\u003e characters and a \u003cb\u003ebeautiful\u003c\/b\u003e story * Prima *\u003cbr\u003e\u003cb\u003eWe're huge Mike Gayle fans\u003c\/b\u003e ... and his latest book is \u003cb\u003eone of his best\u003c\/b\u003e * Heat *\u003cbr\u003eOnce Gayle \u003cb\u003estarts to tug on the heartstrings it's to devasting effect\u003c\/b\u003e * Herald *\u003cbr\u003eI defy you not to shed a tear at this beautiful story... \u003cb\u003ea touching and life-affirming read\u003c\/b\u003e. * Prima *\u003cbr\u003eMike Gayle's writing is \u003cb\u003ewise, compassionate and prone to making you cry\u003c\/b\u003e. * Daily Express *\u003cbr\u003eOnce Gayle \u003cb\u003estarts to tug on the heartstrings it's to devasting effect\u003c\/b\u003e * Herald *\u003c\/i\u003e\u003c\/p\u003e","brand":"Hodder \u0026 Stoughton","offers":[{"title":"Default Title","offer_id":47851811635543,"sku":"9781473687370","price":8.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781473687370.jpg?v=1710645516"},{"product_id":"no-one-is-talking-about-this-shortlisted-for-the-booker-prize-2021-and-the-women-s-prize-for-fiction-2021-9781526629777","title":"No One Is Talking About This: Shortlisted for the","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e‘Patricia Lockwood is the voice of a generation’\u003c\/b\u003e Namita Gokhale \u003cb\u003e‘A masterpiece’\u003c\/b\u003e \u003ci\u003eGuardian\u003c\/i\u003e \u003cb\u003e‘I really admire and love this book\u003c\/b\u003e\u003cb\u003e’ \u003c\/b\u003eSally Rooney \u003cb\u003e ‘An intellectual and emotional rollercoaster’\u003c\/b\u003e \u003ci\u003eDaily Mail\u003c\/i\u003e\u003cb\u003e  ‘I can’t remember the last time I laughed so much reading a book’\u003c\/b\u003e David Sedaris \u003cb\u003e‘A rare wonder . . . I was left in bits’\u003c\/b\u003e Douglas Stuart   \u003cb\u003e* WINNER OF THE DYLAN THOMAS PRIZE 2022 *\u003c\/b\u003e \u003cb\u003e* SHORTLISTED FOR THE BOOKER PRIZE 2021 *\u003c\/b\u003e \u003cb\u003e* SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2021 *\u003c\/b\u003e \u003cb\u003e* A BBC BETWEEN THE COVERS BOOK CLUB PICK *  \u003c\/b\u003e______________________________________________  \u003cb\u003eThis is a story about a life lived in two halves. \u003c\/b\u003e  It’s about what happens when real life collides with the increasing absurdity of a world accessed through a screen.   It’s about living in world that contains both an abundance of proof that there is goodness, empathy, and justice in the universe, and a deluge of evidence to the contrary.  It's a meditation on love, language and human connection from one of the most original voices of our time.  ______________________________________________  \u003cb\u003e‘\u003c\/b\u003e\u003cb\u003eAn utterly distinctive mixture of depth, dazzling linguistic richness, anarchic wit and raw emotional candour\u003c\/b\u003e\u003cb\u003e’\u003c\/b\u003e Rowan Williams \u003cb\u003e A 2021 Book of the Year: \u003c\/b\u003e\u003ci\u003eSunday Times, Guardian, Daily Mail, Telegraph,    Evening Standard,    The Times,    New Statesman,    Red,    Observer,    Independent,    Daily Telegraph \u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eAstonishing and wholly original . . . Patricia Lockwood is the voice of a generation of new writers who grew up under the constant pressures of real-time news and social media -- Namita Gokhale, Chair judge for the Dylan Thomas Prize 2022\u003cbr\u003e\u003ci\u003eNo One is Talking About This\u003c\/i\u003e by Patricia Lockwood is a rare wonder. The author is razor-sharp as she takes us through the absurdities of internet living, but when the narrative shifts in the second half, and her family reel from personal tragedy, I was left in bits * Douglas Stuart, Booker Prize-winning author of SHUGGIE BAIN *\u003cbr\u003eI have been in headlong love with Patricia Lockwood’s hilarious and subversive mind since her memoir \u003ci\u003ePriestdaddy\u003c\/i\u003e, but her first novel, \u003ci\u003eNo One Is Talking About This\u003c\/i\u003e, sent me reeling. Everything about this book is testament to her wicked genius * Lauren Groff, Red Magazine, Books of the Year 2021 *\u003cbr\u003eI finally read \u003ci\u003eNo One Is Talking About This \u003c\/i\u003eafter everyone recommending it to me all year, and I'm so, so happy I did. Please, please read this book -- Lorde\u003cbr\u003eLockwood is an incontrovertibly gifted writer. Her sentences are routinely surprising, her voice a startling agglomeration of poetic clarity and hectic comedy * Guardian *\u003cbr\u003eOften filthy and irreverent, sometimes extremely funny, and ultimately surprisingly poignant, \u003ci\u003eNo One Is Talking About This \u003c\/i\u003eoffers more proof of Lockwood’s particular genius * Telegraph *\u003cbr\u003eA work that feels intensely relevant to our fractured time . . . Wonderfully intricate * Independent *\u003cbr\u003eLockwood has paid attention more closely than perhaps any other human on earth to what it’s like to be alive right now * Vanity Fair *\u003cbr\u003eAstonishing . . . \u003ci\u003eNo One Is Talking About This\u003c\/i\u003e will frighten you, implicate you, and scrape your guts out, in the best way possible * Esquire *\u003cbr\u003eLockwood’s conceit is smart, her prose original, hugely entertaining and witty . . . It is a story, simply, about love, selfless and delighted * New Yorker *\u003cbr\u003eA smart and sharp book that is both addictive and deeply unsettling * Sarah Hughes, i *\u003cbr\u003eWhat begins as an ironical story about irony becomes an intimate and moving portrait of love and grief. In this way, a novel that had been toying with the digital surface of modern life finds the tender heart pumping away beneath it all * Wall Street Journal *\u003cbr\u003eReading Patricia Lockwood feels like looking through a kaleidoscope built by a mischievous sorcerer — the world is suddenly rearranged in fragments that are cosmic, wondrous, humiliating, and profane. \u003ci\u003eNo One Is Talking About This\u003c\/i\u003e is a furiously original novel, alive and unstable; the book builds to a reminder of how devastation and connection produce each other, endlessly and surprisingly, both on the internet and in human places that our shared digital consciousness can never reach -- Jia Tolentino\u003cbr\u003eLockwood is a phenomenal writer who is a keen observer of . . . the fragility of the human heart -- Roxane Gay\u003cbr\u003eHilarious, affectionate and deeply-felt. 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A touching book; and so funny, so likeable * Truman Capote *","brand":"Cornerstone","offers":[{"title":"Default Title","offer_id":48732218982743,"sku":"9780099419785","price":8.54,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780099419785.jpg?v=1719996012"},{"product_id":"gate-of-the-sun-9780099461593","title":"Gate of the Sun","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eIn a makeshift hospital in a refugee camp on the outskirts of Beirut, Yunis, an aging Palestinian freedom fighter, lies in a coma. His spiritual son Dr Khaleel - who has no real medical qualifications - nurses the older man, refusing to admit that his hero may never regain consciousness. \u003cbr\u003e\u003cbr\u003eIn an attempt to revive his patient, Khaleel, begins telling Yunis the stories of their people''s exile in Lebanon. 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