{"title":"Design and llustration Books","description":"","products":[{"product_id":"the-brompton-engineering-for-change-9781788168304","title":"The Brompton: Engineering for Change","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eA TIMES BEST BUSINESS BOOK OF 2022  SHORTLISTED FOR A BUSINESS BOOK AWARD   'A gripping story about a great British brand' Jeremy Vine  Lightweight, compact, and now, electric: the cityscape has been forever changed by the addition of the Brompton bike, with its distinctive style and clever folding design.    For over forty years, the Brompton's modular design has remained virtually unchanged. It has stood not only the test of time but every financial crash since 1976, Brexit, and COVID-19, not to mention every other risk which any business faces. Where, then, did this ingenious feat of engineering come from? Who were the minds behind it? And how did a small company grow to become one of the biggest cycling brand names in the world?   This is not only the first look behind the scenes at Brompton Bicycle Ltd, but a masterclass in entrepreneurship, manufacturing, and scaling a business.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eA gripping story about a great British brand -- Jeremy Vine\u003cbr\u003eSince I left racing, Will Butler-Adams has helped me rediscover the joy of cycling. My Brompton has become my favourite bicycle, and Brompton the company is the inspiration for what my own company, CHPT3, can become -- David Millar, former professional cyclist and CEO of CHPT3\u003cbr\u003eThis is the story of the Brompton bicycle, and the company that made it. The story of the people who built the company and how and why we did what we did. It's a story about brazing, and titanium, and distributor networks and management buyouts and paint inspection. The Brompton isn't the only folding bike in the world and it wasn't the first ... But we have a vision. Quite simply, we want to change people's lives -- From the Introduction\u003cbr\u003eBrompton is a rare company ... This book sets out its story - including the complexities of the lightweight design - but is so much more than that. It's about managing tricky geniuses, the value of persistence and a cri de coeur from its charismatic chief executive, Will Butler-Adams * Times Best Business Books of 2022 *","brand":"Profile Books Ltd","offers":[{"title":"Default Title","offer_id":47851059249495,"sku":"9781788168304","price":999.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781788168304.jpg?v=1710628201"},{"product_id":"design-as-art-9780141035819","title":"Design as Art","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eOne of the last surviving members of the futurist generation, Bruno Munari''s Design as Art is an illustrated journey into the artistic possibilities of modern design translated by Patrick Creagh published as part of the ''Penguin on Design'' series in Penguin Modern Classics.   ''The designer of today re-establishes the long-lost contact between art and the public, between living people and art as a living thing''   Bruno Munari was among the most inspirational designers of all time, described by Picasso as ''the new Leonardo''. Munari insisted that design be beautiful, functional and accessible, and this enlightening and highly entertaining book sets out his ideas about visual, graphic and industrial design and the role it plays in the objects we use everyday. Lamps, road signs, typography, posters, children''s books, advertising, cars and chairs - these are just some of the subjects to which he turns his illuminating gaze.    How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever.   Bruno Munari (1907-1998), born in Milan, was the enfant terrible of Italian art and design for most of the twentieth century, contributing to many fields of both visual (paint, sculpture, film, industrial design, graphics) and non-visual arts (literature, poetry). He was twice awarded the Compasso d''Oro design prize for excellence in his field.   If you enjoyed Design as Art, you might like John Berger''s Ways of Seeing, also available in Penguin Modern Classics.   ''One of the most influential designers of the twentieth century ... Munari has encouraged people to go beyond formal conventions and stereotypes by showing them how to widen their perceptual awareness'' International Herald Tribune\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e“One of the most influential designers of the twentieth century . . . Munari has encouraged people to go beyond formal conventions and stereotypes by showing them how to widen their perceptual awareness.” \u003ci\u003e\u003cb\u003e—International Herald Tribune\u003c\/b\u003e\u003c\/i\u003e","brand":"Penguin Books Ltd","offers":[{"title":"Default Title","offer_id":48732402549079,"sku":"9780141035819","price":9.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780141035819.jpg?v=1719996725"},{"product_id":"twentieth-century-design-9780192842046","title":"Twentieth Century Design","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eThe most famous designs of the twentieth century are not those in museums, but in the marketplace - such as the Coca-Cola bottle and the McDonald's logo. Drawing on the most up-to-date scholarship, Jonathan Woodham takes a fresh look at the wider issues of design and industrial culture and explores themes such as national identity, the rise of multi-nationals, Pop and Postmodernism, and contemporary ideas of nostalgia and heritage. In the history which emerges designis clearly seen for what it is: the powerful and complex expression of aesthetic, social, economic, political, and technological forces.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eTwentieth-Century Design is extremely thoroughly researched * Art Review, April 1997 *\u003cbr\u003efor a good general introduction to the subject you could not go very far wrong with Jonathan Woodham's excellent Twentieth Century Design ... Yet another example of the impressive new Oxford History of Art series. * The Bookseller *\u003cbr\u003eFully and often surprisingly illustrated, carefully annotated and captioned, each combines a historical overview with a nicely opinionated individual approach. * Independent on Sunday *\u003cbr\u003eWoodham gives a deftly organised, extremely cool-headed account of the ideological spoon-fights behind the product ranges of modern capitalism: his range of reference and eye for detail are superb. * The Guardian *\u003cbr\u003ea superb piece of publishing * Rupert Christiansen, Spectator *\u003cbr\u003e...a valuable contribution to the field of design studies, and it deserves careful attention. Woodham is one of many intelligent writers in the new wave of British design history. His book...is likely to become a benchmark for measuring the aspirations and accomplishments of the movement. His book is a reasonable and valuable exploration of design history that is not easily falsified. - Richard Buchanan. Journal of Design History. Vol 11 1998.","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":48732591554903,"sku":"9780192842046","price":20.24,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780192842046.jpg?v=1719997561"},{"product_id":"typography-9780199211296","title":"Typography","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eTypography, the art of designing printed words, was once the domain of an elite few artists but has become an area with which millions of people engage daily. The widespread usage of digital devices from laptops to tablets and smart phones which are used for written communications means that we are regularly asked to make decisions about the fonts, sizes, and layouts we use in our writing. This broadening engagement with the field of typography has led to a perceptible shift from debates about legibility and technicalities to conversations about which fonts best reflect the writer''s personality or style .In this Very Short Introduction, Paul Luna offers a broad definition of typography as design for reading, whether in print or on screens, where a set of visual choices are taken to make a written message more accessible, more easily transmitted, more significant, or more attractive. Considering the development of letterforms and the shapes of letter we use, Luna discusses the history behind our modern day letters and fonts, before considering the issues behind key typographic decisions, and the differences between printed and on-screen typography. Presenting any piece of typography as a fundamental design choice, Luna introduces the options available today, and explores the reasons why key typographic decisions are made.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\"Enjoyable and accessible ... Luna is an ideal guide. A particularly fascinating section on the different ways in which readers read, informed by psychologists studies, should be of interest to all readers, as well as to anyone who hopes that their words will be read.\" * Nancy Campbell, Times Literary Supplement *\u003cbr\u003e\"Paul Luna has written a very thorough explanation of typography as a subject and a practice. The book is not aimed at practitioners but at an intelligent general audience [it] does not teach you how to do typography; it teaches you how to think about typography. I have been waiting for a [VSI] volume on typography. This is it. It was worth the wait.\" * John D. Berry, Eye Magazine *\u003cbr\u003eThis 176-page paperback takes a comprehensive and in-depth approach to the art and science of typography, and is written in a way that the ordinary person can easily follow. A great buy for typography beginners. * Tom May, Creative Bloq *\u003cbr\u003ePaul Luna knows everything about Typography, that mysterious science, practised by many, understood by few. He shares his vast knowledge in terms that everybody will understand. Anybody who has to communicate with type (and who doesnt?) needs this book. * Erik Spiekermann, type designer, and founder of Metadesign, FontShop, and Edenspiekermann *\u003cbr\u003eThis is one of the most valuable books on typography I have ever read. This little book contains a depth of knowledge rarely found in books twice its size. * Rod McDonald, type designer and Typographic Advisor, Sheridan College, Ontario *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003ePrefaceAcknowledgements1: Perfect letters2: Practical letters3: Presenting language4: Genre and layout5: Persuasion, information, art6: Picture language7: Evidence for design decisions8: Positive typographyAppendix 1: Dogma for designersAppendix 2: Good practice in typesettingFurther readingIndex","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":48732834627927,"sku":"9780199211296","price":9.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780199211296.jpg?v=1719998600"},{"product_id":"culture-is-not-always-popular-fifteen-years-of-design-observer-9780262039109","title":"Culture Is Not Always Popular  Fifteen Years of","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eA collection of writing about design from the influential, eclectic, and adventurous \u003ci\u003eDesign Observer\u003c\/i\u003e.\u003c\/b\u003e\u003cp\u003eFounded in 2003, \u003ci\u003eDesign Observer\u003c\/i\u003e inscribes its mission on its homepage: Writings about Design and Culture. 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This collection includes reassessments that sharpen the lens or dislocate it; investigations into the power of design idioms; off-topic gems; discussions of design ethics; and ex\u003c\/p\u003e","brand":"MIT Press Ltd","offers":[{"title":"Default Title","offer_id":48733449453911,"sku":"9780262039109","price":30.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780262039109.jpg?v=1720000124"},{"product_id":"designing-interactions-the-mit-press-9780262134743","title":"Designing Interactions The MIT Press","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eA pioneer in interaction design tells the stories of designers who changed the way people use everyday things in the digital era, interviewing the founders of Google, the creator of The Sims, the inventors and developers of the mouse and the desktop, and many others.\u003c\/b\u003e\u003cp\u003eDigital technology has changed the way we interact with everything from the games we play to the tools we use at work. 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The innovators he intervi\u003c\/p\u003e","brand":"MIT Press","offers":[{"title":"Default Title","offer_id":48733462167895,"sku":"9780262134743","price":47.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780262134743.jpg?v=1720000169"},{"product_id":"adhocism-the-case-for-improvisation-the-mit-press-9780262518444","title":"Adhocism The Case for Improvisation The MIT Press","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e","brand":"MIT Press Ltd","offers":[{"title":"Default Title","offer_id":48733463576919,"sku":"9780262518444","price":22.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780262518444.jpg?v=1720000173"},{"product_id":"design-as-democratic-inquiry-9780262543460","title":"Design as Democratic Inquiry","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e","brand":"MIT Press Ltd","offers":[{"title":"Default Title","offer_id":48733473997143,"sku":"9780262543460","price":27.55,"currency_code":"GBP","in_stock":false}]},{"product_id":"b-is-for-bauhaus-9780718199517","title":"B is for Bauhaus","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eThis an essential tool kit for understanding the world around us. It''s about our obsession with collecting, the quest for authenticity and the creation of national identities. It''s about Hitchcock''s film sets and why we value imperfection. It''s about fashion and technology, about politics and art.\u003cbr\u003e\u003cbr\u003e''A memoir and a master class in musing on modern design . . . It''s a collection of thoughtful, absorbing essays about many aspects of modern design, a subject nobody writes better about than Sudjic'' - \u003ci\u003eEvening Standard\u003c\/i\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eA memoir and a master class in musing on modern design . . . It's a collection of thoughtful, absorbing essays about many aspects of modern design, a subject nobody writes better about than Sudjic . . . There are many rewarding pieces here on subjects ranging from the genius of Dieter Rams, the beauty of the Jumbo jet, the success of Ikea, the troubled concept of authenticity, and the contradictions of Leon Krier, to the development of the zip and the end of the typewriter and the analogue camera * London Evening Standard *\u003cbr\u003eThe book is written with a natural fluidity, with authority, and at times an almost academic interrogation * Design Week *\u003cbr\u003eCombining Sudjic's obsessive attention to obscure detail with a pop culture-honed eye for influence and connection, 'B' is a handbook of why things are the way they are * Wallpaper* *","brand":"Penguin Books Ltd","offers":[{"title":"Default Title","offer_id":48736162349399,"sku":"9780718199517","price":13.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780718199517.jpg?v=1723810541"},{"product_id":"tord-boontje-enchanted-world-9780847870059","title":"Tord Boontje Enchanted World","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eThis highly anticipated follow-up volume presents the exquisite designs of Tord Boontje, one of the most creative and romantic industrial designers working today.\u003cbr\u003e \u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eTord Boontje: Enchanted World\u003c\/i\u003e is a comprehensive visual document of the designer’s most recent work. 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He shows how our preoccupation with technological progress, growth and the future has produced a constricted view of life  one that is both destructive and self-reinforcing. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eBased on over twenty-five years of scholarship and creative practice, he demonstrates the vital importance of solitude, contemplation, inner growth and the present moment in developing a different course  one that looks squarely at our current, precarious situation while offering a positive, hopeful way forward  a way that is compassionate, context-based, human\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003e'Design for Life\u003c\/em\u003e is full of brilliantly original thinking and practical guidance for building a better world. It offers a framework for designers and consumers alike and makes a more meaningful material culture feel possible.'\u003c\/strong\u003e \u003cem\u003eSebastian Cox, Designer and Maker, Director, Sebastian Cox studio \u0026amp; workshop\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e'This book adopts a wholly new approach to design, one that gets right to its heart. Rooted in values, beliefs and creativity it adopts a rhetorical approach to its subject, blurring the boundary between designing and thinking about design.'\u003c\/strong\u003e - \u003cem\u003ePenny Sparke, Professor of Design History, Kingston University\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e'Brimming throughout with intelligence and curiosity, this deeply rooted, powerful book shapes design around the processes of life.'\u003c\/strong\u003e - \u003cem\u003eKate Fletcher, Professor of Sustainability, Design, Fashion, University of the Arts London\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e'Both contents and narratives are impressive. This book interprets design in a unique way, and the key clue is its glorious humanism. It is the foundation of design’s new missions, new roles and new approaches, in this changing era.'\u003c\/strong\u003e - \u003cem\u003eYongqi Lou, Professor and Dean, College of Design and Innovation, Tongji University, Shanghai\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e'In this stunning book, Stuart Walker’s sensibility explores deep and complex dimensions of design thinking and doing, shedding light on the role of intentions, priorities and values.' - \u003c\/strong\u003e\u003cem\u003eMaria Cecilia Loschiavo dos Santos, Professor of Design, University of São Paulo\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e'Our society expects and needs a new wisdom for developing our lives in more meaningful ways. In this book, Stuart Walker opens the door for dialogue on wisdom in design. It is a wisdom permeated by creativity, the human imagination, intuition and comprehension.'\u003c\/strong\u003e - \u003cem\u003eTakeshi Sunaga, Professor of Design, Tokyo University of the Arts\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e'Stuart Walker's emphasis on reflection and values brings a welcome dimension to the design process. He stresses personal vision as a way of contributing to design's capacity to make the world a better place.'\u003c\/strong\u003e - \u003cem\u003eVictor Margolin, Professor Emeritus of Design History, University of Illinois, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e'He offers an authoritative account with a voice developed through experience and the knowhow acquired while treading the line between theoretical research and design practice.'\u003c\/strong\u003e-\u003cem\u003e Matt Malpass, Programme Coordinator, Saint Martins College of Arts and Design, University of the Arts London \u003c\/em\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003ePrologue 1. The Subject of Design: personal involvement and positive change 2. A Narrowing: loss of narrative unity and the nature of design change 3. Counterpoints: restoring balance through design 4. The Shift: an inward path to holistic design 5. Creativity: and the imperative of solitude 6. The Mesh: freeing design from dominant dogmas 7. Rhythms: movement, making and meaning 8. Seeds: designing for a new awareness Appendices 1. CONFESIÓN \u003ci\u003e– relic from a future past \u003c\/i\u003e2\u003ci\u003e. \u003c\/i\u003eListening to the Muse – \u003ci\u003ea personal reflection \u003c\/i\u003e3. The Inadequacies of Corporate Social Responsibility (CSR) 4. Related Websites Notes Bibliography Index\u003c\/p\u003e","brand":"Taylor \u0026 Francis Ltd","offers":[{"title":"Default Title","offer_id":48738406990167,"sku":"9781138232471","price":32.99,"currency_code":"GBP","in_stock":true}]},{"product_id":"jony-ive-9780670923243","title":"Jony Ive","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eAn intimate look at the legendary British designer behind Apple''s most iconic products - including the Apple Watch\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eWith the death of Steve Jobs in 2011, JONY IVE has become the most important person at Apple. Some would argue he always was.\u003cbr\u003e\u003cbr\u003eSteve Jobs discovered Ive in 1997, when he found the scruffy British designer toiling away in a studio surrounded by hundreds of sketches and prototypes. Jobs instantly realised he had found a talent who could reverse Apple''s decline, and become his ''spiritual partner''.\u003cbr\u003e\u003cbr\u003eTheir collaboration produced iconic products including the iMac, iPod, iPad and iPhone. Designs that overturned entire industries and created the world''s most powerful brand.\u003cbr\u003e\u003cbr\u003eLittle has been known about this shy, softly-spoken designer. Until now. \u003ci\u003eJony Ive: The Genius Behind Apple''s Greatest Products\u003c\/i\u003e tells the riveting story of a creative genius, from his early interest in industrial design to his meteoric rise, as well as the princi\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eSheds new light on technology's most-watched design team. Rare glimpses into working practices at Apple * The Observer *\u003cbr\u003eKahney does an excellent job. A real pleasure * GQ *\u003cbr\u003eA look at the design philosophy that has made addicts of millions of us. One for the design geek\/Apple freak in your life * Harper's Bazaar *\u003c\/p\u003e","brand":"Penguin Books Ltd","offers":[{"title":"Default Title","offer_id":48738413609303,"sku":"9780670923243","price":12.34,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780670923243.jpg?v=1720048089"},{"product_id":"the-social-design-reader-9781350026056","title":"The Social Design Reader","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eThe Social Design Reader \u003c\/i\u003eexplores the ways in which design can be a catalyst for social change. Bringing together key texts of the last fifty years, editor Elizabeth Resnick traces the emergence of the notion of socially responsible design. This volume represents the authentic voices of the thinkers, writers and designers who are helping to build a canon' of informed literature which documents the development of the discipline.\u003ci\u003eThe Social Design Reader\u003c\/i\u003e is divided into three parts. \u003ci\u003eSection 1: Making a Stand\u003c\/i\u003e includes an introduction to the term social design' and features papers which explore its historical underpinnings. \u003ci\u003eSection 2: Creating the Future\u003c\/i\u003e documents the emergence of social design as a concept, as a nascent field of study, and subsequently as a rapidly developing professional discipline, and \u003ci\u003eSection 3: A Sea Change\u003c\/i\u003e is made up of papers acknowledging social design as a firmly established practice.Contextualising section introductions are provi\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eThis is a powerful and timely survey of the social design territory and its evolution in the past few decades. Resnick provides an insightful overview of the ways in which design is addressing some of the most pressing issues facing us in the 21st century. Essential reading. * Terry Irwin, Head of the School of Design at Carnegie Mellon University, USA *\u003cbr\u003eOne of the most compelling design compendiums to emerge since the \u003ci\u003eLooking Closer\u003c\/i\u003e series! Resnick’s selection of essays, both historical and contemporary, offers astute and critical discussions about the transformative potential of socially responsible design. This timely book makes for essential reading for design scholars and practitioners alike. * Fatima Cassim, Co-Editor of Image and Text journal, South Africa *\u003cbr\u003eIn times when some of the founding values of our society seem in crisis, it is urgent to question the social responsibility of designers. This collection of essays on social design, edited by Elizabeth Resnick, is a good starting point for every designer who sees in their practice a chance to promote social innovation. * Gianni Sinni, Deputy Director of the Design MA at the University of the Republic of San Marino *\u003cbr\u003eElizabeth Resnick’s \u003ci\u003eThe Social Design Reader\u003c\/i\u003e should be on every essential reading list in design schools everywhere. It provides a much-needed common vocabulary to discuss the maturation of design theory and practice over the last 50 years. The ideas in this book will be the catalyst for debate and discussion, dissertations, masters’ projects and research topics, and hopefully the material for a future edition. * Olwen Moseley, Professor of Design Industry Engagement at Cardiff Metropolitan University, UK *\u003cbr\u003eIn times when 'social design' and 'design for good' have become ubiquitous labels too easily applied at a surface level, \u003ci\u003eThe Social Design Reader \u003c\/i\u003eoffers access to seminal readings and a starting point for a shared framework to challenge design's role in effecting change through critically examining foundations, methodologies, ethics, and efficacy. * Ann McDonald, Associate Professor of Design at Northeastern University, USA *\u003cbr\u003eA crucial tool for anyone interested in learning more about the topics of [the social design] debate. * Ais\/Design Journal (trans. by Bloomsbury) *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e- Preface \/ Elizabeth Resnick, Massachusetts College of Art and Design, USA    Section 1: Making a Stand: A New Social Agenda for Design - Introduction - Elizabeth Resnick, Massachusetts College of Art and Design, USA  - Is Social Design A Thing? - Cameron Tonkinwise, University of Technology Sydney, Australia - Social Design: From Utopia to the Good Society - Victor Margolin, University of Illinois at Chicago, USA - Emigré Culture and the Origins of Social Design - Alison J. Clarke, University of Applied Arts Vienna, Austria   Section 2: Creating the Future: Defining the Socially Responsible Designer 1964–1999 - Introduction - Elizabeth Resnick, Massachusetts College of Art and Design, USA  - First Things First Manifesto - Ken Garland, independent scholar, UK - Here Are Some Things We Must Do - Ken Garland, independent scholar, UK - Edugraphology—The Myths of Design and the Design of Myths - Victor Papanek, formerly University of Kansas, USA - Design As A Socially Significant Activity - Clive Dilnot, independent scholar, USA - Designerly Ways of Knowing - Nigel Cross, Open University, UK - The Future Isn’t What it Used to Be - Victor Papanek, formerly University of Kansas, USA - Commerce or Culture: Industrialization and Design - John Heskett, formerly Hong Kong Polytechnic University, Hong Kong - Wicked Problems in Design Thinking - Richard Buchanan, Carnegie Mellon University, USA - Good Citizenship: Design as a Social and Political Force - Katherine McCoy, formerly Illinois Institute of Technology, USA - Feminist Perspectives (Design for Society) - Nigel Whitely, independent scholar, UK - There is Such a Thing as Society - Andrew Howard, Escola Superior de Artes e Design, Portugal - Design and Reflexivity - Jan van Toorn, independent scholar, The Netherlands - Design Noir - Anthony Dunne, The New School, USA   Section 3: A Sea Change: The Paradigm Shift from Objects to Systems 2000–2020 - Introduction - Elizabeth Resnick, Massachusetts College of Art and Design, USA  - First Things First Manifesto 2000 - Kalle Lasn, Adbusters, Canada - A “Social Model” of Design: Issues of Practice and Research - Victor Margolin, University of Illinois at Chicago, USA and Sylvia Margolin, independent scholar, USA - The Dematerialization of Design - Jorge Frascara, University of Alberta, Canada - Why Being \"Less Bad\" Is No Good (Cradle to Cradle) - William McDonough, World Economic Forum, Switzerland and Michael Braungart, Environmental Protection Encouragement Agency, Germany - Clothes That Connect - Kate Fletcher, University of the Arts London, UK - Design's Role in Sustainable Consumption - Ann Thorpe, independent scholar, UK - Transformative Services and Transformation Design - Daniela Sangiorgi, Politecnico di Milano, Italy - Rethinking Design Thinking, Part I - Lucy Kimbell, University of the Arts London, UK - Rethinking Design Thinking, Part 2 - Lucy Kimbell, University of the Arts London, UK - Design Things and Design Thinking: Contemporary Participatory Design Challenges - Erling Bjögvinsson, Gothernburg University, Sweden, Pelle Ehn, Malmö University, Sweden and Per-Anders Hillgren, Malmö University, Sweden - From Design Culture to Design Activism - Guy Julier, University of Brighton, UK - Decolonizing Design Innovation – Elizabeth Tunstall, Ontario College of Art and Design University, Canada - Social Design and Neocolonialism - Cinnamon Janzer, independent scholar, USA and Lauren Weinstein, Australian Centre for Social Innovation, Australia - Futuristic Gizmos, Conservative Ideals: On Speculative Anachronistic Design - Luiza Prado de O. Martins, A Parede, Germany and Pedro Vieira de Oliveira, A Parede, Germany - Privilege and Oppression: Towards a Feminist Speculative Design - Luiza Prado de O. Martins, A Parede, Germany - Is Sustainable Innovation an Oxymoron? - Elizabeth B-N Sanders, MakeTools, UK - Social innovation and design: Enabling, replicating and synergizing - Ezio Manzini, DESIS Network, Italy - Global Methods, Local Designs - Ahmed Ansari, Carnegie Mellon University, USA - The Emerging Transition Design Approach - Terry Irwin, Carnegie Mellon University, USA   - Contributors bios - Further reading - Index","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738581021015,"sku":"9781350026056","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350026056.jpg?v=1720049541"},{"product_id":"designing-designing-9781350070677","title":"Designing Designing","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003ci\u003edesigning designing\u003c\/i\u003e is one of the most extraordinary books on design ever written. First published in 1984 and reprinted with this title and cover in 1991, the book was the product of ten years of auto-critique, reflection and experimentation on writing on designing. Offering a savage auto-critique of his own work on methods, as well as of the wider methods and ends of advanced industrial societies as a whole, this book challenges the traditional product- and progress- orientated focus on design by insisting that the world now coming into being requires designing to be understood as a response to the whole of life.' But \u003ci\u003edesigning designin\u003c\/i\u003eg is also unique in modern design thinking in its exploration of what writing on designing might be. Combining essays, interviews, reflections, performances, plays, poems, chance procedures, photographs, collages and quotes, Jones experiments with both form and content in an attempt to make a book which is not simply about designing but i\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eDesigning Designing\u003c\/i\u003e is a particularly redemptive text ... not only because of the immense self-awareness and epistemic humility Jones demonstrates, but also because it explores in both its content and its form what else design and designing could be. In stark contrast to the predictable and stolid reification of design methods, principles, and practices today, this open-ended flexibility and responsiveness in design practice reflects in the structure of the book itself: a diverse collection of essays, personal reflections, anecdotes, conversations, interviews, and poetry. * Design and Culture *\u003cbr\u003eForegrounding the performing of designing as an ongoing experimental lived practice that is at once personal, social and institutional, this astonishingly prescient book offers fresh insights into how design expertise can be mobilized to address contemporary challenges. This re-issue should inspire a new generation of designers to think deeply and critically about designing, what makes it possible or constrains it, and its positive and negative unfolding consequences. -- Lucy Kimbell, Director, Social Design Institute and Professor of Contemporary Design Practices at the University of Arts London, UK\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eList of Illustrations   Introduction to the revised edition by Clive Dilnot  Foreword by C. Thomas Mitchell  Author's Note  Preface to the 1984 edition  Acknowledgements  Introductory Essay: The Future of Breathing    1. A Thought Revolved  Love, hate and architecture  How my thoughts about design methods have changed during the years  Now we are numerous  Beyond rationalism  Principles in design    2. The World Without Imagination  St Ives by chance  Composing by chance  Some reflection on chance  Designing designing    3. It Must Give Pleasure  Opus one, number two  \"... in the dimension of Time\"  Continuous design and redesign  Things    4. Things of August  Is designing a response to the whole of life?  35 wishes  Voices at the conference conference  The design of modern life  Utopia and Numeroso  Afterword by John Thackara Index","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738585149783,"sku":"9781350070677","price":21.84,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350070677.jpg?v=1720049558"},{"product_id":"fashion-styling-9781350074101","title":"Fashion Styling","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eLearn to style for advertisements, magazines and portfolios and take your first steps into one of fashion communication''s most dynamic and rewarding careers. With hands-on practical advice on working as part of a team, developing a visual vocabulary and managing a shoot, you''ll be encouraged to experiment and develop your own original creative concepts. This revised edition includes a new chapter on the future of the industry, exploring how the role is changing and the stylist''s position as an entrepreneur. There are also new interviews with professional stylists and 120 new images to demonstrate each technique.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eIntroduction  \u003cb\u003e1. The Fashion Stylist\u003c\/b\u003e What Is Fashion Styling? Aspects of the Job A Career in Fashion Styling Interview: Helen McGuckin Interview: Max Clark  \u003cb\u003e2. Essential Research\u003c\/b\u003e Fashion Awareness Context Fashion Referencing Interview: Lily Charnock  \u003cb\u003e3. Sectors within Styling\u003c\/b\u003e Editorial Styling Commercial Styling Still-Life Styling Personal Styling Interview: Siobhan Lyons Interview: Emma Jade Edwards Interview: Carol Woollam  \u003cb\u003e4. Preparing For a Photoshoot\u003c\/b\u003e Organizing a Test Shoot Working with a Team Sourcing Clothing Props and Set Design Casting the Model Locations The Photoshoot in Production Production Planning Final Brief and Testing Interview: Laura Holmes Interview: India Harris Day of the Shoot Editing Post-Production  \u003cb\u003e5. Becoming a Stylist\u003c\/b\u003e Collating a Portfolio Creating a Website Self-Promotion Places to Work Interning and Assisting Working As a Freelance Stylist Interview: Aisha Jimoh Securing an Agent Interview: Sam Moore  \u003cb\u003e6. The Future of Styling\u003c\/b\u003e How the Role is Changing The Stylist Entrepreneur  Bibliography Further Resources","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738585280855,"sku":"9781350074101","price":21.84,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350074101.jpg?v=1720049558"},{"product_id":"designing-designing-radical-thinking-in-design-radical-thinkers-in-design-9781350071971","title":"Designing Designing Radical Thinking in Design","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eJohn Chris Jones\u003c\/b\u003e was born in 1927, in Aberystwyth, Wales. Jones studied engineering at the University of Cambridge, and went on to work for AEI in Manchester, England. In 1962 he instigated an influential conference on design methods, which led to the formation of the Design Research Society which he chaired from 1971-73. In 2004 he was presented with the Society's Lifetime Achievement Award and from 1970-74 Jones was the first Professor of Design at The Open University, UK.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eDesigning Designing\u003c\/i\u003e is a particularly redemptive text ... not only because of the immense self-awareness and epistemic humility Jones demonstrates, but also because it explores in both its content and its form what else design and designing could be. In stark contrast to the predictable and stolid reification of design methods, principles, and practices today, this open-ended flexibility and responsiveness in design practice reflects in the structure of the book itself: a diverse collection of essays, personal reflections, anecdotes, conversations, interviews, and poetry. * Design and Culture *\u003cbr\u003eForegrounding the performing of designing as an ongoing experimental lived practice that is at once personal, social and institutional, this astonishingly prescient book offers fresh insights into how design expertise can be mobilized to address contemporary challenges. This re-issue should inspire a new generation of designers to think deeply and critically about designing, what makes it possible or constrains it, and its positive and negative unfolding consequences. -- Lucy Kimbell, Director, Social Design Institute and Professor of Contemporary Design Practices at the University of Arts London, UK\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eList of Illustrations   Introduction to the revised edition by Clive Dilnot  Foreword by C. Thomas Mitchell  Author's Note  Preface to the 1984 edition  Acknowledgements  Introductory Essay: The Future of Breathing    1. A Thought Revolved  Love, hate and architecture  How my thoughts about design methods have changed during the years  Now we are numerous  Beyond rationalism  Principles in design    2. The World Without Imagination  St Ives by chance  Composing by chance  Some reflection on chance  Designing designing    3. It Must Give Pleasure  Opus one, number two  \"... in the dimension of Time\"  Continuous design and redesign  Things    4. Things of August  Is designing a response to the whole of life?  35 wishes  Voices at the conference conference  The design of modern life  Utopia and Numeroso  Afterword by John Thackara Index","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738585477463,"sku":"9781350071971","price":71.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350071971.jpg?v=1720049558"},{"product_id":"defuturing-9781350089532","title":"Defuturing","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eOnce one understands the nature and magnitude of defuturing as the negation of world futures, how one has to account for the history and making of the material world  including design - dramatically changes. Defuturing as our condition forces the generation of a new philosophy of design. With these thoughts this book presents a radically new understanding of the history, context and futures of designing.  First published in 1999, now reissued with a new preface by the author, \u003ci\u003eDefuturing: A New Design Philosophy \u003c\/i\u003eis a prescient and powerful account of what it means to comprehend that we live in world that is taking away futures for ourselves and non-human others. Arguing that designing is doubly implicated in this process, first in its roles in helping to create the unsustainable, but second, re-thought through the lens of defuturing, as a mode of acting in the world that can help contest the negation of the world, \u003ci\u003eDefuturing \u003c\/i\u003etransforms our comprehension of designing and of\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eDefuturing: A New Design Philosophy\u003c\/i\u003e bears true to its title. It’s the confident announcement of a new approach to design by a fiercely independent and original design thinker. Nobody has grasped with greater clarity design’s role in creating the structural logic of sustainability constitutive of today’s world as Tony Fry.  In these pages, the reader will find a most perceptive exploration of the profound historicity of design, from which there emerges a genuinely new way of looking at the world, one that goes well beyond the redeeming rhetoric of humanism and the nihilistic lucubrations of posthumanism. By conjuring up a critical new awareness of design’s powers of world making, Fry is able to craft the contours of a compelling redirective design practice and a novel lexicon for making otherwise. * Arturo Escobar, Emeritus Professor of Anthropology at the University of North Carolina, USA *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eList of images Tony Fry's \u003ci\u003eDefuturing: A new design philosophy \u003c\/i\u003eby Clive Dilnot Preface to the 2020 edition Preface to the original edition  INTRODUCTION An introductory lexicographical review Design Sustain-ability and unsustainability Defuturing Relationality Guided Reading  \u003cb\u003ePART I: An opening\u003c\/b\u003e 1. TECHNOLOGY, WARRING AND THE CRISIS OF HISTORY Technology in flux From structure and from \u003ci\u003etechné\u003c\/i\u003e From war to warring The crisis of the crisis of history  \u003cb\u003ePART II: History, modernity and defuturing\u003c\/b\u003e 2. MADE IN AMERICA: A WORLD PRODUCTION America Then and now Productivism and a history of world making  3. DWELLING IN STREAMLINES AMERICA Streamlining Design The New York World's Fair Utopia: A designing idea  4. TOTAL DESIGN: EUROPE The Bauhaus, as told The Vkhutemas postscript  \u003cb\u003ePART III: One point: Four locations\u003c\/b\u003e 5. DESIGN AND THE BODY OF COMPETITION The body Bodies of the body The measure that measures the standards Openings as endings  6. TIME AND CHINA Time The years of 1926 China: Four perspectives  7. TELEVISUAL IN-HUMAN DESIGN The televisual Perspectives and horizons Ecology of the image  8. THE AUTONOMIC TECHNOCENTRICITY OF COMPUTERS The reason machine The force of design Reiterations towards making decisions  CONCLUDING IMPRESSIONS  Bibliography Index","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738586657111,"sku":"9781350089532","price":23.74,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350089532.jpg?v=1720049563"},{"product_id":"inside-the-royal-wardrobe-9781350102347","title":"Inside the Royal Wardrobe","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eQueen Alexandra used clothes to fashion images of herself as a wife, a mother and a royal: a woman who both led Britain alongside her husband Edward VII and lived her life through fashion. \u003ci\u003eInside the Royal Wardrobe\u003c\/i\u003e overturns the popular portrait of a vapid and neglected queen, examining the surviving garments of Alexandra, Princess of Wales  who later became Queen Consort  to unlock a rich tapestry of royal dress and society in the second half of the 19th century. More than 130 extraordinary garments from Alexandra's wardrobe survive, from sumptuous court dress and politicised fancy dress to mourning attire and elegant coronation gowns, and can be found in various collections around the world, from London, Oslo and Denmark to New York, Toronto and Tokyo. Curator and fashion scholar Kate Strasdin places these garments at the heart of this in-depth study, examining their relationships to issues such as body politics, power, celebrity, social identity and performance, and interpret\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eQueen Alexandra used clothes to fashion her self-image throughout her life and Kate Strasdin’s fascinating new book shows us how. From tight tailoring and glamorous evening wear to elegant mourning, \u003ci\u003eInside the Royal Wardrobe\u003c\/i\u003e provides an innovative, engaging analysis of how Alexandra led fashionable society. -- Maria Hayward, University of Southampton, UK\u003cbr\u003e\u003ci\u003eInside the Royal Wardrobe\u003c\/i\u003e is an illuminating and poignant study of the clothes that made Queen Alexandra the most stylish woman in Britain. Skilfully weaving together public and private life, Strasdin shines new light on her compelling story. -- Lucy Johnston, author of 19th-Century Fashion in Detail\u003cbr\u003eKate Strasdin's fascinating book gives us an intimate history of a queen who dressed to impress, and sets the stage for new understandings of the work that goes into fashioning celebrity. -- Alison Matthews David, Ryerson University, USA\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eIntroduction  1. Managing the Royal Wardrobe 2. Engagement and Marriage 3. Evening and Court Dress 4. The Travelling Princess 5. Fancy Dress 6. Tailoring 7. Mourning Dress 8. The Coronation Gown 9. Dispersal of a Royal Wardrobe  Conclusion Bibliography Index","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738589311319,"sku":"9781350102347","price":23.74,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350102347.jpg?v=1720049572"},{"product_id":"everyday-acts-of-design-9781350162396","title":"Everyday Acts of Design","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eFrom 2016-2018, teachers and students at the State University of Rio de Janeiro in Brazil found themselves at the center of a crisis. A new right-wing government suspended payment of staff salaries and student scholarships and stopped funding basic maintenance. Everyday Acts of Design tells the story of how the university's design school reacted to the crisis: not with despondency or despair, but by promoting a series of radical teaching experiments.   Working together, students, alumni, teachers, and staff embraced hope as a method, demonstrating that it is possible to find positive answers even in a situation of imminent collapse. The case histories narrated in the book provide alternatives to conventional forms of design teaching, but also prove that education can be a site for democracy and the practice of freedom.  Deprived of the activity of creating for an imagined future, design can still assert a way forward through practices of making and experimenting. Drawing on their perso\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eZoy Anastassakis and Marcos Martins take us on a personal journey through the challenges of leadership, management and teaching in a design school during times of uncertainty, precariousness and government neglect in Brazil. Weaving together stories of everyday experiences demonstrating at once alternative ways of thinking design acts, the resilience of educators and students, and the bonds that are developed when a situation and a state is on the brink of collapse, this book is an urgent read for all design students and educators. -- Dana Abdullah, University of the Arts London, UK\u003cbr\u003eIn this account of a present intensively lived, Anastassakis and Martins reveal the individual struggles and collective actions of ESDI’s prodigious community of precarious lives. Reimagining the first and foremost design education institution in Brazil, Latin America and the Portuguese language demanded shuffling functions, challenging privileges and questioning conventions. But also claiming resistance, vulnerability, care, interdependence, coexistence and solidarity as essential terms of a design lexicon they generously share with us in this momentous book. -- Frederico Duarte, University of Lisbon, Portugal\u003cbr\u003eHope is perhaps the element to be harnessed in a time that insists on oppressing and in which different ways of doing things are designed to circumvent the investments of domination. In these margins, scribbling is the act of imprinting life, whether it be to inscribe battles and continuity, or to strike through the logics that paint a world obsessed with a single, exclusive method. Education, when it becomes an inventive and radical stroke of life, affirms itself as an ordinary task, as everyday acts that give other contours to the margins. -- Luiz Rufino, Rio de Janeiro State University, Brazil\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eList of Figures Foreword, \u003ci\u003eTimothy Ingold (University of Aberdeen, UK)\u003c\/i\u003e Acknowledgements Historical Background Map and ESDI Ground Plan Introduction  1. Landing 2. Curriculum 3. A Land-slipping panic 4. Drawing Together 5. Crisis 6. Design Research 7. Impasses and Correspondences 8. How do you get to the university? 9. Walking barefoot  Bibliography Index","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738598191447,"sku":"9781350162396","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350162396.jpg?v=1720049601"},{"product_id":"making-trouble-9781350162549","title":"Making Trouble","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eMaking hacks into reality. It engages matter in ways that trespass the boundaries between the civic realm and the state-assigned laws. Even with primitive tools and skills, designing and making can break open and repurpose arrangements of power. The proof is that some crafts are so controversiallock-picking, moonshining, shoplifting, smuggling, sabotagethat they need to be controlled or even outlawed. When designers and makers touch on these contested realms, they run into trouble. This highly original book explores how the material power of design and making can challenge arrangements of agency and domination. Unpacking a series of conflicting casesfrom illegal making to the strategic and civic use of crafts to manifest radical alternatives to the current orderit shows how designers and makers can use even basic tools to work towards more.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eThis book will change your understanding of activism, design, and politics, fundamentally. Buy it, steal it, or read it, but most importantly: start redesigning things in your life! -- Stellan Vinthagen, Endowed Chair in the Study of Nonviolent Direct Action and Civil Resistance and Professor of Sociology, University of Massachusetts, Amherst, USA\u003cbr\u003e\u003ci\u003eMaking Trouble\u003c\/i\u003e is a fabulous book. It offers an original and timely intervention in scholarly and activist debates and has the added benefit of being beautifully written. I fully expect it will become an instant classic in cross-disciplinary research and contentious political practice. -- Victoria Hattam, Professor of Politics, New School for Social Research, New York\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cb\u003ePreface\u003c\/b\u003e Back to Matter Activist Making Affirmative Making  \u003cb\u003e1. Power in the Making\u003c\/b\u003e Primitive Making Matters and Materials Making between Matter and Meta \u003cb\u003e2. State Metaxu\u003c\/b\u003e Metaxu State Space - State Matter State Meta in the Matter \u003cb\u003e3. Making Matters\u003c\/b\u003e Making Leverage Finding Material Leverage The Contents of Political Matters \u003cb\u003e4. Making Agency\u003c\/b\u003e Making Change, Making Resistance Making Material Agency Manipulating Meta \u003cb\u003e5. Doing and sitting\u003c\/b\u003e Sitting is Not Only Sitting Royal Crafts and Citizen Consumption Resistant Sitting Seated Democracies \u003cb\u003e6. Recursive Matters\u003c\/b\u003e Intensity vs Scale Making Means and Ends Meet Pulsation \u003cb\u003e7. Strategic Objectiles\u003c\/b\u003e Material Mobilization Tactical Presence and its Limitations Stitch for Senate \u003cb\u003e8. Material Counter-intelligence\u003c\/b\u003e Material Intelligence Artus and Metis The Cookies of Cunning \u003cb\u003e9. Brewing Dissent\u003c\/b\u003e Controlled Substances, Controlled Crafts Misuse and Mischief Buckets of Evidence \u003cb\u003e10. Designing Back\u003c\/b\u003e Making Civics Tangible Design and Activism Material Civic Dissidence \u003cb\u003e11. Trouble Making and Counter-crafts\u003c\/b\u003e Dangerous Makings Mapping Material Activism \u003cb\u003e12. Make it Simple\u003c\/b\u003e Making Action Spaces Making Calisthenics Stay Matter!","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738598322519,"sku":"9781350162549","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350162549.jpg?v=1720049602"},{"product_id":"visible-signs-9781350164932","title":"Visible Signs","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eBasic semiotic theories are taught in most art schools as part of a contextual studies program, but many students find it difficult to understand how these ideas might impact on their own practice. \u003ci\u003eVisible Signs\u003c\/i\u003e tackles this problem by introducing key theories and concepts, such as signs and signifiers, and language and speech, within the framework of visual communication.   Each chapter provides an overview of a particular facet of semiotic theory, with inspiring examples from graphic design, typography, illustration, advertising and art to illustrate the ideas discussed in the text. Creative exercises at the end of the book will help exemplify these ideas through practical application.   The fourth edition of \u003ci\u003eVisible Signs\u003c\/i\u003e includes new imagery and updated exercises, as well as coverage of propaganda, diversity in neutral' communication (like emojis), and issues related to social media representation.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eIntroduction Chapter 1: Components. What is Theory?; Agreement; Portfolio; Exercises. Chapter 2: How Meaning is Formed. Categories of Sign; Value; Portfolio; Exercises. Chapter 3: Reading the Sign: The Reader; Convention and Motivation; Portfolio; Exercises. Chapter 4: Text and Image: Digital and Analogue Codes; Advertising Writing; Portfolio; Exercises. Chapter 5: Official and Unofficial Language: Habitus; The Production of Legitimate Language; The Competition for Cultural Legitimacy; Unofficial Language; Portfolio; Exercises. Chapter 6: Politics of Semiotics: fake news, propaganda, diversity in ‘neutral’ communication (like emojis); Portfolio; Exercises. Chapter 7: Junk and Culture: Dirt and Taboo; Rubbish Theory; Rubbish as a Resource; Portfolio; Exercises. Chapter 8: Open Work: Information and Meaning; Openness and the Visual Arts; Openness and Information; Form and Openness; Portfolio; Exercises. Glossary Bibliography Index","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738598650199,"sku":"9781350164932","price":33.24,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350164932.jpg?v=1720049603"},{"product_id":"designing-for-society-9781472567987","title":"Designing for Society","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eOur globalised world is encountering problems on an unprecedented scale. Many of the issues we face as societies extend beyond the borders of our nations. Phenomena such as terrorism, climate change, immigration, cybercrime and poverty can no longer be understood without considering the complex socio-technical systems that support our way of living. It is widely acknowledged that to contend with any of the pressing issues of our time, we have to substantially adapt our lifestyles. To adequately counteract the problems of our time, we need interventions that help us actually adopt the behaviours that lead us toward a more sustainable and ethically just future. In \u003ci\u003eDesigning for Society\u003c\/i\u003e, Nynke Tromp and Paul Hekkert provide a hands-on tool for design professionals and students who wish to use design to counteract social issues. Viewing the artefact as a unique means of facilitating behavioural change to realise social impact, this book goes beyond the current trend of applying desi\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eOffering a significant analysis of the social implications of design and the range of products and services that stimulate human behavior, this is a valuable addition to the literature on design of all varieties. * CHOICE *\u003cbr\u003eEverything that’s designed has effects on society, and how we live, and designers have a responsibility to understand this, and design with attention to the impacts their work can have, now and for future generations. In \u003ci\u003eDesigning for Society\u003c\/i\u003e, Nynke Tromp and Paul Hekkert give us a thoughtful and well-informed set of ways of approaching this complex and wide-ranging subject, demonstrating the power of designing products, services, and systems with a focus on social value. * Dan Lockton, Chair of Design Studies at Carnegie Mellon University, USA *\u003cbr\u003eTo the large numbers of students and professionals who want to ‘do good’ and to make a difference in the world, this book offers a wealth of insights and guidelines. The 'society-centred design practice' outlined by the authors is both theoretically exciting and useful in practice. * Erik Stolterman Bergqvist, Professor of Informatics at Indiana University, Bloomington, USA *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003ePreface Foreword Introduction 1.       Building a Viable Society 2.       Effect-driven Design 3.       A Clash of Concerns 4.       The Far-reaching Influence of the Artefact 5.       An Imperfect World 6.       Social Implication Design 7.       Mapping the Social Context 8.       Assessing Impact 9.       Social Design in Practice References Index","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48739470541143,"sku":"9781472567987","price":24.69,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781472567987.jpg?v=1720052342"},{"product_id":"an-introduction-to-service-design-9781472572585","title":"An Introduction to Service Design","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eA comprehensive introduction to designing services according to the needs of the customer or participants, this book addresses a new and emerging field of design and the disciplines that feed and result from it.Despite its intrinsic multidisciplinarity, service design is a new specialization of design in its own right. Responding to the challenges of and providing holisitic, creative and innovative solutions to  increasingly complex contemporary societies, service design now represents an integrative and advanced culture of design. All over the world new design studios are defining their practice as service design while long established design and innovation consultancies are increasingly embracing service design as a key capacity within their offering. Divided into two parts to allow for specific reader requirements, \u003ci\u003eService Design\u003c\/i\u003e starts by focusing on main service design concepts and critical aspects. Part II offers a methodological overview and practical tools for the servic\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eThe book covers a needed niche of bibliography in Service Design and it completely achieves the goal set ...  We would recommend it to anyone curious to know more about the field, as an essential introductory book to Service Design or for educators teaching this crucial and exciting discipline. * The Design Journal *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003ePreface Introduction  \u003cb\u003ePart 1: INTRODUCTION TO SERVICES  \u003c\/b\u003eChapter 1: Defining Services Chapter 2: The Service Economy Chapter 3: Digital Services Chapter 4: Services for Public Interest Chapter 5: The Politics of Service Design Chapter 6: Designing for Services  \u003cb\u003ePart 2: THE SERVICE DESIGN PROCESS\u003c\/b\u003e  Chapter 7: Getting Started in the Service Design Process  Chapter 8. Research and Analysis Chapter 9. Generating Service Design Concepts  Chapter 10. Prototyping, Testing, Iterating Chapter 11. Implementing and Evaluating Services Chapter 12. Service Design Core Capabilities   Glossary Bibliography Index","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48739470868823,"sku":"9781472572585","price":34.19,"currency_code":"GBP","in_stock":true}]},{"product_id":"pop-art-and-design-9781474226189","title":"Pop Art and Design","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eAnne Massey\u003c\/b\u003e is Professor of Design and Culture at LCC, University of the Arts London, UK.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAlex Seago\u003c\/b\u003e is Dean of the School of Communications, Arts and Social Sciences at Richmond, The American International University in London, UK. Previously he lectured in Cultural History at the Royal College of Art, UK.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eThe next stage in the ever-expanding study of Pop Art—in Britain or anywhere else—should begin with this volume.  Its editors and contributors offer vital, cogently presented expertise in design, dress, education and deep popular culture, without which no future Pop scholar or interpreter should proceed. * Thomas Crow, Rosalie Solow Professor of Modern Art at New York University, USA *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eIntroduction - Anne Massey and Alex Seago    \u003cb\u003e1. Popular art, Pop Art, and ‘the boys who turn out the fine arts' \u003c\/b\u003eCatherine Moriarty  \u003cb\u003e2. Cecil Beaton, Richard Hamilton and the Queer, Transatlantic Origins of Pop Art \u003c\/b\u003eDominic Janes   \u003cb\u003e3. Althea McNish and the British African diaspora \u003c\/b\u003eChristine Checinska    \u003cb\u003e4. Programming Pop Art and Design \u003c\/b\u003eAnne Massey  \u003cb\u003e5. \u003ci\u003eARK \u003c\/i\u003eMagazine: the Royal College of Art and early British Art School Pop \u003c\/b\u003eAlex Seago  \u003cb\u003e6. Prologue to Edward Wright, ‘Chad, Kilroy, the cannibal’s footprint and the Mona Lisa’ first published in ARK 19 (Spring 1957)  \u003c\/b\u003eAnn Pillar  Facsimile of article  Edward Wright  \u003cb\u003e7. Pauline Boty: Pop Artist, pop persona, performing across the ‘long front of culture’ \u003c\/b\u003eSue Tate  \u003cb\u003e8. A Dedicated Follower of Fashion’  \u003c\/b\u003eAlistair O’Neill  \u003cb\u003e9. 'Where is this pop?' In Search of the British Pop Poster\u003c\/b\u003e Rick Poynor and Alex Seago  Index","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48739587129687,"sku":"9781474226189","price":999.99,"currency_code":"GBP","in_stock":false}]},{"product_id":"introduction-to-modern-design-9781474276658","title":"Introduction to Modern Design","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eWith some 280 colour illustrations, \u003ci\u003eIntroduction to Modern Design\u003c\/i\u003e takes us on a visual survey of design from the Industrial Revolution of the eighteenth century to the Maker Movement of today. It offers a new understanding of the birth of modern design in the early twentieth century and chronicles the way its meaning has changed over the decades. The narrative is supported by twenty-six readings from significant texts by designers and critics, offering readers an opportunity to learn about design from those who created it and those who commented on it as it was done.The focus of this book is on the objects themselvesfrom industrial design, furniture, ceramics, textiles, graphics, electronics, to automobilesand explores the development of these designs in relation to industrialization, technology, environmental responsibility, consumerism, individual needs, and the expression of the social values of their day. Clearly written and accessible, \u003ci\u003eIntroduction to Modern Design\u003c\/i\u003e p\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eThis book is a sweeping and comprehensive primer for anyone interested in Western design. George Marcus leads the reader on a 250-year-plus journey, exploring every major movement. People, places, and objects - and the debates that animated them - come alive in this richly illustrated story. * Donald Albrecht, independent curator, USA and Fellow of the American Academy in Rome, Italy *\u003cbr\u003eMarcus has written THE must-have resource for students of Modern Design history. He punctuates his thoroughly researched and fascinating timeline with informative profiles of key historical figures and their creative practices, giving readers new insights into human ingenuity. * Kory W. Rogers, Chief Curator at the Shelburne Museum, USA *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003ePreface:\u003ci\u003e Defining Design \u003c\/i\u003e   \u003cb\u003eDesign and Decoration \u003c\/b\u003e 1. \u003ci\u003eDesign and Industry (1750 to 1860)\u003c\/i\u003e                  Industrialization                  Style and Ornament                  Design Reform                   2\u003ci\u003e. Life, Art, and Design (1860 to 1910)\u003c\/i\u003e                  Arts and Crafts Movement                 Aesthetic Movement                  Art Nouveau   \u003cb\u003eDesign and Form \u003c\/b\u003e 3. \u003ci\u003eBirth of Modern Design (1900 to 1940)\u003c\/i\u003e                 From Ornament to Form                  Simplicity                   Standardization and Rationalization              4. \u003ci\u003eDesign and the European Modern Movements (1910 to 1930)\u003c\/i\u003e                  Cubism and Its Impact                  Suprematism and Constructivism                  De Stijl              5. \u003ci\u003eEuropean\u003c\/i\u003e \u003ci\u003eModernism (1920 to 1940)\u003c\/i\u003e                  Modernism and the Machine Style                  Machine Modernism at the Bauhaus                  Machine Modernism Elsewhere                  Modernism and the Organic Style    6.\u003ci\u003e Industrial Design (1930 to 1940)\u003c\/i\u003e                  Streamlining and Styling                  Industrial Design in the United States                  Design in Europe                 The World of Tomorrow           7. \u003ci\u003eModern Design for Everyone (1940 to 1965)\u003c\/i\u003e                  Wartime Innovations                  Good Design                   Beyond Good Design                  Design in Europe and Japan   8. \u003ci\u003eRevolutionary and Postmodern Design (1960 to 1985) \u003c\/i\u003e                  Cutting-Edge Materials and Processes                  High-Tech                   Radical Design                   Postmodernism                          9. \u003ci\u003eDesign and the Consumer (1980 to 2000)\u003c\/i\u003e                   Expressive Design                  Engaging Materials, Forms, and Technology                  Choices                  Low-Tech                          10.\u003ci\u003e Responsible Design (since 1970)\u003c\/i\u003e                  Critique of Industrial Design                  Self-Reliance                  Care for the Planet                  Design for Individuals   \u003cb\u003eDesign and Technology\u003c\/b\u003e 11. \u003ci\u003eDesign in the Digital Age (since 2000)\u003c\/i\u003e                  Smart Products and Processes                  Ornament Made Modern                  Conceptual and Critical Design           12. \u003ci\u003eExtending Design (since 2000)\u003c\/i\u003e                  Design Thinking                         Design Making  For Further Reading   Sources of Sidebar Excerpts and Quotations  Credits Index","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48739592831319,"sku":"9781474276658","price":37.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781474276658.jpg?v=1720052681"},{"product_id":"retail-design-9781474289252","title":"Retail Design","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eThe \u003cb\u003eBasics Interior Design\u003c\/b\u003e series comprises a collection of titles examining the application of interior design principles to different types of space. Packed with cutting-edge examples and fully illustrated with clear diagrams and inspiring imagery, they offer an essential introduction to the subject. This second edition of \u003cb\u003eRetail Design\u003c\/b\u003e examines the latest developments in the contemporary retail design sector worldwide. It guides the reader step by step through the retail design process, providing strategies that can produce a successful retail space and a design that is appropriate for the brand, product, consumer and retailer. A new chapter exploring consumer behaviour is combined with clear explanations of branding and identity, to provide the starting point for the design concept. The relationship between the interior and its context, site and setting is then examined, alongside in-depth investigations of layout, circulation and pace and other design considerations.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eIntroduction  \u003cb\u003e01 Consumer Behaviour\u003c\/b\u003e \u003cb\u003e02 Branding and Identity\u003c\/b\u003e \u003cb\u003e03 Retail Sectors and Channels\u003c\/b\u003e \u003cb\u003e04 The Retail Environment\u003c\/b\u003e \u003cb\u003e05 The Organization of Retail Space\u003c\/b\u003e \u003cb\u003e06 Retail Detail\u003c\/b\u003e Conclusion  Bibliography Glossary Index","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48739594469719,"sku":"9781474289252","price":26.09,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781474289252.jpg?v=1720052685"},{"product_id":"modelwork-the-material-culture-of-making-and-knowing-9781517910907","title":"Modelwork: The Material Culture of Making and","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eHow making models allows us to recall what was and to discover what still might be \u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Whether looking inward to the intricacies of human anatomy or outward to the furthest recesses of the universe, expanding the boundaries of human inquiry depends to a surprisingly large degree on the making of models. In this wide-ranging volume, scholars from diverse fields examine the interrelationships between a model’s material foundations and the otherwise invisible things it gestures toward, underscoring the pivotal role of models in understanding and shaping the world around us. Whether in the form of reproductions, interpretive processes, or constitutive tools, models may bridge the gap between the tangible and the abstract.\u003c\/p\u003e\u003cp\u003eBy focusing on the material aspects of models, including the digital ones that would seem to displace their analogue forebears, these insightful essays ground modeling as a tactile and emphatically humanistic endeavor. With contributions from scholars in the history of science and technology, visual studies, musicology, literary studies, and material culture, this book demonstrates that models serve as invaluable tools across every field of cultural development, both historically and in the present day.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eModelwork\u003c\/i\u003e is unique in calling attention to modeling’s duality, a dynamic exchange between imagination and matter. This singular publication shows us how models shape our ability to ascertain the surrounding world and to find new ways to transform it. \u003c\/p\u003e\u003cp\u003eContributors: Hilary Bryon, Virginia Tech; Johanna Drucker, UCLA; Seher Erdoğan Ford, Temple U; Peter Galison, Harvard U; Lisa Gitelman, New York U; Reed Gochberg, Harvard U; Catherine Newman Howe, Williams College; Christopher J. Lukasik, Purdue U; Martin Scherzinger, New York U; Juliet S. Sperling, U of Washington; Annabel Jane Wharton, Duke U.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eContents\u003c\/p\u003e\u003cp\u003eIntroduction: Modelwork\u003c\/p\u003e\u003cp\u003eMartin Brückner and Sandy Isenstadt\u003c\/p\u003e\u003cp\u003ePart I. Knowing\u003c\/p\u003e\u003cp\u003e1. Defining Models\u003c\/p\u003e\u003cp\u003eAnnabel Jane Wharton\u003c\/p\u003e\u003cp\u003e2. Material Models of Immaterial Things\u003c\/p\u003e\u003cp\u003ePeter Galison\u003c\/p\u003e\u003cp\u003ePart II. Sensing\u003c\/p\u003e\u003cp\u003e3. William Farish’s Devices and Drawings: Models for Envisioning Immaterial and Material Realms\u003c\/p\u003e\u003cp\u003eHilary Bryon\u003c\/p\u003e\u003cp\u003e4. “The Instructed Eye”: What Eighteenth- and Nineteenth-Century Drawing Books Tell Us about Vision and How We See\u003c\/p\u003e\u003cp\u003eChristopher J. Lukasik\u003c\/p\u003e\u003cp\u003e5. Algorithmic Audition: Modeling Musical Perception\u003c\/p\u003e\u003cp\u003eMartin Scherzinger\u003c\/p\u003e\u003cp\u003ePart III. Making\u003c\/p\u003e\u003cp\u003e6. The Useful Arts of Nineteenth-Century Patent Models\u003c\/p\u003e\u003cp\u003eReed Gochberg\u003c\/p\u003e\u003cp\u003e7. Bodies Made of Numbers, Numbers Made of Bodies\u003c\/p\u003e\u003cp\u003eCatherine Newman Howe\u003c\/p\u003e\u003cp\u003e8. Hypermodels: Architectural Production in Virtual Spaces\u003c\/p\u003e\u003cp\u003eSeher Erdoğan Ford\u003c\/p\u003e\u003cp\u003ePart IV. Doing\u003c\/p\u003e\u003cp\u003e9. Modeling Maneuvers: Anatomical Illustration and the Practice of Touch\u003c\/p\u003e\u003cp\u003eJuliet S. Sperling\u003c\/p\u003e\u003cp\u003e10. Models and Manufactures: The Shoe as Commodity\u003c\/p\u003e\u003cp\u003eLisa Gitelman\u003c\/p\u003e\u003cp\u003e11. Modeling Interpretation\u003c\/p\u003e\u003cp\u003eJohanna Drucker\u003c\/p\u003e\u003cp\u003eAfterword: On the Humility of Models\u003c\/p\u003e\u003cp\u003eSarah Wasserman\u003c\/p\u003e\u003cp\u003eAcknowledgments\u003c\/p\u003e\u003cp\u003eContributors\u003c\/p\u003e\u003cp\u003eIndex\u003c\/p\u003e","brand":"University of Minnesota Press","offers":[{"title":"Default Title","offer_id":48739868475735,"sku":"9781517910907","price":23.39,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781517910907.jpg?v=1720053341"},{"product_id":"bee-alert-9781527217416","title":"Bee Alert","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e","brand":"Barbara Rustin","offers":[{"title":"Default Title","offer_id":48740058169687,"sku":"9781527217416","price":999.99,"currency_code":"GBP","in_stock":false}]},{"product_id":"polynesian-tattoos-42-modern-tribal-designs-to-color-and-explore-9781611806304","title":"Polynesian Tattoos: 42 Modern Tribal Designs to","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003cb\u003eEvocative and symbolic designs based on the ancient tradition of Polynesian tattoo art\u003c\/b\u003e.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eThe beauty of Polynesian art is perhaps most evident in the tradition of Polynesian tattooing, which has existed for more than two thousand years and is infused with rich symbolism and spiritual meaning. Roberto Gemori designs tattoos reflecting this tradition, drawing from each person’s own history of personal struggles, adversities, and triumphs. In his approach to tattoo art, Gemori takes the meaningful moments of a person’s life story and weaves them into a creative design, such that the tattoo itself becomes a form of personal empowerment, representing qualities a person is working to cultivate in their life and challenges they have overcome.\u003cbr\u003e\u003cbr\u003eThe author presents here modern tattoo designs inspired by Polynesian art to color and contemplate for inspiration and transformation. In addition to a short introduction on Polynesian art and symbolism, the book features 42 designs for coloring, each accompanied by a description of the image’s unique meaning. Color these stunning designs and discover the depth of Polynesian art!","brand":"Shambhala Publications Inc","offers":[{"title":"Default Title","offer_id":48740621812055,"sku":"9781611806304","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781611806304.jpg?v=1720055175"},{"product_id":"shikake-the-japanese-art-of-shaping-behavior-through-design-9781631497811","title":"Shikake: The Japanese Art of Shaping Behavior Through Design","description":"\u003cp\u003eFollowing \u003cem\u003eThe Little Book of Hygge\u003c\/em\u003e, \u003cem\u003eThe Gentle Art of Swedish Death Cleaning\u003c\/em\u003e and other bestsellers, \u003cem\u003eShikake\u003c\/em\u003e introduces the latest example of practical wisdom from abroad: shikakeology, a phenomenon sweeping Japan. Naohiro Matsumura—renowned as the founder of the study of shikake, the Japanese word for “device”—has devised a new approach to design as astonishingly simple in its logic as it is sophisticated in its psychology. For example:\u003c\/p\u003e \u003cp\u003e• a staircase painted like piano keys prompts people to exercise\u003c\/p\u003e \u003cp\u003e• a symbol of a shrine placed in a public square discourages vandalism\u003c\/p\u003e \u003cp\u003eCombining traditional Japanese aesthetics with the lessons of behavioural economics, Matsumura presents a tool kit for literally anyone who wants to create their own mindful designs—and reveals how shikakes can help us address big challenges, including even climate change. 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Paris was the cradle of Art Deco, a style that emerged in the 1920s as a reaction to the sinuous tentacles of Art Nouveau in the early 1900s, and an alternative to the Machine Age imagery emerging from Germany and the Soviet Union. The \u003cem\u003eExposition des Arts Décoratifs et Industriels\u003c\/em\u003e was intended to revive the French luxury trades and it popularized a jazzy style of decoration that drew on many sources and expressed the spirit of the age. 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Today, reading runes are a popular tool for understanding the present and divining the future. Divided into two broad chapters, showing how to use runes, and outlining the full runic alphabet as well as a section on standing runestones, \u003ci\u003eRunes Illustrated \u003c\/i\u003eprovides a compact, accessible guide to this ancient reading system. Discover the basic three rune layout, and how it can help bring clarity when seeking guidance; learn how to arrange the runes in a five rune cast, which offers a more complex reading; discover Uruz, U, which means a wild ox in Elder Futhark, the oldest runic alphabet; and see how runic inscriptions were combined on standing stones to mark burial sites and the deeds of great warriors. 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The runes can be used to help guide someone through problems or issues and indicate what is likely to happen. They’re not a form of fortune-telling and don’t offer exact answers or give you advice - rather they offer different variables and suggest how you could behave if the event does occur. Runes are known for hinting towards answers, but leaving you to work out the details using your intuition. Casting the Runes: When you cast the runes, it’s not fortune-telling. The idea behind the way that runes work is that, as you ask a question or think about an issue, your conscious and unconscious minds are focused. When the runes are cast in front of you, they’re not totally random, but are choices that have been made by your subconscious. The Three Rune Layout: With this cast, you should randomly select three runes from your rune bag and place them on the table in front of you. The Five Rune Layout: With the five rune cast, or five rune layout, the aim is to select five runes, one at a time, and lay them down on the cloth in specific places. The Nine Rune Cast: In Norse mythology, nine is a magical number. This cast is best used if you’re trying to determine where you are in your spiritual path and what the next stages or opportunities could be and it’s a cast where you can really put your intuition to good use.\u003c\/p\u003e\u003cp\u003e2: The Runic Alphabet There are various different types of runic alphabets used on runes, with one of the oldest ones being the old Germanic runic alphabet known as ‘Elder Futhark’. The Elder Futhark contains 24 runes, the first six of which spell out the word ‘futhark’. The Elder Futhark (named after the initial phoneme of the first six rune names: F, U, Þ, A, R and K) has 24 runes, often arranged in three groups of eight runes. Over time this was adapted and in order to use it to write in Anglo-Saxon or Old English, a number of other runes were added to the alphabet, bringing it up to 33. This is known as the Anglo-Saxon Futhorc.\u003c\/p\u003e\u003cp\u003eAnother adaptation is the Younger, or Scandinavian, Futhark, which is believed to have been used in Scandinavia until the 17th century. All of these variations highlight changes that were made as people moved and emigrated to different countries.\u003c\/p\u003e\u003cp\u003e3: Ancient Runestones There are about 3,000 runestones among the about 6,000 runic inscriptions. The tradition began in the 4th century and lasted into the 12th century, but most of the runestones date from the late Viking Age. Most runestones are located in Scandinavia, but there are also scattered runestones in locations that were visited by Norsemen during the Viking Age. Runestones were often memorials to great men. 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Scientific and artistic thinking give us two complementary tools to understand the complexity of the world, with science reducing subjective experience to essential principles and art intensifying and expanding our experiences.  These examples also show how artists can push the boundaries of technology into exciting new realms that have not been explored before. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e  The impact that art and art practice can have on culture, society, and social responsibility is explored in detail through examples and case studies.  In addition, the book presents how artists are creating and reflecting cultural and societal resonance in their work. Can other disciplines help artists to be more creative?  All are part of an interrelated wider society and enables artists to develop artwork fit for highly interfaced and conceptually broad contemporary contexts.  This is illustrated with examples which show exciting and challenging results.\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e  \u003cp\u003e\u003ci\u003eCreativity in Art, Design and Technology\u003c\/i\u003e is relevant for artists, designers, scientists and technologists.  All can benefit in a major way from a greater understanding of creativity, and the ways in which mutual interaction and collaboration enables all areas to develop. The potential for the future is immense and this book signposts the way forward.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e  \u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e“The book is an easy read, no math or complex computer concepts, but full of inspiring and thought-provoking ideas and questions. 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The art world enjoyed the influx of capital; computers and video games ruled in the office and at home; and the Rubik's cube craze swept the nation. Leg warmers were big, shoulder pads were bigger and hair was biggest of all.\u003cbr\u003e \u003cbr\u003e Whether your heart warms nostalgically at the memory of \u003cem\u003eE.T\u003c\/em\u003e. and marathon Trivial Pursuit sessions; if you think \u003cem\u003eGhostbusters\u003c\/em\u003e and break dancing are totally awesome, this book's for you. To all those who still hear the echoes of \"I want my MTV\": \u003cstrong\u003eAll-American Ads of the 80s will leave you ready to reach out and touch someone\u003c\/strong\u003e. 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