{"title":"Creative writing Books","description":"","products":[{"product_id":"copywrong-to-copywriter-a-practical-guide-to-copywriting-for-small-businesses-small-organisations-sole-traders-and-lone-rangers-9781914484735","title":"Copywrong to Copywriter: a practical guide to","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eIf you feel like you’ve got the wrong tone of voice, don’t understand the ins-and-outs of grammar, or just don’t feel confident writing about yourself without sounding like an idiot, read this book.\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eCopywriter Tait Ischia is brief and to the point in an interesting and engaging way. Which is exactly what you want the words on your website\/marketing stuff\/professional bio to be too, right? Feel confident in what you say and how you say it when you put fingers to the keyboard. Waffling on should really be reserved for weekend breakfast.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e‘A fantastic way to up your copywriting game and grow more confident in your ability to use the right words.’\u003c\/p\u003e -- Michael Bascetta, small business owner at Worksmith\u003cbr\u003e\u003cp\u003e‘Some of the best copywriting advice I’ve read. 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Discover how the practice of creative writing - being expressive, exploring ideas, crafting words, shaping stories - can also deepen your appreciation of life.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eFew writers can share what they know like Elise Valmorbida, and even fewer teachers can write like her. But her greatest talent is her belief in other people's creative potential, and in the potential for creativity to bring happiness. Relevant to both seasoned writers and newbies alike.\u003c\/p\u003e * John-Paul Flintoff, author of How To Change the World *\u003cbr\u003e\u003cp\u003eBeautiful, clear, wide-reaching and hugely generous to readers.\u003c\/p\u003e * Bryony Lavery, award-winning playwright, author of Frozen *\u003cbr\u003e\u003cp\u003eThere are many guides to good writing but none as valuable as this. In The Happy Writing Book, Elise Valmorbida... explains with acute insight how to convey your thoughts and ideas to the distant reader, while wearing very lightly her expertise in literary criticism. The result is both a stylistic revelation and a pleasure to read.\u003c\/p\u003e * Oliver Kamm, author and columnist *\u003cbr\u003e\u003cp\u003eInsightful, inspiring and brimming with useful tips, it's the friendliest guide you'll find to being a writer. Elise Valmorbida shows that the writing process, like the reading process, has all sorts of desirable side effects.\u003c\/p\u003e * Ella Berthoud and Susan Elderkin, authors of The Novel Cure: An A-Z of Literary Remedies *\u003cbr\u003e\u003cp\u003eElise Valmorbida's teaching is life-affirming. She imparts information in a way that is accessible and vibrant. She takes the fear out of writing, and inspires students to discover their own voice. I was already writing when I did a course with Elise, yet I discovered new tones of voice that surprised and delighted me. \u003ci\u003eThe Happy Writing Book\u003c\/i\u003e makes Elise's gifts as a teacher available to all.\u003c\/p\u003e * Daniela F. Sieff, anthropologist and author of Understanding and Healing Emotional Trauma *\u003cbr\u003e\u003cp\u003eMost provocative and insightful. A keen distillation of years' worth of experience, imagination and wisdom - and a delight to read - which will stay with me and keep provoking me.\u003c\/p\u003e * Warren Coleman, co-writer and co-director of Happy Feet *\u003cbr\u003eElise has been a wonderful writing tutor for Arvon for many years. We know we can rely on her to give our writers the right balance of thoughtful insight and supportive encouragement. This book encapsulates that teaching experience and wisdom. Sure to leave you a Happy Writer. * George Palmer, Director of Communications, Arvon *","brand":"Orion Publishing Co","offers":[{"title":"Default Title","offer_id":47850432889175,"sku":"9781913947118","price":13.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781913947118.jpg?v=1710614029"},{"product_id":"story-and-structure-a-complete-guide-9781906069254","title":"Story and Structure: A Complete Guide","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eStory and Structure tells the untold story of how story works. Using just six primary symbols, author Leon Conrad outlines eighteen story structures and shows how they all optimally solve the problems which give rise to them. The book also demonstrates the much wider application of story, presenting new insights into story as a dynamic force of life, allowing the reader to access more harmony and flow in their life. 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Does for story what Foucault did for history.\" - Alexander Tsigkas, Democritus University of Thrace.","brand":"The Squeeze Press","offers":[{"title":"Default Title","offer_id":47850612883799,"sku":"9781906069254","price":26.96,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781906069254.jpg?v=1710616423"},{"product_id":"literary-devices-9781904263067","title":"Literary Devices","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eWhat is the difference between literal and figurative writing? Is there really a secret set of tricks used by top authors to make their writing even better? Why not use these tricks all the time? This excellent little book, by English literature and creative writing tutor Amy Jones, provides a vital introduction to the essential literary devices used by writers for thousands of years to engage and charm their readers, and better describe their worlds in words.  WOODEN BOOKS are small but packed with information. \"Fascinating\" FINANCIAL TIMES. \"Beautiful\" LONDON REVIEW OF BOOKS. \"Rich and Artful\" THE LANCET. \"Genuinely mind-expanding\" FORTEAN TIMES. \"Excellent\" NEW SCIENTIST. \"Stunning\" NEW YORK TIMES. Small books, big ideas.","brand":"Wooden Books","offers":[{"title":"Default Title","offer_id":47850626023767,"sku":"9781904263067","price":8.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781904263067.jpg?v=1710616956"},{"product_id":"yes-no-but-wait-the-one-thing-you-need-to-know-to-write-a-novel-9781800752214","title":"Yes! No! but Wait...!: The One Thing You Need to","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cem\u003eYes! No! 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Her wanderlust led her to drive solo across America, and eventually on travels around the globe, embracing - for better and worse - all the messy life she encountered along the way. As she travelled she was crafting, grafting and honing her work, piecing together a living and career, and wrestling with a deep longing for independence while also searching for community, and eventually, a place she might want to stay in for good.  This remarkable memoir reveals the defining moments that pushed her to create a life, and voice, she could claim for herself. 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I Came All This Way to Meet You is a compelling literary treasure and Attenberg is a real wonder. -- Kristen Arnett, author of With Teeth\u003cbr\u003eThis stunning work explores home not solely as geographic place, but really a mobile metaphor for the relationships we consistently run to and away from. Jami Attenberg cements her place as one of our greatest, most agile writers. -- Kiese Laymon, author of Heavy and Long Division\u003cbr\u003eI Came All This Way to Meet You gives a generous and captivating glimpse into Jami Attenberg's work, intellect, and heart. A must not just for fans of her fiction but for anyone who wonders: 'why write, and how? -- Jean Hannah Edelstein, author of This Really Isn't About You\u003cbr\u003eHonest, generous and propulsive. I loved it -- Francesca Segal, author of Mother Ship\u003cbr\u003eIlluminating... made me feel like I'd found a kindred spirit. * Red *\u003cbr\u003eWhipsmart ... 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How necessary, at our particular moment’ \u003c\/b\u003e\u003cb\u003eTessa Hadley\u003c\/b\u003e \u003cb\u003e________________\u003c\/b\u003e \u003cb\u003e From the\u003c\/b\u003e\u003ci\u003e New York Times-\u003c\/i\u003e\u003cb\u003ebestselling, Booker Prize-winning author of\u003c\/b\u003e\u003ci\u003e Lincoln in the Bardo\u003c\/i\u003e\u003cb\u003e and \u003c\/b\u003e\u003ci\u003eTenth of December\u003c\/i\u003e\u003cb\u003e comes a literary master class on what makes great stories work and what they can tell us about ourselves - and our world today.\u003c\/b\u003e  For the last twenty years, George Saunders has been teaching a class on the Russian short story to his MFA students at Syracuse University. In \u003ci\u003eA Swim in a Pond in the Rain\u003c\/i\u003e, he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, the seven essays in this book are intended for anyone interested in how fiction works and why it’s more relevant than ever in these turbulent times.  In his introduction, Saunders writes, “We’re going to enter seven fastidiously constructed scale models of the world, made for a specific purpose that our time maybe doesn’t fully endorse but that these writers accepted implicitly as the aim of art—namely, to ask the big questions, questions like, How are we supposed to be living down here? What were we put here to accomplish? What should we value? What is truth, anyway, and how might we recognize it?” He approaches the stories technically yet accessibly, and through them explains how narrative functions; why we stay immersed in a story and why we resist it; and the bedrock virtues a writer must foster. The process of writing, Saunders reminds us, is a technical craft, but also a way of training oneself to see the world with new openness and curiosity.  \u003ci\u003eA Swim in a Pond in the Rain\u003c\/i\u003e is a deep exploration not just of how great writing works but of how the mind itself works while reading, and of how the reading and writing of stories make genuine connection possible.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eA wonderful book … This book is a delight … I love the warmth with which he writes about this teaching, and agree wholeheartedly … All this makes Saunders’s book very different from just another “how to” creative writing manual, or just another critical essay … One of the pleasures of this book is feeling his own thinking move backwards and forwards, between the writer dissecting practice and the reader entering in through the spell of the words, to dwell inside the story -- Tessa Hadley * Guardian *\u003cbr\u003eSaunders is such a wise and amiable teacher ... A page-turner -- Robert Webb\u003cbr\u003eLuminously perceptive * Guardian *\u003cbr\u003eA masterclass in how to be human ... unfailingly, often thrillingly illuminating … Published any time, \u003ci\u003eA Swim in a Pond in the Rain\u003c\/i\u003e would be a joyous reminder that fiction is “the most effective mode of mind-to-mind communication ever devised”. Published now, it feels like vital and civilising corrective to the pretend certainties of public life – and, increasingly, of our personal lives too * Telegraph *\u003cbr\u003eIt will stay with you and transform how you read story by story, sentence by sentence * The Times, Best Paperbacks of 2022 *\u003cbr\u003eOne of the most accurate and beautiful depictions of what it is like to be inside the mind of a writer that I’ve ever read * New York Times *\u003cbr\u003eThe Russian greats truly shine in this account; but Saunders is the real star. His way of expressing himself is simultaneously supremely intellectual and jovially down-to-earth. It’s rare to read a book and love it so much that you think it’s simply perfect. \u003ci\u003eA Swim in a Pond in the Rain\u003c\/i\u003e is that book -- Viv Groskop * Spectator *\u003cbr\u003eJoins a long tradition of using Russian literature as a guide to life … Practical and playful … it also probes exactly how narrative techniques make us more alert, attentive and sympathetic in reading books and the world around us * i news *\u003cbr\u003eBy the end Saunders is wondering if there is indeed any point in writing at all. I won’t spoil his conclusion. Suffice to say, the hairs on the back of my neck were alert * The Times *\u003cbr\u003eSuffused with wry humour … Not an academic interpretation, but a reader’s companion. I was pleasurably absorbed from start to finish * Evening Standard *\u003cbr\u003eThe Booker-winning author of Lincoln in the Bardo considers the art of fiction through seven classic Russian short stories by Chekhov, Turgenev, Tolstoy and Gogol * Guardian, 2021 in Books *\u003cbr\u003eThe combination of Saunders’s piercing mind and the Russian subjects being Anton Chekhov, Ivan Turgenev, Leo Tolstoy and Nikolai Gogol promises to be a highbrow treat for fans of literature, and a book offering deep insights into storytelling and how narrative functions * Independent, The books to look out for in 2021 *\u003cbr\u003eA literary masterclass * Evening Standard, A look ahead to the best new books in 2021 *\u003cbr\u003eBut the real star of \u003ci\u003eA Swim\u003c\/i\u003e isn't Chekhov or Turgenev or Tolstoy or Gogol - it's Saunders himself ... This book will quite simply make you a better, more observant and more understanding reader * Big Issue *\u003cbr\u003ePart intro to Russian literature, part musings on craft, \u003ci\u003eA Swim in a Pond in the Rain\u003c\/i\u003e is all pleasure * Financial Times *\u003cbr\u003eA worship song to writers and readers * O, The Oprah Magazine *\u003cbr\u003eHis warmth, enthusiasm and homespun metaphors – all part of that “writerly charm” – banish any sense of the chilly, mechanistic Fiction Lab ... Gleefully overshoots its brief as a technical manual or how-to guide …\u003ci\u003e A Swim in a Pond in the Rain\u003c\/i\u003e generates more fun, more wit, more sympathetic sense, than we have any right to hope for from a 400-page critical study * Arts Desk *\u003cbr\u003eThere should be more books like this -- Sameer Rahim * Prospect Podcast *\u003cbr\u003eA masterclass from a warm and engagingly enthusiastic companion * Guardian, 50 hottest new books everyone should read *\u003cbr\u003eA masterclass in short fiction by one of the finest teachers alive… It is a joyously civilised primer on how to write – and live – better * Daily Telegraph *\u003cbr\u003eWarm, playful and acutely perceptive -- Ian Leslie * New Statesman, Books of the Year *\u003cbr\u003eNot just astute, humane lit crit but an inspirational manifesto for the art of fiction -- Boyd Tonkin * Spectator, Books of the Year *\u003cbr\u003eA masterclass in writing … a real treat -- Naomi Alderman * Spectator, Books of the Year *\u003cbr\u003e[I] loved George Saunders’s \u003ci\u003eA Swim in a Pond in the Rain\u003c\/i\u003e … Genial, generous and illuminating ... He is a great teacher as well as a great practitioner, and makes you see more * Times Literary Supplement, Books of the Year 2021 *\u003cbr\u003eA tin of caviar sort of a book … Saunders guides, prods, nudges, urges you to disagree … It will stay with you and transform how you read story by story, sentence by sentence * Sunday Times, 24 best fiction books 2021 *\u003cbr\u003eDelightful as well as an engaging work-out for the brain. Just the thing for a New Year’s read * i paper *\u003cbr\u003eIn clear, fresh, often humorous language, Saunders reveals the various sleights of hand involved in their construction, while never trying to flatten their essential genius. A gem -- Craig Brown * Mail on Sunday *\u003cbr\u003eJoyful and playful, a book full of wisdom, one to drink in slowly * Independent (Online), The 20 Best Books of 2021 *\u003cbr\u003eAn eagle-eyed breakdown of short stories by four great Russian writers * Prospect, Best books of 2021 *\u003cbr\u003eSaunders is warm and vivacious company, funny and even-handed and increasingly wise … This book is an enthralling delve into life and its narration – for people interested in how fiction works, it’s like breathing oxygen\u003cb\u003e\u003c\/b\u003e * Revew31, Books of the Year 2021 *","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":47851935793495,"sku":"9781526624246","price":10.44,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781526624246.jpg?v=1710649413"},{"product_id":"daydreams-thought-experiments-9781907155550","title":"Daydreams: \u0026 Thought Experiments","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eHow do I know I am the same person I was yesterday? What will happen if I die tonight? Do you see exactly the same colours that I see? What is it like to be a bat? Imagine, and what if ...? In this book, philosopher Alec Thompson describes the techniques used by the world's top thinkers and creatives, from Seneca to Einstein, to ponder the big questions, illuminate the little questions, and come up with totally new questions about life, the universe and everything.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eWooden Books are: \"Fascinating\" FINANCIAL TIMES. \"Beautiful\" LONDON REVIEW OF BOOKS. \"Rich and Artful\" THE LANCET. \"Genuinely mind-expanding\" FORTEAN TIMES. \"Excellent\" NEW SCIENTIST. \"Stunning\" NEW YORK TIMES. Small books, big ideas.","brand":"Wooden Books","offers":[{"title":"Default Title","offer_id":48724789592407,"sku":"9781907155550","price":8.18,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781907155550.jpg?v=1719854361"},{"product_id":"the-ode-less-travelled-9780099509349","title":"The Ode Less Travelled","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003e\u003cu\u003eIf you can speak and read English, you can write poetry.\u003c\/u\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eThe trick is knowing where to start. 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You can't but marvel at Fry's easy familiarity with the rictameter and the rondeau redoublé and applaud the energy of his evangelistic zeal * Independent on Sunday *\u003cbr\u003eWith his usual wit and occasional obscenity, he takes us through an array of metrical forms and poetic structures, talking to us like a cajoling hearty teacher * Sunday Telegraph *\u003cbr\u003eIntelligent and informative, a worthy enterprise well executed * Observer *\u003cbr\u003eA smart, sane and entertaining return to basics * Daily Telegraph *\u003cbr\u003eFunny and instructive * Spectator *","brand":"Cornerstone","offers":[{"title":"Default Title","offer_id":48732254339415,"sku":"9780099509349","price":10.44,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780099509349.jpg?v=1719996150"},{"product_id":"how-not-to-write-a-novel-9780141038544","title":"How NOT to Write a Novel","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eHoward Mittelmark \u003c\/b\u003eis the author of \u003ci\u003eAge of Consent. \u003c\/i\u003eHis writing has appeared in the \u003ci\u003eNew York Times,\u003c\/i\u003e\u003ci\u003e Washington Post \u003c\/i\u003eand other publications. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eSandra Newman\u003c\/b\u003e is the author of the novels \u003ci\u003eCake \u003c\/i\u003eand \u003ci\u003eThe Only Good Thing Anyone Has Ever Done. \u003c\/i\u003eHer writing has appeared in\u003ci\u003e Harper's \u003c\/i\u003eand \u003ci\u003eGranta,\u003c\/i\u003e amongst others.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eThis writing how-to should carry a warning: it's the kind of book one reads at the expense of all other responsibilities. * Library Journal *\u003cbr\u003eA great resource and a fun read with a lot of solid advice for would-be novelists. * Publishers Weekly *","brand":"Penguin Books Ltd","offers":[{"title":"Default Title","offer_id":48732405104983,"sku":"9780141038544","price":10.44,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780141038544.jpg?v=1719996735"},{"product_id":"into-the-woods-9780141978109","title":"Into The Woods","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003e''The best book on the subject I''ve read. Quite brilliant'' Tony Jordan, creator\/writer, \u003ci\u003eLife on Mars, Hustle\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eWe all love stories. But why do we tell them? And why do all stories function in an eerily similar way? John Yorke, creator of the BBC Writers'' Academy, has brought a vast  array of drama to British screens. Here he takes us on a journey to the  heart of storytelling, revealing that there truly is a unifying shape to  narrative forms - one that echoes the fairytale journey into the woods  and, like any great art, comes from deep within. From ancient myths to  big-budget blockbusters, he gets to the root of the stories that are all  around us, every day.\u003cbr\u003e\u003cbr\u003e''Marvellous'' Julian Fellowes\u003cbr\u003e\u003cbr\u003e ''Terrifyingly clever ... Packed with intelligent argument''  \u003ci\u003eEvening Standard\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e ''The most important book about scriptwriting since William Goldman''s \u003ci\u003eAdventures in the Screen Trade''\u003c\/i\u003e Peter Bowker, writer, \u003ci\u003eBlackpool, Occupation, Eric \u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eBrimmingly insightful ... fresh, enlightening and accessible ... a gripping read from beginning to end -- Robert Collins * Sunday Times *\u003cbr\u003eTerrifyingly clever ... Packed with intelligent argument * Evening Standard *\u003cbr\u003eSo detailed and engaging is his methodology that any consumer of books, plays, TV or films will find the experience enhanced; and scriptwriters themselves will find useful guidance - because when you know the why, the how is natural -- Robert Epstein * Independent on Sunday *\u003cbr\u003eThis is a marvellous analysis of screenwriting and, with any luck, should help a great many people achieve their dreams -- Julian Fellowes, writer\/creator of Downton Abbey\u003cbr\u003eAnother book on screenwriting! Oh, how I wanted to hate it! I didn't. I loved it. Much of it was fresh to me. And always interesting, always intelligent and, for a writer, always rewarding -- Jimmy McGovern, screenwriter, The Street and The Accused\u003cbr\u003eIn an industry full of so called script gurus and snake oil salesmen, at last there's a book about story that treats writers like grown ups. This isn't about providing us with an ABC of story or telling us how to write a script by numbers. It's an intelligent evaluation into the very nature of storytelling and is the best book on the subject I've read. Quite brilliant -- Tony Jordan, screenwriter, Life on Mars and Hustle\u003cbr\u003eEven for a convinced sceptic, John Yorke's book, with its massive field of reference from Aristotle to \u003ci\u003eGlee\u003c\/i\u003e, and from Shakespeare to \u003ci\u003eSpooks\u003c\/i\u003e, is a highly persuasive and hugely enjoyable read. It would be hard to beat for information and wisdom about how and why stories are told -- Dominic Dromgoole, Artistic Director, The Globe Theatre\u003cbr\u003eThis book is intelligent, well written, incisive and, most of all, exciting. It is the most important book about scriptwriting since William Goldman's \u003ci\u003eAdventures in the Screen Trade\u003c\/i\u003e -- Peter Bowker, screenwriter, Blackpool, Occupation and Eric \u0026amp; Ernie\u003cbr\u003ePart 'How-to' manual, part 'why-to' celebration, \u003ci\u003eInto The Woods\u003c\/i\u003e is a wide-reaching and infectiously passionate exploration of storytelling in all its guises ... exciting and thought-provoking -- Emma Frost, screenwriter, The White Queen and Shameless\u003cbr\u003e\u003ci\u003eInto The Woods\u003c\/i\u003e is an amazing achievement. It has a real depth and understanding about story, a fantastically broad frame of reference and it's interesting and absorbing throughout. Full of incredibly useful insights, every TV writer should read the first chapter alone -- Simon Ashdown, series consultant, EastEnders\u003cbr\u003eTesting the adage that \"in theory there's no difference between theory and practice but in practice there is\", this is a love story to story -- erudite, witty and full of practical magic. It's by far the best book of its kind I've ever read. I struggle to think of the writer who wouldn't benefit from reading it -- even if they don't notice because they're too busy enjoying every page -- Neil Cross, creator\/writer of Luther, Crossbones and writer of Dr Who, MI5\u003cbr\u003eBooks on story structure are ten a penny but Mistah Yorke's is the real deal -- Kathryn Flett\u003cbr\u003eAll script-writers will want to read \u003ci\u003eInto The Woods\u003c\/i\u003e. All plots and archetypes BUSTED -- Caitlin Moran\u003cbr\u003eGot to say \u003ci\u003eInto The Woods\u003c\/i\u003e by John Yorke is marvellous. The prospect of another screenwriting book made me yawn, but its terrific ... It's a great read, wise and cogent, and a must for all screenwriters -- David Eldridge\u003cbr\u003eA mind-blower ... an incredibly dense but very readable tome about the art of storytelling ... Really worth a read -- Lenny Henry * The Independent *\u003cbr\u003eI don't always enjoy books on writing, but \u003ci\u003eInto the Woods\u003c\/i\u003e by John Yorke is brilliant on story structure. -- Ken Follett, author of 'The Pillars of the Earth'\u003cbr\u003eIn his brimmingly insightful, stimulating study of how stories work, Yorke compellingly unpicks how a whole range of films, plays, novels and fairy tales all display the same archetypal structures . . . His book, in telling scores of stories in such a fresh, enlightening and accessible manner, is a gripping read from beginning to end * Sunday Times *\u003cbr\u003eThe best book on the subject [of storytelling] I've read, tells us everything we need to know about it. Yorke's analysis is superb * London Evening Standard *\u003cbr\u003eA mightily impressive opus, both hugely informative and highly educational.  I love the way it's populated with so many examples - the many combinations of both mass market and the slightly more esoteric  giving a something-for-everyone feeling. A brilliant work -- Peter James, best-selling author of NOT DEAD ENOUGH and LOOKING GOOD DEAD\u003cbr\u003eYorke sets out to analyse the patterns behind storytelling, explaining why the fundamentals of narrative have remained the same from Aristotle to Aaron Sorkin. A great starting point for anyone wanting to create a story * Stuff Magazine *\u003cbr\u003eI've just read a book about professional writing which has genuinely helped me. It's for those who are serious about avoiding bad 'How To' books and want to raise their game, and it's more intelligent than most of the others. John Yorke's \u003ci\u003eInto The Woods: How Stories Work And Why We Tell Them\u003c\/i\u003e is a genuine game-changer and has helped me put past bad habits to rest -- Christopher Fowler, Author of Bryant and May\u003cbr\u003e\u003ci\u003eInto The Woods\u003c\/i\u003e is utterly brilliant -- Ed Cumming * Daily Telegraph *\u003cbr\u003eLove storytelling? You need this inspiring book. John Yorke dissects the structure of stories with a joyous enthusiasm allied to precise, encyclopaedic knowledge.  Guaranteed to send you back to your writing desk with newfound excitement and drive -- Chris Chibnall, creator and writer of Broadchurch and The Great Train Robbery\u003cbr\u003e\u003ci\u003eInto The Woods\u003c\/i\u003e is brilliant. One of the best books on script writing out there . . . I loved the book. Inspiring -- Dominic Mitchell, creator and writer of In The Flesh\u003cbr\u003eThere is no end of books that instruct us on how to write the perfect screenplay, but few that delve more deeply into the art of storytelling than this erudite volume * Financial Times *\u003cbr\u003eIts strength is Yorke's acute perception of the wellsprings of universal narrative structures relevant to all artistic activities * The Times *\u003cbr\u003eTerrific . . . It's a great read, wise and cogent, and a must for all screenwriters -- David Eldridge, writer of Festen and In Basildon\u003cbr\u003eIt's a great read. It makes me smile and say 'Yes!' aloud. Only this and PG Wodehouse do that -- Lucy Gannon, writer\/creator of Soldier Soldier, Peak Practice, Frankie, The Best Of Men\u003cbr\u003eNot How 2 Write them but how stories work. John Yorke's\u003ci\u003e Into the Woods: A 5 Act Journey into Story\u003c\/i\u003e is brilliant, illuminates \u0026amp; explains -- Susan Hill, Author, The Woman In Black, I’m The King Of The Castle\u003cbr\u003eI'm only 70 pages into John Yorke's \u003ci\u003eInto the Woods\u003c\/i\u003e but it's already helped me crack two stories -- Andy Diggle, former editor of 2000AD, comic book writer for Marvel, DC\u003cbr\u003eHighly recommended reading * Huffington Post *\u003cbr\u003eYorke is aware that the world is not suffering for lack of prescriptive screenwriting manuals. Instead, with \u003ci\u003eInto the Woods\u003c\/i\u003e, he takes a scalpel to narrative structure - dissecting protagonist, antagonist, inciting incident, crisis and so on - before asking how and why this underlying shape still holds audiences spellbound like a fairytale witch. \"A story is like a magnet dragged through randomness,\" Yorke writes, but while he elegantly untangles the deepest roots of storytelling, he also honours the human need for truth and sense with some more superficial questions: why do series tend to \"jump the shark\" round about season three, for example, or why is clunky exposition - particularly in medical dramas - so appallingly comical? Sit comfortably, then begin * Guardian *\u003cbr\u003eI absolutely love this book. It's incredible and so well written. I keep trying to find fault but so far no joy - It's so good -- Matt Charman, writer Bridge of Spies (dir Stephen Spielberg); Black Work (ITV)\u003cbr\u003e[John Yorke's] writing book is arguably possibly almost as good as mine, all right it's loads better shut up -- David Quantick, Author of HOW TO WRITE EVERYTHING\u003cbr\u003eProbably, in the hackneyed phrase, \"the last book on screenwriting you'll ever need.\" He is very good at debunking the claims of some screenwriting gurus, all of whom are busy trying to sell you their own particular brand of snake oil. It's truly excellent -- Tim Adler * Daily Telegraph *\u003cbr\u003eOf all the books I've read about story construction and the art of fiction, this one is the most comprehensive and concise -- John Collee, writer on 'Master And Commander', 'Happy Feet', 'Creation', 'Walking With Dinosaurs'\u003c\/i\u003e\u003c\/p\u003e","brand":"Penguin Books Ltd","offers":[{"title":"Default Title","offer_id":48732497903959,"sku":"9780141978109","price":10.44,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780141978109.jpg?v=1719997146"},{"product_id":"the-bestseller-code-9780141982489","title":"The Bestseller Code","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003e''If you''re someone who dreams of penning a bestseller, read this book'' \u003ci\u003eThe Week\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e''What if the success of E.L.James and Dan Brown was not so random? What  if there were an algorithm that could pick out the bestseller DNA  concealed within these books before they''re published? This is the  audacious claim made by Jodie Archer and Matthew Jockers ... Smart,  savvy and full of ideas'' Fiona Wilson, \u003c\/b\u003e\u003ci\u003e\u003cb\u003eThe Times\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eGirl on the Train\u003c\/i\u003e. \u003ci\u003eFifty Shades. The Goldfinch.\u003c\/i\u003e Why do some books capture the whole world''s attention? In \u003ci\u003eThe Bestseller Code\u003c\/i\u003e, Archer and Jockers boldly claim that not only can mega-hits be explained and identified - but they''ve built the algorithm to prove it. Using cutting-edge text mining techniques, they have developed a model that analyses theme, plot, style and character  to explain why some books resonate more than others with readers. Provocative, entertaining, and ground-breaking\u003ci\u003e, The Bestseller Code\u003c\/i\u003e explo\u003c\/p\u003e","brand":"Penguin Books Ltd","offers":[{"title":"Default Title","offer_id":48732501606743,"sku":"9780141982489","price":10.44,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780141982489.jpg?v=1719997162"},{"product_id":"an-introduction-to-narrative-generators-9780198876601","title":"An Introduction to Narrative Generators","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eThis book describes how computer programs can generate narratives and how studies of computational narrative can illuminate how humans tell stories. Combining an introduction to relevant concepts related to automatic storytelling with accessible descriptions of well-known computer programs that illustrate how such concepts are employed, the book is aimed at an interdisciplinary audience and assumes little or no background in computer science. The book introduces the most relevant techniques employed over the last 60 years for the development of computer models for narrative generation, including narrative templates, problem-solving, planning, author engagement and reflection, and statistical methods such as deep neural networks, ending with an examination of the societal implications of the development of automatic narrative generator systems.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eThe book is well structured and progresses from describing relatively simple and accessible models using templates much like online forms that are such a familiar part of everyday online life. * David Longman, Teacher, learner, enthusiast. 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Combining an introduction to relevant concepts related to automatic storytelling with accessible descriptions of well-known computer programs that illustrate how such concepts are employed, the book is aimed at an interdisciplinary audience and assumes little or no background in computer science. 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Features include a complete index, in-text notes, examples, creative writing tips, and a fascinating introduction giving a brief outline of the history of rhyming. A must-have for all writers.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eMy two teenagers enjoyed the New Oxford Rhyming Dictionary and the introduction settled a long-standing argument about the artistic merits of the rapper Eminem in their favour. They also liked the jacket design: two French bulldogs in knitted frog hats.\u003cbr\u003eI truly wish I had this when I started writing. The New Oxford Rhyming Dictionary is absolutely invaluable and a must for every bookshelf. * Lydia Roshanzamir, The New Writer Magazine *\u003cbr\u003eReviews from previous edition:    The Oxford Dictionary of Rhymes contains a vast variety of useful short cuts and fascinating sidetracks. All wordsmiths are bound to enjoy feeling indebted (fetid, minareted, rosetted . . . ) * Julia Donaldson (author of The Gruffalo) *\u003cbr\u003eThe Oxford Dictionary of Rhymes is a success and a pleasure. The rhyming system mirrors genuine cognition, the way poets work, and using it reveals marvels and carnivals within our language. It is by far the best dictionary of its type because it can be drawn on during the conscious design of a poem, yet it can help you with work which is more intuitive, tentative or open-ended. Dylan Thomas would have adored it; Byron would have respected it.' * David Morley, poet, Director of the Warwick Writing Programme, University of Warwick. *\u003cbr\u003eThe natural partner for a thesaurus, it might actually inspire you to start writing verse of your own, even if you hadn't considered it before. * Alastair Mabbott, The Herald (Glasgow) *\u003cbr\u003eThe introduction by John Lennard is worth the price of the book alone. 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She knows exactly what she's talking about.\u003cbr\u003eJim Butcher,\u003ci\u003e New York Times\u003c\/i\u003e bestselling author of \u003ci\u003eThe Dresden Files\u003c\/i\u003e\u003c\/p\u003e -- .\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eForeword by Jim Butcher\u003cbr\u003eAuthor preface\u003cbr\u003e1. Formulating a story plan\u003cbr\u003e2. Character design\u003cbr\u003e3. Viewpoint\u003cbr\u003e4. Dialogue\u003cbr\u003e5. Scene structure\u003cbr\u003e6. Scene conflict\u003cbr\u003e7. Conflict maneuver\u003cbr\u003e8. Ending scenes\u003cbr\u003e9. Sequels\u003cbr\u003e10. Dilemma and decision\u003cbr\u003e11. Entering the dark dismal middle\t\u003cbr\u003e12. Surviving the dark dismal middle\u003cbr\u003e13. More dark dismal middle\u003cbr\u003e14. Unmasking true nature\u003cbr\u003e15. Pacing\u003cbr\u003e16. Ending the story\u003cbr\u003e17. Story climax\u003cbr\u003e18. Writing the resolution\u003cbr\u003e19. Revision methods\u003cbr\u003e20. The road to publication\u003cbr\u003e21. Final suggestions\u003cbr\u003eIndex\u003c\/p\u003e","brand":"Manchester University Press","offers":[{"title":"Default Title","offer_id":48736167690583,"sku":"9780719097065","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780719097065.jpg?v=1723810544"},{"product_id":"how-to-write-for-children-and-get-published-9780749940614","title":"How To Write For Children And Get Published","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eHuge numbers of people want to write for children, but it is notoriously difficult to find a publisher in this increasingly comeptitive area. This inspiring and practical guide from acknowledged expert on children''s publishing Louise Jordan, will show you how to make your work stand out from the crowd and appeal to commissioning editors, and, of course, your intended audience.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eJordan doesn't just tell the prospective children's writer what to do - she provides insightful exercises after each chapter so that her readers can learn for themselves * THE NEW WRITER *\u003cbr\u003eExcellent * WRITING MAGAZINE *\u003cbr\u003eFollow Louise Jordan's advice and, at the very least, you will be giving your manuscript its best chance * WRITING MAGAZINE *\u003cbr\u003eJordan doesn't just tell the prospective children's writer what to do--she provides insightful exercises after each chapter so that her readers can learn for themselves. 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Mark Kneece provides a set of guidelines favoured by many comic book publishers and uses a unique trial and error approach to show the potential pitfalls they might encounter.","brand":"Watson-Guptill Publications","offers":[{"title":"Default Title","offer_id":48737249952087,"sku":"9780770436971","price":18.69,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780770436971.jpg?v=1723811075"},{"product_id":"writing-the-natural-way-using-rightbrain-techniques-to-release-your-expressive-powers-9780874779615","title":"Writing the Natural Way Using Rightbrain","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eWriting the Natural Way\u003c\/b\u003e, first published fifteen years ago, has shown hundreds of thousands of readers how to turn the task of writing into the joy of writing. Completely revised, newly illustrated, and with a wealth of updated, field-tested exercises, this popular classic will help unlock natural writing styles and storytelling abilities.","brand":"Tarcher\/Putnam,US","offers":[{"title":"Default Title","offer_id":48737787576663,"sku":"9780874779615","price":15.29,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780874779615.jpg?v=1723811463"},{"product_id":"the-bumper-book-of-storytelling-into-writing-key-stage-2-9780955300813","title":"The Bumper Book of Storytelling into Writing Key","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e","brand":"Clown Publishing","offers":[{"title":"Default Title","offer_id":48737886798167,"sku":"9780955300813","price":20.04,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780955300813.jpg?v=1723811562"},{"product_id":"writing-a-romance-novel-for-dummies-9781119989035","title":"Writing a Romance Novel For Dummies","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eGet your romance (writing) on! Writing a Romance Novel For Dummies is the only reference aspiring writers need to get their careers off to the right start. Fully updated to reflect the industry's latest trends and secrets, this book helps you understand what makes a great novel, so you can hone your craft and write books people want to read. We break down the romance subgenres, give you expert tips on plotting and pacing, and walk you through the process of finding an agent and getting published in today's competitive marketor self-publishing like many six-figure authors are doing. For aspiring writers longing to find success in the industry, Writing a Romance Novel For Dummies is easy to read, highly informative, and a must-have! Refine your writing to craft engaging stories readers can't put downFind a route to publication that works for youmainstream, or self-publishedUnderstand the ins and outs of the romance genre and its subgenresLearn how to get your work noticed in the popular world of romantic fiction This Dummies guide is perfect for beginning writers who want advice on writing and publishing a successful romance novel. It's also a great reference for accomplished writers looking to level up their romance game.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eIntroduction 1\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eAbout This Book 2\u003c\/p\u003e \u003cp\u003eFoolish Assumptions 2\u003c\/p\u003e \u003cp\u003eIcons Used in This Book 3\u003c\/p\u003e \u003cp\u003eBeyond the Book 3\u003c\/p\u003e \u003cp\u003eWhere to Go from Here 4\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 1: Welcome to the World of Romance Writing 5\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 1: Romance Writing at a Glance 7\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eTuning in to the Market 8\u003c\/p\u003e \u003cp\u003eDefining a romance 8\u003c\/p\u003e \u003cp\u003eSubdividing romances into genres 9\u003c\/p\u003e \u003cp\u003ePracticing Your Craft 10\u003c\/p\u003e \u003cp\u003eEverything starts with characterization 11\u003c\/p\u003e \u003cp\u003eIt’s all about emotional tension 11\u003c\/p\u003e \u003cp\u003ePlotting, pacing, and point of view 12\u003c\/p\u003e \u003cp\u003eChoosing Indie Publishing or Traditional Publishing 13\u003c\/p\u003e \u003cp\u003eExploring the pros and cons of each 13\u003c\/p\u003e \u003cp\u003eChoosing your path 13\u003c\/p\u003e \u003cp\u003eBest Practices of Indie Publishing 14\u003c\/p\u003e \u003cp\u003eWorking with editors and graphic designers 14\u003c\/p\u003e \u003cp\u003eMarketing and selling your book 15\u003c\/p\u003e \u003cp\u003eSubmitting Your Manuscript 15\u003c\/p\u003e \u003cp\u003eChoosing the right publisher 15\u003c\/p\u003e \u003cp\u003ePutting together a selling submission 15\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 2: Romancing the Marketplace: Identifying Your Options 17\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eKnowing Your Reader 18\u003c\/p\u003e \u003cp\u003eMeeting the romance reader 18\u003c\/p\u003e \u003cp\u003eMeeting the romance reader’s expectations 19\u003c\/p\u003e \u003cp\u003eStarting from Square One: Reading 20\u003c\/p\u003e \u003cp\u003eDrawing up a reading list 20\u003c\/p\u003e \u003cp\u003eReading like a writer 21\u003c\/p\u003e \u003cp\u003eGetting to Know Your Genre 22\u003c\/p\u003e \u003cp\u003eHistorical versus contemporary 22\u003c\/p\u003e \u003cp\u003eMainstream versus category 25\u003c\/p\u003e \u003cp\u003eSubgenres and niche markets 28\u003c\/p\u003e \u003cp\u003eRelated women’s fiction markets 35\u003c\/p\u003e \u003cp\u003eChoosing Your Subgenre 37\u003c\/p\u003e \u003cp\u003eWhat do you like to read? 38\u003c\/p\u003e \u003cp\u003eHow do you fit into the market? 39\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 3: Setting Up for Writing Success 43\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eFinding the Perfect Time to Write 44\u003c\/p\u003e \u003cp\u003eMaking time to pursue your dream 44\u003c\/p\u003e \u003cp\u003eCreating your writing routine 46\u003c\/p\u003e \u003cp\u003eBuilding a Writer’s Tool Kit 48\u003c\/p\u003e \u003cp\u003eSharpening up your office supplies: More than just pencils 49\u003c\/p\u003e \u003cp\u003eStocking the shelves: Your home library 49\u003c\/p\u003e \u003cp\u003eBooking it: Accurate financial records 50\u003c\/p\u003e \u003cp\u003eAccessing Resources for the Would-Be Writer 51\u003c\/p\u003e \u003cp\u003eJoining writers’ organizations — romance-related and otherwise 51\u003c\/p\u003e \u003cp\u003eGoing where the writers are: Conferences and more 52\u003c\/p\u003e \u003cp\u003eTaking advantage of courses and critique groups 52\u003c\/p\u003e \u003cp\u003eOnline resources 54\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 2: Laying the Foundation: The Building Blocks of a Great Romance 57\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 4: Creating Compelling Main Characters: Alpha Males and Fiery Females 59\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eDepending on Your Characters 60\u003c\/p\u003e \u003cp\u003eThe Key to Every Romance Is the Heroine 61\u003c\/p\u003e \u003cp\u003eDrawing the reader into your story 61\u003c\/p\u003e \u003cp\u003eMaking your heroine feel real 61\u003c\/p\u003e \u003cp\u003eIntroducing imperfection 63\u003c\/p\u003e \u003cp\u003eNaming your heroine 64\u003c\/p\u003e \u003cp\u003eCreating Your Hero 66\u003c\/p\u003e \u003cp\u003eHeroes are for loving 67\u003c\/p\u003e \u003cp\u003eHolding out for a hero: Alphas and others 69\u003c\/p\u003e \u003cp\u003eLooking for love in all the wrong places 74\u003c\/p\u003e \u003cp\u003eHello, my name is 74\u003c\/p\u003e \u003cp\u003eKeepin’ It Real: Secondary Characters 76\u003c\/p\u003e \u003cp\u003eRemembering their roles 76\u003c\/p\u003e \u003cp\u003eAvoiding stereotypes 77\u003c\/p\u003e \u003cp\u003eSpeaking up 77\u003c\/p\u003e \u003cp\u003eNaming the baby (and everyone else) 78\u003c\/p\u003e \u003cp\u003eFactoring in the future 78\u003c\/p\u003e \u003cp\u003eLaying Concrete Strategies for Creating Characters 78\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 5: Crucial Ingredients for Every Plot: Conflict, Climax, and Resolution 81\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eYou Can’t Have a Novel without a Plot 82\u003c\/p\u003e \u003cp\u003eWhere do ideas come from? 82\u003c\/p\u003e \u003cp\u003eLetting your characters drive the plot 85\u003c\/p\u003e \u003cp\u003eSuspense: Every Story Has It 86\u003c\/p\u003e \u003cp\u003eUsing romance to create suspense 87\u003c\/p\u003e \u003cp\u003eOther ways of creating twists and turns 88\u003c\/p\u003e \u003cp\u003eMaking Sense Matters 89\u003c\/p\u003e \u003cp\u003eCreating Emotional Conflict and Tension 91\u003c\/p\u003e \u003cp\u003eEmotional versus intellectual conflict 91\u003c\/p\u003e \u003cp\u003eInternal versus external conflict 95\u003c\/p\u003e \u003cp\u003ePersonal versus situational conflict 95\u003c\/p\u003e \u003cp\u003eHandling Conflict Effectively 96\u003c\/p\u003e \u003cp\u003eKeeping them together 96\u003c\/p\u003e \u003cp\u003eLetting conflict complicate your plot 97\u003c\/p\u003e \u003cp\u003eTaking two steps forward and one step back 98\u003c\/p\u003e \u003cp\u003eUsing sexual tension to deepen conflict 100\u003c\/p\u003e \u003cp\u003eDreaming of love 101\u003c\/p\u003e \u003cp\u003eSaving “I love you” for the right moment 102\u003c\/p\u003e \u003cp\u003eAnd They Lived Happily Ever After 103\u003c\/p\u003e \u003cp\u003eMaking your reader believe 104\u003c\/p\u003e \u003cp\u003eDark moment: Where all is lost 105\u003c\/p\u003e \u003cp\u003eClimax: Timing is everything 105\u003c\/p\u003e \u003cp\u003eResolution: Endings made easy 106\u003c\/p\u003e \u003cp\u003eEpilogue 107\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 6: Setting the Scene 109\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eDeciding Where Your Story Takes Place 110\u003c\/p\u003e \u003cp\u003eFollowing the lead of your characters and plot 110\u003c\/p\u003e \u003cp\u003eJoining the real world or living in your imagination 112\u003c\/p\u003e \u003cp\u003eKeeping your setting in check 113\u003c\/p\u003e \u003cp\u003eTelling Time 114\u003c\/p\u003e \u003cp\u003eUsing Your Setting to the Fullest 115\u003c\/p\u003e \u003cp\u003eIlluminating your characters 115\u003c\/p\u003e \u003cp\u003eMaking your setting a character 119\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 7: Outlining versus Discovery Writing 121\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIdentifying What Kind of Writer You Are 121\u003c\/p\u003e \u003cp\u003eOutlining methods 122\u003c\/p\u003e \u003cp\u003eDiscovery writing methods 123\u003c\/p\u003e \u003cp\u003eOutlining: Mapping Out Your Story 124\u003c\/p\u003e \u003cp\u003eWhat can an outline do for you? 124\u003c\/p\u003e \u003cp\u003eWhat belongs in an outline? 125\u003c\/p\u003e \u003cp\u003eUsing your outline effectively 126\u003c\/p\u003e \u003cp\u003eListening to your creativity 127\u003c\/p\u003e \u003cp\u003eDiscovery Writing: Letting Your Story Unfold 127\u003c\/p\u003e \u003cp\u003eLetting the characters guide you 128\u003c\/p\u003e \u003cp\u003ePlotting as you go 129\u003c\/p\u003e \u003cp\u003eGetting stuck in the rewriting trap 132\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 3: Putting Pen to Paper 133\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 8: Finding Your Own Voice 135\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eSpeaking Up for Yourself 135\u003c\/p\u003e \u003cp\u003eRevealing where readers hear your voice 136\u003c\/p\u003e \u003cp\u003eMaking the language your own 138\u003c\/p\u003e \u003cp\u003eChoosing your words wisely 139\u003c\/p\u003e \u003cp\u003eMixing what you say with what your characters know 140\u003c\/p\u003e \u003cp\u003ePutting the Show in Show and Tell 141\u003c\/p\u003e \u003cp\u003eKnowing what you need to say, and then saying it 141\u003c\/p\u003e \u003cp\u003eSpeaking metaphorically 142\u003c\/p\u003e \u003cp\u003eDescribing your characters 143\u003c\/p\u003e \u003cp\u003eMaking every word count 143\u003c\/p\u003e \u003cp\u003eTalking too much 143\u003c\/p\u003e \u003cp\u003eTelling It Like It Is 144\u003c\/p\u003e \u003cp\u003eKeeping your writing clear 144\u003c\/p\u003e \u003cp\u003eMoving right along 145\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 9: Letting Your Characters Speak 149\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eGiving Your Characters Voices 150\u003c\/p\u003e \u003cp\u003eMaking every character unique (and real) 150\u003c\/p\u003e \u003cp\u003eGiving every character a consistent voice 153\u003c\/p\u003e \u003cp\u003eMeeting the secondary-character challenge 153\u003c\/p\u003e \u003cp\u003eWriting Great Dialogue 154\u003c\/p\u003e \u003cp\u003eUsing dialect and accents effectively 155\u003c\/p\u003e \u003cp\u003eKeepin’ it cool: A word about slang 156\u003c\/p\u003e \u003cp\u003eUsing dialogue to convey information naturally 157\u003c\/p\u003e \u003cp\u003ePutting dialogue on paper 158\u003c\/p\u003e \u003cp\u003eChoosing and Using Point of View 160\u003c\/p\u003e \u003cp\u003eWhat are they thinking? 160\u003c\/p\u003e \u003cp\u003eKnowing whose voice to use 162\u003c\/p\u003e \u003cp\u003eInternal monologues and how to use them 165\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 10: Pacing: The Secrets of Writing a Page-Turning Romance 169\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003ePacing Doesn’t Mean Racing 170\u003c\/p\u003e \u003cp\u003ePacing and Plotting: Two Halves of a Whole 170\u003c\/p\u003e \u003cp\u003eKnowing what readers care about 171\u003c\/p\u003e \u003cp\u003eIt’s not only what happens, it’s when and where 174\u003c\/p\u003e \u003cp\u003eKnowing what to tell and what to leave out 177\u003c\/p\u003e \u003cp\u003eAvoiding the Dreaded Sagging Middle 178\u003c\/p\u003e \u003cp\u003eRecognizing a sagging middle 178\u003c\/p\u003e \u003cp\u003eStopping the sag before it starts 179\u003c\/p\u003e \u003cp\u003eDealing with it 180\u003c\/p\u003e \u003cp\u003eShow It, Don’t (Always) Tell It 181\u003c\/p\u003e \u003cp\u003eHarnessing the power of dialogue 181\u003c\/p\u003e \u003cp\u003eTelling it like it is: Using narrative effectively 183\u003c\/p\u003e \u003cp\u003eFinding the balance between showing and telling 185\u003c\/p\u003e \u003cp\u003eProse That Goes and Prose That Slows 186\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 11: Taking It All Off: Writing Love Scenes 189\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eComparing Sex and Romance 189\u003c\/p\u003e \u003cp\u003eKnowing Where and When 190\u003c\/p\u003e \u003cp\u003eCreating sexual tension 190\u003c\/p\u003e \u003cp\u003eDeciding when the time’s right 192\u003c\/p\u003e \u003cp\u003eUsing love scenes to increase the tension 193\u003c\/p\u003e \u003cp\u003eUsing love scenes to support your pacing 195\u003c\/p\u003e \u003cp\u003eWriting the Scene 196\u003c\/p\u003e \u003cp\u003eKnowing your market 196\u003c\/p\u003e \u003cp\u003eIt’s not what they do, it’s how you describe it 197\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 4: Putting It All Together: Mechanics Count, Too 201\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 12: Starting and Stopping 203\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eMastering the Winning Beginning 203\u003c\/p\u003e \u003cp\u003eHow to hook your reader 204\u003c\/p\u003e \u003cp\u003eHow to bore your reader 206\u003c\/p\u003e \u003cp\u003eThe cute meet: Necessary or not? 207\u003c\/p\u003e \u003cp\u003ePutting Theory into Practice 209\u003c\/p\u003e \u003cp\u003eFinding your starting point 209\u003c\/p\u003e \u003cp\u003eBacktracking to the background 211\u003c\/p\u003e \u003cp\u003eOpening lines that work 214\u003c\/p\u003e \u003cp\u003eConstructing Can’t-Miss Chapters 216\u003c\/p\u003e \u003cp\u003eViewing every chapter as a new beginning 217\u003c\/p\u003e \u003cp\u003eLeave ’em wanting more: Effective chapter endings 218\u003c\/p\u003e \u003cp\u003eKeeping transitions fresh 221\u003c\/p\u003e \u003cp\u003eMoving from Scene to Scene 222\u003c\/p\u003e \u003cp\u003eStringing scenes together 222\u003c\/p\u003e \u003cp\u003eSeeing scene endings as mini-chapter endings 223\u003c\/p\u003e \u003cp\u003eIntercutting scenes 223\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 13: Getting Your Story Straight: Doing Research 225\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eGetting It Right: Priority Number One 226\u003c\/p\u003e \u003cp\u003eMaking Research Work for You 226\u003c\/p\u003e \u003cp\u003eFiguring out what you need to know 227\u003c\/p\u003e \u003cp\u003eAvoiding information overload 229\u003c\/p\u003e \u003cp\u003eGetting Down to Business 230\u003c\/p\u003e \u003cp\u003eTiming is everything 231\u003c\/p\u003e \u003cp\u003eOrganizing like a pro 231\u003c\/p\u003e \u003cp\u003eFinding the Facts 233\u003c\/p\u003e \u003cp\u003eSurfing the Net: Great information (and misinformation) 233\u003c\/p\u003e \u003cp\u003eSupporting your local library and bookstore 235\u003c\/p\u003e \u003cp\u003eDeveloping a nose for news 237\u003c\/p\u003e \u003cp\u003eTaking time to stop, look, and listen 238\u003c\/p\u003e \u003cp\u003eTraveling for fun and profit 238\u003c\/p\u003e \u003cp\u003eTalking to experts 239\u003c\/p\u003e \u003cp\u003eGetting Permissions 240\u003c\/p\u003e \u003cp\u003eDetermining when permission is necessary 240\u003c\/p\u003e \u003cp\u003eFilling out the paperwork 242\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 14: Neatness Counts — and So Does Grammar 243\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eKnowing the Importance of Good Writing 244\u003c\/p\u003e \u003cp\u003eFinding good references 244\u003c\/p\u003e \u003cp\u003eUsing grammar and spell-check programs 245\u003c\/p\u003e \u003cp\u003eTaking a course 246\u003c\/p\u003e \u003cp\u003eAsking a friend 246\u003c\/p\u003e \u003cp\u003eMaking a Point with Punctuation 246\u003c\/p\u003e \u003cp\u003eComma placement 246\u003c\/p\u003e \u003cp\u003eUsing ellipses and em dashes 247\u003c\/p\u003e \u003cp\u003eTalking about Dialogue and Narrative 249\u003c\/p\u003e \u003cp\u003eMaking Thoughtful and Relevant Word Choices 250\u003c\/p\u003e \u003cp\u003eDon’t choose a fancy word when a simple one will do 250\u003c\/p\u003e \u003cp\u003eDon’t use incorrect synonyms 251\u003c\/p\u003e \u003cp\u003eWatch for repeated words 251\u003c\/p\u003e \u003cp\u003eFormatting for Success 252\u003c\/p\u003e \u003cp\u003eSetting your margins 253\u003c\/p\u003e \u003cp\u003eUsing the right fonts and spacing 253\u003c\/p\u003e \u003cp\u003eBreaking your story into paragraphs 253\u003c\/p\u003e \u003cp\u003eAvoiding common formatting mistakes 254\u003c\/p\u003e \u003cp\u003eFormatting with indie publishing in mind 255\u003c\/p\u003e \u003cp\u003eChecking Your Work One Last Time 256\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 5: Traditional Or Indie Publishing — Which Is Best for You? 257\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 15: Choosing Your Publishing Path 259\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eWeighing Your Options 260\u003c\/p\u003e \u003cp\u003eKnowing the pros and cons of how you publish 260\u003c\/p\u003e \u003cp\u003eChanging course 261\u003c\/p\u003e \u003cp\u003eStaying on top of a quickly changing landscape 262\u003c\/p\u003e \u003cp\u003eComparing and Contrasting the Paths 263\u003c\/p\u003e \u003cp\u003eTraditional publishing 263\u003c\/p\u003e \u003cp\u003eIndie publishing 269\u003c\/p\u003e \u003cp\u003eBecoming a Hybrid Author: The Best of Both Worlds 271\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 16: Finding Success in Indie Publishing 273\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eDefining Your Success 274\u003c\/p\u003e \u003cp\u003eCreating a Professional Product 275\u003c\/p\u003e \u003cp\u003eJudging a book by its cover 275\u003c\/p\u003e \u003cp\u003eWriting a tagline (it’s all in the hook) 277\u003c\/p\u003e \u003cp\u003eWriting blurbs 278\u003c\/p\u003e \u003cp\u003eBuilding your website 279\u003c\/p\u003e \u003cp\u003eCreating Your Launch Team 279\u003c\/p\u003e \u003cp\u003eSending out ARCs 280\u003c\/p\u003e \u003cp\u003eFinding helpful services 280\u003c\/p\u003e \u003cp\u003eForming Your Launch Plan 281\u003c\/p\u003e \u003cp\u003eNetworking 283\u003c\/p\u003e \u003cp\u003eBoosting your sales 284\u003c\/p\u003e \u003cp\u003eBuilding Momentum 285\u003c\/p\u003e \u003cp\u003eBuilding a newsletter 285\u003c\/p\u003e \u003cp\u003eGiving away a reader magnet 287\u003c\/p\u003e \u003cp\u003ePurchasing an ISBN 288\u003c\/p\u003e \u003cp\u003eRegistering your copyright 289\u003c\/p\u003e \u003cp\u003eObtaining a Library of Congress Control Number 290\u003c\/p\u003e \u003cp\u003eAfter You Publish 291\u003c\/p\u003e \u003cp\u003eDoing market research 291\u003c\/p\u003e \u003cp\u003ePaying for ads 291\u003c\/p\u003e \u003cp\u003eUnderstanding the power of free 292\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 17: Selling Your Manuscript: Traditional Publishing 295\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eSubmitting Made Simple 296\u003c\/p\u003e \u003cp\u003eDoing your research 296\u003c\/p\u003e \u003cp\u003eWriting a successful query letter 297\u003c\/p\u003e \u003cp\u003eDeciding Whether You Need an Agent 299\u003c\/p\u003e \u003cp\u003eUnderstanding an agent’s job 299\u003c\/p\u003e \u003cp\u003eFinding an agent 300\u003c\/p\u003e \u003cp\u003eSizing Up the Contract 303\u003c\/p\u003e \u003cp\u003eComing up with questions 303\u003c\/p\u003e \u003cp\u003eReading (and rereading) the fine print 306\u003c\/p\u003e \u003cp\u003eGetting help 307\u003c\/p\u003e \u003cp\u003eStrategies for a Win-Win Negotiation 307\u003c\/p\u003e \u003cp\u003eWorking with Your Editor 309\u003c\/p\u003e \u003cp\u003eMaking the relationship work 309\u003c\/p\u003e \u003cp\u003eRevising your book one last time 310\u003c\/p\u003e \u003cp\u003eLine editing set straight 310\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 18: Handling Rejection 313\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eWhat the Rejection Letter Is Really Saying 313\u003c\/p\u003e \u003cp\u003eRegarding rejections 314\u003c\/p\u003e \u003cp\u003eRevising and resubmitting 315\u003c\/p\u003e \u003cp\u003eUnderstanding the Revision Process 316\u003c\/p\u003e \u003cp\u003eAddressing editor queries 316\u003c\/p\u003e \u003cp\u003eUsing an incremental approach 317\u003c\/p\u003e \u003cp\u003eBeing timely 318\u003c\/p\u003e \u003cp\u003eWhen great minds don’t think alike 318\u003c\/p\u003e \u003cp\u003eHandling the resubmission process 319\u003c\/p\u003e \u003cp\u003eIdentifying Common Issues 320\u003c\/p\u003e \u003cp\u003eYour heroine isn’t as sympathetic as she needs to be 320\u003c\/p\u003e \u003cp\u003eYour pacing is erratic 320\u003c\/p\u003e \u003cp\u003eYour hero’s too strong\/arrogant\/tough 321\u003c\/p\u003e \u003cp\u003eYour plot lacks the necessary complexity 321\u003c\/p\u003e \u003cp\u003eYour characters’ motivations aren’t clear 322\u003c\/p\u003e \u003cp\u003eYour characters seem more like types than real people 323\u003c\/p\u003e \u003cp\u003eMaximizing Your Chance of Success 323\u003c\/p\u003e \u003cp\u003eKeeping a positive attitude 323\u003c\/p\u003e \u003cp\u003eDealing with rejection, emotionally and professionally 324\u003c\/p\u003e \u003cp\u003eDealing with bad reviews 326\u003c\/p\u003e \u003cp\u003e\u003cb\u003ePart 6: The Part of Tens 329\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 19: Ten Tropes Every Editor Knows — and Why They Still Work 331\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eMarriage of Convenience 332\u003c\/p\u003e \u003cp\u003eStranded with a Stranger 332\u003c\/p\u003e \u003cp\u003eRunaway Bride 333\u003c\/p\u003e \u003cp\u003eSecret Baby 333\u003c\/p\u003e \u003cp\u003eSecond-Chance Romance 333\u003c\/p\u003e \u003cp\u003eBack from the Dead 334\u003c\/p\u003e \u003cp\u003eMistaken Identity 334\u003c\/p\u003e \u003cp\u003eWoman in Jeopardy 334\u003c\/p\u003e \u003cp\u003eThe Dad Next Door 335\u003c\/p\u003e \u003cp\u003eEven Sketchier Setups 335\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 20: Ten Tips for Coming Up with a Successful Title 337\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eSpeak the Reader’s Language 337\u003c\/p\u003e \u003cp\u003eKnow the Long and the Short of It 338\u003c\/p\u003e \u003cp\u003eTry Single-Word Titles 338\u003c\/p\u003e \u003cp\u003eMatch Title and Tone Perfectly 339\u003c\/p\u003e \u003cp\u003eUse Keywords 339\u003c\/p\u003e \u003cp\u003eConsider Alliteration 340\u003c\/p\u003e \u003cp\u003eCoin a Cliché 340\u003c\/p\u003e \u003cp\u003eName Names 340\u003c\/p\u003e \u003cp\u003eMake Connections 340\u003c\/p\u003e \u003cp\u003eFollow in Others’ Footsteps 341\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 21: Ten Tips for Avoiding Common Writing Mistakes 343\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eRemember the Reader’s Expectations 343\u003c\/p\u003e \u003cp\u003eDon’t Overwrite 344\u003c\/p\u003e \u003cp\u003eLove It or Lose It 344\u003c\/p\u003e \u003cp\u003eLet Your Characters Drive the Plot 344\u003c\/p\u003e \u003cp\u003eKnow That Effective Conflict Comes from Within 345\u003c\/p\u003e \u003cp\u003eMake Sure You Have Enough Plot 345\u003c\/p\u003e \u003cp\u003eKeep Your Story on Track 345\u003c\/p\u003e \u003cp\u003eKeep Your Reader Interested 345\u003c\/p\u003e \u003cp\u003eDon’t Forget the Details 346\u003c\/p\u003e \u003cp\u003eKeep the Story Moving 346\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 22: Ten Questions Every Romance Writer Needs to Ask Herself 347\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eShould I Write Romance Novels? 347\u003c\/p\u003e \u003cp\u003eWhy Can’t I Get Started? 348\u003c\/p\u003e \u003cp\u003eWhat Can I Do When the Ideas Don’t Come? 348\u003c\/p\u003e \u003cp\u003eHow Can I Focus and Stay Positive When Things Go Wrong? 348\u003c\/p\u003e \u003cp\u003eWhen Is It Research and When Is It a Waste of Time? 349\u003c\/p\u003e \u003cp\u003eWhen Should I Publish or Submit My Manuscript? 349\u003c\/p\u003e \u003cp\u003eDo I Need an Agent? 350\u003c\/p\u003e \u003cp\u003eHow Do I Handle a Friend’s Success? 350\u003c\/p\u003e \u003cp\u003eWhen and How Do I Follow Up on My Book’s Status? 350\u003c\/p\u003e \u003cp\u003eWhen Do I Let Go of a Book? 351\u003c\/p\u003e \u003cp\u003e\u003cb\u003eChapter 23: Ten Ways to Beat Writer’s Block 353\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eWork Your Way Through It 353\u003c\/p\u003e \u003cp\u003eSelect a Different Scene 354\u003c\/p\u003e \u003cp\u003eLook at the Last Scene You Wrote 354\u003c\/p\u003e \u003cp\u003eWrite a Scene That You Won’t Use 354\u003c\/p\u003e \u003cp\u003eView the Scene from a Different Angle 355\u003c\/p\u003e \u003cp\u003eDon’t Focus on Perfection 355\u003c\/p\u003e \u003cp\u003eStop in the Middle 355\u003c\/p\u003e \u003cp\u003eAnalyze Your Outline 355\u003c\/p\u003e \u003cp\u003eRe-energize Your Creative Instincts 356\u003c\/p\u003e \u003cp\u003eStart Another Project (If All Else Fails) 356\u003c\/p\u003e \u003cp\u003eIndex 357\u003c\/p\u003e","brand":"John Wiley \u0026 Sons Inc","offers":[{"title":"Default Title","offer_id":48738377236823,"sku":"9781119989035","price":17.09,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781119989035.jpg?v=1723811996"},{"product_id":"the-desire-to-write-9781137519900","title":"The Desire to Write","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eGraeme Harper is Professor of Creative Writing and Dean of The Honors College at Oakland University, Michigan, USA. He is Director of the Great Writing International Creative Writing Conference, Editor-in-Chief of New Writing: The International Journal for the Practice and Theory of Creative Writing and series editor of Palgrave's Approaches to Writing series. He has been an examiner for Creative Writing BA, MA and PhD degrees at over 40 institutions across the world since 2001. He is author of The Companion to Creative Writing (Wiley Blackwell, 2013)and Inside Creative Writing (Palgrave, 2012) and co-author of Research Methods in Creative Writing (Palgrave, 2012), amongst many other titles.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eA very distinctive book that foregrounds the relationship between the writer and their writing. The chapters afford real attention to key components of the actual creative process, considering a number of the rewarding aspects of writing. * Prudence Bussey-Chamberlain, Royal Holloway, University of London, UK *\u003cbr\u003eThe Desire to Write wisely answers an implicit question with firm advice and inspiring guidance. Both a philosophical inquiry and a practical resource, Graeme Harper’s book will serve well inside and outside the classroom. * Katharyn Howd Machan, Ithaca College, USA *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eIntroduction: So You Want to be a Creative Writer  1. Intention  2. Action  3. Emotion  4. Imagination  5. Pleasure  Conclusion: Being a Creative Writer","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738390311255,"sku":"9781137519900","price":21.36,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781137519900.jpg?v=1723812009"},{"product_id":"poetry-9781350020153","title":"Poetry","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eWith \u003ci\u003ePoetry: A Writers’ Guide and Anthology\u003c\/i\u003e, it is as if Huey and Kaneko have been looking over my shoulder at my class notes and have built a streamlined textbook specifically to meet my needs. Collected in one volume are chapters of practical advice and explanation about poetic elements (including a periodic table!), along with an amazing, truly up-to-date anthology of example poems. Most appropriate for students new to poetry, this book will serve as a solid review text for more advanced students as well. * Sandy Longhorn, Assistant Professor of Creative Writing, Arkansas Writers MFA Program, University of Central Arkansas, USA *\u003cbr\u003eFor a while now, many of us have seen the need to redefine – and hopefully to reinvigorate – the teaching of poetry writing. Amorak Huey and W. Todd Kaneko, by stressing “practice rather than interpretation,” have made a poetry writing textbook that dances in the mind, even as it takes all of us back to the pleasure and hard work of our art. They are generous with the “elements” of poetry that animate their own teaching. Their illustrative anthology at the end may be the best collection of “contemporary classic” poems currently available. This is a book we – \u003ci\u003eall \u003c\/i\u003eof us, from beginners to wizened masters – could use in the classroom or simply sit down and read. * Keith Taylor, A.L. Becker Collegiate Lecturer in English and Creative Writing, University of Michigan, USA *\u003cbr\u003e“Write a poem for your future self to find,” cajole Huey and Kaneko, the editors of this accessible and generative textbook, the first in a long time to be a great poetry primer, a fine anthology, and a useful encyclopedia. Elements, modes, images, surprise – the concepts and their applications are all here, detailed and methodically presented, the clear writing always a pleasure. \u003ci\u003ePoetry: A Writer’s Guide and Anthology\u003c\/i\u003e should be the go-to book for teachers and students alike, all of whom may well be writing to find their future selves. * Alan Michael Parker, Douglas C. Houchens Professor of English, Davidson College, USA *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003ePreface: A Word of Welcome for Teachers and Students \u003cb\u003eSection 1: An Introduction to Poetry\u003c\/b\u003e 1. Why do we write poems?  2. What is meaning? 3. What does talent have to do with anything? 4. Where do poems come from? 5. What does it mean to be a Poet?   \u003cb\u003eSection 2: The Elements of Poetry \u003c\/b\u003e6. Rhetorical Construction 7. The Elements \u003cb\u003e Section 3: Practicalities\u003c\/b\u003e 8. The Poetry Workshop 9. Revision 10. Proceed with Caution \u003cb\u003e Section 4: An Anthology of Contemporary Poetic Modes\u003c\/b\u003e  Appendix: 75 Poetry Experiments Further Reading Index","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738580234583,"sku":"9781350020153","price":18.39,"currency_code":"GBP","in_stock":false}]},{"product_id":"the-writers-eye-9781350025301","title":"The Writers Eye","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eLearning to write starts with learning to do one big thing: pay attention to the world around you, even though just about everything in modern life makes this more difficult than it needs to be. Developing habits and practices of observing, and writing down what you notice, can be the first step away from the anxieties and doubts that can hold you back from your ultimate goal as a writer: discovering something to say and a voice to say it in.\u003ci\u003eThe Writer''s Eye \u003c\/i\u003eis an inspiring guide for writers at all stages of their writing lives. Drawing on new research into creative writers and their relationship with the physical world, Amy E. Weldon shows us how to become more attentive observers of the world and find inspiration in any environment.Including exercises, writing prompts and sample texts and spanning multiple genres from novels to nonfiction to poetry, this is the ideal starting point for anyone beginning to write seriously and offers refreshing perspectives for experienced writ\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eAmy E. Weldon, Associate Professor of English at Luther College, is here to help writers exercise the power of observation in her new book \u003ci\u003eThe Writer’s Eye\u003c\/i\u003e … Using classic examples and hands-on writing exercises, Weldon walks scribes through a variety of craft subjects like world-building, revision, and finding a writer’s voice. … As the book draws to an end, Weldon shares career advice, including helpful sample submission letters for literary journals and agent queries. It closes with an impressive selection of recommended reading broken down by genre, including a long list of suggested anthologies. * The Writer Magazine *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eIntroduction: Something to Say and a Voice to Say It In   Chapter One: Writing and the World Beyond Your Head Chapter Two: Fighting the Brain, Writing the Brain: Neuroscience for Writers Chapter Three: Building A World on the Page Chapter Four: Your Voice on the Page Chapter Five: Workshops and Revision Chapter Six: Loving the Path              Appendices Index","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738580857175,"sku":"9781350025301","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350025301.jpg?v=1791470505"},{"product_id":"advanced-creative-nonfiction-9781350067806","title":"Advanced Creative Nonfiction","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eAdvanced Creative Nonfiction: A Writers' Guide and Anthology\u003c\/i\u003e offers expert instruction on writing creative nonfiction in any formincluding memoir, lyric essay, travel writing, and morewhile taking an expansive approach to fit a rapidly evolving literary art form. From a history of creative nonfiction, related ethical concerns, and new approaches to revision and publishing, this book offers innovative strategies and ideas beyond what's traditionally covered. \u003ci\u003e Advanced Creative Nonfiction: A Writers' Guide and Anthology\u003c\/i\u003e also includes:        An anthology of contemporary creative nonfiction by some of today's most inventive and celebrated writers        Advanced explorations into the craft of creative nonfiction across forms       In-depth discussion of truth, ethics, and memory       Practical advice on revision, editing, research, and publishing       Writing prompts and exercises throughout the textbook A companion website is also available for the book at http:\/\/www.bloo\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eAdvanced Creative Nonfiction: A Writer’s Guide and Anthology\u003c\/i\u003e sets a new standard for teaching creative nonfiction by covering a wide range of craft topics, explicating old and emergent forms, and including a unique anthology ... Each chapter reads as an engaging lecture, a lesson on how to process, and more importantly, how to be a human who writes. * Technical Communication *\u003cbr\u003eI’ve searched long and hard for a creative nonfiction text that not only reflects the traditions of nonfiction but likewise its myriad and protean forms.  At last, I have it in this smart and clear-headed look at a genre that prizes uncertainty and seeking.  Prentiss and Nelson undo traditional and unhelpful definitions of the forms and argue for a more malleable approach, eschewing the narrow rut of truth versus fiction.  The vignettes that introduce each chapter are themselves lovely reflections that marry form and experience by these two talented writers.  The choices for the anthology reflect the breadth, diversity, and brilliance of many of the most inventive and exciting writers of creative nonfiction today. And as guides, Nelson and Prentiss prove themselves to be the most trustworthy of pathfinders through a heretofore confusing landscape in a practice that is still trying to define itself. I expect this will be my teaching text of choice for years to come. * Robin Hemley, Author of Borderline Citizen: Dispatches from the Outskirts of Nationhood, Founder of NonfictioNOW and Co-editor and founder, Speculative Nonfiction *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eIntroduction \u003cb\u003ePart 1: Foundations\u003c\/b\u003e 1.       The History of Creative Nonfiction 2.       Veracity and Genre 3.       Forms and Modes of Creative Nonfiction 4.       Interplay of Genres, Forms, and Modes 5.       Elements of Creative Nonfiction \u003cb\u003ePart 2: Evolutions\u003c\/b\u003e 6.       The Central Question 7.       Image and Metaphor 8.       Exploding Scene 9.       Chronology 10.   Dialectical Movement 11.   Setting As Character 12.   Writer, Narrator, Character 13.   Lenses 14.   Reflection, Introspection, and Speculation 15.   Beginnings and Endings 16.   Music of Prose \u003cb\u003ePart 3: Integrities\u003c\/b\u003e 17.   Truth, Fact, and Memory 18.   Authority and Credibility \u003cb\u003ePart 4: Renovations\u003c\/b\u003e 19.   Workshops, Peer Reviews, and Writing Groups 20.   Revision 21.   Publishing \u003cb\u003ePart 5: Anthology\u003c\/b\u003e 1.       Austin Bunn, “Basement Story” 2.       Amy Butcher, “Women These Days” 3.       Seo-Young Chu, “A Refuge for Jae-in Doe: Fugues in the Key of English Major” 4.       Melissa Febos, “Leave Marks” 5.       Kathy Fish, “Collective Nouns for Humans in the Wild” 6.       Harrison Candelaria Fletcher, “Open Season” 7.       Ross Gay, “Loitering” 8.       Och Gonzalez, “What I Do on My Terrace is None of Your Business” 9.       Peter Grandbois, “Loyalty” 10.   Major Jackson, “Mighty Pawns” 11.   Sarah Minor, “A Log Cabin Square” 12.   Jessica Hendry Nelson, “When You Were a Boy in Maine” 13.   Sean Prentiss, “Buying a House” 14.   Jonathan Rovner, “The Funambulists”  15.   Vijay Seshadri, “Memoir” 16.   Vivek Shraya, “Trisha” 17.   Margot Singer, “Call it Rape”  18.   Ira Sukrungruang, “Invisible Partners” 19.   Jill Talbot, “The Professor of Longing” 20.   Abigail Thomas, “Nostalgia” 21.   Ryan Van Meter, “First” 22.   Elissa Washuta, “Incompressible Flow” 23.   Christian Wiman, “The Limit” 24.   Brooke Juliet Wonders, “Self Erasure” 25.   Xu Xi, “Godspeed” 26.   Kristen Millares Young, “A Few Thoughts While Shaving” Index","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738584854871,"sku":"9781350067806","price":21.84,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350067806.jpg?v=1720049556"},{"product_id":"the-art-and-craft-of-asian-stories-9781350076549","title":"The Art and Craft of Asian Stories","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eAn all-in-one craft guide and anthology, this is the first creative writing book to find inspiration and guidance in the diverse literary traditions of Asia. Including exemplary stories by leading writers from Japan, China, India, Singapore and beyond as well as those from Asian diasporas in Europe and America, \u003ci\u003eThe Art and Craft of Asian Stories \u003c\/i\u003eoffers an exciting take on the traditional how-to writing guide by drawing from a rich new trove of short stories beyond the western canon which readers may never have encountered before. Whilst still taking stock of the traditional elements of story such as character, viewpoint and setting, Xu and Hemley let these compelling stories speak for themselves to offer readers new ideas and approaches which could enrich their own creative work. Structured around the themes encountered in the stories, such as race and identity, history and power, family and aspirations, this text is a vital companion for writers at all levels keen to develop an\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eThe clarity with which Xu and Hemley break down the stories is remarkable ... The book’s assessments of the machinations of these short stories reads a lot like a friendly, but sharp, editorial letter ... [and] I enjoyed every paragraph of the editors’ good advice. I loved the deft way in which they reminded us about the deeper message of inclusivity that’s being posited here, from the book’s raison d’être to its gentle reminders about writing 'the other' carefully and respectfully. The question of authenticity is tackled to great effect, but never ad nauseum, and this reader is grateful for the book’s continuous gentle, wry, tone. * Undomesticated Magazine *\u003cbr\u003eXu Xi and Robin Hemley are brilliant guides to the art of fiction. This anthology, long awaited, is a joy to behold, illuminating a larger world for a new generation of writers. * Madeleine Thien, author of 'Do Not Say We Have Nothing' *\u003cbr\u003eEveryone knows that the domination of Western storytelling is a problem, but what to do about it? \u003ci\u003eThe Art and Craft of Asian Stories\u003c\/i\u003e offers practical and thought-provoking advice. And you don't have to be an Asian storyteller, by the way, to be enriched and inspired by these pages. * Gish Jen, author of The Resisters *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eCredits and Permissions  Introduction  \u003cb\u003eChapter One: Family Matters \u003c\/b\u003e 1.    “The Brothers” Lysley Tenorio (USA) 2.    “My Mother Pattu” Saras Manickam (Malaysia)  \u003cb\u003eChapter Two: Attraction \u003c\/b\u003e 1.    “Convince Me”  Jiang Yitan (China) translated from Chinese (Mandarin) by Philip Hand 2.    “No Toes” Michael Mohammed Ahmad (Australia)   \u003cb\u003eChapter Three: Routines \u003c\/b\u003e 1.    “We That Summer” Han Yujoo (Korea) translated from Korean by Janet Hong 2.    “Birds” by Deepak Unnikrishnan  (UAE)  \u003cb\u003eChapter Four: Little Fish \u003c\/b\u003e 1.    “A Clerk’s Story” Dilip Kumar (India) translated from Tamil by Padma Narayanan 2.    “National Day” Jeremy Tiang (Singapore) 3.    “An Errand” Angelo Lacuesta, (Philippines)   \u003cb\u003eChapter Five: Shedding Skins \u003c\/b\u003e 1.    “All About Skin” Xu Xi (USA) 2.    “Dragon Menu”  Zhang Xinxin  (China) translated from Chinese (Mandarin) by Helen Wang  \u003cb\u003eChapter Six: Invaders \u003c\/b\u003e 1.    “Farangs”  Rattawut Lapcharoensap  (USA) 2.    “Boondocks” Robin Hemley (USA)  \u003cb\u003eChapter Seven: Diasporas \u003c\/b\u003e 1.    “The Boat” Nam Le (Australia) 2.    “Dreams in English” Noelle Q. de Jesus (Philippines)  \u003cb\u003eChapter Eight: Mysteries \u003c\/b\u003e 1.    “The Door,” Dorothy Tse (Hong Kong) translated from Chinese (Cantonese) by Natascha Bruce 2.    “Where did I Lose You?”  Fan Xiaoqing (China) translated from Chinese (Mandarin) by Paul Harris \u003cb\u003e Chapter Nine: Taboos \u003c\/b\u003e 1.    “The Quilt,” Ismat Chughtai  (India) translated from Urdu by Gopika Jadeja 2.    “Video” Meera Nair  (USA) 3.    “Prayer in Training” Ploi Pirapokin  (USA) \u003cb\u003e Chapter Ten: Histories \u003c\/b\u003e 1.    “Bee Honey”  Yoshimoto Banana (Japan) translated from Japanese by Michael Emmerich 2.    “Lee Kuan Yew is not Always the Answer” Inez Tan, (Singapore) \u003cb\u003e Chapter Eleven: Future Tense \u003c\/b\u003e 1.    “Pink”  Hoshino Tomoyuki (Japan) translated from Japanese by Brian Bergstrom 2.    “Learning Curve” Yeung Chak Yan (Hong Kong)  Index","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738585641303,"sku":"9781350076549","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350076549.jpg?v=1720049559"},{"product_id":"the-science-of-story-9781350084247","title":"The Science of Story","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eSean Prentiss\u003c\/b\u003e is Associate Professor of English at Norwich University, USA. He is author of \u003ci\u003eFinding Abbey: The Search for Edward Abbey and His Hidden Desert Grave\u003c\/i\u003e (2015), which won the National Outdoor Book Award for Biography\/History. He is also co-editor of \u003ci\u003eThe Far Edges of the Fourth Genre \u003c\/i\u003e(2014) and co-author (with Joe Wilkins) of \u003ci\u003eEnvironmental and Nature Writing: A Writer's Guide and Anthology\u003c\/i\u003e (Bloomsbury, 2017).\u003cbr\u003e\u003cbr\u003e  \u003cb\u003eNicole Walker\u003c\/b\u003e is the author of the collections \u003ci\u003eThe After-Normal: Brief, Alphabetical Essays on a Changing Planet\u003c\/i\u003e from Rose Metal Press and \u003ci\u003eSustainability: A Love Story\u003c\/i\u003e from Mad Creek Books. Her previous books include \u003ci\u003eWhere the Tiny Things Are, Egg\u003c\/i\u003e, \u003ci\u003eMicrograms, Quench Your Thirst with Salt,\u003c\/i\u003e and \u003ci\u003eThis Noisy Egg. \u003c\/i\u003eShe edited for Bloomsbury the essay collections \u003ci\u003eScience of Story\u003c\/i\u003e with Sean Prentiss and with Margot Singer, \u003ci\u003eBending Genre: Essays on Creative Nonfiction\u003c\/i\u003e. She's nonfiction \u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eThis book offers intriguing takes on the question of how our unknowable brains reckon with experience and lead us to the artistic practice of creative nonfiction. Cognitive science, neuroaesthetics, mirror neurons, memory and metaphor all come out to play with these inquiring minds. This is not an instruction manual, but rather a series of brilliant provocations to expand the field of our writing lives. * Alison Hawthorne Deming, Author of Zoologies: On Animals and the Human Spirit *\u003cbr\u003e\u003ci\u003eThe Science of Story \u003c\/i\u003emakes a great case for the essay as premier scientific instrument. Each contribution in this anthology illuminates a new intersection between writing and science. How does time or space \u003ci\u003ework\u003c\/i\u003e in memory or on the page? How do description and emotion affect us? How do memory or metaphor work to produce the magic they do? How do the essays we love affect us emotionally? And more importantly, how can writers use or repurpose these tools to make more interesting and beautiful things? This book will be revelatory for writers of nonfiction and their many readers. * Ander Monson, Professor of English, University of Arizona, USA *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eTable of Contents 01 Introduction, Sean Prentiss and Nicole Walker 02 Bengal Tiger Moments: Perception of Time in the Brain and on the Page, \u003ci\u003eSean Prentiss, Vermont College of Fine Arts, USA\u003c\/i\u003e 03 Sipping from the Transmitter: Theorizing the ‘Potential Essay’, Lawrence Lenhart –  04 The Brain is a Master Class, \u003ci\u003eDave Madden, University of San Francisco, USA\u003c\/i\u003e 05 Brain on Fire, Nicole Walker, \u003ci\u003eNorthern Arizona University, USA\u003c\/i\u003e 06 The Brain Split in Half, \u003ci\u003eIra Surungruang, University of South Florida, USA\u003c\/i\u003e 07 When the Body Reads: Writing Sensory Perception for Reader Embodiment, \u003ci\u003eNancer Ballard, Brandeis University, USA\u003c\/i\u003e 08 Lens: A Lyric Meditation, \u003ci\u003eKatherine Coles, University of Utah, USA\u003c\/i\u003e 09 The Heart and the Eye: How Description Can Access Emotion, \u003ci\u003eJT Bushnell, Oregon State University, USA 1\u003c\/i\u003e0 The Memory Agent, \u003ci\u003eDavid Lazar, Columbia College Chicago, USA\u003c\/i\u003e 11 On Metaphor, \u003ci\u003eV. Efua Prince, Wayne State University, USA\u003c\/i\u003e 12 The Glittering World of Synapses, \u003ci\u003eLyncia Bega, Dine´ writer and artist \u003c\/i\u003e 13 A Sense of Oneness with Sun and Stone, \u003ci\u003eLeila Phillips, College of the Holy Cross, USA\u003c\/i\u003e 14 A Gardener’s Education (Animal Body), Marco Wilkinson, \u003ci\u003eOberlin College and Lorain County Community College, USA\u003c\/i\u003e 15 The Secret Lives of Stories: Rewriting Our Personal Narratives, \u003ci\u003eFrank Bures, author of \u003c\/i\u003eThe Geography of Madness   16 Conversations in Intensive Care, Amy Wright, \u003ci\u003eauthor\u003c\/i\u003e 17 Mindfulness and Memoir, Julie Wittes Shlack, \u003ci\u003eauthor\u003c\/i\u003e\u003c\/p\u003e","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738586394967,"sku":"9781350084247","price":999.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350084247.jpg?v=1720049562"},{"product_id":"how-to-read-like-a-writer-9781350119406","title":"How to Read Like a Writer","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eReliably insightful.  \u003ci\u003ePublishers Weekly\u003c\/i\u003e\u003c\/b\u003eThe first step to becoming a successful writer is to become a successful reader. Helping you develop your critical skills \u003ci\u003eHow to Read Like a Writer \u003c\/i\u003eis an accessible and effective step-by-step guide to how careful reading can help you improve your craft as a creative writer, whatever genre you are writing in.Across 10 lessons  each pairing published readings with practical critical and creative exercises  this book helps writers master such key elements of their craft as:         Genre  from fiction, creative nonfiction and poetry to hybrid genres such as graphic narratives and online forms         Plot, conflict, theme and image         Developing characters  physical descriptions, psychological depths and actions         Narrators and points of view  1st, 2nd and 3rd person narratives         Scenes and settings  time, space and place         Structure and form  length, organization and media         Language, subtext and sty\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eReliably insightful. Those looking to get the most out of their reading experience and get the pen moving should give this a look. * Publishers Weekly *\u003cbr\u003eThis is a very interesting, and useful, book. It covers a range of types of writing. ... a worthwhile investment. It's both analytical and readable: two words you don't often find in the same sentence! * Writers Know-How blog *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eIntroduction: Writers Read \u003cb\u003eLesson 1: Genre\u003c\/b\u003e i. Fiction ii. Creative Nonfiction iii. Poetry \u003cb\u003eLesson 2: Hybrids and Multigenre Work\u003c\/b\u003e i. Graphic Narrative ii. Photo Essay iii. Prose Poems and Other Hybrids iv. Emerging Hybrids and Other Multigenre Work \u003cb\u003eLesson 3: Form\u003c\/b\u003e i. One Size Does Not Fit All ii. Long, Short and Shorter iii. In Print, Online and Social Medias \u003cb\u003eLesson 4: Plot, Conflict and Theme\/Image\u003c\/b\u003e i. What Drives a Story, Poem or Essay? ii. Central Theme\/Image iii. Plot and Narrative Arc iv. Conflict \u003cb\u003eLesson 5: Structure\u003c\/b\u003e i. Overall Structure ii. Nontraditional Structures iii. Whitespace and Other Structural Markers \u003cb\u003eLesson 6: Character Development\u003c\/b\u003e i. Discovering Depth and Nuance ii. When the Narrator is Also a Character \u003cb\u003eLesson 7: Point of View\u003c\/b\u003e i. Narrator, Speaker ii. First, Second, and Third iii. Omniscience and Limits iv. Distance and Closeness v. When the Narrator is also the Writer (Nonfiction) \u003cb\u003eLesson 8: Setting\u003c\/b\u003e i. Place, Space, and Time ii. Introducing Setting iii. Physical Details \u003cb\u003eLesson 9: Reading to Discover Scene\u003c\/b\u003e i. When Writers Use Scene ii. Short, Long, and In-Between iii. Recognizing Well-Rendered Scenes \u003cb\u003eLesson 10: Language\u003c\/b\u003e i. Developing a Literary Ear ii. Resonance iii. Sensory Language iv. Style v. Voice and Tone \u003cb\u003eThe End\u003c\/b\u003e i. Making Connections ii. Each Aspect of Writing Influences the Others iii. Continuing Down Your Path as a Reading Writer Index","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738591080791,"sku":"9781350119406","price":23.21,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350119406.jpg?v=1720049579"},{"product_id":"playwriting-9781350135833","title":"Playwriting","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eThis book is ideal for anyone keen to understand how contemporary plays and playwrights work, particularly those wanting to write for the stage themselves. Drawing heavily on contemporary practice, it considers moments from a range of plays, with a focus on those from the National Theatre''s repertoire. The book embraces a range of different dramaturgical structures and styles popular today; plays by a diverse selection of writers; and the current openness of dramatic form. A book of tools, rather than rules, this guide provides suggestions and provocations, exercises and tricks, examples and discussions. An ideal text for playwrights to hone their craft.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eIt's hard to think of a scholar and theatre maker more knowledgeable about new work and how it’s made or a more perspicacious critic of the contemporary UK theatre scene than Dan Rebellato. * David Eldridge, Dramatist and Screenwriter *\u003cbr\u003eWritten in an informal style, it’s an inspiring and entertaining resource, providing tools, suggestions, exercises and tricks. * Writers' Forus *\u003cbr\u003eRebellato offers up concrete examples to demystify the process of writing … He shares examples of his own playwriting practice, quotidian events that could be turned into drama, and the practices of great playwrights from history. The book is packed full of references to other contemporary and classic plays, which is helpful to see and note down real-world examples of the process in action. * Drama \u0026amp; Theatre *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eIntroduction                                                      1.          What Does a Playwright Do?                           2.          How to have Ideas                                            3.          Monologue                                                       4.          (How) Can We Learn from Aristotle?              5.          Structure                                                            6.          Form                                                                  7.          Plot vs. Story                                                     8.          Time and Place                                                 9.          Making a Scene                                                10.     Dialogue and Subtext                                      11.     Character                                                          12.     Writing Your Play                                              13.     Getting It Staged Notes                                              Further Reading","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738593309015,"sku":"9781350135833","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350135833.jpg?v=1720049586"},{"product_id":"the-art-of-writing-for-the-theatre-9781350155572","title":"The Art of Writing for the Theatre","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eFilled with practical advice from an award-winning playwright, with a range of resources to guide you in the craft and business of theatre writing, \u003ci\u003eThe Art of Writing for the Theatre \u003c\/i\u003eprovides everything you need to write like a seasoned theatre professional, including: * how to analyze and break down a script * how to write a wide range of plays * how to critique a theatre production * how to construct and craft critical essays, cover letters, and theatrical resumes This thorough introduction is supplemented with exercises and new interviews with a host of internationally acclaimed playwrights, lyricists, and critics, including Marsha Norman, Beth Henley, Lyn Gardner, Octavio Solis, Ismail Khalidi, and David Zippel, among many others. Accompanying online resources include playwriting and script analysis worksheets and exercises, an example of a playwriting resume, and critical points to consider on playwriting, design, acting, directing and choreography.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eEven after fifty years of creating musicals, I found \u003ci\u003eThe Art of Writing for the Theatre\u003c\/i\u003e immensely helpful, especially as I undertake new projects. Luke Yankee's clear and concise analysis and advice, coupled with the insights of the writers he interviewed, seems to me invaluable and inspiring for anyone aspiring to write for the theatre, from beginner to long-time professional. * Stephen Schwartz, Tony-winning composer and lyricist of Wicked, Pippin, \u0026amp; Godspell. *\u003cbr\u003eOne can’t have a life in the theatre by taking shortcuts. One can’t enter this world with no regard for what has come before you. The elements needed toward becoming a true person of the theater are beautifully illuminated and enumerated in Luke Yankee’s book. He is a playwright and a director and his heart has been in the theater ever since he was a kid. Rightly so. Love and intelligence mix in this essential work. * Joanna Gleason, Tony winner for Into the Woods; three-time Drama Desk Award winner *\u003cbr\u003eI only wish when I was starting out that I had a book like this. It is filled with valuable and important information. Luke Yankee's insight and guidance is spot on! Anybody who is thinking about going into this profession should start by reading this book. * Scott Ellis, nine-time Tony nominee as Best Director; Olivier Award winner  as Best Director for She Loves Me *\u003cbr\u003eThis is a must-read for anyone in the arts, but particularly for young people with a hunger to immerse themselves in the nuts and bolts of the theatre, and the crucial importance of language. The accomplished director and playwright, Luke Yankee, leaves no stone unturned in this comprehensive work; he clearly has a great love and respect, not only for playwriting, but for all the essential elements that fill in the spaces. * Victor Garber, four-time Tony nominee for Lend Me A Tenor, Deathrap, Little Me, \u0026amp; Damn Yankees; six-time Emmy nominee *\u003cbr\u003eLuke Yankee offers insightful discussions on the development of character, dramatic structure, and script analysis—all amply supported by interviews with distinguished contemporary theatre artists.   Calling on his extensive career as actor, director, and writer, Yankee’s practical approach is an invaluable resource for anyone wishing to hone their skills in writing for the theatre. * Lucien Douglas, The University of Texas at Austin, USA *\u003cbr\u003eHaving worked almost exclusively with new plays and emerging playwrights for over 30 years, it was fascinating to read the insights and wisdom Luke Yankee has managed to unlock from the best playwrights, lyricists and critics in our field today. This is essential reading for the next generation of playwrights. I finally have an answer when younger writers ask me what book to read about playwriting:  this one! * Jon Lawrence Rivera, Artistic Director, Playwrights Arena, Los Angeles, USA *\u003cbr\u003eThis book has it all! It contains a concrete approach to understanding what’s inside a scene, a terrific tutorial on putting thoughts onto paper, a look inside the nuances of criticism, and straightforward advice from professionals at the top of their game. If you are a theatre artist who plans to put words on a page, you need to read and study this book. * Professor Brian Kite, UCLA School of Theater, Film, and Television, USA *\u003cbr\u003eYou'll have to go far and wide to find a better introduction to script analysis, playwriting, and criticism than this. Every theatre teacher should use this in their classroom. Practical and informative! * Millicent Martin, BAFTA award winner and two-time Tony nominee *\u003cbr\u003eFrom the reader’s first encounter with the text and the writer’s confrontation with the empty page, Luke Yankee’s \u003ci\u003eThe Art of Writing for the Theatre\u003c\/i\u003e offers clarifying definitions and helpful guidance for aspiring playwrights and theatre critics. Using excerpts from his own plays as subjects for analysis and enlightening interviews with working playwrights and critics, the book offers a wealth of information and inspiration for all who seek to better understand the inner workings of the writer’s art. * Evan Yionoulis, Richard Rodgers Dean and Director of the Drama Division,  The Juilliard School, USA *\u003cbr\u003eFirst, let me thank Luke Yankee for this extraordinary book. It’s been a long while since I’ve read anything that so comprehensively addresses the subject as \u003ci\u003eThe Art of Writing for The Theatre\u003c\/i\u003e. Not only is the book completely informative, it’s also a good read. The exploration of examples of playwriting, criticism, and analysis are invaluable. The interviews with some of the theatre's most distinct voices is like going to the ultimate master class. The inclusion of people of diverse backgrounds makes it all the more applicable to everyone in a personal manner. I am an actor, director, writer, teacher, and devout audience member. This book will be by my side as a guideline in the future in each of those endeavors. Any student or teacher, or for that matter, anyone interested in the theatre in its most elemental form will benefit from this book. Get it and keep it on your shelf. I would be willing to bet that you will refer to it many times in the future. * Ken Page, star of the original Broadway companies of Cats and Aint Misbehavin’ *\u003cbr\u003eThis essential book sits squarely in the ‘required reading’ section for any university theatre course or for anyone who wants to understand the theatrical medium better. It begins with clear, inspiring lessons and tips that guide the writer from conception to fruition while including priceless wisdom from masters in our field. The text provides the reader with invaluable, user-friendly prompts that both allow the writer to be more understanding and critical of their own work, but also to view other’s works with a clearer eye. I simply found this book a pleasure to read and was enlightened and inspired about my own creative process as well as viewing all dramatic works with new insights. A must read! * John B. Benitz, Chair, Department of Theatre, Chapman University, USA *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eNote on the Text  Introduction  \u003cb\u003e1. Script Analysis\u003c\/b\u003e Why Do We Need Script Analysis? Definitions and Terms for Script Analysis Freytag’s Pyramid and the Dramatic Arc A Crash Course in Aristotle’s \u003ci\u003ePoetics\u003c\/i\u003e Script Analysis Exercises Exercises  \u003cb\u003e2. Playwriting\u003c\/b\u003e The Elements of Playwriting What Does “Show, Don’t Tell” Mean? The Significance of Exposition The Good Title Test The Mechanics of Writing a Play How Do You Start? How To Write a Ten-Minute Play Other Play Formats Conclusion Exercises  \u003cb\u003e3. Criticism\u003c\/b\u003e The “Why” of Theatre Criticism “I Liked it” Doesn’t Matter Writing a Critique for a Play “Why Am I Bored? A Sample Critique Criticism as Entertainment  Remember: Artists Have Feelings, Too When to Keep it to Yourself What to Look for When Writing a Critique Critiquing Other Forms Exercises  \u003cb\u003e4. The Interviews:  Conversations with Acclaimed Playwrights, Critics, Librettists, and Lyricists\u003c\/b\u003e A Series of Master Classes On Starting Out “What Should I Write About?”  On Structure A Writer’s Process Readings and Play Development On Taking Advice on your Script On Collaboration On Writing Musicals On the Writer as “The Outsider Looking In” On Critics and Theatre Criticism Advice for New Writers What Do You Love About the Theatre?   \u003cb\u003e5. The Brass Tacks: Practical Tools of Writing for the Theatre\u003c\/b\u003e The “How To” Of A Writer’s Life Read, See, and Hear Theatre Blogs Submission Opportunities for Playwrights Cover Letters for Writers…and Beyond Living Room Readings: The Value of Free Pizza Virtual Presentations A Map of Relationships Opening Night Cards and Gratitude Letters:  A Lost Art  Exercises  Conclusion  Further Reading Notes Biographies of Interviewees Special Thanks About the Author Index","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738597306711,"sku":"9781350155572","price":20.89,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350155572.jpg?v=1720049598"},{"product_id":"creating-an-undergraduate-literary-journal-9781350160705","title":"Creating an Undergraduate Literary Journal","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eUniversity literary journals allow students to create their own venue for learning, have a hands-on part of their development in real-world skills, and strive towards professional achievement. But producing an undergraduate literary magazine requires commitment, funding, and knowledge of the industry. This practical guide assists students and faculty in choosing a workable structure for setting up, and then successfully running, their own literary publication. Whether the journal is print or online, in-house or international, \u003ci\u003eCreating an Undergraduate Literary Journal \u003c\/i\u003eis a step-by-step handbook, walking the reader through the process of literary journal production. Chapters focus on: defining the journal; the financial logistics; editing the journal; distribution; and what could come next for a student writer-editor after graduation. The first book of its kind to offer instruction directly to those running university-based literary magazines, this book includes insights from for\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eAudrey Colombe’s \u003ci\u003eCreating An Undergraduate Literary Journal\u003c\/i\u003e provides a wealth of information for faculty advisors, student and faculty editors, and undergraduates and graduate students alike on the business of literary publishing and tips for building, developing, expanding, and marketing a successful literary magazine. * Keya Mitra, Pacific University, USA *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eIntroduction: Running a Literary Journal\u003c\/i\u003e             The sorrows, the joys             What to expect from this book   \u003ci\u003e1.Defining Your Journal\u003c\/i\u003e             Start Out by Looking Around: What Defines Your School and Your Project?             Are you working on an existing journal, or starting from scratch? Considering the Possibilities: In house             National\/International             Online             In print \u003ci\u003e2. Financial and In-kind Support\u003c\/i\u003e             The Budget University: Student Fees, Department, College, Provost             Advisory Board             Fundraising 101             Faculty Advisor\/Graduate Advisor             Partner Journals             Advertising \u003ci\u003e3. Editing the Journal\u003c\/i\u003e             Editing tasks: creating a handbook and editorial practices             Diversity – Staff and Selections             Establishing an Annual Schedule             Communication                         Between yourselves                         With your writers             Production and Design             Awards – Or Not \u003ci\u003e4. Writer-Editor Citizen\u003c\/i\u003e             Reading Series and Other Literary Events             Creating Writing Opportunities for Everyone             Collaborative Work with Other Student Artists             Community Outreach: Getting Writers from the Community Involved             University engagement (with Admissions, Alumni Relations, Development) \u003ci\u003e5. Networking and Professionalization\u003c\/i\u003e             State and Local Writing Groups             AWP \u0026amp; FUSE             National and International Writing Conferences             Internships             Graduate School   Index   Appendix A:  List of undergraduate literary magazines, print and online Appendix B: List of helpful literary organizations","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738597962071,"sku":"9781350160705","price":20.89,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350160705.jpg?v=1720049602"},{"product_id":"the-writers-hustle-9781350160750","title":"The Writers Hustle","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eThe Writer's Hustle \u003c\/i\u003eis a comprehensive guide to all the things successful writers do when they're not sitting at the keyboard. Drawing on wisdom from dozens of experienced authors, professors, students, and other writing professionals, this book offers pragmatic and systematic advice on the everyday professional practices that make up a writer's life. In ten chapters, Franklin covers the full arc of a writer's professional development, from setting goals and establishing a routine, to mastering writing groups and workshops, earning a mentor, and becoming a literary citizen. He explores strategies for attending conferences, finishing projects, submitting work, and maintaining a life-long writing habit, and he examines the potential benefits of a formal creative writing education, including a close look at how creative writing students can leverage their liberal arts training into a wide range of careers.Informative and personal, \u003ci\u003eThe Writer's Hustle\u003c\/i\u003e is an ideal companion fo\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eThe Writer’s Hustle \u003c\/i\u003edelivers a frank, entertaining and practical exploration into how to sustain the writer’s life. Never claiming to provide THE answers, Joey Franklin examines the diverse approaches and practices necessary to staying in the game. * Beth Cooley, Gonzaga University, Spokane Washington, USA *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eIntroduction: The Writer's Hustle Chapter 1: Making the Most of Each Day Chapter 2: Mastering the Art of the Writing Group Chapter 3: Becoming a Good Literary Citizen Chapter 4: Earning a Mentor Chapter 5: Attending a Conference, Retreat, or Residency Chapter 6: Finishing Projects Chapter 7: Submitting Work Chapter 8: Considering (More) School Chapter 9: Preparing for a (Writing) Career Chapter 10: Staying in the Game","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738598093143,"sku":"9781350160750","price":18.58,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350160750.jpg?v=1720049601"},{"product_id":"fantasy-fiction-9781350166929","title":"Fantasy Fiction","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eThe first fantasy-writing textbook to combine a historical genre overview with an anthology and comprehensive craft guide, this book explores the blue prints of one of the most popular forms of genre fiction. \u003c\/b\u003eThe first section will acquaint readers with the vast canon of existing fantasy fiction and outline the many sub-genres encompassed within it before examining the important relationship between fantasy and creative writing, the academy and publishing. A craft guide follows which equips students with the key concepts of storytelling as they are impacted by writing through a fantastical lens. These include:\u003cbr\u003e\u003cbr\u003e - Character and dialogue\u003cbr\u003e - Point of view\u003cbr\u003e - Plot and structure\u003cbr\u003e - Worldbuilding settings, ideologies and cultures\u003cbr\u003e - Style and revision\u003cbr\u003e\u003cbr\u003e The third section guides students through the spectrum of styles as they are classified in fantasy fiction from Epic and high fantasy, through Lovecraftian and Weird fiction, to magical realism and hybrid fa\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eA thorough take on the Fantasy genre by someone who clearly loves the genre, and a welcome addition to an academic field that deserves more scholarship. * Nicole Peeler, Director of the Writing Popular Fiction Program, Seton Hill University, USA *\u003cbr\u003eJennifer Pullen’s \u003ci\u003eFantasy Fiction: A Writer’s Guide and Anthology \u003c\/i\u003eis the book students and teachers of not only Fantasy fiction but also fiction writ large have been waiting for. Capacious, generous, and wise, it deftly embraces history, inhabits our current cultural moment, and enables the future. An instant classic. * Stephanie Vanderslice, Professor of Creative Writing and Co-Director Arkansas Writers MFA Workshop, University of Central Arkansas, USA *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eTable of Contents \u003cb\u003eSection 1: An Introduction to Fantasy Writing\u003c\/b\u003e Introduction Chapter 1: Fantasy and Its Evolution Chapter 2: Fantasy Genres (a mostly comprehensive review) Chapter 3: Fantasy Fiction, Publishing, and Creative Writing in the Academy \u003cb\u003eSection 2: The Craft of Fantasy Writing\u003c\/b\u003e Chapter 4: Character and Dialogue Chapter 5: Point of View Chapter 6: Structure and Plot Chapter 7: Worldbuilding Part 1 Chapter 8: Worldbuilding Part 2 Chapter 9: Worldbuilding Part 3 Chapter 10: Style and Revision Discussion Questions and Writing Activities \u003cb\u003eSection 3: Genres and Styles of Fantasy Writing\u003c\/b\u003e Chapter 11: Epic Fantasy, High Fantasy, and Sword and Sorcery Fantasy Chapter 12: Historical Fantasy Chapter 13: Weird Fiction, Lovecraftian Fantasy, Gothic Fantasy,  and Cosmic Horror Chapter 14: Contemporary and Urban Fantasy Chapter 15: Fabulism and Magical Realism Chapter 16: Mythic, Fairy Tale, Folkloric, and Fairy Fantasy Chapter 17: Hybrid Fantasy Conclusion  \u003cb\u003eAnthology\u003c\/b\u003e Cooney—Martyr’s Gem Donaldson—The Albatrosses Goss—England Under the White Witch Jones—The Night Bazaar for Women Becoming Reptiles Le Guin—The Ones Who Walk Away from Omelas Liu—Good Hunting Miéville—The Condition of New Death Murray—La Llorona Roanhorse—Harvest Samatar—Meet Me in Iram Singh—A Handful of Rice Ulmer—Red Valentine— From the Catalogue of the Pavilion of the Marvelous, Scheduled for Premiere at the Great Exhibition (Before the Fire) Notes and References\u003c\/p\u003e","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738599207255,"sku":"9781350166929","price":24.69,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350166929.jpg?v=1720049606"},{"product_id":"advanced-fiction-9781350180093","title":"Advanced Fiction","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003eConfident with the basics of your craft? Looking to take your writing to the next level? \u003ci\u003eAdvanced Fiction\u003c\/i\u003e gives you the tools to hone your skills by thinking more deeply and systematically about deploying them on the page. Friendly and down-to-earth, Amy Weldon guides you through the realities of craft and process, combining a broad anthology of landmark stories with instruction on the more advanced aspects of fiction writing.Featuring interactive prompts, exercises and suggestions for further reading, this book guides you from larger philosophical issues to subtler technical ones, from topics as diverse as the intricate principles of storytelling to navigating artistic and political landscapes conscientiously and building a writing career. Beginning with a brief recap of the basics, the text goes on to examine:- The psychology of writing and revising- Practical methods for drafting and notebook-keeping- Taking personal and technical risks with ideas, images, and forms- Making r\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eChapter One: What Makes Advanced Fiction Writing “Advanced?” \u003ci\u003eStudent Craft Studio: Shannon Baker, “Habits”\u003c\/i\u003e \u003ci\u003eCraft Studio: James Joyce, “Araby” (1914)\u003c\/i\u003e Exercises   Chapter Two: Getting It Down: Self-Organizing, From Mind to Page             Exercises                                                                                              Chapter Three: Mystery, Conviction, Form, and Risk             \u003ci\u003eStudent Craft Studio: Levi Bird, “On Stable Ground”\u003c\/i\u003e \u003ci\u003eCraft Studio: Charlotte Perkins Gilman, “The Yellow Wallpaper” (1892)\u003c\/i\u003e Exercises   Chapter Four: Writing in Color: Culture, Identity, and Art \u003ci\u003eStudent Craft Studio: Ian Wreisner, “The New Chicago”\u003c\/i\u003e \u003ci\u003eCraft Studio: Rebecca Makkai, \u003c\/i\u003efrom \u003ci\u003eThe Great Believers: A Novel (2018)\u003c\/i\u003e             Exercises   Chapter Five: Invisible Engines: Purpose, Psychic Distance, and Point of View \u003ci\u003eStudent Craft Studio: Andrew Tiede, “Till Death”\u003c\/i\u003e \u003ci\u003eCraft Studio: Chimamanda Ngozi Adichie, “The American Embassy” (2003) \u003c\/i\u003e             Exercises   Chapter Six: Building a World – For Your Readers and Yourself \u003ci\u003eStudent Craft Studio: Joel Murillo, “Cracker Jack”\u003c\/i\u003e \u003ci\u003e                                     Kari Myers, “Fields of Ash”\u003c\/i\u003e \u003ci\u003eCraft Studio: Angela Carter, “The Tiger’s Bride” (1979) \u003c\/i\u003e Exercises   Chapter Seven: Trust the Process: Revising, Editing, and Writing At Length \u003ci\u003eTeacher Craft Studio: Amy Weldon, “The Serpent” (2018) \u003c\/i\u003e             Exercises   Chapter Eight: Creative Writing and Your Future             \u003ci\u003eStudent Career Studio: Andrew Chan, Derek Lin, Reed Johnson, MD, and Annika Dome\u003c\/i\u003e \u003ci\u003e            MFA Studio: Keith Lesmeister, “East of Ely” (2017)\u003c\/i\u003e   Dr Weldon’s Fiction Prescriptions","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738600616279,"sku":"9781350180093","price":21.84,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350180093.jpg?v=1720049611"},{"product_id":"writing-in-coffee-shops-9781350190849","title":"Writing in Coffee Shops","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eWhat makes someone a playwright?\u003c\/i\u003e\u003ci\u003eHow do their identities and ideas interweave and co-exist?\u003c\/i\u003e\u003ci\u003eWhat permanent truths can we discern from examining existing texts?\u003c\/i\u003e\u003ci\u003eHow can we write theatre that encapsulates the contemporary moment?\u003c\/i\u003e\u003ci\u003eHow do we develop an idea from the embryonic impulse to a full and robust piece of theatre?   \u003c\/i\u003eIn this fresh, lively and often very funny book, playwright Ryan Craig makes a case for the vitality of playwriting in our contemporary world and offers a way into writing those plays.From the very first moment of the process, as you sit in a coffee shop, staring at your ''laptop yawning open like some big, gormless mouth, the screen a flickering blank'', to seeing your play staged and reviewed, the author takes you through the complete journey. Drawing on his own experience of writing for theatres such as the National, Hampstead and Tricycle and Menier Chocolate Factory, TV drama scripts for BBC, ITV and Channel Four, radio plays and adap\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eThis perfectly demystifies the inexplicable art of playwriting. Candid and immediate, a vital companion to playwrights and theatre makers. * Edward Hall, director *\u003cbr\u003e\u003ci\u003eWriting in Coffee Shops \u003c\/i\u003eis seismic, political and deeply personal. Fascinating about family, class, race and the strange process of writing itself; it's a beautiful, passionate and needed book. * Rebecca Lenkiewicz, Playwright, UK *\u003cbr\u003eThis is an often hilarious memoir, an insightful playwriting handbook and a rousing call-to-arms in the face of our dark and tumultuous times. Anyone in the theatre—anyone in general—will find delight and wisdom in its pages. * JT Rogers, Playwright, USA *\u003cbr\u003eAt times a book of philosophy, it is also an excellent overview of the theatre, citing examples from the Greeks to Shakespeare and contemporary writers to make points about the ways in which plays can be created. In addition, it contains a great deal of contemporary social and political commentary to add background to the story … An excellent, slightly offbeat manual for those who are considering becoming playwrights or have taken the first steps in that direction. It is also a cracking read. * British Theatre Guide *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eIntroduction Idea Story  \u003ci\u003e1.     \u003c\/i\u003e\u003ci\u003eStructure\u003c\/i\u003e \u003ci\u003e2.     \u003c\/i\u003e\u003ci\u003eDistance\u003c\/i\u003e \u003ci\u003e3.     \u003c\/i\u003e\u003ci\u003eCharacter\u003c\/i\u003e \u003ci\u003e4.     \u003c\/i\u003e\u003ci\u003eConflict\u003c\/i\u003e \u003ci\u003e5.     \u003c\/i\u003e\u003ci\u003eReversal\u003c\/i\u003e \u003ci\u003e6.     \u003c\/i\u003e\u003ci\u003eReaction\u003c\/i\u003e  Voice What Next: The Consequences of Resistance","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738602221911,"sku":"9781350190849","price":17.09,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350190849.jpg?v=1720049618"},{"product_id":"advanced-poetry-9781350224582","title":"Advanced Poetry","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eA text for practiced poets, this book offers a springboard beyond the basics into more daring poetic traditions, experimentation and methods. It lays out the myriad conversations influencing contemporary poetics, paying attention to its roots in historical and theoretical thinking. With a focus on innovation and breaking established boundaries, \u003ci\u003eAdvanced Poetry \u003c\/i\u003eintroduces you to the poetics shaping the contemporary literary moment, first guiding you through the contexts and principles of these forms using a range of practical examples, before prompting you to pick up the pen yourself.\u003cbr\u003e\u003cbr\u003e Spanning decades and continents, and covering the rich field of poets writing today, this book shows how to read, explicate, and write poetry and includes discussion of:\u003cbr\u003e\u003cbr\u003e - received traditions and innovative forms\u003cbr\u003e- confessional and epistolary poetry\u003cbr\u003e - aesthetic experimentation with voice\u003cbr\u003e - methods and theories developed by early Surrealists\u003cbr\u003e-deep image and the poetic\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eIn the charged intimacy of whispered dish or conspiracy, Nuernberger and Zeller geek with robust gusto and gleeful rigor over poetry: its making and what it makes of us. Here’s a fleet textbook that inspires possibility, offers generous guidance with a light-touch, and in the process, sneaks in a sly, keen, and often subversive anthology of poems gathered from a wide view of time and place. This is more than a textbook; it’s a compelling invitation. * Douglas Kearney *\u003cbr\u003e\u003ci\u003eAdvanced Poetry\u003c\/i\u003e “offers readers a radical methodology to studying poetics, one that simultaneously breaks boundaries for what textbooks might achieve (similar, perhaps, to Mary Ruefle's \u003ci\u003eMadness, Rack, and Honey\u003c\/i\u003e), while also harkening back to formal and historical poetics.” It is “conversational, and it somehow simultaneously introduces you to new poets and traditions without ever making you feel inadequate for not knowing something.” I “love that it starts each chapter with poems” and that these poems are “diverse and contemporary.” And “while some craft books feel technical and dry, this one never loses its focus on poetry’s magic.” * From Laura Read’s M.F.A. Poetry Workshop students (Laura Read, Professor of Poetry, MFA program at Eastern Washington University, USA) *\u003cbr\u003e\u003ci\u003eAdvanced Poetry: A Writer's Guide and Anthology \u003c\/i\u003eauthored by Kathryn Nuernberger and Maya Jewell Zeller offers readers a way to think about our own work in the context of our collective lineage as poets. I love the way each chapter opens with a diverse selection of poems, which allows the reader the chance to experience the poems before reading the editors’ discussion of them. And I also loved the writing in this book: it is both scholarly and accessible, poetic and sometimes personal. I will read and teach this book for the rest of my career. * Laura Read, Professor of Poetry, MFA program at Eastern Washington University, USA *\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eCONTENTS\u003c\/i\u003e PATHWAYS INTO POETIC LINEAGES Foreword: The End and the Beginning An Invitation to Compose an Ars Poetica Before Reading             Introduction and Notes to Readers, Writers, and Teachers Who is this book for?  How is this book organized? Why begin each chapter with poems . . . ?  Do I need to read the book in order? What pedagogical principles guide this textbook? Some Notes on Teaching This Book Chapter 1: Sound, Shape, \u0026amp; Space: Received and Invented Forms Chapter 2: Telling Secrets: Confessions, Epistolaries, \u0026amp; the Lyric I Chapter 3: The Poem in Telephone Lines \u0026amp; Other Thoughts on Tone, Talk, and Voice in Poetry Chapter 4: Writing Out of Surrealism Chapter 5: Duende, Deep Image, \u0026amp; The Poetics of Spells Chapter 6: The Poetics of Liberation Chapter 7: Writing the Body Chapter 8: The Racial Imaginary Chapter 9: Writing in the Field Chapter 10: Docupoetics \u0026amp; Other Forms of Lyric Research APPENDICES: MAPPING YOUR WRITING LIFE \u003ci\u003ePractical Matters\u003c\/i\u003e Creating an Inspiring and Supportive Workshop Community Strategies for Revision Some Notes on Assembling a Collection \u003ci\u003ePotential Assignments \u0026amp; Professional Materials\u003c\/i\u003e Submitting Poems for Publication Writing an Artist Statement Acknowledgements Index\u003c\/p\u003e","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738606481751,"sku":"9781350224582","price":21.84,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350224582.jpg?v=1720049632"},{"product_id":"on-poetry-9781350248359","title":"On Poetry","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e''The most compelling, original, charismatic and poetic guide to poetry that I can remember.  A handbook written from the heart by one of the true modern masters of the craft.'' \u003cb\u003eSimon Armitage\u003c\/b\u003eA collection of short essays and reflections on poetry from the acclaimed British poet Glyn Maxwell. These essays illustrate Maxwell's poetic philosophy, that the greatest verse arises from a harmony of mind and body, and that poetic forms originate in human necessities  breath, heartbeat, footstep, posture. He speaks of his inspirations, his models, and takes us inside the strange world of the Creative Writing Class, where four young hopefuls grapple with love, sex, cheap wine and hard work. With examples from canonical poets, this is a beautiful, accessible guide to the most ancient and sublime of the realms of literature.","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738610250071,"sku":"9781350248359","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350248359.jpg?v=1720049643"},{"product_id":"the-publishing-business-9781350259386","title":"The Publishing Business","description":"\u003cb\u003eBook Synopsis\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eAre you considering a career in the world of publishing, or simply want to understand more about the industry? If so,\u003ci\u003e The Publishing Business \u003c\/i\u003ewill take you through the \u003c\/b\u003e\u003cb\u003eessential publishing activities performed in editorial, rights, design, production, sales and marketing departments. \u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eInternational examples from across the industry, from children''s books to academic monographs, demonstrate key responsibilities at each stage of the publishing process and how the industry is adapting to digital culture. This 3rd edition has been updated with more on the role of self-publishing, independent publishers, audio books, the rise of poetry and non-fiction and how the industry is facing up to challenges of sustainability, inclusivity and diversity.\u003cbr\u003e\u003cbr\u003eBeautifully designed and full of insight and advice from practitioner interviews, this is an essential introduction to a dynamic industry. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eInterviewees include:\u003c\/b\u003e\u003cbr\u003eAnne Meadows, Commissioning Edito\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003eThis third edition of \u003ci\u003eThe Publishing Business\u003c\/i\u003e does an excellent job of updating what was already a valuable learning resource. With its helpful layout and structure, this is a thoroughly contemporary publishing textbook and a perfect introduction for anybody wanting to learn about and engage with this dynamic creative industry. * Dr David Barker, Senior Lecturer in Publishing, University of Derby, UK *\u003cbr\u003eThe most recent edition of \u003ci\u003eThe Publishing Business\u003c\/i\u003e integrates valuable updates for new students, including information on social media developments, ethical issues surrounding access to book culture, and insights into newly created positions in the publishing industry. This text continues to be an important teaching resource for publishing studies courses. -- Dr Solveig C. Robinson, Director, Publishing \u0026amp; Printing Arts Program, Pacific Lutheran University, Washington, USA\u003cbr\u003e\u003cb\u003e[Praise for the previous editions]\u003c\/b\u003e  Provides an excellent introduction to contemporary publishing. It is recommended reading for anyone wanting up-to-date information about roles and responsibilities in this global industry. -- Sally Hughes, Oxford Brookes University, UK\u003cbr\u003eBeautifully produced and illustrated, \u003ci\u003eThe Publishing Business \u003c\/i\u003eprovides a clear and succinct overview of what it means to be a publisher in an era of rapid technological change. The use of diagrams and case studies helps to convey complex information in a clear and meaningful way. A useful reference guide for publishing professionals. -- Penelope Woolf, Editorial Director, Oxford University Press, UK\u003cbr\u003eI think the book is superb! It looks so much better than any existing textbook on the subject, and practises what it preaches: it is a real visual feast for a visual medium. I shall definitely be recommending it as the main source that students need for their course. A really great production feat! -- Brenda Stones, City University, London\u003cbr\u003e\u003ci\u003eThe Publishing Business \u003c\/i\u003erepresents not only a thoroughly researched and comprehensive guide to contemporary publishing but also an example of what a well designed and accessible textbook should be. -- Prof Alistair McCleery, Edinburgh Napier University\u003cbr\u003eA book that addresses the editorial process in a clear, concise, summarized and instructive way is most refreshing. -- Blog of the School of Bookstore\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003eIntroduction People And Publishing: Who Does What In Book Publishing? Chapter-By-Chapter  \u003cb\u003e1. Fundamentals of Publishing\u003c\/b\u003e A Very Short Of History of Publishing Why Finance Matters The Relationship between Different Parts of Industry The Global and Local Fundamentals Ethical Issues in Publishing Interview:  Namrata Tripathi, Founder and Publisher of Kokila  Preparing For a Future in Publishing Interview: Anne Meadows, Commissioning Editor at Granta and Portobello Books Case Study: Bertelsmann and Random House Summary  \u003cb\u003e2. The Publishing Ecosystem\u003c\/b\u003e Varieties of Publication- Markets and Audiences International Publishing – The Global Market Print and Ebooks Audiobooks Interview: Alba Proko, Audio Manager, Bookouture “Diversity” In Children’s Books Journals, Magazines and Newspapers Who Adds Value to the Publishing Process? Case Study: Amazon and EBSCO Interview: Zaahida Nabagereka, Head of Social Impact at Penguin Books UK  Summary  \u003cb\u003e3. Writers, Readers and Intermediaries\u003c\/b\u003e Authors, Illustrators, Creators and Their Rights Agents and Other Gatekeepers Network and Opinion Formers Prizes Small and Independent Presses Channels to Readers and Buyers Case Study: Frankfurt Book Fair Interview: Ashleigh Gardner, Senior Vice President, Managing Director Global Publishing, Wattpad Interview: Caroline Walsh, Literary Agent, David Higham Associates Summary  \u003cb\u003e4. Editorial Process\u003c\/b\u003e Policy and Planning: List Building and Market Niches Commissioning: Research, Reputation and Funds Contractual Matters: Formats and Co-Editions Editorial Work: From Submissions to Publication Interview: Breanna McDaniel, Author and Sensitivity Reader  Case Study: A Guide for Dummies Interview: Peter Blackstock, VP, Deputy Publisher, Grove Atlantic\/Publisher, Grove Press UK Summary  \u003cb\u003e5. Rights\u003c\/b\u003e How Different Rights Developed Range Of Rights Who Is Involved In Selling Rights Case Study: The Rights Potential of Children's Books Interview: Amy Ellis, Head of Rights and Permissions, Publishers' Licensing Services Interview: Victoria Lawrance, Rights Manager, Bloomsbury Publishing Plc Summary  \u003cb\u003e6. Design and Production\u003c\/b\u003e Platforms and Formats Appropriate For the Content Scheduling the Publication Process Controlling Costs and Establishing Prices Case Study: Horrible Histories Interview: Shaun Hodgkinson, COO, Dorling Kindersley Interview: Thomas Truong, Publishing Director, Little Tiger Group Summary  \u003cb\u003e7. Print and Digital Publishing\u003c\/b\u003e Choosing From a Variety of Media and Formats Legalities of Publishing in a Wired World Digital Workflow and Software Standard Communication for Print and E-Publications Case Study: Print and Digital at the University Presses Interview: Jenny Blenk, Associate Editor, Dark Horse Comics  Interview: Jeanette Morton, Digital Publisher, Oxford University Press Summary  \u003cb\u003e8. Marketing, Sales and Distribution\u003c\/b\u003e Marketing Communication through Promotion and Publicity Interview: Maria Vassilopoulos, Publishing Sales, Uni of Wales Press and Calon Books Managing Budgets and Schedules Supply Chains Using Feedback to Monitor Success Case Study: Persephone Books Interview: Ian Lamb, Head Of Children's Marketing and Publicity, Simon and Schuster Summary  Conclusion Glossary Bibliography and Resources The Publishing Year: Book Fairs and Other Major Publishing Events Index\u003c\/p\u003e","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":48738611200343,"sku":"9781350259386","price":27.54,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9781350259386.jpg?v=1720049649"}],"url":"https:\/\/bookcurl.com\/collections\/creative-writing.oembed?page=61","provider":"Book Curl","version":"1.0","type":"link"}