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Addresses a series of key themes in the cathedral’s history, including the fundraising campaign, the construction of vaults, and the liturgical function of the choir.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrade Review\u003c\/b\u003e\u003cbr\u003e\u003cp\u003e“Smaller, more concise, and more streamlined than a traditional monograph, it emphasizes a series of graphics developed from Tallon’s 3D-scan data, which together purport to show the development of Notre-Dame over the nine centuries of its history. In this way it helps to make the fruits of recent research on the cathedral’s history readily accessible to nonspecialist readers. The new translation undertaken by Lindsay Cook, who studied with both Murray and Tallon and whose own research considers parish churches constructed in the orbit of Notre-Dame, now effectively expands that mission to anglophone audiences.”\u003c\/p\u003e\u003cp\u003e—Robert Bork \u003ci\u003ecaa.reviews\u003c\/i\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e“With up-to-date scholarship and information from a laser scan now being consulted for the repairs of Notre Dame, this survey is at once authoritative and accessible, an important addition to the specialist and non-specialist libraries alike.”\u003c\/p\u003e\u003cp\u003e—Nancy Wu \u003ci\u003eSpeculum\u003c\/i\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eIntroduction 1\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e1163:  Planning the Cathedral\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe Bishop\u003c\/p\u003e\u003cp\u003eThe Cathedral Chapter\u003c\/p\u003e\u003cp\u003eThe Fabric\u003c\/p\u003e\u003cp\u003eResources\u003c\/p\u003e\u003cp\u003eEpiscopal Donations\u003c\/p\u003e\u003cp\u003eCapitular Donations\u003c\/p\u003e\u003cp\u003eLay Donations\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e1170:  Building the Cathedral\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe Materials\u003c\/p\u003e\u003cp\u003eThe Master Mason\u003c\/p\u003e\u003cp\u003eThe Design\u003c\/p\u003e\u003cp\u003eThe Construction\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e1177:  Constructing the Vaults\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe Vaults\u003c\/p\u003e\u003cp\u003eTechnical Aspects of Vault Construction\u003c\/p\u003e\u003cp\u003eThe Space of the Choir\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e1182:  Liturgical Choir and Sanctuary\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe Liturgical Choir\u003c\/p\u003e\u003cp\u003eStaging the Ecclesiastical Hierarchy\u003c\/p\u003e\u003cp\u003eThe Medieval Sanctuary\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e1208:  Form and Meaning\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe Choir\u003c\/p\u003e\u003cp\u003eThe Nave\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e1220:  Portals and the Gallery of Kings\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e1225:  Changing Tastes\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eA Radical Transformation\u003c\/p\u003e\u003cp\u003eThe Changes\u003c\/p\u003e\u003cp\u003eInstability of the West Front\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e1245:  Towers and Bells, Marking Time at the Cathedral\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe Casting of a Bell\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e1265:  Relics and Processions\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eRelics and Reliquaries\u003c\/p\u003e\u003cp\u003eStational Liturgy and Processions\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e1300:  Pious Foundations and Tombs\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe Choir: Preserve of Prelates and Princes\u003c\/p\u003e\u003cp\u003eThe Chapels\u003c\/p\u003e\u003cp\u003eConfraternities at Notre Dame\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e1350: A Point of Reference\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe Architects\u003c\/p\u003e\u003cp\u003eDirecting the Works\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e1780: Baroque Transformations\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e1860: The Major Restoration of Lassus and Viollet-le-Duc\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eNotre Dame in Peril\u003c\/p\u003e\u003cp\u003eThe Invention of French Cultural Heritage\u003c\/p\u003e\u003cp\u003eThe Competition\u003c\/p\u003e\u003cp\u003eThe Project\u003c\/p\u003e\u003cp\u003eThe Restoration\u003c\/p\u003e\u003cp\u003eThe Rational Cathedral\u003c\/p\u003e\u003cp\u003eThe Cathedral Today\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eConclusion\u003c\/p\u003e\u003cp\u003ePlan of Notre Dame\u003c\/p\u003e\u003cp\u003eGlossary\u003c\/p\u003e\u003cp\u003eSelected Bibliography\u003c\/p\u003e\u003cp\u003eCredits\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Pennsylvania State University Press","offers":[{"title":"Default Title","offer_id":48864313049431,"sku":"9780271086224","price":26.96,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/1739\/5799\/files\/9780271086224.jpg?v=1722271359"},{"product_id":"what-the-emperor-built-9780295746883","title":"What the Emperor Built","description":"\u003cb\u003eBook 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Willes, a liveryman of the Stationers’ Company, relishes this hive of industry; it is when she writes of the book trade that her own book comes alive.”—Paul Lay, \u003ci\u003eSunday Telegraph\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Wonderfully engaging. . . . Willes gives a diverting account of searing political pamphlets . . . and the first printing of literary sensations such as \u003ci\u003eLyrical Ballads\u003c\/i\u003e, with walk-on appearances from Charlotte Brontë and Mary Wollstonecraft. . . . Londoners have taken this territory for granted for too many decades, and Willes is here to put that right.”—Sinclair McKay,\u003ci\u003e Spectator\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“This book is an exceptional compendium and encyclopedic survey of historic events and actions. . . . Willes writes in a pleasing, clear, and lively style.”—\u003ci\u003eSeventeeth-Century News\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Invariably accurate, clear and fascinating. . . . 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The author has spent her career in publishing and the care with which this book is written and structured reflects that experience.”—John Goodall, \u003ci\u003eCountry Life\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“In this new book, handsomely illustrated and produced by Yale University Press . . . the story moves briskly forward, enlivened by colourful anecdotes, from Medieval London to the events surrounding Occupy and the erection of a protest camp in 2011.”—Richard Chartres, \u003ci\u003eChurch Times\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Whether or not you have London ancestors, this is a fascinating look at the history of London from a new and different angle. . . . There are plenty of interesting illustrations to help bring the story to life, as do the lively and evocative descriptions of a now lost part of London’s history.”—\u003ci\u003eFamily Tree Magazine\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“There is no doubt that this book is a significant contribution to the histories of London and of print . . . There has long been a need for this book and Willes has fulfilled that need excellently.\"—Joe Saunders, \u003ci\u003eThe Local Historian\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Margaret Willes offers a unique exploration of a lost world, centring on the publishing community which once clustered around St Paul’s Cathedral. 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